Conceptual Art

Shipping Procedure Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Sayeed Momoh is...

The photograph measures 40 x 40 cm. It is printed on matte Hahnehmühle paper. The dimension of time for María Moldes (Pontevedra, 1974) is used as a weapon of resistance against wha...

Alan Sonfist, American (1946 - ) - Tree Trunk Series - Blue I, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 20.5 x 20.5 inches, Size: ...

Set of 2 Blue Minimal Paintings. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of each painting are 41 x...

Unexpected materials, found and manufactured, perch precariously on torn edges and bifurcated sheets of large paper. Here, fluid calligraphic lines are posed against the veracity of ...

Shlomo Koren, German/Israeli (1932 - ) - Untitled VII, Year: 1970, Medium: Intaglio, signed and numbered in pencil, Edition: 15, Size: 26 x 20 in. (66.04 x 50.8 cm)

Shlomo Koren, German/Israeli (1932 - ) - Untitled VI, Year: 1970, Medium: Intaglio, signed and numbered in pencil, Edition: 15, Size: 26 x 20 in. (66.04 x 50.8 cm)

Blue Minimal Painting. This is an original artwork realized by TUSET in 2019. We can frame it in natural wood or black on request. The dimensions of the painting are 41 x 29,5 cm. W...

Through my artwork, I sought to capture the timeless allure of elegance and introspection. The rich oil on paper dance to create a figure robed in a coat radiating warmth and mystery...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Scott Froschauer is an experimental artist who lives and works in Los Angeles, where his primary focus is exploring new spaces and techniques for communication. This series "Word on ...

The artist was enchanted by some images he had a relationship with since childhood, working them into iconographies, such as the image of the fisherman carrying on his back a cod alm...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Original 1950s SAS Scandinavian Airline System travel by air vintage poster. Linen backed in B+ condition. This poster was restored to the top and bottom left corners. Ready t...

In the captivating piece titled "Solace," artist John Ali unveils a profound exploration of introspection through the gaze of a young woman lost in thought. The poignant portrayal ca...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

Paper Collage My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do no find in other media. When working ...

Engraving Intervened My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do no find in other media. When w...

Enduring Echoes portrays a striking and vibrant portrait of a man, set against a bold and contrasting background. The artist uses a rich palette of purples, reds, and oranges, highli...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

An original laser cut leather wall sculpture by Jozef Bajus. This piece is comprised of nearly 100 lbs of laser cut industrial black leather. The price includes custom installation...

Paper Collage Cecilia studied Social Studies and Literature at Universidad Catolica del Peru, Drawing with Cristina Galvez, and Watercolors with Juan Pastorelli. She then worked wit...

large scale original photograph of a billboard signage against ultramarine blue night sky from a series of conceptual motivational messages on iconic Americana signs...

"Extraordinary Woman" by Michael Adetula is a captivating artwork that celebrates the unique beauty and personality of a young woman who exudes confidence and charm. At first glance,...

"Upright Impression" by John Ali captures the innocence, resilience, and curiosity of youth through the portrayal of a young girl. In this captivating artwork, the girl stands tall a...

Joseph Beuys Joseph Beuys, een konfrontatie, 137 Tekeningen 1945-1979, (Hand Signed), 1979 Silkscreen on velincarton (thin board) Catalogue raisonne reference: Weiss-Britsch 75 Boldl...

Artist: Menashe Kadishman, Israeli (1932 - 2015) Title: Sheep Portfolio Year: 1981 Medium: Portfolio of 7 Screenprints with Etching, each signed in pencil Edition: 65, AP 5 Size of Each: 33.5 x 31 in. (85.09 x 78.74 cm) Printed by Jerusalem Print...

'To The Slow Graceful Dance' Original Artwork A breeze in the theatre, a dance begins, costumes rising to the rhythm of the birdsong choir. The pai...

José Sierra painted his body as a tribute to Afro-Colombian and pre-Columbian cultures, documenting the performance in photographs that portray him in erotic and suggestive positions...

