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Ifpda International Fine Print Dealers Association Abstract Prints

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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Drole de Drame
By Karel Appel
Located in Fairlawn, OH
Drole de Drame Lithograph, 1960 Signed, dated and numbered in pencil lower right (see photos) Edition: 120 (91/120) Published by L’Ouevre Grave, Geneve (blindstamp recto) Printed by ...
Category

1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Untitled
By Alexander Calder
Located in Fairlawn, OH
Untitled Color lithograph, 1963 Unsigned (as issued) From:Derriere le Miroir, Volume 141 Large unsigned edition Printed by Mourlot, Paris Published by Aime Maeght, Paris Condition: C...
Category

1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Echo in Grey
By Adja Yunkers
Located in Fairlawn, OH
Echo in Grey Mixed media intaglio with embossing, c. 1980's Signed and numbered in pencil (see photo) Edition: 25 (24/25) Condition: Soft handling issues in top and bottom margin. Do...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mixed Media

Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Intaglio

Untitled
By Sam Francis
Located in London, GB
Aquatint, monoprint with chine collé 85.7 x 68.6 cms (33 3/4 x 27 ins) Edition of 19 variants
Category

1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Aquatint, Monoprint

Downtown, The El
By John Marin
Located in New York, NY
John Marin (1870-1953), Downtown, The El, etching, 1921, signed in pencil lower left (also signed and dated in the plate). Reference: Zigrosser 134, only state. Published initially by Alfred Stieglitz and then included as part of the Folio of American Etchings by the magazine The New Republic in 1924, in an edition of unknown size but probably above 500. In very good condition, the full sheet, on Van Gelder wove paper, 6 3/4 x 8 3/4, the sheet 11 x 13 3/4 inches. Provenance: Hirschl and Adler Galleries, Inc., New York, New York. A fine bright impression. Initially the New Republic Set, sometimes known as Six American Etchings, contained Marin’s Brooklyn Bridge No. 6 (Swaying) (Zigrosser 112). But after a small number of sets were completed, Downtown the El was substituted for Zigrosser 112 (and so the number of Downtown The Els in the set would have been a bit fewer than the others in the set). Zigrosser, who apparently had not seen a complete set at the time he created the catalogue raisonne, conjectured that the substitution might have been because the original plate was damaged. But since the printer, Peter Platt, was the most renowned artist’s printer of his time, and worked alone, it is unlikely that he would have damaged the plate; a more likely possibility is that he switched to a print that was more comparable in size to the others in the set (The Brooklyn Bridge print...
Category

1920s Futurist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Constellation
By Roy Ahlgren
Located in Fairlawn, OH
Constellation Silkscreen in colors, 1969 Signed, dated, titled and numbered in pencil Edition: 100 (56/100) Condition: Excellent Image Size: 17 x 17 inches Sheet size: 20 x 20 inch...
Category

1960s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Mere
By Stanley William Hayter
Located in Fairlawn, OH
Mere Etching and soft ground, 1970 Signed, dated, titled and numbered in pencil Printed in colors by Hector Saunier on BFK Rives paper Published by Georgetown Graphics, Washington, D...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Untitled From: Gates to Times Square (20 screenprints 2 lithographs)
By Chryssa Vardea-Mavromichali
Located in Fairlawn, OH
Untitled From: Gates to Times Square (20 screenprints, two with additional lithography) Silkscreen, c. 1978 Signed in pencil (see photo) Edition 100 (90/100) (see photo) Publisher: P...
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1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Déesse- Goddess
By André Verdet
Located in Fairlawn, OH
Déesse- Goddess Linocut in colors, 1972 Unsigned Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé Watermark: Arches (see photo) An impression printed in black, purpl...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Linocut

