Ifpda International Fine Print Dealers Association Abstract Prints
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Interim
from the series
Graphic Tectonics
—Mid-Century Geometric Abstraction
By Josef Albers
Located in Myrtle Beach, SC
Josef Albers, 'Interim' from the series 'Graphic Tectonics', zinc plate lithograph, 1942, edition 30, Danilowitz 101. Signed, titled, dated, and numbered '3/30' in pencil. A fine imp...
Category
1940s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Two of a Kind Va (broken blue line on purple)
By Richard Smith
Located in London, GB
71 x 71 cms (28 x 28 ins)
Edition of 50
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
America - La France Variations I
By Robert Motherwell
Located in London, GB
118.1 x 81.6 cms (46.5 x 32.1 ins)
Edition of 70
Published by Tyler Graphics, New York
Signed and numbered in pencil
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Entanglement
By Clark Richert
Located in Lyons, CO
Color lithograph, Edition 30
Richert, who was intuitively observing shadows cast by three-dimensional forms, found that one such structure – the rhombic tricontahedron – placed un...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Orbelus
By Rodney Carswell
Located in Lyons, CO
Color lithograph with pochoir, Ed. 25
The artist describes his work:
My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the l...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Da - Da I
— German Expressionism, Rare
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...
Category
1920s Bauhaus Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Ahab, from The Waves Series
By Frank Stella
Located in London, GB
Screenprint, lithograph and linocut in colours with collage, marbling and hand-colouring, 1989, on T. H. Saunders and Somerset papers, signed and dated ‘88’ in pencil, numbered 'AP I...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph, Screen
Lotus
By Howard Hodgkin
Located in London, GB
Screenprint from 20 screens with embossing. On Velin Arches mould-made paper
Based on 'Lotus', textile dyes on hand-made Indian paper, 1978
Signed and dated in pencil, lower centre. ...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1991
Etching in colours, Edition of 27
61.6 x 44.5 cms (24.3 x 17.5 ins)
SF17884
Category
1990s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Raised Eyebrows / Furrowed Foreheads: Crooked Made Straight
By John Baldessari
Located in New York, NY
9-color silkscreen print on plexiglass,
5 x 12” (12,5 x 31cm)
Printed by Atelier für Siebdruck,
Lorenz Boegli, Zurich
Ed. 45/XX, signed and numbered certificate
Category
Early 2000s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Plate VI, from Album 19
By Joan Miró
Located in London, GB
Lithograph in colours, 1961, on BFK Rives wove paper, signed with the artist's monogram in pencil, numbered from the edition of 75 (the total edition included 15 impressions numbered...
Category
1960s Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled II
By Thomas Nozkowski
Located in New York, NY
linocut printed in 25 colors on Hahnemuhle paper
For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...
Category
2010s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Linocut
Black Cathedral
By Robert Motherwell
Located in London, GB
Robert Motherwell
Black Cathedral
1991
Lithograph on white Tyler Graphics Ltd. (TGL) handmade paper, Edition of 40
170.2 x 119.4 cms (67 x 64 ins)
RM17876
Siri Engberg and Joan Bana...
Category
1990s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
$14,000 Sale Price
30% Off
Descente de Croix
(Descent from the Cross) — 1920s French Cubism
By Albert Gleizes
Located in Myrtle Beach, SC
Albert Gleizes, 'Descente de Croix', color pochoir, 1928, edition c. 50. Signed and dated in pencil. A fine, painterly impression, with fresh colors, on heavy, cream wove paper; the full sheet with margins (3 to 4 inches), in very good condition. The publisher's ink stamp 'EDITIONS MOLY-SABATA' beneath the image, lower left. Matted to museum standards, unframed.
Image size 12 x 14 inches (305 x 356 mm); sheet size 18 x 22 inches (457 x 559 mm).
ABOUT THE IMAGE
After the 1927 painting 'Descente de Croix', one of three religious-themed works that Gleizes developed as preliminaries for murals at the church at Serrières, France, the project was terminated at its final phase, and Gleizes commissioned master printer Robert Pouyaud to create prints of the paintings, closely overseeing the production.
ABOUT THE MEDIUM
Pochoir is a refined stencil-based technique employed to create multiples or to add color to prints produced in other mediums. Characterized by its crisp lines and rich color, the print-making process was most popular from the late 19th century through the 1930s, with its center of activity in Paris. The pochoir process began with the analysis of an image’s composition, including color tones and densities. The numerous stencils (made of aluminum, copper, or zinc) necessary to create a complete image were then designed and hand-cut by the 'découpeur.' The 'coloristes' applied watercolor or gouache pigments through the stencils, skillfully employing a variety of different brushes and methods of paint application to achieve the desired depth of color and textural and tonal nuance. The pochoir process, by its handcrafted methodology, resulted in the finished work producing the effect of an original painting, and in fact, each print was unique.
