Figurine Sculptures

Franz Bergmann, Austrian (1861 -1936) - Piper and Dancers, Year: circa 1900, Medium: Cold painted bronze sculpture, Size: 3.5 x 5 x 3 in. (8.89 x 12.7 x 7.62 cm)

Presenting an extraordinary Large and Exceptional Japanese Meiji Period Tokyo School Bronze Sculpture depicting a delightful ensemble of six energe...

This is a wooden sculpture of a man by the African Senufo tribe in Africa.

Volo Standing Male Nude Sculpture Figure Bronze Boy - In Stock Volo is a standing male nude figure in bronze, a boy reaching, in brown patina. This sculpture is suitable for indoors ...

IJsbeer met Jong Polar Bear with Child Bronze Sculpture Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at the Rotter...

Giuseppe Palumbo’s whimsical, anthropomorphic sculptures delve into the human psyche through irony, wit, and humor. By applying classical techniques to his contemporary subjects, Pal...

Allegory of Spring Mathurin Moreau (1822-1912) A Belle Epoque bronze statue depicting an Allegory of Spring with a seated maiden looking over to view two birds as a putto gathers a...

Edition #32/45 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

This Yoshitomo Nara Dog is a smaller scale model of the large one that sits at Mori Museum. It is made of soft vinyl and designed to be used as a bank. It is ...

A Monumental, Richly Patinated Bronze Bust of Beethoven by Gaston Veuvenot Leroux (1854-1942) Eugène Blot, Fondeur This magnificent sculpture powerfully captures the iconic composer...

Jean Cocteau ( 1889 - 1963 ) " Centurion " . " Unic work dadaist " circa 1928 . certifié par Madame Annie Guédras en décembre 2004 . (certificat joint en photo )

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

Ser Uang Huang’s Sisters carries a quiet warmth, portraying two figures standing side by side with simple, tender expressions. Their presence reflects the familiarity of lifelong com...

Artist/Designer; Manufacturer: Erte (Romain de Tirtoff) (Russian/French 1892-1990) Marking(s); notes: signed, marking(s); ed. 28/250; 1980 Materials: cold-painted bronze Dimensions (...

Apache Gahn Dancer limited bronze edtion

Charles Edouard Richefeu (1868-1945) A stunning dated 1926. A faun and nude woman dancing. Signed RICHEFEU in the bronze. Foundry mark stamp "R. COTTIN & FILS Paris Bronze". Definitely inspired by Diagilev Russian Ballet and Nijinsky dancer on Claude Debussy...

Leon Bonduel (French, 1857-1928) "L'Alerte" [The Alert] Patinated Bronze Sculpture, 1889, depicting reclining nude man rising from sleep with a sword in hand, on a naturalistic base ...

Polychrome Wood Sculpture of the Christ Child, Catalan School, 18th Century A finely carved and expressive figure from the late Baroque period. Crafted in wood with traces of its ori...

Saltationus Casus Bronze Contemporary Sculpture Nude Boy Marble Stone Wim van der Kant (1949, Kampen) is a selftaught artist. Next to his busy profession as a teacher at a high school, he intensively practises his profession as a sculptor. Only when his work would measure up to his own standards, he decided to present it to the rest of the world...

Regule / a metal casting alloy 73 cm signed Vincent Désiré Faure de Broussé, "L'Abondance", large Art Nouveau sculpture, reguleVincent Désiré Faure de Broussé, 1834 - Paris - 19...

Eva Bronze Sculpture Female Nude Figure Contemporary The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. Th...

Nana Williams’ "Porcelain Pattern Sphynx 1" is a captivating resin sculpture that merges delicate craftsmanship with intricate surface decoration. This 2024 original work is a resin cast, hand-painted with acrylic gouache, standing at 5.50 x 2 x 3.50 inches (13.97 x 5.08 x 8.89 cm). Inspired by the elegance of fine porcelain, the piece mimics the timeless beauty of blue-and-white ceramic motifs...

