Neoclassical Sculptures

Cover hollow-ware sculptural angel figurines or bookends. Each boy is seated on a plinth with a tablet in hand and outstretched wings at the backside. A fun addition to any setting...

This vintage 19th century French bronze sculpture is artist signed and bears a family seal. The stunning sculpture portrays a majestic recumbent lion is beautifully rendered by the n...

This statue represents the Sacred Heart of Chapel, faithful to 19th-century religious models popular from Rome to Lourdes and Paris. During this period, the renowned Maison Raffl dev...

A finely carved marble bust depicting a Moorish figure in the manner of classical Roman portraiture. The subject is presented with stylized coiffure and serene expression, draped in ...

A vintage Hubley cast iron doorstop showing a bouquet of lilacs and daisies set inside a woven basket with a top bow. The basket sits on a hea...

A stunning neoclassical or Grand Tour style solid marble cream & gray obelisk Late 20th Century Measures: 2.63"W x 2.63"D x 9.75"H. Very good original vintage condition. Minor sur...

Pair of large cast-iron metal pheasant birds in black. Each figure is identical and features a pheasant with its long tail, textured to resemble feather...

Presenting a gorgeous American bronze sculpture of a “Rugged Outdoorsman” bronze by Lundeen. George Wayne Lundeen (b. 1948), American Sculptor … limited Edition No 10/12 … dated 1977. Fully and properly signed and marked on the rear of the head. This is an exceptional quality bronze with exceptional detail. It features the bust/head of a bearded and rugged American Frontiersman with rope over his shoulder. It sits on a granite base. George Wayne Lundeen, American sculptor (b. 1948 -). Born in Holdrege, Nebraska, George Lundeen has become a nationally known sculptor of realistic figures. He achieved the status of full Academician of the National Academy of Design in New York, which is the highest professional recognition bestowed on visual arts in America. One of his best known pieces is the seated, life-size figure in bronze of Benjamin Franklin at the University of Pennsylvania campus in Philadelphia. He also has work at the Capital Rotunda in Washington DC. and in 2001, his sculpture Thomas Jefferson was dedicated at the University of Missouri-Columbia. Lundeen served as the 2001 Thomas Jefferson Distinguished Visiting Lecturer and participated in the unveiling of the Jefferson sculpture. Recipient Pioneer award, Nebraska legislature, 1995, Distinguished Nebraskan, Governor Nebraska, 1995; Fulbright-Hays grantee, Florence, Italy, 1973-1974. Member of National Academy of Design (academician), Allied Artists American (Montana award 1982), National Sculpture Society (Bronze medal 1981, 1984, Silver medal 1982). UNIVERSITY OF NEBRASKA 1999 Honorary Doctorate of Humane Letters STATE OF NEBRASKA 1995 “Distinguished Nebraskan” by proclamation of the Governor of Nebraska LEGISLATURE OF NEBRASKA AND THE NEBRASKALAND FOUNDATION 1995 Pioneer Award NATIONAL SCULPTURE SOCIETY 1983 National Sculpture Society’s Prizewinner Exhibition, Bronze Medal: “Departure” 1982 National Sculpture Silver Medal: “Old Friends” 1981 National Sculpture Bronze Medal: “Departure” ALLIED ARTISTS OF AMERICA 1991 Associate Members Award: “Joy of Music-Bass Player” 1990 Helen Gapen Oehler Memorial Award: “Hearts on a Swing” 1987 Allied Artists Members & Associates Award: “Ben Franklin” 1981 Pietro and Alfrieda Montana Memorial Award: “Michelle” NORTH AMERICAN SCULPTURE EXHIBITION 1986 John Cavenaugh Memorial Award: “Flatlander” 1983 Art Castings of Colorado Award: “Lovers” 1981 Rocky Mountain Sculpture...

Italian Neo-classical 9(18th Century) painted wooden figure of a cupid with a gilt robe and hair, with an arm stretched out (AS IS-missing some hand and feet carvings)

A striking true pair of French 19th century Neo-Classical st. black Belgian marble and ormolu statues of Cleopatra and Semiramis, signed Bouret 1874. Each statue is raised by an eleg...

