Solomon Treasure

A Grand Meiji Japanese Cloisonné Enamel Tray – Lush Cherry Blossom Garden with Sparrows, Quail, and Japanese Fountain, Circa 1890 This monumental exhibition-size Meiji period Japane...

An Exquisite Suite of Three French Silver-Mounted Chinese Porcelain Snuff Bottles with Coral and Sapphire Adornments by Cartier, Presented in Original Fitted Box This exceptional su...

From Paris to Cairo: René Lalique’s ‘Fouad I’ Box and Its Royal Legacy A rare and historically significant creation by the preeminent French glass artist René Lalique, this exquisite box and cover, designed in 1924, exemplifies the fusion of artistic mastery and regal symbolism. Fashioned in clear and frosted glass, the piece is adorned with a finely moulded relief of winged solar discs, a motif evocative of ancient Egyptian iconography and celestial divinity. The subtle sepia staining enhances the intricate detailing, imbuing the composition with depth and an ethereal luminosity. The frosted lid bears a distinguished engraving of King Fouad I of Egypt, his state portrait rendered with remarkable precision, underscoring both his sovereign authority and the modern aspirations of his reign. A dedication inscribed on the base—"Offert par Fakhry Pacha à Paris le 9 Octobre 1924"—further contextualizes the piece within the realm of diplomatic and ceremonial gifting, situating it as a testament to cross-cultural exchange and early 20th-century Franco-Egyptian relations. Signed ‘R. LALIQUE’ to the lid, this refined objet d’art reflects Lalique’s unparalleled ability to harmonize material innovation with historical reverence. This box stands as an exceptional example of early 20th-century glasswork, where the aesthetic ideals of Art Deco converge with the grandeur of Egyptian heritage. Now regarded as one of the finest expressions of Lalique’s oeuvre, this box not only embodies the technical virtuosity of its maker but also serves as an enduring artifact of royal patronage and artistic diplomacy. Provenance Lot 39, Lalique, Christie's, 12 May 1998 Private collection Bequeathed to the present owner in 2020 Private Collection, UK Solomon Treasure...

An Exquisite French Silver and Malachite Bust of Napoleon, By Emile Pinedo This exquisite French silver and malachite bust of Napoleon, masterfully crafted by the esteemed sculptor ...

A Fine and Large Japanese Cloisonné Enamel Silver Wire Cobalt Blue Vase – Hayashi School Masterpiece A stunning example of Japanese cloisonné artistry, this fine and large cobalt bl...

A Rare and Monumental Meiji Period Japanese Turned Wood Vase with Nine Silver Spider Okimonos – A Masterpiece of Form and Symbolism A striking fusion of natural elegance and meticul...

A Magnificent Pair of Ormolu-Mounted Pink Chinese Porcelain Three-Light Candelabras – A Masterpiece of East and West This fabulous and large pair of 19th-century Louis XVI style orm...

Magnificent Pair of Ormolu-Mounted Pink Chinese Porcelain Vases – A Fusion of East and West This fabulous and large pair of 19th-century Louis XVI style ormolu-mounted Chinese porcelain covered vases / jars is a stunning testament to the opulence and artistry of the era. The exquisite pink ground porcelain, an export creation from late 19th-century China, features vivid hand-painted enamel decorations depicting majestic Chinese roosters...

Exquisite Suite of Four Theodore Deck Ormolu-Mounted Celadon Green Porcelain Lamps – In the Chinese Taste This rare suite of four Theodore Deck ormolu-mounted celadon green porcelai...

Magnificent and Large Japanese Carved Coral Masterpiece – Seven Figures Amid a Reef with Fish and Storks A breathtaking celebration of artistry and natural beauty, this exceptional ...

An Exceptional Berlin KPM (Vienna Style) Iridescent Jeweled Porcelain Vase: "The Spring Dance" A breathtaking example of Berlin KPM porcelain artistry, this hand-painted vase, titled "The Spring Dance" (Frühlingsreigen), captures the whimsy and elegance of late 19th to early 20th-century design. Bearing the distinguished blue sceptre mark, iron-red beehive mark, pattern number 8342, and impressed AB2, this masterpiece is signed by the celebrated artist Wagner...

An Imperial Japanese Meiji Shibayama Tea Ceremony Cabinet by The Tokugawa Samurai Clan. This extraordinary Meiji-period shibayama cabinet, attributed to the Tokugawa samurai clan, s...