This bronze sculpture, from 1996, is a powerful rendering of a horse rearing. It is not uncommon to see stallions rearing; it is a tactic that can be used to dislodge a predator, to...

Designer's Note: Charming Accent: With its compact height (13.4 inches) and irresistible expression, this piece is the ultimate "shelf sitter." It adds a touch of pure joy to a book...

Designer's Note: Statement Piece: With its impressive height (41.3 inches) and vertical elegance, "Serenity" commands attention without overwhelming a space. It is perfectly scaled ...

Like a Motherless Child Bronze Sculpture Body In Stock For years Joris August Verdonkschot decicated himself to filming. He studied Law and Cult...

Striking Italian hand blown bird or cockatoo sculpture or object of art featuring pink with gold flecks, clear and black glass composed in a stylized modern form. Signed M. Rossetti ...

OUTSTANDING MADONNA Bavaria Around 1515/20 Lime wood carved Original, polychrome version Height 60 cm This masterfully carved, full-round Madonna was created around 1515-20 in...

"Stingaree" by artist David Everett is polychromed mahogany, and measures 43 3/8 x 40 1/4 x 21 1/2 inches. It is signed "© D EVERETT 2017". It depicts a mother and child, pelican and...

Even though Helle Rask Crawford often refers to classic myths in her sculptures, sh is not a classical sculptor in the neoclassical sense. Rather, Helle Crawford could be defined as ...

Randolph John Rogers (American, 1825 - 1892) Randolph Rogers' Nydia, the Blind Flower Girl of Pompeii debuted in 1856 to critical and public acclaim, solidifying Rogers’ position as a pre-eminent American sculptor and it remains one of the artist’s most celebrated works today. The subject of Nydia is drawn from Edward Bulwer-Lytton's The Last Days of Pompeii 1834. After touring the ruins of the ancient city in 1833, and inspired by the stories of blinding volcanic ash, he composed the tale of Nydia, a slave who led her master, Glaucus, to safety. Rogers depicts Nydia at the moment that she and Glaucus have become separated in their perilous journey through the rubble and Nydia seeks familiarity in the surrounding chaos, her distress evident in her pained expression. The grace of the sculpture is at odds with the turmoil portrayed; a toppled Corinthian capital lies at her feet and obstructs her next step, indicated by the tilt of her back foot and grip on her walking stick. Examples of this model can be found in major American collections, including The Metropolitan Museum of Art, the Art Institute of Chicago, the Detroit Institute of Arts, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Boston. Literature, Millard F Rogers, Jr. Randolph Rogers, American Sculptor in Rome. University of Massachusetts Press, 1971, American Figurative Sculpture in the Museum of Fine Arts Boston. Museum of Fine Arts, Boston, 1986. Joyce K Schiller. "Nydia, A Forgotten Icon of the Nineteenth Century." Bulletin of the Detroit Institute of Arts, Born in Waterloo, New York, Randolph John Rogers became an expatriate* sculptor of idealized figures, portraits, and commemorative works in Neo-Classical* and Realist* styles. He worked in clay, plaster, marble and bronze, and lived both in Italy and the United States. He made 167 examples of Nydia in two sizes (varies depending on base height) 36" and 54'. Rogers was raised in Ann Arbor, Michigan, and as a young man did woodcuts* for the local newspaper, The Michigan Argus, and also worked as a baker's assistant and a dry goods clerk. In 1847, he moved to New York City, where he hoped to find work as an engraver*, but failing to do so, worked in a dry goods store owned by John Steward...

Inflatable Love Doll #9 (2015-2017) Dimensions: 22 in. H x 13 in. W x 12 in. D (70 cm H x 30 cm W x 38 cm D) Concrete sculpture made with plastic and iron. A series of feminine cement chests comprised of plastic sex dolls...