Larger cast bronze sculpture, Diane of Gabii, wonderful original patina, fine quality casting

This 19th-century French bronze bust depicts Louise Brongniart, daughter of the distinguished Neoclassical architect Alexandre-Théodore Brongniart (1739–1813). It is based on the ori...

A red patina metal bust of a woman manufatured in Italy in early 19th century, good conditions overall, metal it has this brick red patina probably due to exposure to the natural ele...

Antique Dante Alighieri Grand Tour Bronze Bust Sculpture Statue on Marble Plinth. Item features fine bronze casting, beautiful patina, remarkable details, on beveled edge marble plin...

A gorgeous pair of cast plaster Neoclassical Grand Tour style male and female head busts of Diana and Apollo Belvedere god and goddess sculptures USA, 21st Century Measures: 8"W x ...

A very detailed, exquisite statuette, entirely executed in bronze with the lost-wax casting technique depicting "Birth of Venus". The patinated bronzes figure is mounted on a beautif...

Beautiful sculpture in bronze by artist Phyllis Beattie, circa 1990's sitting on a solid black marble base, the figure pins and can be removed for easy shipping and handling.

A beautifully patinated 19th century European stone statue depicting the Farnese Hercules, which is an ancient statue of Hercules made by Glykon in the early third century AD - one o...

Jean-Baptiste Carpeaux (French 1827-1975) L'Espiegle "The Mischief Maker" Patinated Verdigris Bronze Bust of Anna Foucart smiling. Measures 10" wide , 10" deep and 19.5" tall. Bor...

An antique plaster statue of a religious figure, likely a shepherd or a saint, possibly from a Nativity scene, late 19th, early 20th century. ...

Measuring over six feet tall, this life-sized statue is a wonderful depiction of the Roman goddess, Flora. Supported by a circular pedestal with a diameter of 22 ½ inches and a thick...

A wonderful and richly detailed French 19th century Neo-Classical st. Bronze, Silvered Bronze, Ormolu and marble bust of Napoleon, signed by Émile Pinedo. This handsome bust is raise...

Lifesize Marble Classical Figure Neoclassical Elegance Variegated carved Marble C20th

In the first plaquette the putti drink wine, eat grapes, make music and wrestle in a field with a round temple in the background. Signed CLODION In the second plaquette, young sat...

Black terracotta Denmark, second half of the 19th century Height 54 cm, width 25 cm, depth 12 cm Marked: P. Ipsen, Kjøbenhavn / Eneret 290 Black terracotta figure depicting a young ...

A 19th century French silver patinated bronze borzoi on a cream marble base. A beautiful depiction of this sleek handsome dog. In very good condition wit...

Emotive FRENCH Neoclassical Bust. Intentional unfinished appearance; unglazed rough texture, emphasizes the beauty and imperfection of natural forms.

Victor Rousseau (Belgian, 1865-1954) "Cupid", Patinated Bronze Sculpture, early 20th century, the standing draped figure blowing a kiss, on a circular plinth, signed. 26" H x 8.5" W ...

Eagle Bird Sculpture Figure Ormolu Gilt Bronze Gold Green Marble Fossil Continental Ormolu (Gilt Bronze), Marble, Fossil Stone 20th Century Dimensions: H x D x W: 12cm x 22cm x 9...

Set of 2 Mid-Century Italian half-busts in Belgian black marble, inlaid sugar marble 1930s They depict neoclassical female figures. They come from a noble villa in my city, Palermo. ...

20Thc hand made bronze sculpture of a bald eagle in fine as found condition.This is so well constructed and very heavy.

This plaster sculpture captures the classical male form in a headless, armless torso that echoes the refined beauty of ancient Greco-Roman statuary. Rendered with anatomical precisio...

A Jo Mead plaster lion's head painted sculpture mounted on a custom acrylic stand. Jo Mead (American, 1919-2000) found in an important lake forest, Illino...

Nice sculpture by Austin Production, in plaster stamped 1969.

A black basalt bulb pot molded as a hedgehog, made by Wedgwood in the middle of the 19th century. Finely molded as a lively little hedgehog, this unique object would have been use...

Bust of Child Sculptures- A Pair. Unknown signature on the back. Boy sculpture measures 9.25 H X 8 W X 4.63 D Girl Sculpture Measures 9.25 H X 7.75 W X ...