Illuminating Heritage: An Important "Exhibition" Suite of Four Ferdinand Barbedienne and Louis-Constant Sevin Champlevé Enamel and Ormolu Eight-Light Candelabra/Lamps This monumenta...

An Adorable Family of Six Italian Buccellati Sterling Silver Furry Chicks Resting on a Petrified Wood Base, Milan 20th Century This enchanting creation by the renowned Italian silve...

An Exceptional American "Renaissance Style" Arts and Crafts Bronze, Enamel and Multi Gemstone Cigar Humidor by Edward F. Caldwell Co. This remarkable cigar humidor, crafted by...

An Exceptional Life-Size Middle Eastern Gold-Inlaid Steel Deer Sculpture This extraordinary life-size Middle Eastern deer sculpture exemplifies the pinnacle of artistic craftsmanshi...

A Large Indian Architectural Gold Wire-Inlaid Wall-Hanging Cabinet Facade Depicting a Mughal Pavilion, Circa 1850 This extraordinary wall-hanging cabinet facade is a remarkable exam...

An Exceptional French Japonisme Ormolu and Champlevé Enamel Five-Piece Clock Set, In the Manner of Edouard Lièvre, circa 1870, Paris. This extraordinary French Japonisme clock set, ...

A Pair of French Japonisme Three-Light Dragon Bronze Wall Appliques, Sconces Attributed to Edouard Lievre, circa 1870. Exuding the opulent allure of 19th-century Japonisme, this exq...

An Exceptional French Ormolu and Vernis Martin Kingwood Commode, Attributed to Henry Dasson, C. 1870 This remarkable commode cabinet epitomizes the elegance and craftsmanship of the...

A Rare and Historic 1859 Elkington Silvered Bronze Victorian Centerpiece with Cut-Glass Bowl. Presenting a magnificent Victorian silvered bronze centerpiece of unmatched rarity and importance, crafted by the renowned Elkington Mason Co., Birmingham, in 1859. This exceptional work, complete with its original cut-glass bowl, epitomizes 19th-century British craftsmanship and artistry. Hallmarked to the base, this centerpiece showcases intricate sculptural details, embodying a high level of technical prowess and aesthetic refinement characteristic of Elkington's celebrated works. The centerpiece's striking design features three meticulously rendered figures—a young hunter, a friar, and a fishmonger—each embodying elements of Victorian life and industry. At their feet, a loyal spaniel and various game highlight the naturalistic approach to the composition, enhanced by the masterful chasing and dynamic form. This sculptural ensemble rests on an elaborately decorated base, exuding both grandeur and narrative depth. Adding profound historical value are two engraved plaques. The first, dated “January 28, 1859,” reads: “Presented to William Johnson Esq. as a token of respect esteem by the workpeople in the employ of Messrs Richard Johnson Brother, Manchester.” The second, an inscription from 1941, states: “Worshipful Company of Tin Plate Workers, Alias Wire Workers of the City of London, Presented by Arthur Laurence Johnson M.A., Grandson of William Johnson, both Wire Workers, with his Daughter Eleanor Morton Johnson, a Freeman of the Company, to commemorate his Mastership 1941-42.” These inscriptions chart a rich lineage, connecting the Johnson family to pivotal moments in industrial history. William Johnson, alongside his brother Richard, assumed leadership of a wire-drawing firm in 1838, which would later become Richard Johnson Nephew Ltd. Their contributions included providing galvanized armored wire for the historic 1857 transatlantic telegraph cable...

A French Ormolu-Mounted Kingwood and Vernis Martin Marble Top Console Table / Buffet, circa 1880, in the style of Henry Dasson. Crafted from rich Kingwood in the 19th century, this ...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

An Exquisite and Large Pair of Late Meiji Japanese Ginbari Cloisonné Enamel Vases with Peonies and Butterflies This stunning pair of vases, crafted during the late Meiji period (186...

A Rare Wood and Silvered Bronze French Cigar Humidor by Charles Guillaume Diehl and Jean Brandely, C. 1860, Paris This extraordinary cigar humidor, crafted by the esteemed French ar...

An Elegant Mario Buccellati Sterling Silver Duck Perched on an Amethyst Base, Milan, 20th Century This exquisite creation epitomizes the craftsmanship and luxury for which Mario Buc...

A Monumental, Richly Patinated Bronze Bust of Beethoven by Gaston Veuvenot Leroux (1854-1942) Eugène Blot, Fondeur This magnificent sculpture powerfully captures the iconic co...

