Japonisme Asian Art and Furniture
JAPONISME STYLE
In the late 19th and early 20th century, France developed an enduring passion for Japanese aesthetics and craftsmanship. Not only did this interpretation of Japanese culture — which became known as Japonisme — infuse fresh energy into French art and design, but it also radically transformed how Europeans, and subsequently the world, would come to understand visual culture.
Until 1853, Japan had been closely guarded against foreign visitors for over two centuries. However, American Commodore Matthew C. Perry sailed into Japan that year and initiated the first of its treaties with the United States and Europe, thereby opening its borders and giving the West its first-ever look at Japanese design.
For the next few decades, taken with Japonisme, sophisticated collectors in Paris, New York and elsewhere gorged themselves on lacquered screens, celadon ceramics and netsuke ornaments, along with artworks depicting various aspects of Japanese life. The East Asian country’s influence on Europe, particularly France, contributed to one of the most creatively prosperous periods in history, leaving an imprint on the Impressionist, Art Nouveau and Art Deco movements, and inspiring artists like Edgar Degas, Mary Cassatt, Vincent van Gogh as well as luxury houses such as Louis Vuitton and Hermès. Japonisme emerged at the time when the ornate Renaissance Revival style was the most prominent mode of decorating in Europe, and Japanese aesthetics seemed strikingly modern and elegant in comparison.
In addition to everyday practical objects from Japan, such as vases, tableware and decorative boxes, Japanese art, especially Japanese woodblock prints by masters of the ukiyo-e school, caught the eye of many artists — particularly those in the Art Nouveau poster community in 1880s Paris. The luscious organic colors associated with traditional Japanese design, motifs like cherry blossoms and carp and the vivid patterns found in woodblock prints, silks and more were adopted and appropriated by painters as well as ceramicists and those working in other fields of the decorative arts. Today, demand for Japanese lacquerware — furniture, trays, writing boxes, screens, incense burners — from the Edo period (1615–1868) and the late 19th century continues to be very strong among collectors.
Find a collection of antique Japonisme furniture and decorative objects on 1stDibs.
to
33
239
118
382
43
7
439
391
231
186
155
74
55
46
42
33
25
20
15
14
13
13
12
4
25
148
209
50
92
65
23
20
3
15
5
11
11
14
8
4
2
136
122
108
95
73
381
379
377
39
31
432
400
430
30
26
16
14
7
Style: Japonisme
Japanese Lacquered and Gilt Wood Buddhism Statue from Edo Period
Located in Atlanta, GA
An exceptional and wood statue of Buddhism Guardian Seitaka Doji from Japan circa Edo period (1603-1868), likely the earlier part of 17th century. One of two chief attendants of Fudou Myouou (the other being Kongara Doji), the name of Seitaka Doji is a transliteration of Sanskrit "Cetaka", meaning servant, slave, and he is said to personify expedient action. He is most commonly found on the right side of Fudou, together with Kongara Doji on the left, forming the Immovable triad, Fudou Sanzon, the terror of evil doers. Seitaka largely adheres to the iconography of a wrathful youth with fleshy body and face, skin in the color of a red lotus, has his hair tied in five knots, and holds a vajra in his left hand and a vajra-club in his right hand, but the actual artistic representations of him in Japan do...
Category
17th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Metal
Red Painted and Gilt Japonisme Plant Stand
Located in Norwood, NJ
Japanese style French 19th century carved and red painted wood pedestal with gilt and silver gilt embellishments. Deep red-brown lacquer finish. Gilt dragons and floral decorations.
...
Category
Late 19th Century French Antique Japonisme Asian Art and Furniture
Materials
Paint, Giltwood, Wood
Pair of Japonisme Porcelain and Ormolu Mounted Aesthethic Movement Vase
s
Located in Hamilton, Ontario
Pair of Japonism porcelain and ormolu-mounted Aesthethic Movement vase's.
