Gilt Clocks

Gilt bronze and wood table clock. Clock signed Biesta, Paris, circa 1890.

This French mantel clock is designed in an elegant Neoclassical style, after the decorative arts of the Louis XVI period (1754-1793). This clock will look beautiful placed on a mante...

A Patinated and Gilt-Bronze Hanging Clock, with an enamelled dial and Arabic Numerals. The dial signed 'E. Artult / Moulins S.Allier'. The clock with a twin-train movement and a ...

A very good quality late 19th century French Louis XVI style gilded ormolu mantel clock. Having a broken arch pediment with a twin handled urn to the centre. The inset champlevé enam...

Exceptional gilt bronze mantel clock with its key depicting a winged Cupid in a chariot. The chariot is pulled by two doves that are resting on a platform adorned with water-leaf. Th...

Gilt bronze cylindrical mantel clock with emblems of love French, 19th century Measures: Height 40cm, diameter 17cm This fabulously quirky mantel clock is modelled to depict Cup...

French neoclassical malachite and gilt bronze mantel clock French, circa 1830 Measures: Height 51cm, width 33cm, depth 14cm This mantel ...

Of porcelain mounted ormolu, the clock's dial marked 'Raingo Fres, Paris', the central clock decorated with a scene of traditional 19th century courtship, the two flanking candelabra...

A gilt bronze Empire clock in the form of a classical urn, by Maison Lepautre. French, circa 1825. The dial signed 'Lepaute a Paris'. The clock has an ornate cast bezel with a 3-inch porcelain dial with Roman numerals and Breguet style hands. The twin train eight-day movement with outside count wheel striking on a bell and silk thread suspension. This elegant Empire style clock has a gilt bronze case in the form of a classical urn with swan neck handles and a winged cherub to the neck. The circular pedestal base is raised on a footed stepped square plinth. The Lepaute family were the premier French clockmakers of their day. Their significance lies in their contribution to the clock making industry which had hitherto come under the trade of locksmiths. The family held the brevet Horlogers du Roi. Jean-André Lepaute (1720–1789) arrived in Paris at an early age and in 1740 founded the family business. A skilled artist and mechanic, he quickly gained an excellent reputation. He was received as maître by the clockmakers guild in 1759, was granted royal lodgings from the king in The Luxembourg Palace, and was entrusted with the construction of the majority of the great public clocks of Paris. He executed, amongst others, those in The Luxembourg Palace, the Jardin des Plantes, the Château de Bellevue and the Château des Ternes. His clock at Paris’s École Militaire still works today. Three editions of his Traité d’Horlogerie were published in Paris in 1755, 1760 and 1767. A small volume, Description de Plusieurs Ouvrages d’Horlogerie appeared in 1764. Jean-André’s wife, Nicole-Reine Etable de la Brière (1723-1788), was a highly esteemed mathematician and astronomer. Her passion for science lent itself to Lepaute’s work and she played an active role in the scientific and mathematical aspects of the clock making. Jean-André’s younger brother Jean-Baptiste Lepaute (1727-1802) joined him in Paris in 1747 and immediately started working for the family business. He was received as maître in 1776 and was known for the clocks he constructed for the Paris Hôtel de Ville (1780), destroyed in a fire of 1871, and for the Hôtel des Invalides (1784). Jean-Baptiste took over the workshop when Jean-André retired in 1775. After Jean-Baptiste’s death in 1802, the firm was taken over by his nephew Pierre-Basil Lepaute (1750-1843) where he was duly joined by his own nephew Jean-Joseph (1768-1846) and son Pierre-Michel (1785-1849). By 1816, Pierre-Michel Lepaute was in charge of the business. His masterpieces include the astronomical clock in Paris’s Bureau...

An impressive Charles X gilt and silver clock in the gothic taste, France. Circa 1825

A beautifully design late 19th century gilt bronze mounted parcel-gilt and biscuit porcelain mantel (fireplace) clock The front carved with Apollo riding his chariot. The bottom wit...

A very fine quality 19th century Louis XVI style gilded ormolu and champlevé enamel clock garniture, the four sided clock having four enamel col...

Inspired by the art and culture of Classical Greece, this three-piece garniture contains a mantel clock and two candelabra. The rectangular body of the clock is of lapis lazuli and is surmounted by a Grecian vase...

