Gilt Clocks

A very fine and important palatial Louis XV style 19th-20th century figural gilt bronze white marble mantel clock with figures of cherubs, the enamel dial with Arabic numerals and fo...

This beautifully detailed Napoleon III fire-gilt bronze figural mantel clock is from France, circa 1860-1880. Featuring a graceful maiden in classical dress seated upon a boulder. Th...

Dial signed G. Fabre, 4 rue des Filles du Calvaire, Paris Clockwork signed Samuel Marti – Médaille d’Or 1900 A Louis XVI style gilt-bronze and statuary Carrare marble clock set, consisting of a clock and a pair candelabra...

Antique French Sèvres-style ormolu mounted porcelain mantel clock French, 19th Century Height 50cm, diameter 21cm This superb 19th century porcelain clock...

The mantel clock with a seated putto and birdcage. Maker: Alfred-Emmanuel Beurdeley (French, 1847-1919) Origin: French Date: 19th century Dimension: 26 in. x 13 1/2 in.

Three piece French gilt bronze clock set, the clock mounted with a foilated urn, white enamel dialed inscribed Crouille Filo, Ameins, ornately cast foliate body resting on rocaille p...

A stylish Jaeger-LeCoultre skeleton timepiece with a gilded 16 jewel inline or ‘baguette’ movement suspended behind glass. The case of gilded brass has a brushed finish, with the bat...

Fine quality and attractive French champleve gilt bronze and light blue champleve enamel clock set. Retailed by Camerden & Forster, New York. Gilt bronze and champleve enamel. Or...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

Marks to movement: ELR, 1903, R73 to underside of lid. Origin: French Date: circa 1880 Dimension: 19 x 22 x 8 inches Notes: Zacharie Joseph Raingo (1775-1847) The Raingo...

Magnificent historicism clock or mantel clock from circa 1890 On the pedestal there is a figure of a noble lady with a diadem and book at a Gothic table, with writing utensils on it...

A wonderfully impressive 19th Century French gilded ormolu clock garniture, by Deniere of Paris. The clock having a classical reclining maiden holding doves among flowers and foliage...

Figural mantel clock signed “Al. dre Destape Palais Royal” The bronze figural mantel clock depicting one of the mythical heroes - Orpheus originates from the Empire period. The cloc...

Paris, Empire, c. 1810, bronze body, fire-gilt and patinated, designed by Jean-André Reiche in 1808, 8-day movement, enamel dial with Roman numerals, figure of the wearer on an oval ...

This magnificent five-piece clock set is designed in the style of 18th century porcelain produced by the famous Sèvres Manufactory in France. The set is comprised of a mantel clock, a pair of flanking vases—which double-up as candelabra—and two candlesticks. The five items are crafted from ‘bleu Sèvres’ (navy) colored porcelain, which has been finely parcel gilt, jewelled and painted, and mounted in gilt bronze (ormolu). The mantel clock is composed of a circular porcelain dial, with a central painting of cherubs in flight, encircled by black Roman Numerals within white medallions. This is set within a gilt bronze bezel, crowned by a porcelain lidded urn, fitted with gilt bronze satyr head handles, draped with flower swags, and topped by a gilt bronze grape cluster finial. The clock case is supported on four porcelain columns, which are surmounted by a gilt bronze pinecone-tipped staff, draped with tasselled fabrics. A gilt bronze sculpture of a dancing Maenad (also called a Bacchante)—a female follower of the classical god of wine and ecstasy, Dionysus (or Bacchus). The woman plays the tambourine and is accompanied by a putto. The clock is placed on a shaped gilt bronze base, with two projecting scrolled wings, decorated with gilt bronze acanthus leaves and porcelain patera. The base is mounted with porcelain paintings of classical trophies, and putti within a gilt bronze cartouche frame. It is set on two gilt bronze feet, which are decorated with pointed porcelain covers and gilt bronze rosettes. Depending on personal preference, the vases that accompany the clock can be left as they are or made to serve as candelabra. When vases, they are topped by porcelain domed lids, with gilt bronze grape finials. To turn the items into candelabra, these lids are replaced by gilt bronze covers. Each cover is fitted with six gilt bronze branches—five of which are scrolling and decorated with acanthus leaves, and one extends upwards in a straight line. These terminate in wide drip-pans and urn-shaped capitals. The porcelain vase bodies feature fine paintings of couples courting in garden settings, and they are fitted with gilt bronze cherub head...