Albert Pierre LaPlanche (1854 Sainte-Menehould - 1935 Chäteau-Thierry), Vigilant sitting shepherd dog, around 1915. Brown patinated bronze on cast terrain plinth. 45 cm (height) x 45...

Franz Bergmann, Austrian (1861 -1936) - Traveler with Camel, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 4.75 x 6 x 3 in. (12.07 x 15.24 x 7.62 cm)

One of a kind pair of cherub high reliefs dating from the 18th century, probably belonging to the Castilian school. These are two rectangular high reliefs in carved, polychrome, an...

Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentine singer, 1865. Light brown patinated bronze with cast round plinth mounted on a square marble base (3.5 cm high). Total height 53 cm. Bronze dimensions: 49.5 cm (height) x 20 cm (length) x 10 cm (width), weight 5.6 kg. Inscribed on the plinth "P.[aul] DUBOIS", dated "1865", with the foundry's mark "F. BARBEDIENNE FONDEUR" and the signet "REDUCTION MECANIQUE A. COLLAS". - Patina very occasionally darkened, lute with loss of one tuning peg, otherwise in excellent condition. - The renaissance of the Renaissance - The bronze is a precisely executed and masterfully cast contemporary reduction of Paul Dubois 155 cm tall masterpiece "Florentine Singer", which is exhibited in the Musée d'Orsay and for which the artist was awarded the Medal of Honor at the Paris Salon in 1865. The work acted as a beacon, and was followed by a plethora of depictions of juveniles. Inspired by Donatello and Luca della Robbia, but also by painters such as Piero della Francesca, Benozzo Gozzoli, and Pinturicchio, the "Florentine Singer" is not an epigonal work that pays homage to a vanished era, but a successful attempt to draw vitality from the art of the past and thus give it new life. The effect of vitality is the core of Italian Renaissance art theory. In order to fulfill itself as art, art had to appear like nature. This naturalism also characterizes the "Florentine Singer". The young man appears to have been taken from life, which is reinforced by the momentary nature of his action. He has just struck a now fading chord. In addition, the natural appearance is enhanced by the detailed shaping of the figurative details, such as the laces with the slightly curved leather of the shoes, the belt buckle, or the ornamentation on the body of the lute. Even the fingernails are clearly defined. Unlike the Renaissance, however, the effect of liveliness here is not based on the "discovery" of nature and the human body, but primarily on the rediscovery of the art of the Quattrocento. The liveliness of the artwork is therefore at the same time a revitalization of this art, so that we can speak of a Renaissance of the Renaissance, just as the Pre-Raphaelites in England at the same time transferred the Quattrocento to contemporary art. Dubois takes on the most difficult of all subjects, the depiction of singing through silent sculpture. He was preceded in this by Luca della Robbia and Donatello with their pulpits of singers created in the 1430s in the Museo dell'Opera del Duomo in Florence. Compared to these works, the physiognomy of Dubois singer is far less animated, yet he also depicts singing in a convincing manner. He uses the whole body. He takes the ancient contrapposto, which was essential to Renaissance sculpture, and transforms the standing leg-playing posture into a late medieval S-swing, giving the body an elegant beauty and at the same time setting it in melodic motion. In the equally elegant finger position, the music is expressed in a much more literal way with the beating of the lute. Finally, the musicality of the sculpture culminates in the face with the mouth open to sing. Through the act of singing, which is a great challenge to the artistic will to depict perfect beauty, the gracefulness of the classical face is not diminished, but enhanced. Starting from the face with the singing mouth and the gaze absorbed by the sounds, the inner vitality spreads, giving the bronze sculpture an intense aura, enhanced by the music. Dubois transfers the beauty of the Renaissance to the musical, sublimating the visible sculpture to the invisible of music. He took up the challenge of transcending the Renaissance with the Renaissance, thus responding to the Querelle des Anciens et des Modernes, which arose at the end of the 17th century around the French Academy and remained virulent into the 19th century, in which antiquity was regarded either as an unattainable ideal or as a standard to be surpassed. With his work, Dubois proved that the Renaissance, which had championed the art of the ancients, could lead to a new renaissance of art. About the artist Paul Dubois' great-uncle was the famous French Baroque sculptor Jean-Baptiste Pigalle, in whose footsteps the talented great-nephew followed. When he debuted at the Paris Salon in 1858, he signed his work "Dubois-Pigalle". At his father's request, however, he first studied law before devoting himself to sculpture under the tutelage of François Christophe Armand Toussaint in 1856 and entering the École des Beaux-Arts in 1858. From 1859 to 1863, he lived in Rome and traveled to Naples and Florence. Inspired by Florentine art of the quattrocento, Dubois initiated a school-forming neo-Florentine style that combined the elegantly simple forms of youthful grace with a precise wealth of detail.Two purchases by the French state (“envois de Rome”) were made during his stay in Rome, which brought him recognition in Paris. After his return there, he quickly became an internationally sought-after artist. Dubois was also active as a creator of monuments. His most famous work is the equestrian statue of Joan of Arc (1896) on the forecourt of Reims Cathedral. He was also a sought-after portraitist who produced around 50 busts and - Dubois was also a passionate painter - around 100 portraits in oil. From 1873 to 1878 he was curator of the Museum du Luxembourg, in 1876 he became a member of the Institut de France and from 1878 to 1905 he was director of the École des Beaux-Arts. In 1865, Dubois was awarded the Paris Salon Medal of Honor for his “Florentine Singer”. In 1867 he became Chevalier, in 1874 Officier, in 1886 Commandeur of the Légion d'honneur, which awarded Dubois the Grande Croix in 1896. Selected Bibliography Stole, Elmar: Paul Dubois. In: Saur. Allgemeines Künstlerlexikon, vol. 30, Munich - Leipzig 2001, pp. 677-678. GERMAN VERSION Paul Dubois (1829 Nogent-sur-Seine - 1905 Paris), Florentinischer Sänger, 1865. Hellbraun patinierte Bronze mit gegossener runder Plinthe auf quadratischem Marmorsockel montiert (3,5 cm Höhe). Gesamthöhe 53 cm. Maße der Bronze: 49,5 cm (Höhe) x 20 cm (Länge) x 10 cm (Breite), Gewicht 5,6 kg. Auf der Plinthe mit „P.[aul] DUBOIS“ bezeichnet, auf „1865“ datiert, mit dem Gießereistempel „F. BARBEDIENNE FONDEUR“ und dem Signet „REDUCTION MECANIQUE A. COLLAS“ versehen. - Patina sehr vereinzelt nachgedunkelt, Laute mit Verlust eines Stimmwirbels, ansonsten ausgezeichnet erhalten. - Die Renaissance...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Bronze sculpture with patina on base. Incised "Moore" outer right leg. Executed in 1952-1953, this work is from an edition of 9 plus 1 artist's proof. Size approx 8.25 x 3.5 x 4 in...