Category
19th Century English Antique Japonisme Asian Art and Furniture
Materials
Brass, Ormolu
Excellent Satsuma Charger
By Satsuma
Located in Swadlincote, GB
A super quality Satsuma bowl, in overall excellent condtion.
Satsuma china, or Satsuma ware, originates from the Satsuma Province in southern Kyūshū, Jap...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Vintage kimono textile art " Cranes ~ Kintsugi ~ " by ikasu White Red Gold Japan
By Kimono ikasu
Located in Setagaya City, JP
<
The frame for this work is made of paulownia wood taken from antique Kiritansu - chest-of-drawers for kimono.
I use antique kiritansu that can’t be used as furniture anymore to create basis and frames for my works. It adds them even more authentic atmosphere of traditional wabisabi spirit. Can you feel it?
The piece uses the concept of "kintsugi" - it "unites" the pieces of antique kimono back together with golden leaf to give it a second wind as art work.
<< Period / Story
The kimono used in this piece was originally crafted during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors
The Japanese saying goes, "A crane lives a thousand years, a tortoise lives ten thousand years," making cranes a symbol of longevity.
Cranes are also known for staying with the same partner for their entire lives, which is why they are often used at weddings and other celebrations to symbolize "marital bliss" and the desire for harmony between husband and wife.
On this particular piece, cranes are flying through snow woven on the fabric, as if they are overcoming all the disasters to get to their beloved ones.
The color scarlet, or deeply dyed red, used for the most of the cranes here, has long been associated with the meaning of "warding off evil." It is believed to possess the power to repel malevolent forces and invite good fortune.
During the Heian period, scarlet was reserved for sacred buildings and ceremonial objects that held great significance. Ordinary people were prohibited from wearing scarlet-red kimonos, which made it a highly special color.
<< Characteristics of the fabric
Cranes, going up and down, are generously decorated by kimpaku here. "Kimpaku" (金箔) refers to gold leaf/foil in Japanese. Gold leaf is a traditional material used in various aspects of Japanese culture, including art, crafts, and even in culinary applications.
In traditional Japanese art, gold leaf is often applied to religious objects, sculptures, paintings, and lacquerware to create a luxurious and decorative effect. The use of gold leaf in art dates back centuries and is associated with a sense of wealth, prestige, and the divine.
Traditional kimpaku technique is used here to make an accent decoration in the middle.
<< About the frame
This artwork frame is crafted from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos, and it serves to convey the refined beauty of Japanese nature.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
Paulownia wood is closely linked to kimono culture. During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
Late 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Gold Leaf
A Satsuma Vase Depicting A Group Of Carp Swimming In A Stream
Located in Milano, IT
A Satsuma vase depicting a group of carp swimming in a stream. The scene is depicted from a shore perspective, where partially submerged tree trunks emerge and delicate flowers bloom...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
Super Kutani Charger
Located in Swadlincote, GB
A superb Kutani charger, signed to the back, in overall excellent condition.
Kutani porcelain, or Kutaniyaki, originates from the Kutani village in the...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Porcelain
Japanese Ceramic Ikebana Vase Bizen Ware Nanba Koyo
Located in Atlanta, GA
A tall vintage ceramic vase with handle from Japan (20th century) by Nanba Koyo. Made in the tradition of Bizen ware, the vase has a modern aesthetic with a...