This large clock set, which is comprised of a mantel clock and pair of flanking candelabra, is designed in the style of Sèvres Porcelain manufactory goods. In the manner of Sèvres Po...

A sophisticated Napoleon III Sèvres Porcelain mounted ormolu clock set by Grohé Paris with ram’s mask mounted ovoid clock case supported by twin putti terms on a shaped base set with...

A wonderful gold-leafed variation of this form. Signed under the foot.

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

Designed in the French Rococo style, this clock and barometer set have been beautifully ornamented with scrolling foliate gilt bronze forms. The two are diamond shaped, with symmetri...

This striking mantel clock is a fine example of the Empire style, a period characterized by its grandeur and inspiration from classical antiquity. The clock showcases a masterful com...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

A beautiful clock of ornate Rococo design, the case finely cast with scrolling acanthus and rocaille ornament, the front and sides with pierced lattice panels back with fabric, raise...

A very unusual and quite monumental antique French Louis XVI style Napoleon III ormolu mantel clock by Maison Marquis, the Movement by Languereau, Paris, 1860: surmounted by an urn i...

American Aesthetic Movement Black Slate and Porcelain Three Piece Clock Set, circa 1880, each piece decorated with porcelain panels depicting robins and various birds, fish, and inse...

A very fine English twin fusee mantel clock in the Rococo Revival taste. The eight-day movement strikes on a bell and features a heavy pendulum bob with top adjustment, suspended fro...

Elegant antique clock garniture set, crafted from striking pink-veined marble and adorned with ornate gilded bronze details. This exquisite...

A stunning original antique French gilt bronze clock by the renown maker Japy Frères. Of architectural form, the case finely cast in gilt-bronze with neoclassical ornament, surmounte...

A monumental architectural French 19th century neoclassical Revival gilt bronze mounted beige and red onyx longcase grandfather clock. The very impressive clock-case surmounted by a figure of seated Classical male figure...

Swedish rococo revival gilt wall clock by Westerstrand circa 1950. Good quality rococo influenced clock by well known Swedish maker westerstrand. Fitted with a twin train 8 day mov...

This magnificent silver-gilt and enamel lamp-form clock was produced in Vienna in circa 1870. The clock sits on a lozenge-shaped base, which is enamelled with panels depicting reclin...

19th Century French pink marble and ormolu clock set French, Late 19th Century Clock: Height 46cm, width 23cm, depth 18cm Candelabra: Height 44.5cm, width 22cm, depth 20cm This unusual three-piece clock garniture combines stunning pink marble with ormolu classicised decoration. Featuring ornate pierced gilt brass hands, the porcelain dial of the mantel clock is framed with a floral motif that complements the tones of the marble. The clock is covered with elegant gilt-bronze classical decoration: surmounting the dial is an ormolu torch and laurel...

A refined, large-scale temple clock. The clock features a white statuary marble frame, decorated with black Belgian marble columns and finely gilded lost-wax cast bronze partitions. ...

This refined temple clock, crafted from white Carrara statuary marble and decorated with mercury-gilded bronze, features elegant bronze decorations featuring geometric and plant moti...

This vintage mid-19th century French 3-piece garniture clock set is wonderfully designed in the Louis XVI style. The over size set includes an exceptional gilt bronze clock accented with attached detailed patinated sculpted putti figures on both sides. The clock rests on a platform embellished with elaborate florals and scrolls that complement its white enamel face with Roman numerals and featuring the maker, Raingo Freres, Paris. The clock has a French bell movement. A pair of sculpted gilt bronze candelabra with similar patinated bronze putti figures accompany this beautiful clock. Each of these figures holds an elaborate seven branch lily bouquet...

Elegant table clock with an arched case, crafted from hand-carved and ebonized wood, decorated with lost-wax cast and gilded bronze details. Further refinement is provided by the bra...