Angel of the Annunciation Prague workshop from the circle of Master Theoderich (mentioned from 1359 to 1368) Around 1380/90 Carved & polychrome painted limewood Height 88 cm An ang...

David Everett polychrome mahogany sculpture.

Wonderful and one of a kind nude sculpture by Noche Crist (1909-2004). Sculpture is made from polyester resin. Catalogue of a postumous retrospective in 2008 at the American Universi...

Playful, colourful and imaginative, Viktor Mitic’s latest series of table-top sculptures appear to merge pop art with science fiction. The colour palette is fun and bright—yellow, red, black and turquoise. These 3-D figures began as digital creations, sculpted out of resin and painted. Their form was initially inspired by the towering abstract sculptures Mitic produced from images of paint splashes on his studio floor. Edition one of ten. “This character has emerged from a shadow of one of my sculptures (as in the video) I have always been a fan of science as well as science fiction writing and movies and for me, X-O-X is a being that came out of a technological world , possibly from another galaxy.” Viktor Mitic “As an icon, or hybrid worthy Viktor Mitic- X-O-X has a synthetic, playful identity. It’s culturally a fusion of influences brought together in one formal public sculpture.” John K. Grande, author, poet, essayist He earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

This gothic style architectural segment of a building facade located ion Harlem, NYC, was carved 1924-1926 by William Bradley & Son Cut Stone Contractors. In 2020, each limestone scu...