Category
20th Century Japanese Japonisme Asian Art and Furniture
Materials
Ceramic
$1,500 / item
Massive Japanese Arita Presentation Porcelain Plate Meiji Period
Located in Atlanta, GA
This massive Japanese Arita plate was made in Hizen, circa 1890-1910s, at the end of Meiji period by a potter named Takeshige Yoshisuke who was active in A...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Pair of Japanese Kutani Porcelain Vase, circa 1880
Located in Brighton, Sussex
An impressive and very decorative pair of Meiji period (1868-1912) Japanese Kutani porcelain vases, each with wonderful exotic floral d...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Porcelain
Antique Japanese Ink Hanging Scroll Hidaka Tetsuo with Wood Storage Box
Located in Atlanta, GA
A hanging ink (Sumi-e) silk scroll by Japanese Zen artist Hidaka Tetsuo (1791-1871). Well presented in brocade boarders and mounted on paperback, this scroll depicts "Three Noble Friends in Winter" in a poetic and novel way. One of the favorite subjects by Chinese painters, the three noble friends in winter consists of pine, bamboo and plum flowers. They were admired for their characters of strength in cold resistance to remain evergreen and even blossom in unfavorable condition. The artist, however, composited the subjects in a none-conventional way as Ikebana. Bamboo and flowering plum branches were presented in an oversized pot...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Brocade, Wood, Paper
Pair of Japanese Bronze Vase with Metal Inlays by Mitsufune
Located in Atlanta, GA
A pair of elegant vases of solid oiled bronze from the Meiji era, Japan (1868-1912). In a Classic Meiping shape, the pair has a mirrored inlay with gold, silver and red enamel that d...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
Throw Taigaa 604
By Kenzo Takada
Located in Cadorago, CO
This is a jacquard throw decorated with a stunning animal print and fringes. The animalistic theme is reminiscent of the jungle and the natural elements...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$726 / item
Vintage kimono textile art " Plum Gradation " by ikasu Pink White Japan
By Kimono ikasu
Located in Setagaya City, JP
This canvas featuring a plum color gradient kimono showcases a unique decorative variation of the popular seigaiha (青海波) sea waves pattern.
The artwork got a Mr.
Mrs. Abe Arts ...
Category
1980s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Canvas, Silk
19th Century obi textile art " Pine forest ~ Longivety ~ " by ikasu Green Japan
By Kimono ikasu
Located in Setagaya City, JP
<< Story behind the work
Obi fabric I used for this artwork is taken from three different over 100-years-old antique sashes, and is framed in wood taken from antique ...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Gold Leaf
Patinated Bronze Vase With A Lizard Carved In Relief In The Center
Located in Milano, IT
Patinated bronze vase, characterized by a refined naturalistic decoration with a lizard sculpted in relief in the center. The lizard is placed on leaves overlapping each other creati...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
Bronze pitcher, Japan, chocolate-brown patina, frog in the round, 19th century
Located in NANTES, FR
This Japanese pitcher is notable for its naturalistic style. The bronze work is of very fine craftsmanship, featuring an attractive patina and delicate chiseling. A frog in the round...
Category
20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bronze
Pair of Early Japanese Plique-a-Jour Bowls from Nagoya
By Ando Jubei
Located in Atlanta, GA
A pair of small but exquisite Plique-a-jour cloisonné bowls with nearly identical design from Nagoya area in Japan circa 1900-20s. Maker's unknown but possibly by Ando company. The t...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Metal, Enamel
Two Japanese Mother of Pearl Wood Dishes
Located in Brea, CA
Two Japanese mother of pearl wood dishes, very beautiful pieces. Measures: Large one H 2” x L 13.5” x W 10”.
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Lacquer
$880 / set
Japanese Maki-e Lacquer Portable Sagejubako Theme of Three Winter Friends
Located in Atlanta, GA
Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Lacquer
Japanese Ikebana Basket, Late 19th Century
By Ikebana
Located in Glasgow, GB
This is a very fine Ikebana basket from the late 19th century / early 20th century . The Japanese art of flower arranging is a highly ritualised process and this basket would have be...
Category
Early 1900s Japanese Antique Japonisme Asian Art and Furniture
Materials
Bamboo
$2,620 Sale Price
20% Off
Japanese Glazed Ceramic and Silver Koro Incense Burner Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age.
Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...