ABOUT THE ARTIST
Albert Gleizes (1881-1953), born in Paris, France, was a pioneering figure in the development of abstract art and one of the leading proponents of Cubism. His contributions to the art world extended beyond his paintings; he was also a prolific writer and theoretician, advocating for a new approach to art that emphasized the geometric abstraction of form and a departure from representational traditions.
Gleizes initially studied painting at the Académie Julian and the École des Beaux-Arts in Paris, where he was exposed to the academic conventions of the time. However, his artistic vision was profoundly influenced by encounters with avant-garde movements, including Fauvism and the work of Paul Cézanne. These influences led Gleizes to experiment with form and color, gradually moving away from traditional representation toward a more abstract and geometric style.
After completing his secondary schooling, Gleizes spent four years in the French army and then began pursuing a career as a painter, primarily doing landscapes. Initially influenced by the Impressionists, he was only twenty-one years of age when his work titled ‘La Seine à Asnières’ was exhibited at the Société Nationale des Beaux-Arts in 1902. The following year, he was part of the first Salon d'Automne and soon came under the influence of Fernand Léger, Robert Delaunay, Jean Metzinger, and Henri Le Fauconnier. In 1907, Gleizes and some of his friends pursued the idea of creating a self-supporting community of artists that would allow them to develop their art free of any commercial concerns. For nearly a year, Gleizes , with other painters, poets, musicians, and writers, lived at a large house in Créteil, but a lack of funds forced them to give up their facility in early 1908, and Gleizes moved temporarily into La Ruche, the artist commune in the Montparnasse Quarter of Paris.
In the early 1910s, Gleizes became associated with the Cubist movement, which was spearheaded by artists such as Pablo Picasso and Georges Braque...
Category
1920s Cubist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Stencil
Untitled, from The Geldzahler Portfolio
By Ellsworth Kelly
Located in London, GB
Lithograph in colours, 1997, on Rives BFK paper, signed in pencil, numbered from the edition of 75 (there were also 15 artist’s proofs), printed by Gemini G.E.L. LLC, published by Th...
Category
1990s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
1978
Lithograph, Edition of 15, 11 unique colour variants
This is one of the unique colour variants
129.7 x 129.9 cms (51.1 x 51.1 ins)
SF17881
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
$14,000
Untitled
By Sam Francis
Located in London, GB
74.6 x 43.2 cms (29 3/8 x 17 ins)
Edition of 30
Plate: 60.3 x 25.1 cm (23 3/4 x 9 7/8 ins),
Sheet: 74.6 x 43.2 cm (29 3/8 x 17 ins)
Paper: Somerset Textured
Edition of 30
Proofs: I BAT, 3 AP, 3 CTP
Signed right, under image, numbered left, under image; publisher's chop lower right.
Publisher: The Litho Shop, Inc., Santa Monica, California
Printed by Jacob Samuel...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint, Color, Etching
The Waves: Squid
By Frank Stella
Located in London, GB
Silkscreen, lithograph, linoleum block with hand-colouring, marbling and collage, 1989, on T. H. Saunders and Somerset paper, signed, dated and numbered from the edition of 60, publi...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph, Screen
Astral Comic
— Modernist Abstraction
By Edward August Landon
Located in Myrtle Beach, SC
Edward Landon 'Astral Comic', color serigraph, 1978, edition 25, Ryan 12. Signed, titled, and annotated 'Edition 25' in pencil. A superb, painterly impression, with fresh colors, on ...
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Untitled
By Myron Kozman
Located in Fairlawn, OH
Untitled
Screen print, 1941
Signed and dated in pencil lower right
From an unnumbered edition of 6
Condition: Excellent
Image size: 7 1/4 x 5 3/4 inches
Sheet size: 10 x 8 inches
Pr...