A Large Buccellati Italian Silver Model of a Realistic Lobster Expertly crafted to capture the essence of the real lobster, this model features exquisite detailing and lifelike realism. Every segment of the lobster is intricately designed, showcasing Buccellati’s renowned artistry. The model boasts realistically textured surfaces that reflect the natural beauty of the Caribbean spiny lobster. The antennae are articulated and detachable, adding an extra layer of sophistication and realism to the piece. Featured in Architectural Digest By Hannah Martin, May 6, 2024: "The Buccellati Lobster Is the Surreal Icon We Need Right Now Can any object elevate a tablescape quite like a sterling silver crustacean?" Marked M. Buccellati and 800 on back of tail. 9” high x 16” wide x 6" wide Very good condition, ready to place. A fun and unique piece, - very attractive. *See our other listings for another, larger Buccellati silver...

Meiji Masterpiece attributed to Ando Jubei: A Maroon Cloisonné Vase with Dragons Phoenix, circa 1895 This monumental Meiji period Japanese cloisonné vase, attributed to the es...

Indulge in the enchanting world of Claude Lalanne with the exquisite Ginkgo Handbag, a wearable masterpiece from Lalanne's iconic Ginkgo collection. Crafted with unparalleled artistr...

An Exquisite Masterpiece of Mughal Splendor: A Rare Gold-Mounted Jade Box with Diamonds and Semi-Precious Stones Introduction to a Regal Artifact: This exceptional jade box, hailing from the storied Mughal Dynasty, is an unparalleled exemplar of imperial artistry and luxury. Acquired from the prestigious Spink Son of London, this artifact transcends its material beauty to stand as a significant piece of historical and cultural importance. With its rich provenance and intricate craftsmanship, this jade box embodies the opulence and refined tastes of one of history’s most powerful and influential empires. Craftsmanship: The Art of Mughal Luxury: At the heart of this piece lies a finely carved jade...

A Rare Mughal Indian Gold and Enamel Mother of Pearl Spoon with Diamonds Discover the exquisite craftsmanship of Mughal India with this rare and...

Exquisite Victorian English Gold and Scottish Agate Perfume Bottle, Circa 1870 Presenting a truly exceptional Victorian gold perfume bottle, crafted in England around 1870, and showcasing the distinctive "Scottish pebble" design. This exquisite piece is a masterpiece of Victorian artistry, blending luxurious materials with impeccable craftsmanship. The perfume bottle is elegantly tapered and cylindrical in form, adorned with a stunning array of alternating lozenge, diagonal, and wavy band panels, meticulously inlaid with a rich selection of hardstones, including jasper, agate, and bloodstone. The intricate patterning of these precious stones creates a captivating visual display, embodying the refined taste of the Victorian era. A touch of opulence is added by the hinged lid, crowned with a striking bloodstone, and the delicate pearl push-button release, which adds a subtle, yet luxurious detail. This beautiful piece is further complemented by its original fitted box, a rare find that enhances its historical value and desirability. This Victorian perfume bottle...

A Large Buccellati Italian Silver Model of a Realistic Caribbean Spiny Lobster Expertly crafted to capture the essence of the real lobster, this m...

A Pair of Opulent Sterling Silver-Gilt 925 Camel Incense Burners on Giltwood Stands, Circa 1900 Masterfully crafted, these pieces epitomize the grandeur and sophistication of the pe...

A Palatial Meiji Cloisonné Pink Yellow Enamel Covered Jar with Butterflies, circa 1885 Discover an unparalleled masterpiece of Japanese artistry with this monumental Meiji period cloisonné enamel...

An Exquisite and Large Pair of Meiji Period Japanese Cloisonné Enamel Plates with Tsuba Fittings and Nature Scenes, circa 1885 This exquisite pair of large Meiji period Japanese clo...

A Monumental and Exceptional French Ormolu and Turquoise Sevres Porcelain Clock, circa 1875 Immerse yourself in the splendor of 19th-century French artistry with this monumental and...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto. Late 19th Century. Monumental oil on canvas, set within an original carved giltwood frame. Unsigned. Measures: Canvas: 62 X 105in (157 X 266cm). Frame: 80 X 123in (204 X 312cm). This painting is after Russian artist Ilya Repin...