Ecce Homo VII
By Werner Drewes
Located in Fairlawn, OH
Ecce Homo VII Woodcut, 1921 Signed, titled, and dated in pencil by the artist One of only three known impressions Created while the artist was studying at the Bauhaus in Weimar, Germany. Extreme rarity-One of three know impressions Note: In 1921 Drewes went to the Bauhaus in Weimar, where, after completing the compulsory preliminary course with Johannes Itten, he continued to study with Paul Klee, Oskar Schlemmer and Georg Muche and initially went to the wall painting workshop. He then traveled extensively through Europe, North America and Asia. After returning to Germany in 1927, he went back to the Bauhaus, this time to his new location in Dessau, where he studied in the classes of László Moholy-Nagy and Wassily Kandinsky. He was one of the first artists to introduce the groundbreaking concepts of the Bauhaus School in the United States through his painting, printmaking, and teaching. Condition: Excellent Missing small voids in the upper margin from removal of the original hinges. Image size: 9 7/8 x 8 3/16 inches Reference: Rose 30 Provenance: From the estate of Drewes's teacher at the Bauhaus. During the pasot WW2 the professor lived in East Germany. WERNER DREWES 1899-1985 Werner Drewes initially studied architecture before enrolling, in 1921-22, at the Bauhaus in Weimar under Klee, Kandinsky, Itten and Feininger. For four years - 1923 to 1927 - he travelled the world with his bride, before completing his Bauhaus training in Dessau in 1929. He immigrated to the United States in 1930, documenting that move to New York through series of woodcuts. In 1936/37 he was an active founder of the American Abstract Artists and participated in the Federal Arts Project in New York before moving on to a teaching career at Washington University in St. Louis. As an artist for over sixty five years, he employed various media from drawing and watercolor, through woodcut and etching, to painting and collage. Translating an early interest in subjective cubistic forms, his work evolved into nonobjective abstraction. He was creative until the day of his death. Courtesy: Toby C. Moss Werner Drewes (1899–1985) was a painter, printmaker, and art teacher. Considered to be one of the founding fathers of American abstraction, he was one of the first artists to introduce concepts of the Bauhaus school within the United States. His mature style encompassed both nonobjective and figurative work and the emotional content of this work was consistently more expressive than formal. Drewes was as highly regarded for his printmaking as for his painting. In his role as teacher as well as artist he was largely responsible for bringing the Bauhaus aesthetic to America. Early life and education Drewes was born in 1899 to Georg Drewes, a Lutheran pastor, and Martha Schaefer Drewes. The family lived in the village of Canig within Lower Lusatia, Germany. From age eight to eighteen he attended the Saldria Gymnasium, a boarding school in Brandenburg an der Havel. There, he showed talent both for painting and woodblock printing. Graduating from Saldria in 1917, he was drafted by the German army and served in France from then until the close of the war. About this period of his life he is reported to have said that the horrors of life at the front were only made tolerable by his sketchbook, a copy of Goethe's Faust and a volume of Nietzsche. For a decade following the close of the war he studied, made paintings and prints, and traveled widely. His friend, Herwarth Walden, helped shape his appreciation for expressionist literature and art. Walden produced the quarterly magazine, Der Sturm and ran a gallery of contemporary art, Galerie Der Sturm, from which, in 1919, Drewes purchased an expressionist painting by William Wauer titled Blutrausch (Bloodlust). In the same year he made the acquaintance of Heinrich Vogeler and participated in Vogeler's socialist utopian artists' commune, Barkenhoff, at Worpswede, Lower Saxony. In 1919 Drewes also enrolled at the Königlich Technischen Hochschule Charlottenburg to study architecture and the following year he studied the same subject at the Technischen Hochschule Stuttgart. Preferring art over architecture, he then enrolled in Stuttgart's school of applied arts (Kunstgewerbeschule) where he studied life drawing and learned to work with colored glass. At this time he joined a group of artists and architects associated with the newly formed Merz Akademie, a college of design, art, and media in Stuttgart. In 1921 his friendship with a French artist, Sébastien Laurent, led him to begin studies in Weimar at Bauhaus, then a new school which taught an integrated approach to the fine and applied arts. His instructors were Johannes Itten and Lyonel Feininger, whose paintings were expressionist and abstract, and Paul Klee, who taught bookbinding, stained glass, and murals. While at Bauhaus Drewes produced a portfolio of ten woodblock prints entitled "Ecce Homo." In 1923 and 1924 he studied art during travels throughout Italy, Spain, the United States, and Central America and in 1926 he traveled to San Francisco, Japan, and Korea, thence taking the Trans-Siberian railway to Manchuria, Moscow, and Warsaw. He later said the El Grecos he saw proved to be most influential in his work. While traveling, he exhibited: (1) etchings in Madrid (1923) and Montevideo (1924), oils and etchings in Buenos Aires and St. Louis (1925), and (3) etchings in San Francisco (1926). He paid his way by the sales these exhibits produced and by taking commissions to paint portraits. While in San Francisco he set up a shop from which he sold prints he had made in Spain and South America. After his return to Germany in 1927 he resumed study at Bauhaus, which had been forced to relocate in Dessau, Saxony-Anhalt. His instructors at that time were László Moholy-Nagy (metal work), Wassily Kandinsky, and (painting), and Lyonel Feininger (prints). At this time he also worked and exhibited in Frankfurt. With the rise of Nazism abstract artists found it increasingly difficult to sell their work and, in 1930, Drewes, finding the political pressure unbearable, emigrated to the United States. There, despite the world economic crisis, Drewes was able to earn a living as a professional artist. Mature style After Drewes moved to New York, Kandinsky, who was both friend and mentor, continued to exert a strong influence over his style. Later in life he said he had a hard time getting away from Kandinsky's influence as he developed his own style. In time he was able to bring a more emotional approach to his work and to base it, more than Kandinsky did, on natural forms. In 1930 Drewes had a solo exhibition at the 135th Street Branch of the New York Public Library and a two-person show at the S.P.R. Penthouse Gallery...
Category