Category
Early 1900s Japanese Antique Japonisme Asian Art and Furniture
Materials
Silver
Antique kimono textile art " Plum Blossom Night ~ Resilience ~ " by ikasu Japan
By Kimono ikasu
Located in Setagaya City, JP
This artwork uses antique fabric from Taisho era (early 1920ies) kimono and paulownia wood taken from antique kiritansu - chest-of-drawers used initially to keep kimonos.
It is el...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silver Leaf
Asian Flambe Studio Pottery Vase
By Kyoto Pottery
Located in Atlanta, GA
A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Ceramic
VIntage kimono textile art " Geometry ~ Chrysanthemums ~" by ikasu White Japan
By Kimono ikasu
Located in Setagaya City, JP
<
This work is inspired by traditional Japanese natural symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Japanese Bamboo Basket Ikebana
Located in Atlanta, GA
A Japanese woven bamboo basket in the shape of crescent with open top and a wrapped handle circa 1920s-1940s. The basket was woven with "sooted" bamboo (susutake in Japanese). This b...
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Bamboo
ANTIQUE JAPANESE CIR 1920
s WOODBLOCK TRIPTYCH WATERCOLOUR PRINT OF RICE PICKERS
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of Ri...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
Vintage obi textile art "Under the Sun ~ Serendipity ~" by ikasu Red Beige Japan
By Kimono ikasu
Located in Setagaya City, JP
<
This artwork creatively uses tree bark to evoke the imagery of woods and mountains during both the morning and nighttime on left and right. It is elegantly framed with paulownia wood, a tree closely connected to kimono culture, and is filled with storytelling and sense of luxury.
By incorporating both the front and back sides of the same obi fabric woven in different colors, the play of light and shadow on the mountains is depicted through the contrasting appearances of these surfaces.
The intention behind this piece is to convey the exquisite beauty of Japanese mountains and the lush forests that inhabit them. To achieve this, traditional elements of Japanese culture, such as obi textiles and craftsmanship involving wood, were used.
The outer side and inner linings of the same obi, no longer suitable for clothing, along with bark material that would normally be discarded, have been repurposed to create this exceptional upcycle artwork.
The fusion of Japanese natural materials – silk, paulownia wood, and pine bark for the central decoration – along with the so-called "Tozan" pattern, a unique Japanese natural design showing mountains from far-away point, captures the magnificent beauty of Japanese nature from various perspectives.
The central bark decoration stands out as a distinctive feature of this work. Pine, oak, and other tree barks are interwoven among the mountains woven into the obi, creating a tangible and authentic natural atmosphere.
<< Period / Story
The obi used in this piece was originally crafted during the late Showa period (1960-80ies).
<< Explanation and meaning of pattern and colors
This upcycle artwork uses an obi with a tozan pattern woven in two colors. The design is inspired by a distant mountain range, a motif that has been used in paintings and crafts since ancient times. However, in this particular design, the mountains are depicted not as distant peaks but as graceful semicircles giving it a mild atmosphere.
<< Characteristics of the fabric
This upcycled Fukuro-obi (two-side obi) showcases a festive color pattern of mountains intricately woven with gold threads against a beige front and red on the back.
The way this obi interacts with light allows it to shift in expression, much like a mountain revealing different facets over time. It can transform from deep shades of color to the appearance of gold shimmering against bright hues, depending on the lighting and viewing angle.
<< About the frame
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
Late 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Silk, Wood
JAPANESE 1920 WOODBLOCK TRIPTYCH WATERCOLOUR PRiNT OF GEISHA GIRLS BOARING BOAT
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of Ge...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
Vintage obi textile art " Broken Vase ~ kintsugi ~" by ikasu Black Gold Japan
By Kimono ikasu
Located in Setagaya City, JP
<
This textile artwork uses a vintage obi dated around 1980ies, with a feather motif, and arranges it so that it looks like a vase.