Category
1940s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Moonlight
By Howard Hodgkin
Located in London, GB
Lithograph from four aluminium plates using tusche and washes, printed in transparent red, orange and a red to orange blend, with hand colouring in ivory black watercolour and blue and green gouache. On two sheets of buff BFK Rives mould-made paper (300 gsm)
Hand-signed by artist, Signed with initials and dated 1980 in pencil, in the lower left on the left-hand sheet. Numbered in pencil in the lower right, verso
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013; 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Pat Gilmour, 'Howard Hodgkin', The Print Collector's Newsletter, vol. 12, no. 1, March-April 1981, p. 5 (ill. front cover); Deborah Phillips, 'New Editions: Howard Hodgkin', ARTnews, vol. 80, no. 7, September 1981, p. 161; 'Prints by Six British Painters: Stephen Buckley...
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
SWING BOATS
By Claude Flight
Located in Santa Monica, CA
CLAUDE FLIGHT (1881 -1955)
SWING BOATS 1921 (Coppel CF5)
Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...
Category
1920s Futurist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Linocut
Bertoia — Mid-Century Visionary Abstraction, Unique
By Harry Bertoia
Located in Myrtle Beach, SC
Harry Bertoia, Untitled (Abstraction), monotype, c. 1960, a unique impression. Signed 'HB' in pencil, lower right sheet corner, verso. Inscribed '1852' (the artist’s inventory number) in pencil, lower right sheet corner, recto. A superb, painterly impression, on cream wove Japan paper, the full sheet, in excellent condition. Unmatted, unframed.
Sheet size 12 x 39 inches (30 x 99 cm).
Provenance: Val Bertoia; Private Collection; Rago Auctions, Lambertville, NJ.
Literature: 'Harry Bertoia: Monoprints,' Nancy N. Schiffer, Schiffer Publishing LTD, 2011; pg. 253.
This work is included in the Harry Bertoia Foundation digital resource, Harry Bertoia Catalogue Raisonné, number TD.MO.1584.
ABOUT THE ARTIST
Harry Bertoia (1915-1978) was a visionary Italian-American artist, sculptor, and designer. Born in San Lorenzo, Italy, Bertoia immigrated to the United States with his family at age fifteen, settling in Detroit, Michigan.
From an early age, Bertoia demonstrated a keen interest in art and design, studying painting and drawing at the Cass Technical High School in Detroit. Later, he attended the Cranbrook Academy of Art in Bloomfield Hills, Michigan, where he studied under renowned designers Eliel Saarinen and Charles Eames. At Cranbrook, Bertoia first began to explore the possibilities of working with metal, a medium that would come to define his artistic career.
In the 1940s, Bertoia moved to California to work for Charles and Ray Eames, contributing to the development of innovative molded plywood furniture. However, his experimentation with metal wire sculpture would ultimately catapult him to international acclaim. Bertoia's iconic "Sonambient" sculptures, consisting of delicate metal rods arranged in various configurations, created ethereal sounds when touched or moved, transforming the act of sculpture into a multisensory experience.
Bertoia's talent and innovation caught the attention of Florence Knoll, the founder of Knoll Associates, a leading furniture design company. In 1950, Bertoia began collaborating with Knoll, producing a series of iconic wire chairs that became emblematic of mid-century modern design. His "Diamond Chair," with its geometric form and airy construction, remains a classic of modern furniture design.
Bertoia continued to explore sculpture as a means of artistic expression, experimenting with new forms and materials. His work was characterized by organicism and fluidity, with forms that evoked natural phenomena such as waves, leaves, and clouds.
A decade before Harry Bertoia began creating three-dimensional sculpture, he dedicated his creative efforts to producing experimental prints at the Cranbrook Academy in Bloomfield Hills, Michigan, pursuing a passion that would continue for the rest of his life. With these spontaneous works, he worked intuitively, testing different tools and techniques to achieve his desired effects. Rather than using a traditional mechanical pressing process, he would apply ink to a glass or smooth Masonite plate with a sheet of paper laid directly on top. Then, tools such as brayers, dog hair brushes, styluses, and different parts of his hands were employed to draw or “press” the images on the back of the sheet. Rice paper was typically used due to its semi-translucent nature, offering Bertoia limited visibility of the effects of his experimentation, but ultimately, the unpredictable nature of the process was an integral aspect of the results, which never ceased to delight him. Each work was a singular composition with abstract imagery ranging from linear, structural compositions to fantastic surrealistic forms to poetic tonal landscapes. He received little input from other artists, developing his unique vision with rare purity and a deep personal resonance.