1920s Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks)
By Joan Miró
Located in Fairlawn, OH
Oiseau solaire, oiseau lunaire, etincelles (Solar Bird, Lunar Bird, Sparks) Color lithograph, 1967 Published in "Revue XXe Siecle, Volume 28 Published by San Lazzaro Printed by A. Ma...
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1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Carnival
By Richard Florsheim
Located in New York, NY
Richard Florsheim created this color lithograph entitled “Carnival” in 1972 in an edition of 30 pieces. Published by Associated American Artists and printed by Landfall Press, this i...
Category

1970s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

ENCLOSURE 12
By Kunihiro Amano
Located in Portland, ME
Amano, Kunihiro (Japanese, born 1929). ENCLOSURE 12. Color Woodblock, not dated. Edition of 30. Titled, Numbered 21/30, and signed in pencil. 18 x 13 1/2 inches. In excellent condit...
Category

Mid-20th Century Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

Birthday Party
By Howard Hodgkin
Located in London, GB
Lithograph from a stone printed in sepia and green, with hand colouring in two shades of blue gouache. On Velin Arches mould-made paper (300 gsm) Signed and dated 77 in pencil, lower...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph, Color

Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...
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1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Drypoint, Etching

ORANGE OVAL
By Adolph Gottlieb
Located in Portland, ME
Gottlieb, Adolph (American, 1903-1974) ORANGE OVAL, Screenprint in colors, 1972. Edition of 150, printed on wove paper. Signed in pencil, dated and numbered 143/150. Printed by Kelpr...
Category

1970s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Untitled (Plate 4) DLM
By Alexander Calder
Located in Fairlawn, OH
Untitled (Plate 7) DLM Color lithograph, 1963 Unsigned (as issued) From: Derriere le Miroir, No. 141 Edition: 1500? Published by A. Maeght, Paris Condition: Mint Sheet/Image size: 1...
Category

1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Tropic Fruit
By Howard Hodgkin
Located in London, GB
80 x 94 cms (31.5 x 37 ins) Edition of 100
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Screen

Tropic Fruit
$3,000 Sale Price
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Untitled
By Henri Goetz
Located in Fairlawn, OH
Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...
Category

1960s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving

"Chartpak Peanut"
By Brad Miller
Located in Lyons, CO
“In my work I keep reworking a handful of patterns including spirals, packing patterns, and dendritic systems. These patterns appear in different materials and processes sometimes in...
Category

1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Derriere Le Miroir-Page 6-7
By Alexander Calder
Located in Fairlawn, OH
Derriere Le Miroir-Page 6-7 Color lithograph, 1973 Unsigned (as issued) From: Derriere Le Miroir, No. 201, January 1973 Publisher: Maeght Editeur, Paris Printer: L’Imprimerie Arte, A...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Debris
By Ray H. French
Located in Fairlawn, OH
Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...
Category

Mid-20th Century Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Etching, Aquatint

Meduse
By Stanley William Hayter
Located in Fairlawn, OH
Meduse Etching and aquatint printed in colors, 1958 Signed, titled, numbered and dated in pencil (see photos) Edition: 50 (25/50) Etching and aquatint printed in colors ...
Category

1950s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

UNTITLED
By Ynez Johnston
Located in Portland, ME
Johnston, Ynez. UNTITLED. Etching, not dated (but likely 1950s). Edition of 20, signed in pencil and numbered 4/20. 6 7/8 x 9 inches (plate), 8 x 10 5/8 inches (sheet). In excellent ...
Category