Antique obi, just as it is a broken vase, is united back again with black obijime - a string used to tie up obi when it’s worn. Framed in kiritansu (antique chest) paulownia wood.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation and meaning of pattern and colors
Feathers hold various meanings and symbolism in Japanese traditional culture, often reflecting themes of spirituality, symbolism, and folklore. Here are some of the meanings associated with feathers in Japanese tradition:
・Divine Protection: Feathers are often seen as symbols of divine protection and spiritual guidance. Feathers, especially those from birds, are considered to be imbued with the protective energy, offering spiritual guardianship and safeguarding against negative forces.
・Connection to the Spirit World: Feathers are sometimes associated with the spirit world and the realm of the divine. In folklore and mythology, feathers are depicted as messengers between the earthly realm and the celestial realms.
・Symbol of Beauty and Elegance: Feathers are admired for their natural beauty, grace, and elegance. In traditional Japanese arts such as Noh theater, Kabuki, and dance performances like Kagura, actors and performers often use feathered costumes or accessories to enhance their appearance and convey a sense of refinement and sophistication.
・Sign of Good Luck and Prosperity: In Japanese folklore, certain birds like cranes and pheasants are considered symbols of good fortune, longevity, and prosperity. Feathers from these birds are often depicted in art and craftwork as auspicious symbols believed to bring blessings and positive energy to the bearer.
<
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1980s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Vintage kimono textile art " Fern ~ Connection to Nature ~" by ikasu Black Japan
By Kimono ikasu
Located in Setagaya City, JP
This work uses an antique tomesode (festive kind of kimono) with fern design to evoke feelings of tranquility, harmony, and appreciation for the beauty of the environment. Can be used both vertically and horizontally.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
<< Explanation of colors and patterns
In Japanese traditional culture, ferns, particularly the Japanese painted fern (Athyrium niponicum), hold several meanings and symbolisms:
・Elegance and Beauty: Ferns are admired for their graceful, delicate appearance and intricate leaf patterns. In Japanese aesthetics, they are appreciated for their natural beauty and are often used in gardens, landscapes, and floral arrangements to add a sense of refinement and elegance.
・Resilience and Perseverance: Ferns are known for their ability to thrive in diverse environments, including shady forests, rocky cliffs, and damp soil. Their resilience in the face of challenging conditions is seen as a symbol of endurance and perseverance. In Japanese culture, ferns may represent the ability to overcome adversity and flourish despite obstacles.
・Connection to Nature and Tranquility: Ferns are native to forested areas and are often associated with the natural world. In Japanese traditional culture, they symbolize a deep connection to nature and the importance of maintaining harmony with the environment. The lush green foliage of ferns evokes feelings of tranquility and peacefulness, making them popular motifs in Zen gardens and traditional landscape paintings.
・Purity and Simplicity: Ferns are emblematic of simplicity and purity in Japanese aesthetics. Their unassuming beauty and understated elegance reflect the principles of wabi-sabi, an aesthetic worldview that values imperfection, impermanence, and simplicity. Ferns may be used in tea ceremonies, Ikebana (flower arranging), and other traditional arts to evoke a sense of tranquility and appreciation for life's fleeting moments.
Overall, ferns in Japanese traditional culture symbolize elegance, resilience, connection to nature, purity, and simplicity. Their presence in art, literature, and landscape design underscores their enduring significance as symbols of natural beauty and spiritual resonance.
<< Characteristics of the fabric
This vintage textile is hand-painted with a traditional Japanese technique called "yuzen".
<< About the frame
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Throw Koko 40
By Kenzo Takada
Located in Cadorago, CO
The KOKO collection is composed of yarn-dyed jacquard throws with tone-on-tone
fringes and a K三 monogram pattern. This throw is a rich gold colour with a sophisticated and elegant f...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$654 / item
Vintage obi textile art " Camellia ~ Serendipity ~" by ikasu Blue Japan
By Kimono ikasu
Located in Setagaya City, JP
[Story behind the work]
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with paulownia wood originally used for kimono chest-of-drawers, and is filled with storytelling and sense of luxury.
