Conceptual Art

50 x 51.5 inches ed of 10 $6000 60 x 62 inches ed of 7 $9000 70 x 72.3 inches ed of 5 $11000 signed and numbered on label, verso Reinhard Görner, with his large format photograph...

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Oluwatobiloba A...

Titled Empowered in Friendship, this vibrant painting was created by the French artist of Russian origin, born in Kazakhstan, Natalya Mougenot. The artwork portrays three women, each...

Paper Collage Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked wit...

This series by the multidisciplinary artist TUSET (1997, A Coruña, Spain) titled "Land paintings (or what painting is not)", is a series of paintings that the artist had buried in th...

David Datuna (1974-2022) Glory 2 (2012) Mixed media construction with collage Size: 22 x 40 x 4.5 in (55.9 x 101.6 x 11.4 cm) Hand signed on the side *Black frame is part of the ar...

"The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod al...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Centered on mental health and its “invisibility”. This painting explores the mental and emotional conflict caused by dissociation between Imposed labels and self-identity. In the worthy pursuit of freedom from the endless constructs of this world, we hope to not become imprisoned by our minds. About Artist Gbemi Smart...

A mesmerizing portrait of architectural elegance and intellectual grandeur, Reinhard Görner’s Uris Library, Ithaca immerses viewers in the ornate beauty of Cornell University’s iconi...

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print Flora 2 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited E...

Reinhard Görner Beinecke, New Haven Yale Rare Books and Manuscript Library New Haven Contemporary large scale photograph 50 x 56 inches ed. of 10 $6,000 ...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

Biblioteca Gambalunga I Rimini, Italy 2022 In this photograph, a series of echoing doors serve as a portal into the interior of the Biblioteca Gambalunga in Rimini, Italy. One of ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. ...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Fuji FP-100C Instant Film, not mounted, 27 x 21.5 cm, Signed, embossed stamp and artist certific...

Champollion is a conceptual portrait by Natasha Lelenco, created as part of the limited edition series The Important Bigwigs. This work is number 15 of only 20 hand-finished pieces m...

Flora 16, 2015 - Autumnal Floral Fruit Seasonal Arrangement Frozen in Ice Print Flora 16 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limi...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Dennis Oppenheim A Device for Converting a Chilling Underground Wind into Memory, 1986 Lithograph Hand signed, numbered 3/100 and dated on lower front 38 1/5 × 50 inches Unframed P...

Materials are often the driving force and inspiration behind the works of art that I create. I have always been drawn to the functional wear and patina of vintage and found objects. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Mic...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Paul R. Evans, American (1931 - 1987) - Bronze Stalagmite Coffee / Cocktail Table, Year: 1969, Medium: Patinated Bronze Table with round glass top, signature and date inscribed on ...

Les Levine, Irish/American (1935 - ) - Watch Series 3, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

This artwork is painted in the form of a classical school board with math equations. It is a part of the Science Art Collection by Anastasia Vasilyeva...

Les Levine, Irish/American (1935 - ) - Watch Series 7, Year: circa 1979, Medium: Color Etching, Signed and Numbered in red pencil, Edition: 2/100, Image Size: 18 x 11.5 inches, S...

Surflow - Surfing Art - Figurative - Oil Print By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His colo...

Michael Craig-Martin Age, 2010 Acrylic on aluminum 48 x 48 inches Signed

large scale photograph from a series of conceptual motivational messages on classic Americana billboard signs in landscape of the American West BACK I...

This masterful photograph by renowned architectural photographer Reinhard Görner captures the timeless elegance of the George Peabody Library in Baltimore. Known as the 'cathedral of...

This work is the result of an artistic residence outside his 'study'.The artist worked on a different ecosystem, a house of vernacular architecture built in 1913 in the department of...

An original enamel on metal painting by emerging contemporary conceptual artist Craig Sheperd (b. 1984) Craig Sheperd’s paintings, most of which are enamel on metal, were created o...

Allen Ruppersberg (American, 1944-) Lithograph, Mixed media From the Top Ten Historical Similarities (and Differences) Between Prints and Photographs. This sale is of one print not t...

30 Cents Singapore Orchid Pink, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

"Let Me In, Let Me Out" - Abstract Mixed Media Composition Boldly colored abstract figurative composition by California artist Elizabeth Arrington Leaf (American, B-1955). Three lar...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. It i...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Pink I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

Ray Johnson Moon Mixed media on Masonite 8 3/4 x 6 1/2 inches Once described as New York’s “most famous unknown artist,” Ray Johnson was a renowned maker of meticulous collages and...

Peter Saari is an American artist who's work aims to re-invent antiquity through recreating ancient wall paintings and decoration. Provenance: Lamanga Gal...

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...

The choice of pink for the stones is deliberate, emphasizing that this is not a naturalistic depiction. Ortega begins his paintings on a magenta base—a color that does not exist natu...

Biblioteca Classense Ravenna, Italy 2022 62.5 x 50 inches ed. of 10 $6,000 75 x 60 inches ed. of 7 $9,000 87 x 70 inches ed. of 5 $11,000 signed and numbered on label, verso The sunlit entrance to the Sala delle scienze e delle arti (Hall of sciences and arts) with the bust of Teresa Gamba (Lord Byron’s lover) in background. The vista is framed by a rhythmic repetition of gleaming wooden doorways and archways, housing shelves of antique tomes. Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library...

Showing a body that is hidden is the aesthetic apology for the insane judgment that the artist himself has taken as an excuse for not being 'pointed at' or rather as self-pointing. T...

Obsessive, meticulous, almost monastic, Kramer immerses us in a universe of graphic and sculptural repetitions. His drawings on kraft paper glued with rabbit glue recall both ancient...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

DETAIL FROM: SELFPORTRAIT WITH VELVET CAP AND GOWN WITH FUR COLLAR, 2008 REMBRANDT VAN RIJN, 1634 PAINTING GALLERY BERLIN A masterful reinterpretation by renowned photographer Reinh...

Reinhard Görner Open Space, City Library Stuttgart, Germany 2014 Contemporary Interior Architecture Photograph A vision of contemporary minimalism and infinite knowledge, Reinhard ...

Untitled 2014, Edition of 10 plus 2 Artist Proofs, digital C-Print, based on an Polaroid 125i, 10.2 cm x 8.5cm Signed, embossed stamp and artist certificate. Not mounted. Xulong Z...

Jo Yarrington has always been interested in chance and the found {moment, object, person}. How random experiences click in to place, form a narrative, reveal a truth. All the work ...

Published by Art Unlimited in Amsterdam in 1990, this work is part of a collaborative celebration of Van Gogh's 100th anniversary, featuring original designs from several renowned ar...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Green I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 276/300, Image Size: 20.5 x 20.5 inches, S...

This lithograph is part of my private collection. It is limited in edition artist pencil signed lower right and is in very good condition . Jean Couty Epreuve de' artist an original ...

Artist: Joe Tilson, British (1928 - ) Title: Water Year: 1972 Medium: Silkscreen and Collage on Rice Paper, signed and numbered in pencil Edition: 26/70 Size: 38 in. x 26.5 in. (96.5...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Robert Seng was born and raised in Seattle, served in the US Navy in Vietnam, and finished his BFA and MFA on the GI Bill. He was a founder of Artech, Seattle’s premier art services company, to support his art career. A New York resident since 1986, Seng has worked at Artforum, the Guggenheim Museum and taught at Fairfield University while continuing his studio practice in painting and sculpture. In the mid 1990’s Seng moved into site-specific installation work with collaborator Lisa Hein. Together they have made more than 40 projects with moving light...