1950s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Untitled
By Frank Stella
Located in Fairlawn, OH
A unique example of a section of color lithograph including hand editions by the artist, collaged on a support board. Signed, dated, and inscribed "For Pat" in ink in the image. (s...
Category

1990s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Tommy s Pond
By Gabor F. Peterdi
Located in Fairlawn, OH
Tommy's Pond Etching, aquatint and intaglio, 1966 Signed, dated and numbered in pencil Image/Plate size: 13 7/8 x 10 7/8 inches Sheet size: : 20 1/16 x 14 7/16 inches From: The Portf...
Category

1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Intaglio

Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

Annual Edition, 1994
By Richard Anuszkiewicz
Located in Fairlawn, OH
Annual Edition, 1994 Screen print, 1994 Signed and dated in pencil by the artist. Small edition Dedicated in pencil by the artist "For Bart and Ann" Created as a gift to the artist'...
Category

1990s Op Art Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Composition
By Bernard Mandeville
Located in Fairlawn, OH
Composition Screenprint in colors, n.d. Signed and numbered in pencil by the artist. (see photos) Edition: 200 (15/200) Condition: Excellent Image size: Image: 9-3/8 x 7-1/2" (24.3 x 19 cm.) The painter Bernard Mandeville, whose artistic career began in 1935 and ended in 2001, was preceded in name and surname by a famous author...
Category

20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Lino Litho BR, Planche VI
By Pierre Alechinsky
Located in Fairlawn, OH
Lino Litho BR, Planche VI Linocut and lithograph, 1970 Signed lower right in pencil (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Condition: Exc...
Category

1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Linocut

Beyound (sic) - IX
By Katsunori Hamanishi
Located in Fairlawn, OH
Beyond (sic) - IX Mezzotint, n.d. Signed, titled and numbered in pencil (see photos) Edition: Unique impression (i/I) Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. Condition: excellent Plate/Image size: 9.75 x 7.75 inches Sheet size: 12 1/2 x 9 5/8 inches Provenance: Ninion and Sheldon Landy, Hamanishi's patrons EXTREMELY RARE-UNIQUE Katsunori Hamanishi Born: 1949, Hokkaido Medium: Mezzotint, with relief printing and metallic foil. Also a few woodblocks Hamanishi studied painting and graduated from Tokai University with a degree in Art, in 1973. Since then, he has been living in the Tokyo area, where his primary focus is printmaking. Mezzotint is a variation of intaglio printing--an exacting and laborious process whereby ink is transferred from below the surface of the plate by use of a press. First, the entire copper plate is indented with a toothed steel rocker tool. Worked in all directions, this creates an even finely-grained texture over the surface of the plate. Each pit will hold ink and were the plate inked at this stage, it would print almost solid black. To create the design the artist smoothes out some of the pits with a burnisher so they will hold less ink. Where highlights are required the plate is burnished and polished quite smooth. A wide range of tones are possible in mezzotint and the process can usually be recognized by a light design on a velvety black background. Hamanishi is internationally known for his mastery of this medium. He creates images with both subtle detail and dynamic composition that explore spatial relationships. His genius is in balancing calm and meditative qualities with the energetic tensions of inanimate and natural objects. Early work had such things as pipes and branches wrapped with cloth, later rope, then straw. When he moved to a more rural area, rice fields became a common element. He has also been exploring the use of color and metallic leaf in his artwork. In 2005 Mr. Hamanishis began the Haze series exploring more abstract themes using the subtle differences between matte and black inks done in mezzotint and relief printing. There is always a sense of mystery and intrigue in the complex mezzotint prints that come from Hamanishi’s deft hands. They compel the viewer to do a slow, thoughtful examination in order to fully absorb the vision the artist intends. Exhibitions: Worcester Art Museum, Massachusetts --2 person show with Hamaguchi Ibiza Biennial, Spain--Grand Prize Original Colored Graphic Print Triennial, Switzerland--Grand Prize Cabo Frio International Print Biennial, Brazil--Grand Prize CWAJ Print Show, Tokyo--Art Grant winner Republic of China Print Exhibit--Gold Medal Graphic Arts Council, Achenbach Foundation, San Francisco--commissioned print Art Institute of Cleveland University of Alberta, Edmonton, Canada--visiting artist Shun-yo-Kai, Tokyo--prize winner Bhara Bhavan International Print Biennale, India Ren Brown...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Mezzotint