In this artwork, the aim was to capture the the auspicious symbol of camellia used in antique kimono. Traditional Japanese culture, represented by the kimono, and wood, an integral element of Japanese craftsmanship, were used to bring this vision to life.
I used pieces of kimono that could no longer be used as clothing and kiritansu chest-of-drawers that would normally be discarded to create the ultimate upcycled piece.
[Explanation and meaning of pattern and colors]
This delicate piece features hand-drawn camellia motifs flowing gracefully on a softly brightened grayish background.
Camellias, native to Japan, bloom from winter to early spring. As an evergreen tree with green leaves throughout the year, it symbolizes the anticipation of spring and is considered an auspicious plant. Due to its seasonal significance and auspicious meanings, camellias have been used as motifs symbolizing good fortune. Additionally, they were highly valued for their use in oil, cosmetics, and medicine, representing nobility. Believed to possess the power to ward off misfortune, camellias also carry the meaning of "protection from calamity" and have strong ties to traditional ceremonies. In this artwork, camellias are delicately depicted alongside flowing branches, subtly representing good fortune with their pale pink and white hues.
"Sora-iro nezumi 空色鼠" refers to a light grayish color with a hint of blue, reminiscent of the slightly brightened sky on a lightly cloudy day. Popular during the late Edo period (19th cent.), it elegantly captures the slightly brighter sky pattern seen on lightly overcast days. Notably, the term "nezumi-iro" (mouse gray), popular during the late Edo period, was paired with brown tones, collectively known as "Forty-eight Teas and a Hundred Mice 四十八茶百鼠." Colors within the "nezumi" (gray) spectrum, particularly "sora-iro nezumi," were favored by young people for their cool and sophisticated appeal.
[Characteristics of the fabric]
The fabric features intricately woven patterns that reveal subtle gradations through dyeing, creating a grid pattern that transforms depending on the light conditions.
Originally, this fabric was part of a formal kimono known as a "hōmongi 訪問着," featuring motifs along the hem, shoulders, and sleeves. These motifs have been carefully selected and combined to create a unified piece of artwork.
[About the frame]
Kiritansu - chest-of-drawers for kimono, is traditionally made from paulownia wood, a uniquely Japanese material closely tied to the world of kimonos.
Paulownia wood is known as the lightest wood in Japan, prased for its natural luster, resistance to moisture, and resilience against cracking. Since ancient times, it has been used in crafting furniture, chests, and musical instruments.
During the Edo period, it became customary to store cherished kimonos in paulownia chests...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
Lovely Imari Charger
Located in Swadlincote, GB
Super Imari charger in excellent overall condition, signed to the back.
Imari ware, a type of Japanese porcelain, originated in the Arita region of Kyushu, Japan. The name "Imari" co...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Porcelain
VIntage kimono textile art " Geometry ~ Marble ~" by ikasu Gold White Grey Japan
By Kimono ikasu
Located in Setagaya City, JP
This work is inspired by traditional Japanese nature motifs symbolism, and is framed in paulownia wood originally used for a kimono chest-of-drawers.
It is elegantly framed with pau...
Category
1960s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Silk, Wood
A Japanese patinated bronze vase depicting a cricket
Located in Milano, IT
A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves.
Signed Joun in relief within an oval reserve.
Origin: Japan
Period: Meiji ...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Bronze
French Patinated Bronze Figure of a Standing Japanese Geisha with Kimono
Obi
Located in New York, NY
A beautiful French patinated bronze figure of a standing Japanese geisha in a traditional kimono with an obi. This geisha is exceptionally cast with immense detail. Starting from the...
Category
Early 20th Century French Japonisme Asian Art and Furniture
Materials
Bronze
Japanese Inro with 4 Boxes in Gold Lacquer with Mat Kinji Background
Located in Marseille, FR
19th century Japanese inro with 4 boxes in gold lacquer with kinji mat background decorated in taka makiyé of gold of different tones. Lacquered wood siz...