Franz Bergmann, Austrian (1861 -1936) - Merchant, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 5.75 x 9.5 x 6 in. (14.61 x 24.13 x 15.24 cm)

A very large 24" (61cm) Franz Xavier Bergmann (1861-1936) cold painted bronze group statue, signed, Austria, circa 1910. The bronze in the Orientalist manner & depicts a young slave ...

"Mirador" by artist David Everett is polychromed mahogany, and measures 28 1/4 x 30 1/2 x 15 1/8 inches. It is signed "© D EVERETT 2023". David Everett was born in Beaumont, Texas, ...

"Union" by Frederick Hart is a figurative female and male figure bronze sculpture with the edition number 299/350. Inspired by The Creation Sculptures of the Washington National Cathedral...

Striking pair of French blanc de chine porcelain life size parrots or cockatoos casually perched on grapevines.

Who Wants to Play Baseball? is a lighthearted and playful work that captures the simple joy of childhood. Cheng-Hsiung Chen uses refined carving techniques to highlight textures, fro...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Bronze sculpture of Two Beauties The base inscribed H. Moreau, surmounted on a green marble base. ...

Lost wax bronze BBC (bronze Breith création 4/8) Animal sculptor Sophie MARTIN creates from inert clay a whole living animal kingdom. She freely observes the animal and captures and...

A fine antique bronze figural group of Bacchantes by Claude Michel (Clodion) ( 1738– 1814). The bronze depicts a pair of bacchantes, the female followers of Bacchus the Roman god of ...

“Charging Mountain Goats” by Anna Hyatt Huntington (American, 1876-1973) A wonderful casting of Huntington’s bronze bookend sculptures, executed by the Gorham foundry, these models ...

Fishing for Joy – Sitting captures the leisurely pleasure of fishing, a pastime that is as much about patience and calm as it is about outsmarting the fish. The figure sits quietly with a hat shading the face, embodying a sense of ease, as if feeling the breeze drift by or perhaps drifting into a light nap. It reflects the essence of fishing not only as a test of patience but also as an experience of slowing down, enjoying nature, and savoring the simple passage of time. Huang uses varied carving textures to suggest different materials: the rugged irregular surface of the stone contrasts with the subtle gradation on the clothing, evoking the shimmering reflection of water. Cast in bronze using the lost-wax method, the sculpture faithfully preserves the wood grain and tactile quality of the original wooden carving. The surface patina replicates the natural coloration of the original, while the bamboo fishing rod...

Large Runner is a bronze sculpture by contemporary artist Yann Guillon, dimensions including metal base are 120 × 60 × 80 cm (47.2 × 23.6 × 31.5 in). The sculpture is signed and num...

Sculptor Marsha Gertenbach signed and numbered this bronze sculpture, edition 2/25. Here is the artist's message about this unique piece: "She has the quality of being graceful and ...

Tony Hochstetler's "Seated Frog Fountain" (2015) is an original handmade bronze sculpture that depicts a frog sitting on a rock. TONY HOCHSTETLER is a sculptor of unusual animals an...

The Kiss by Alfred PINA (1887-1966) Bronze group with a brownish dark green patina signed on the base "A. Pina" cast by "A. Valsuani" (foundry stamp) France circa 1927 height 51,5...

This is a great sculpture with real gravitas and elegance. A great conception in terms of the forms and planes. Can be a star piece in a room - stone and surface are very attractive! Active primarily in the mid to late 20th century, Leo De Beer...