Elegy Black Black, a beautiful lithography from Motherwell s elegy series
By Robert Motherwell
Located in London, GB
extract from the catalogue raisonné: CR 309 Signature:Signed “Motherwell” in pencil lower right Inscriptions:Numbered in pencil lower right; workshop chop mark lower right; workshop...
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

LA NUIT
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. LA NUIT. B&M 258. Etching and aquating, in color, 1960. Edition of 50 (there were also 5 artist's proofs, and several trial proofs in other color variants. S...
Category

1960s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

SARGASSO SEA
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. SARGASSO SEA. B&M 264. Etching, Scraper, Scorper and Roulette, in color, 1961-62. Edition of 50 (there were also 5 artist's proofs, and several trial proofs ...
Category

1960s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

PKZ Coat
By Otto Baumberger
Located in New York, NY
Baumberger, Otto. PKZ 1923, Color lithograph, On Linen 50 1/2 x 35 1/2” Baumberger was one of the most prolific Swiss poster artists, with well over 200 designs to his credit. Beginning in 1917, he regularly worked for PKZ. This poster is not only the best he produced for the company but is also an icon in poster history. The tweed coat is rendered in near-photographic perfection to the point where you can practically feel the fabric. Baumberger took a totally new approach to advertising by ingeniously incorporating the poster's text into the image in the form of the label in the coat. With this poster Baumberger cemented his role as master of the "Object Poster," (a title he earned four years earlier with a classic image of a top hat), and began the trend of "New Objectivity" within the Swiss school of Graphic Design. A sensation from the day it was issued, this image remains compelling and proves to be one of the finest of the PKZ posters...
Category

1920s Art Deco Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

PLONGEON
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William (English, 1901-1988). PLONGEON. B/M 374. Engraving and soft-ground etching in colors, 1974. 23 x 19 1/4 inches; 583 x 460 mm. (plate), 29 3/4 x 22 inches (sh...
Category

1970s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Etching

EXPANSION
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. EXPANSION. B&M 334. Etching and soft-ground etching, in color, 1969-70. Edition of 100 (there were also 20 artist's proofs, and several trial proofs in other...
Category

1960s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Los Alamitos
By Frank Stella
Located in London, GB
Screenprint, in colours, 1972, on Gemini rag Board, signed, dated and numbered 53 from the edition of 75, published by Gemini G.E.L., Los Angeles., sheet: 51.4 × 203.5 cm. (20 1/4 x 80 1/8 in.), framed: 52.4 x 204.5 cm. (20.6 x 80.5 in.) The three large scale, extended horizontal screenprints of the ‘Race Track Series’ are named after horse-racing tracks in Southern California and Mexico : Del Mar (San Diego County), Los Alamitos...
Category

1970s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen

Five Locations
By Ross Bleckner
Located in Berkeley, CA
Color spitbite aquatint with chine colle. Edition of 50
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

DNA: Etching: V
By McArthur Binion
Located in Berkeley, CA
Color aquatint, spitbite aquatint and sugarlift aquatint.
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Terres de Grand Feu, (Land of Great Fire)
By Joan Miró
Located in Fairlawn, OH
Derriere le miroir, no. 87-88-89. Pages 6-7 Terres de Grand Feu, (Land of Great Fire) Color lithograph, 1956 From: Derriere le Miroir, Volume 87-88-89, 1956 Unsigned as issued by DL...
Category

1950s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

DNA: Etching: IV
By McArthur Binion
Located in Berkeley, CA
Color aquatint.
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Les Marionettes II — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Les Marionettes II, etching with hand coloring, 1969, edition 150, Flahutez 58-8. Signed and annotated 'HC' in pencil. A fine impression on brown Fabriano hand-made laid paper; the full sheet with margins (3/4 to 3 1/4 inches), in excellent condition. Archivally sleeved, unmatted. Image size 13 7/16 x 11 7/8 inches; sheet size 19 1/8 x 13 1/4 inches. A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...
Category

1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Plate XVI, from Album 19
By Joan Miró
Located in London, GB
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...
Category

1960s Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Elegy Black Black, a beautiful lithography from Motherwell s elegy series
By Robert Motherwell
Located in London, GB
Robert Motherwell Elegy Black Black 1983 Lithograph in colors, on TGL handmade paper, Edition of 98< AP XI/XVI 38.1 x 95.9 cms (15 x 37 4/5 ins) extract from the catalogue raisonné...
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