From his first year of printmaking in 1940, Bertoia quickly amassed an extensive collection of unique works. The compositions were strongly tied to the non-objective movement, which, while popular in Europe, was still in its nascent stages in the US. There were few proponents of this new art form to be found in the 1940s, and it was Hilla Rebay, then Director of the Guggenheim Museum of Non-Objective Art, who gave Bertoia the encouragement and promotion he needed. In 1943, Bertoia sent approximately 100 monotypes to Rebay for review. After receiving the prints, she responded with a surprising offer to buy them all. Rebay then began including them in the museum’s exhibitions.
The Guggenheim shows succeeded in putting Bertoia’s name out into the world. He began exhibiting his works regularly at the Neierndorf Gallery in New York and was provided a stipend to ensure a steady supply of prints until Karl Neierndorf died in 1947. By the 1950s...
Category
1960s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Monotype
Elegy Fragment II
By Robert Motherwell
Located in London, GB
Aquatint, lift-ground etching and aquatint on Georges Duchene Hawthorne of Larroque handmade paper
87.6 x 61 cm (34 1/2 x 24 inches)
Edition of 52
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching, Aquatint
Pliss
By Pia Fries
Located in London, GB
Edition of 25
Colour soap ground and spit bite aquatints with photgravure and roulette on Somerset Satin White paper
Published by Crown Point Press
87.6 x 64.8 cms (34 1/2 x 25 1/2...
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint, Photogravure
$2,741
Untitled
By Robert Motherwell
Located in London, GB
Lithograph and chine colle
73.9 x 56.9 cms (29.1 x 22.4 ins)
Edition of 19
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Child and Seeing Hands
— after the artist
s 1948 Surrealist masterwork
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, 'Child and Seeing Hands', photogravure and engraving, edition 9, 1970. Flahutez 4-9. Signed by the artist and numbered '41/90' in pencil. A superb, richly-inked impress...
Category
1670s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving, Photogravure
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Colour screenprint on J.B. Green paper
104.1 x 71.7 cms (41 x 28 1/4 ins)
Edition of 150
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Screen
York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category
1970s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Untitled (Two Nudes) — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Untitled (Two Nudes), engraving and drypoint, 1971, edition 99. Signed and numbered '94/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet wit...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Engraving, Drypoint
$560 Sale Price
20% Off
Keshin (Incarnation (Moku)
Located in Fairlawn, OH
Keshin (Incarnation (Moku)
Color woodcut, 1958
Signed and dated lower left in pencil (see photo)
An impression is in the collectionof the Asian Art Museum, No. 2012.93, which is not a richly inked s this impression.
Another impression is in the National Museum of Art, Smithsonian, accession no. S2019.3.1297
A third impression is in the collectionof the Art Gallery of Greater Victoria
This appears to be the best and most colorful impression of the museum holdings.
The image is thought to depict a flying crame
Condition: Wrinkles to large sheet of handmade paper. Not objectionable.
Image size: 29 15/16 x 21 1/4 inches
Sheet size: 37 3/8 x 27 1/4 inches
Reference: Tadashi Nakiyama Life & Work, Plate F
Tadashi Nakayama - Sosaku hanga artist Tadashi Nakayama initially studied oil painting at Tama Art College, but began creating woodblock prints in 1951. In the 1960s, he traveled to Turkey, Greece, England, and Italy, absorbing influences from Persian and Byzantine art and the renaissance master Paolo Ucello. Throughout his long career, his subjects have included flowers, butterflies, women, and perhaps most famously, horses...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Woodcut
Generations 20
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Etching, Aquatint
Untitled #050105 (Pink)
By Harold Cohen
Located in London, GB
Harold Cohen
Untitled # 050105 (Pink)
2005
Digital print on paper, Edition 30
147.5 x 119.5 cms (58 1/8 x 47 ins)
HC11003
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Digital
$3,600 Sale Price
40% Off
Two of a Kind IIIa (bright red x on green)
By Richard Smith
Located in London, GB
100.7 x 46.3 cms (40 x 18 1/4 ins)
Edition of 90
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
One Down
By Howard Hodgkin
Located in London, GB
Lithograph from three aluminium plates printed in classic black, transparent brown/black, and violet black, with hand colouring in gouache (three different greys). On buff Velin Arch...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Lithograph
Pieces of Eight (ochre square)
By Richard Smith
Located in London, GB
Edition of 35
48 x 100 cms (19 x 39.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Small Forms On Crossing Bands
By Werner Drewes
Located in Myrtle Beach, SC
Werner Drewes, 'Small Forms on Crossing Bands', drypoint and roulette, 1935, edition 20, Rose 1.197. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper...