French gilt bronze mounted marine themed automaton mantel clock French, circa 1850 Measures: With glass dome and base height 90 cm, width 70 cm, depth 33 cm Clock without dome and...

Baroque style bronze and ormolu cherub mantel clock French, late 19th century Measures: Height 69cm, width 35cm, depth 26.5cm This dramatic a...

A very good quality 19th Century French gilded ormolu Rococo influenced mantel clock, having wonderful scrolling foliate decoration, the clock face having enamel Roman numerals, an e...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

Palace size antique Louis XVI style museum quality Carrara marble, Dore and patinated bronze sculptural mantel clock signed Mannheim a Paris 19th Century Centered enamel dial signed ...

This exquisite 19th century trio is comprised of a central clock and a pair of flanking six-light candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

Antique Belle époque sculptural three-piece clock set after Auguste Moreau French, early 20th century Measures: Clock height 81cm, width 40cm...

This beautiful antique clock, crafted in the refined Louis XVI style is of traditional form, but is notable for its intricate and extensive dec...

Large and stunningly figural Egyptian design, style marble clock garniture, circa 1920. If you are looking for a statement piece for your mantel and you have an interest in worldly ...

A very good quality 19th century Louis XVI style gilded ormolu clock garniture, the clock having a classical urn finial with garlands, ribbons and foliate decoration. The white ename...

A good French Napoleon III period chariot clock of antique vert marble and ormolu. The subject is of cupid riding a fine chariot drawn by a pair of livel...

Beautiful 18th century Rococo manner gilt bronze mantel clock with elegant Sèvres style bleu / navy colored porcelain. The porcelain is very delicately hand painted with a landscape on one side of the vases and figures on a staircase on the other. Gorgeous gold details on a deep blue and jeweled background. The clock has a painting on the top with 2 ladies...

This colorful pedestal clock has been crafted from fine red marble and green onyx, and beautifully decorated with gilt bronze (ormolu) and champlevé enamel. While a popular crafts material in ancient times, onyx was largely forgotten about until its rediscovery in the mid-19th century in Algeria by a French marble-worker called Delmonte. Onyx became highly fashionable in France following this discovery, and it was used to create a variety of decorative art objects. The clock features a green onyx cube-shaped case, which is surmounted by a slightly projecting red marble top. This top is fringed with champlevé enamel drapery-like motifs, with gilt bronze drop-finials. The case is mounted on its front with a circular dial, which features a central floral champlevé enamel motif, encircled by black Arabic Numerals. This dial is set within a gilt bronze egg-and-dart and champlevé enamel bezel. The sides of the case are mounted with circular gilt bronze barometers...

Gilt bronze and wood table clock, France, late 19th century.

The contrast between rich blue enamel, in light and dark hues, and bright gilt bronze gives this carriage clock a sumptuous, luxurious feel. With a t...

Rare antique 19th century table clock in ormolu gilt bronze. Characterized by a refined decoration chiseled in bronze, in the upper part a s...

Important modernist glazed ceramic kitchen clock designed by Max Bill for Junghans, Germany 1956, featuring a 60-minute timer, a mechanical 8-day movement, a yellow-and-white ceramic...

FREE WORLDWIDE SHIPPING ON OUR COLLECTION OVAL SHAPE TABLE CLOCK WITH BRASS BRACKET From our European Ceramics collection, we are delighted to offer this Sevres Style Porcelain Tab...

This exceptionally detailed clock set consists of a mantel clock and a pair of accompanying vases, which are all crafted in ormolu and extensively decorated in vibrant cloisonné enam...

This wonderful cloisonne enamel clock set is an artful piece of design in the neoclassical style: each piece is elaborately applied with turquoi...

This resplendent French Empire gilt bronze mantel clock features an extraordinarily detailed scene of a singing troubadour with his lyre along a rocky river bank. Accompanied by a wi...

A Large and Important Napoléon III Gilt and Silvered-Bronze Sculptural Three-Piece Clock Garniture, By Charpentier, Paris. Comprising a mantle clock and a pair of figural vases. The...

Belle Époque period gilt bronze and enamel clock set French, late 19th century Measures: Clock: Height 46cm, width 23cm, depth 15cm Vases: Height 29cm, diameter 11.5cm Candlestic...