Category
19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Giltwood
Throw Botanshima 150
By Kenzo Takada
Located in Cadorago, CO
This is a yarn-dyed jacquard throw decorated with blue, green, and brown stripes, with a pattern of peony flowers and finished with short fringes. The blue tones are characteristic o...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$673 / item
Throw Nekoka 148
By Kenzo Takada
Located in Cadorago, CO
This is a light-printed wool guaze decorated with a collage of animal prints and short fringes. The animalistic theme is reminiscent of the jungle and the natural elements that are c...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$1,286 / item
Throw Kami 604
By Kenzo Takada
Located in Cadorago, CO
The KAMI collection is composed of yarn-dyed jacquard throws with a large golden cloud pattern, metallic threads, and short fringes. This throw is a solemn black colour and the cloud...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$613 / item
Throw Kami 214
By Kenzo Takada
Located in Cadorago, CO
The KAMI collection is composed of yarn-dyed jacquard throws with a large golden cloud pattern, metallic threads, and short fringes. This throw is an oneiric cream colour and the clo...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$613 / item
Throw Edeum 211
By Kenzo Takada
Located in Cadorago, CO
The EDEUM collection is composed of yarn-dyed jacquard throws with plume patterns and short fringes. This throw is a natural cream colour lending an elegance to the piece and reflect...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$613 / item
Throw Koko 56
By Kenzo Takada
Located in Cadorago, CO
The KOKO collection is composed of yarn-dyed jacquard throws with tone-on-tone
fringes and a K三 monogram pattern. This throw is a vibrant colour with a bold and playful feel.
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$654 / item
Throw Tan Sai 572
By Kenzo Takada
Located in Cadorago, CO
This is a vibrant pink and orange jacquard throw decorated with a pattern of large, elegant peonies and short fringes. The peony flower is a Japanese sy...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$739 / item
Throw Tsugi Shogun 160
By Kenzo Takada
Located in Cadorago, CO
The TSUGI collection is composed of yarn-dyed jacquard throws with a giant patchwork Kintsugi pattern and contrasting short fringes. This black and white throw...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$753 / item
Throw Chougembou 160
By Kenzo Takada
Located in Cadorago, CO
This is a rich black jacquard throw adorned with a precious hawk and a stripe with a geometric motif and finished with short fringes. The hawk is a Japa...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$2,063 / item
Throw Shinlin 160
By Kenzo Takada
Located in Cadorago, CO
This is a jacquard throw designed with an elegant forestscape and short fringes. The dreamy forest scene is reminiscent of the jungle and the natural el...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$798 / item
Throw Tan Sai 211
By Kenzo Takada
Located in Cadorago, CO
This is a natural cream jacquard throw decorated with a pattern of large, elegant peonies and short fringes. The peony flower is a Japanese symbol for g...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$739 / item
Throw Koko 21
By Kenzo Takada
Located in Cadorago, CO
The KOKO collection is composed of yarn-dyed jacquard throws with tone-on-tone
fringes and a K三 monogram pattern. This throw is a natural cream colour with a dreamy and sophisticate...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$654 / item
Throw Koko 25
By Kenzo Takada
Located in Cadorago, CO
The KOKO collection is composed of yarn-dyed jacquard throws with tone-on-tone
fringes and a K三 monogram pattern. This throw is a pastel pink colour with a dreamy and sophisticated ...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$654 / item
Throw Edeum 581
By Kenzo Takada
Located in Cadorago, CO
The EDEUM collection is composed of yarn-dyed jacquard throws with plume patterns and short fringes. This throw is a vibrant red colour with a contrasting white pattern reminiscent o...
Category
21st Century and Contemporary Italian Japonisme Asian Art and Furniture
Materials
Fabric
$613 / item
A Cloisonné hexagonal potiche
Located in Milano, IT
Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket.
...