Un Reve
By Louis Marcoussis
Located in New York, NY
Louis Marcoussis (1883-1941), Un Reve, etching, 1930, signed in pencil lower right and inscribed “2nd etat 1/2” lower left. Plate 1 of the portfolio Aurelia. Reference: Milet 55II, second state (of 4), before the edition (of 153 in the fourth state). In good condition, on a wove paper with full margins (a small area of discoloration below the border lower left, remains of prior glue right margin edge), 7 1/4 x 5 3/8, the sheet 15 5/8 x 9 3/8 inches, archival matting. A fine impression of a rare proof, before the edition. This is one of the two proofs of the second state. After this state the plate was reduced in a third state (from 183 to 174 mm), and then steel faced for the edition. Provenance: Libreria Prandi Reggio (blindstamp lower right corner) Jean Cassou and Pierre Courthion asked Marcoussis to illustrate Aurelia, a novel by Gerard de Merval. This was the first album of their collection “Le Blanc et Le Noir,” edition chez Fourcade. Marcoussis was familiar with this novel, in which imagination and reality intermingle. In it de Merval wrote: “La Reve est une seconde vie.” (The Dream is a parallel life.) Marcoussis wrote of the print: “Il ressemblait a l’Ange de la Melancholie d’Albrecht Durer.” (It recalls the angel in Durer’s Melancholia...
Category

1930s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Libertinia, from Imaginary Places
By Frank Stella
Located in London, GB
Relief, screenprint, etching, aquatint, lithograph and engraving in colours, 1995, on TGL handmade paper, signed, dated and numbered form the edition of 50 in pencil (there were als...
Category

Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Engraving, Etching, Aquatint, Lithograph, Screen

A Sunset in Ireland.
By Seymour Haden
Located in Plano, TX
A Sunset in Ireland. 1863. Etching and drypoint. Schneiderman catalog number 47 state vii/xiv. 5 1/2 x 8 1/2 (sheet 6 7/8 x 9 1/2). An extremely rich impression with drypoint burr, p...
Category

19th Century Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Drypoint, Etching

Museum à la mode
By Claes Oldenburg
Located in London, GB
Offset lithograph in colours on Coventry Smooth 290-gram paper, 1994, signed in pencil and numbered from the edition of 175, printed by Team Litho, New York, published by Achenbach A...
Category

1990s Pop Art Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Lithograph

ENFANT WITH YELLOW BACKGROUND (BETSY)
By Will Barnet
Located in Portland, ME
Barnet, Will. ENFANT WITH YELLOW BACKGROUND (BETSY). Szoke 108, Cole 106, not in Johnson. Color lithograph, 1951. Edition of 10, titled and signed in pencil. Printed by Barnet and Ro...
Category

1950s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Lithograph

Sky On Head
By Ross Bleckner
Located in Berkeley, CA
Color sugarlift aquatint with chine colle. Edition of 50
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Mexican Night II
By Robert Motherwell
Located in London, GB
44.5 x 44.5 cms (17.5 x 17.5 ins) Edition of 70 Signature:Signed "Motherwell" in pencil lower right Inscriptions:Numbered in pencil lower right; artist's chop mark lower right ...
Category

1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Etching, Aquatint

Masken (Masks) — German Expressionism, Bauhaus
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...
Category

1920s Bauhaus Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Woodcut

Imperfect Print for B.A.M.
By Roy Lichtenstein
Located in London, GB
Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...
Category

1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Color, Screen, Woodcut

Aiolio, from Imaginary Places III
By Frank Stella
Located in London, GB
Lithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...
Category

1990s American Modern Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint, Lithograph, Screen

Untitled (4)
By Alicia McCarthy
Located in Berkeley, CA
Color softground etching with aquatint and drypoint. Edition of 35
Category

2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Intaglio

Four Locations
By Ross Bleckner
Located in Berkeley, CA
Color spitbite aquatint with chine colle. Edition of 50
Category

21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching

Blue Serpent
By André Masson
Located in New York, NY
Andre Masson (1896-1988), Blue Serpent, 1957, 2 plates, 1) etching and aquatint in colors, signed, dated (30/7/61) and  inscribed “pour Louis Broder epreuve d’artiste.” Reference: S...
Category

1950s Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Etching, Aquatint

Sequential I - X
By Richard Anuszkiewicz
Located in London, GB
Richard Anuszkiewicz Sequential Prints: Sequential I - X 1972 Screenprint on paper, Edition of 200 71.1 x 53.3 cms (28 x 21 ins)
Category

1970s Op Art Ifpda International Fine Print Dealers Association Abstract Prints

Materials

Screen