Collectible Native American Indian Sculpture with a Horse A playful and very decorative collectible Native American Indian sculpture...

A beautiful vintage concrete garden statue of a classical women. Great chippy finish and nice cast details.

Beautiful massive solid bronze realistic sculpture sitting on solid wood base Signed by Lou Ellain Pinas 3/20, rare and beautiful piece.

19th Century Italian carved wood remnant with classical form and a worn silver leaf finish holding a tole bouquet with flowers and leaves with a perfect time worn patina.

This Walnut Italian Sculpture of a Roman Bather is a sublime example of the artistic ideals of its time. It embodies the classical principles of beauty and balance while showcasing t...

Neoclassical Patinated Bronze Figure of Cupid, 20th century, the standing figure holding their bow with the quiver at their feet, on a faux wood painted fluted plaster plinth. Overal...

18th Century Grand Tour Marble Statue Fragment. Italy, 1780.

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Pair of very decorative French 19th Century Apollo and Diana Bronze Busts or Neoclassical Clad Busts. Mounted on black marble square shaped bases these b...

A Fine Pair of Grand Tour Bronze Classical Figures on Sienna Marble Bases with Spanish Brocatelle Marble Insets, each finely cast and patinated bronze figure depicting a classically ...

Neoclassical bronze by Louis Alfred Habert (French, 1824-1893) late 19th century figure of the muse: Terpsichore. Classical female seated, holding a Lyre a...

A French Neoclassical style marble sculpture from the 19th century depicting a nymph after the bath on a gray and white marble base. This exquisite French Neoclassical style marble s...

Baccarat Style French Crystal Gilt and Patinated Bronze Floral Topiary Cachepot, France, Circa 1960s  An exuberant Baccarat-style French crystal gilt and patinated bronze floral top...

Large French Neoclassical sculpture of Androcles and the Lion. Exceptional quality casting and patina. Mid 19th century. The runaway slave Androcles became friends with a wounded lion...

Here is a great looking set of 7 pieces of carved stone fruit with a wonderful realistic look that would make any décor colorful and classy. There are some imperfections on these pie...

Large painted plaster eagle sculpture, circa mid-20th century. Excellent rendering of the majestic bird perched on a rock outcrop with crisp detail. Sign...

An exquisite English Royal Worcester porcelain Samuel Clarke Commissioned "Cricklite" candle "fairy lamp" standard - base, the rare figural statue in the form of a Grecian water carrier, modeled by James Hadley (English, 1837-1903), the exceptionally executed, richly detailed Neoclassical figure holding a vessel in her left hand and carrying an urn upon her head, wearing flowing robes, the body in blush ivory, the robes of green/gold hue, with gilt highlights. Circa 1898 Signed, underfoot having green printed mark, "Worcester Shot Enamel England 2 125" and imprinted markings by its side. Dimensions: (approx) 9.5" High, 3" Diameter Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi (1919-2014), founders of the Ishtar Gate...

A set of 4 antique dust-pressed ceramic tiles by Minton Hollins (stamped) creating a decorative blue and white glazed frieze panel depicting a pair of neoclassical style winged cheru...

A set of 4 antique dust-pressed ceramic tiles by Minton Hollins (stamped) creating a decorative blue and white glazed frieze panel depicting a pair of neoclassical style winged cheru...

Beautiful 19th Century French Bronze Bust of "Apollo Belvedere". Based on the ancient original by Leochares. Late second half 19th Ce...

19th century Marble Bust Of A Young Girl in a graceful pose. The bust embodies the neoclassical ideals of the era, capturing the both youthful beautiful and refined elegance. The sol...

A 20th Century Italian white marble bust of a smiling girl, a carved Carrara marble figural sculpture, signed on the base by the Italian artist Aurelio Bossi, 1884-1948, whose sculptures are displayed at Pinacoteca di Brera in Milan, whereas at the Duomo Milan Cathedral there is his Statue of Cardinal Borromeo, while two busts adorn the facade of the chapel of the Niguarda Hospital. This antique female...

Period: New Condition: Good. Wear consists with age and use

Bing & Grøndahl, Thorvaldsen sculpture of the Apostle Andrew in biscuit porcelain. 1870s/1880s. First factory quality. In good condition. Marked. Dimensions: H 33.0 cm x W 12.5 cm.