Elizabeth II Sterling Silver and Ruby Humidor Box Made for Saudi Arabia Made by Peter Nicholas Co Ltd in London in 1989. Rectangular box with corner bracket supports and hin...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

A museum quality French white marble roundel relief of Emperor Napoleon III, circa 1860. The quality of this marble sculpture of Napoleon III is trul...

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly s...

A Pair of French Ormolu and Patinated Bronze Figural Busts on Porphyry Bases, circa 1875. One bust signed Marin, the other L.V.E Robert - a truly magnificent pair of busts...

An Exquisite 14K Gold, Diamonds, Emeralds, Rubies, Sapphires, and Semi Precious Stone Mounted Rhodonite Camel. Possibly by Verdura, circa 1970, Italy. A very good quality and unusual gold mounted jeweled object...

Chaumet Paris, A French Silver-Gilt Seahorse Mounted Rhodochrosite cup Circa 1980. An exceptional object A quadrangular cut cup in rhodochrosite and the handle made of a sea...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

A rare American gold mounted intaglio seal of a bust-length portrait of the first President in uniform enclosed by the inscription "George Washington", early 19th century. In a fitted green leather box retailed by: D.S. Lavender Antiques Ltd., Bond Street, London, England; Provenance: D.S. Lavender Antiques Ltd., Bond Street, London, England Anita and Irvin Schorsch Collection Exhibited: Museum of Mourning Art...

An exceptional pair of Louis XVI style french ormolu-mounted parquetry and marquetry side tables, late 19th-early 20th century, in the manner of RVLC. These tables are truly excep...

Mario Buccellati, a rare and exceptional Italian silver goat circa 1940. Made in Milan Italy. Very fine quality and workmanship and very large in size. Measures: 12" high x 14" w...

A monumental French patinated bronze bust of William Shakespeare, after Houdon, by F. Barbedienne Foundry, circa 1870. Masterfully and realistically sculpted in solid bronze, this...

A rare carved Hawk's Eye agate tiger on a 14k gold mounted rock crystal base, circa 1960. "A Jeweled Sculpture" An incredible carved tiger made...

A monumental and masterful pair of French Paris porcelain hand-painted vases, circa 1860. These museum quality vases are extremely fine quality....

A French Ormolu bronze malachite and white marble Gueridon table, in the Empire style, circa 1870 The circular top supported on three bronze winged female...

A palatial french ormolu-mounted Sevres Porcelain hand-painted vase and cover, circa 1838. This monumental Sevres porcelain vase stands 56" high, and is beautifully hand-painted with classical scenes of lovers and cupids, in teal / turquoise blue ground porcelain. Made with very fine quality figural bronze handle, the vase turns to a full 360 degree angle and is mounted on a solid bronze base with fine detail. Painted with beautiful flowers throughout the entire vase, leading up to the cover, which is adorned with an acorn bronze...

An exceptional quality Louis XVI style French ormolu-mounted mahogany and leather coffee center table, attributed to Francois Linke, Paris, circa 1880. With exceptional quality or...

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Zepha...

A contemporary coral, 18K gold, diamonds, and onyx pipe. The carved coral pipe engraved with Chinese ornaments enhanced with brilliant-cut pave diamo...

An extremely fine Russian Empire Ormolu Mounted Mahogany center table, circa 1820-1830. Very finely mounted with crisp ormolu throughout, with bronze female figures, foliate scrolling, lions head...

State of Qatar and Grant Macdonald, A Rare Silver Humidor Box in original fitted box depicting the map and flags of The State of Qatar and the Royal seal of the State. Silverware is a traditional gift in many cultures and Qatar is known for its appreciation of luxury and quality hence the collaboration with Grant Macdonald which has been commissioned to create a silver humidor for a member of the royal family of Qatar. Grant Macdonald is a British silversmith company that has been in business for over 50 years. They are known for their exceptional craftsmanship and attention to detail in creating luxury silverware and bespoke commissions. Qatar, on the other hand, is a small country located in the Middle East that has been growing rapidly over the past few decades, becoming a hub for business and luxury. Grant Macdonald and Qatar may seem like two unrelated topics, but the two have actually been connected in recent years through commissions and collaborations. Qatar is a country that values luxury and quality, making it a prime market for Grant Macdonald’s exquisite silverware. In fact, the company has worked on several high-profile commissions for clients in Qatar, including a silver replica of the famous Doha Pearl Monument. The Doha Pearl Monument is an iconic landmark in Qatar, representing the country’s history and culture. It is a symbol of Qatar’s pearl diving...