Category
Late 19th Century Japanese Antique Japonisme Asian Art and Furniture
Materials
Metal
Japanese Sculptured Wood Brazier with Copper Liner
Located in Godshill, Isle of Wight
Japanese sculptured wood brazier with copper liner
A Great piece, an original brazier to keep you warm in the late evening breeze or it would make a very attractive planter
Thi...
Category
Late 19th Century Antique Japonisme Asian Art and Furniture
Materials
Wood
Japanese Woodblock Print Les Jades Chinoise by Paul Jacoulet
Located in Atlanta, GA
A Japanese Woodblock print by Paul Jacoulet (French, 1896-1960) entitled Les Jades Chinoise (Jade Lady Chinese). Created in 1940, this is the most popular and recognizable print by t...
Category
1940s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Paper
Japanese Rosewood Hand Carved Pedestal
Located in Tarzana, CA
Japanese rosewood hand carved pedestal.
Japan, circa 1920
Measures: Height 24", width 19".
Category
Early 20th Century Japanese Japonisme Asian Art and Furniture
Materials
Rosewood
Japanese Indigo Antique Boro Futon Cover or Wall Panel
Located in Alessandria, Piemonte
Rare perfect antique collection Japanese Indigo Boro Futon cover : also to use.
The rare antique boros are now valued as pieces of art, therefore they are...
Category
Mid-20th Century Japanese Japonisme Asian Art and Furniture
Materials
Cotton
$2,461 Sale Price
35% Off
JAPANESE CIR 1920 WOODBLOCK TRIPTYCH WATERCOLOUR PRINT OF GEISHA GIRL
NOBLEs
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of a ...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
JAPANESE 1920
S WOODBLOCK TRIPTYCH WATERCOLOUR PRiNT OF GEISHA GIRLS GARDENING
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of Ge...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
JAPANESE 1920
S WOODBLOCK TRIPTYCH WATERCOLOUR PRINT GEISHA GIRLS PLAYING MUSiC
Located in West Sussex, Pulborough
Royal House Antiques
Royal House Antiques is delighted to offer for sale this stunning Antique Japanese Woodblock Triptych watercolour print of Ge...
Category
1920s Japanese Vintage Japonisme Asian Art and Furniture
Materials
Wood
Japonisme asian art and furniture for sale on 1stDibs.
Find a broad range of unique Japonisme asian art and furniture for sale on 1stDibs. Many of these items were first offered in the 21st Century and Contemporary, but contemporary artisans have continued to produce works inspired by this style. If you’re looking to add vintage asian art and furniture created in this style to your space, the works available on 1stDibs include asian art and furniture, decorative objects, wall decorations and other home furnishings, frequently crafted with wood, ceramic and other materials. If you’re shopping for used Japonisme asian art and furniture made in a specific country, there are Asia, East Asia, and Japan pieces for sale on 1stDibs. While there are many designers and brands associated with original asian art and furniture, popular names associated with this style include Makuzu Kozan, Ando Jubei, Cordélia Faure, and Dorian Étienne. It’s true that these talented designers have at times inspired knockoffs, but our experienced specialists have partnered with only top vetted sellers to offer authentic pieces that come with a buyer protection guarantee. Prices for asian art and furniture differ depending upon multiple factors, including designer, materials, construction methods, condition and provenance. On 1stDibs, the price for these items starts at $95 and tops out at $54,000 while the average work can sell for $3,271.
More Ways To Browse
Buddha Stone Chinese
Buddha Throne
Buddha To Buddha
Cat Carving
Chinese Carved Gilded
Chinese Dog Statue
Chinese Eggs Porcelain
Chinese Enamel Dish
Chinese Erotic
Chinese Giltwood Panel
Chinese Guangxu Porcelain
Chinese Jade Disc
Chinese Lacquerware
Chinese Luohan
Chinese Marble Carving
Chinese Oil Lamp
Chinese Porcelain Hat Stand
Chinese Porcelain Incense