Each of Heriberto Mora's paintings has a story for the viewer to imagine. Heriberto Mora was born in Havana, Cuba. He graduated from the San Alejandro National Academy of Fine Arts ...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

Fred Langford Edwards turns what seems like documentary research (analogue photographs of curious objects that the artist finds on the beach) into an art of wonder. In this extensive...

large scale monochromatic abstract observation of mesmerizing atmospheric color palette, from Raymond Meier's series Renderings Sky (Rendings 04) by Ray...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Having been nurtured by a Yoruba father who happens to be a twin was a major inspiration for creating this painting. In Yoruba culture, twins are considered a special blessing from God. They are mostly called ‘ibeji’ which means twins. In Yoruba society, twins are given special names, such as Taiwo (meaning “first to taste the world“) and Kehinde (meaning “second to taste the world”). It is mostly believed that twins have special privileges and are accompanied by several fortunes. About Artist Oluwatobiloba Amusan...

Pascal Kern (1952-2007) Icone (three panel triptych), 1987 Cibachrome print, inn copper handmade frame. (One is empty of photo on purpose.) Bearing artist label and inscriptions (frame verso) 48 x 48 inches. (each) Provenance: the Ginny L Williams...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The thematic expression of this art piece was crafted from the experience of what women especially wives and mothers had to go through to ensure that their homes were sustained. This art piece tends to inform her female audience; most especially intending wives and mothers that what keeps the home is not primarily in the acquisition of degrees and certifications but in having the requisite knowledge and consciously fulfilling their role as home builders. About Artist Oluwatobiloba Amusan...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authen...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Ella and May - 2023 16 original Polaroids, mixed media. 50x50cm installed. Signed in front. "The Beef S...

Jose Sierra work is deeply influenced by themes of self-representation and a homoerotic gaze. Through his unique aesthetic, he creates abject staged environments that challenge tradi...

'Untitled' 2013, Edition of 10 plus 2 Artist Proofs, Digital C-Print, based on a Fuji FP-100C Instant Film, not mounted, 27 x 21.5 cm, Signed, embossed stamp and artist certific...

As a model being a fashionista gives and creates room for you to keep your style and interest the way you feel and the way you want it to be, deciding to keep your style very simple,...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester Page - 2023 Original Polaroids, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in ...

James Coignard, French (1925 - 2008) - Elaboration Partielle, Portfolio: Song of the Broad-Axe, Year: 1982, Medium: Hand Colored Etching with Collage on hand-made Moulin de Larroq...

The Beef Sisters A Polaroid-based art series by Kris 'Curtiz' De Meester May - 2023 Original Polaroid, mixed media. 10.7 x 8.8 cm (total), 7.8 x 7.6 cm (image area). Signed in fr...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

In the captivating artwork titled "Comfort Zone," artist John Ali masterfully captures the essence of introspection and the complex interplay between identity and personal space. The...

Ian Hamilton Finlay and Gary Hincks Les Femmes de la Revolution, After Anselm Kiefer, 1992 Offset Lithograph 27 1/2 x 32 in (69.9 x 81.3 cm) Edition of 250

'Untitled' 2015, Edition of 20 plus 2 Artist Proofs, digital C-Print, based on an IMPOSSIBLE 8x10 Colour, 21.5 cm x 27cm, not mounted, Signed, embossed stamp and artist certificate. ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. The ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and ac...

The work is on 1 paper. Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. The artwork is unframed and will be...

"Do not judge me by my success, judge me by how many times I fell and got back up again." I can do all things through Christ which strengtheneth me. “The peasantry ceased, they ceas...

'Notre Dame 9' 2010, Edition of 10 plus 2 Artist Proofs, archival Pigment Print, based on a Polaroid 810 transfer process, 27.3x20cm, not mounted, Signed, embossed stamp and artist c...

Artist: John Clem Clarke, American (1937 - ) Title: Collage #1 (Mets) Year: 1973 Medium: Oil on Canvas, signed, titled and dated verso Size: 78 in. x 49 in. (198.12 cm x 124.46 cm)

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. A young girl holding a yellow rose flower is seen in this painting during her playtime rejoicing after receiving a piece of good news. The yellow rose flower is a symbol of joy, happiness, and gratitude. About Artist Oluwatobiloba...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About...

G_XI, 2019 White ink on black cardboard (signed) 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm Alina Aldea's drawings, project all the possible forms which appear to rapidly disappear, w...