Category
1930s Bauhaus Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Drypoint
Les Marionettes I — Erotic Surrealism
By Hans Bellmer
Located in Myrtle Beach, SC
Hans Bellmer, Les Marionettes I, etching with hand coloring, 1969, edition 150. Signed and annotated 'HC' in pencil. A fine impression on brown Roma hand-made laid paper; the full sheet with margins (1 to 2 5/8 inches), in excellent condition. Archivally sleeved, unmatted.
Image size 11 13/16 x 11 1/8 inches; sheet size 15 5/8 x 13 1/4 inches.
A 'Hors Commerce' impression. From a suite of 11 etchings created by Bellmer to illustrate 'On the Marionette Theatre...
Category
1960s Surrealist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
$560 Sale Price
20% Off
Black Sounds
By Robert Motherwell
Located in London, GB
Robert Motherwell
Black Sounds
1984
Lithograph, relief print, and collage
99.1 x 63.5 cms (39 x 25 ins)
RM14197
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Five Ideas for Sculpture
By Henry Moore
Located in Fairlawn, OH
Five Ideas for Sculpture
Lithograph, 1981
Signed and numbered in pencil by the artist lower margin. (see photos)
Edition: (35/50) 50
There were also 15 Roman Numeral artist's proofs....
Category
1950s Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
At Sight of Sun (lark bunting)
By Kara Maria
Located in Lyons, CO
Color lithograph, Edition 20.
The artist describes this project:
“Human activity is causing the mass extinction of plant and animal species at an alarming rate. I paint carefully rendered, miniature portraits of endangered animals into larger compositions to raise questions about Earth’s biodiversity crisis and the place of wildlife within increasingly unstable habitats. The swirling and exploding shapes and colors represent how our progressively chaotic environment is displacing fauna and the systems that support it.
This lithograph includes an image of Colorado’s state bird, the lark...
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Standard Oil Building.
By Joseph Pennell
Located in Plano, TX
Standard Oil Building. 1923. Etching. Wuerth 817. 12 1/4 x 9 1/4 (sheet 13 1/2 x 10 1/16). Edition probably 50. A glowing impression, printed by the artist on antique cream wove paper. Signed and annotated 'imp' in pencil. Housed in a 20 x 16-inch archival mat
proof printed by the artist. $875.
26 Broadway" is the home of the Standard Oil...
Category
Early 20th Century American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Petrouchka
s Predicament
— Mid-century American Surrealism
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, 'Petrouchka's Predicament', color lithograph, 1946, edition 20. Signed, dated, titled, and numbered '115' and '14/20' in pen. A fine, richly-inked impression, with fresh colors, on heavy, off-white wove paper; full margins (1 1/4 to 2 1/2 inches), in excellent condition. Image size 21 3/4 x 13 3/4 inches; sheet size 24 3/4 x 16 1/4 inches. Scarce. Matted to museum standards, unframed.
'Petrouchka', a ballet with music by the Russian composer Igor Stravinsky and choreography by Michel Fokine, is based on the legend of Russian folklore. 'Petrouchka', a puppet made of straw with a bag of sawdust as his body, comes to life and has the capacity to love, a story conceptually resembling that of Pinocchio.
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Nina Simone Sings Pirate Jenny (Full Bleed) #149
By Kate Shepherd
Located in Houston, TX
Kate Shepherd
Nina Simone Sings Pirate Jenny (Full Bleed) #149, 2020
Unique screenprint on Coventry Rag paper
38 3/4 x 23 3/4 in (98.4 x 60.3 cm)
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Paper, Screen, Rag Paper
Constructivist Abstraction — Precisionism / Spatial Illusionism
By Paul Kelpe
Located in Myrtle Beach, SC
Paul Kelpe, Untitled (Abstract Composition), lithograph, 1937, edition unknown but small. Signed and dated in pencil. A fine, richly-inked impression, with all the nuanced texture an...
Category
1930s Abstract Geometric Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Octavio Paz Suite: Nocturne VIII
By Robert Motherwell
Located in London, GB
Lithograph and chine appliqué
64.5 x 54 cms (25 3/8 x 21 1/4 ins)
Edition of 50
Paper: Arches paper; Japanese Gampi handmade paper
Other Collaborators: Image transferred from Mylar...
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Handmade Paper, Color, Lithograph
The Berggruen Series: Untitled
By Robert Motherwell
Located in London, GB
40 x 42.2 cms (15 3/4 x 16 5/8 ins)
Signature: Signed "Motherwell" in pencil lower right
Inscriptions: Numbered in pencil lower right
Edition: 100
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
$4,000 Sale Price
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Untitled
By Sam Francis
Located in London, GB
Sam Francis
Untitled
Circa 1960
Lithograph, Edition of 40
71.9 x 50.8 cms (28.3 x 20 ins)
SF17686
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
La Pique (The Pike)
By Pablo Picasso
Located in Fairlawn, OH
La Pique (The Pike)
Lithograph, 1950
Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950.