A very important gilt bronze, enameled bronze and patinated bronze clock depicting two children holding the stellar globe on which a cupid holding a torch in the right hand and a gar...

Vincent (or Vincenti) et Cie (French 19th century) gilt bronze & Fluer de Pecher mounted marble mantle clock in the Louis XVI Neoclassical taste, circa 1900, the clock surmounted by...

A fine quality late 19th Century French Sevres style mantel clock, having a wonderful gilded ormolu case with an urn to the top with cobalt...

This beautiful porcelain mantel clock is designed in the shape of a shield which is propped up on a gilt bronze (ormolu) easel support, composed of two shields and a staff topped by ...

A wonderful French 19th century gilded ormolu mantel clock, having a putti mounted to the top holding garlands of flowers, draping down the case, Rams heads and urns of flowers. The ...

French Empire period ormolu mantel clock by Michelez French, circa 1815 Measures: Height 47cm, width 20cm, depth 15cm This beautifully formed and crafted mantel clock, dating to...

Rare Japanese clock in double patina bronze with suspended dial. The portico and dial, with calligraphic Kanji numerals complemented by hands featuring an undulating dragon, are deco...

A large and impressive, very good quality French gilded ormolu clock garniture. The clock supported by a pair of Caryatids, decorated with swags and classical motifs, four bevelled g...

A fine Louis XVI style cobalt blue porcelain and gilt-bronze lyre clock garniture, with jewel set pendulum. French, circa 1900. The candelabra bearing a paper label to the und...

A symbolic skeleton clock from the French Directoire period. A rectangular Carrara marble plinth with bronze toupie feet with knurled decoration supports an ormolu 'arc-de-ciel', wi...

A Louis XVI Style Gilt-Bronze and Sèvres Style Porcelain Mantel Clock, by Raingo Frères, Paris. The porcelain panels signed by Léonard Abel Schilt. The movement stamped 'Raingo F...

A very fine French 19th c. Dore Bronze and Marble Clock with Love Birds. It is in working condition and signed by the Artist (A. SANDLER) with Foundry Markings (Cire JVALSHANI Perdu...

A fine Louis XVI style gilt and patinated bronze figural clock. French, circa 1870. This fine clock has a waisted body decorated with scrolls and trellis centred by a white ena...

Winged cupid with flowing robe, clock resting between wings and fabric, raised on bronze ormolu-mounted verde antico plinth. France, first half of the 19th century. Measures: H ...

A very fine pair of bronze cartel and barometer in louis XV style the both case is exuberantly embellishedwith scrolling work of the louis XV style,the both faces are in enamel.

An Unusual 'Inkwell' Table Clock Attributed to Thomas Cole Constructed from gilt brass, the novelty timepiece rising from a turned ebonised base inset with a concave brass tray e...

A fine Early 19th century French Empire ormolu bronze mantel clock. Depicting a winged cherub standing atop a barrel while a kneeling lady pouring wine ...

A chic, c. 1825 French, looping desk clock with a central timepiece framed in foliate embellished, bronze doré wreath. The clock set into a pale blue, Opalin...

A fine Louis XV style gilt and Patinated bronze figural clock garniture by Maison Baguès. This rare example of a clock garniture by Maison Baguès has a twin train eight-day movement striking on a bell.  The garniture consists of a clock and a pair of candelabra en suite. The clock has a Rococo cast case surmounted by a patinated bronze putto playing a lyre, above a circular white enamel dial with Roman numerals, Arabic seconds and pierced hands. The dial inscribed 'Eug Bagues, Paris'. The case terminates in four scrolling legs put down on an acanthus cast plinth base. The candelabra en suite have gilt bronze pierced acanthus cast bases supporting patinated bronze putti each holding aloft three scrolling acanthus arms terminating in circular and foliate cast drip trays and nozzles. Maison Baguès The Baguès Company, located at 31, rue des Francs-Bourgeois, was founded in 1840 by Mr. Noel Baguès who started his business to cast liturgical bronzes. By 1880 the company had expanded into the production of bronze light fixtures in response to the development of electrical lighting. Carried on by Noël’s son Eugène and grandsons Victor and Robert, Maison Baguès continued to progress, adding intricately detailed iron lighting collections in the 1920s as well as stair banisters...

An exceptional gilt bronze mounted cut-brass and tortoiseshell-Inlaid ‘Boulle’ Cartel Clock and Barometer Set. French, circa 1890. Each surm...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...