Unsigned printer's proof
Inscribed on the verso in Mourl...
Category
1950s French School Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
African Idol
— American Modernism, Chicago Avant-garde
By Robert Vale Faro
Located in Myrtle Beach, SC
Robert Vale Faro, untitled (African Idol), serigraph, c. 1940, edition 6. Signed in pencil. A fine impression, with fresh colors, on buff wove paper; the full sheet with margins(5/8 to 1 3/8 inches), in excellent condition. Very rare.
Matted to museum standards, unframed.
Image size 8 3/4 x 6 inches (222 x 152 mm); sheet size 11 x 7 1/2 inches (279 x 192 mm).
ABOUT THE ARTIST
Robert Vale Faro (1902-1988) was a well-known modernist architect and artist associated with the Chicago Bauhaus. He received his degree in architecture and design from the Armour Institute in Chicago and worked at L'Ecole des Beaux-Arts, Paris, from 1924-27, where he was influenced by Harry Kurt Bieg and Le Corbusier. Upon his return to Chicago, Faro worked with the important modernist Chicago architects George and William Keck under Louis Sullivan.
Faro founded the avant-garde printmaking group Vanguard in 1945. The group counted Atelier 17 artists Stanley William Hayter, Sue Fuller, and Anne Ryan as New York members and Francine...
Category
1940s American Modern Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Drawing Boards I (grey / purple)
By Richard Smith
Located in London, GB
Edition of 60, Set of 5
74.9 x 56.5 cms (29.5 x 22.25 ins)
Category
1980s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Facade 1
By Roy Ahlgren
Located in Fairlawn, OH
Facade I
Screen print, 1970
Signed, dated, titled and numbered in pencil
Edition: 100 (44/100)
Provenance:
Estate of the artist
By decent
Condition: Excellent
Image: 24 x 29"
Sheet:...
Category
1970s Op Art Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Interior (Night)
By Howard Hodgkin
Located in London, GB
Aquatint from three copper plates printed in black, red, and orange. On cream Velin Arches mould-made paper
Signed, numbered, and dated 74 in pencil, lower right
Published by Petersb...
Category
Late 20th Century Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Aquatint
Third Avenue Elevated #1
— Mid-century Precisionist Abstraction
By Ralston Crawford
Located in Myrtle Beach, SC
Ralston Crawford, 'Third Avenue Elevated #1', lithograph, 1951, edition 55. Freeman L51.4. Signed, titled and numbered '48/55' in pencil. A fine, richly-inked impression, with rich ...
Category
1950s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
The Heavenly Suite (pink)
By Robyn Denny
Located in London, GB
Screenprint
Category
1970s Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Screen
Winter Garden Intaglio Print, Abstract Expressionist, Signed, 1957
By Leonard Edmondson
Located in Santa Monica, CA
LEONARD EDMONDSON (1906 – 2001)
WINTER GARDEN, 1957
Color intaglio, Edition 50. signed, titled and no. in pencil. Image 11 x 8 ¾”, sheet 15 ¾ x 12 3/8”....
Category
1950s Abstract Expressionist Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Intaglio
Chocolate Box II
By Richard Smith
Located in London, GB
Richard Smith
Chocolate Box II (blue / pink)
1977
Lithograph, Edition of 70
70 x 70 cms (27 1/2 x 27 1/2 ins)
RSE067
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Summer in Venice
By Adja Yunkers
Located in Fairlawn, OH
Summer in Venice
Lithograph printed in colors from five stones on Italian "Pascia" paper, 1966
Signed and dated lower left in pencil (see photo)
The Print Club of Cleveland Publicati...
Category
1960s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Lithograph
Grey
By Richard Smith
Located in London, GB
Edition of 50
60.3 x 61 cms (23 3/4 x 24 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Etching
Untitled (A)
By Thomas Nozkowski
Located in New York, NY
Thomas Nozkowski (b. 1944, Teaneck, New Jersey; d. 2019, New York) was recognized for his richly colored and intimately scaled abstract paintings, drawings, and prints that push the...
Category
Early 2000s Abstract Ifpda International Fine Print Dealers Association Abstract Prints
Materials
Color, Aquatint
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