Gilt Sculptures

A French Jockey à Cheval tabletop sculpture from the Napoleon III period crafted in gilt and patinated bronze, depicting a jockey and his faithful horse in fine detail. The piece re...

Pair of Empress Fu Dogs cloisonné. Each figure is shown seated on top of a mythical beast, one holding a flowering vase and one holding a ruyi scepter, decorated with brightly colore...

Paolo di Giovanni Sogliani (Florence 1455-1522) Processional Cross Florence, around 1515 Enameled, chiseled, engraved, stippled, and gilded copper; wooden core ; Inscription: "OPA...

Good size and impressive make, Gothic church altar crucifix. This ornate and all hand-crafted, bronze table crucifix comes with a good quality made a...

This pair of busts depicts the former King and Queen of France, Louis XVI and Marie Antoinette. The busts are crafted from unglazed whit...

This superb pair of Grand Tour Italian gilt bronzes dates to the late 19th century. They are solid cast and very heavy for their size. They are decorative Grand Tour reproductions ta...

A large rare pair of 19th century Meissen Chinoiserie style Nodding Pagoda Figures with Movable Head, Hand and Tongue, known as a "Nodder'. This Unusual...

A lovely antique 19th Century French gilded bronze doré farandole of cherubs / putti wall swag ornament. This beautiful wall swag has a beautiful gilt patina...

Originally used as a butcher's trade sign. With mounting hooks on back. This head was previously mounted on the carriage house of Buatta's country house in Connecticut.

A gorgeous sculpture of an eagle made entirely from intricate pieces of gilded metal measuring 21" in width, 6.5" in depth and standing 16.5" tall. The sculpture is of good heavy ...

Pierre Dmitrienko (Russian / French, 1925-1974), "Untitled Torso", gilt bronze, signed P. Dmitrienko". Abstract figural sculpture depicting an abstract torso. . Note: Pierre Dmitrien...

René Saint-Marceaux (1845 - 1915 France), antique gilded French bronze bust. Inscribed "E.Polo" and dated 1897. This small gilded bronze is a bust of a child signed D. St. Rene. Mark...

This is a superb antique gilt bronze and sienna mable sculpture of Reine Isabella, the Queen of Spain, by Eutrope Bouret (1833 - 1906) , and circa 1870 in date. This exceptionally e...

Art Deco Rare Porcelain Figurine, Flower frog by the Porzellanfabrik Günthersfeld AG, Gehren, Germany 1930s. Rare find, this piece was made of porcelain trimmed in gold, it is in gre...

Italian silver, rose quartz and malachite model of an eagle by Cervone Italian, c. 1970 Height 71cm, width 53cm, depth 32cm This Italian silver sculpture...

Sculpture of cupid by Eutrope Bouret (1833-1906). This is a fantastic sculpture created in Paris France during the Napoleon III period, by Eutrope Bouret, back in 1860-1870. The scu...

An important, extremely rare, and rather large 18th century Meissen Porcelain Group of a Thalia with a Harlequin Child, By Johann Joachim (J.J.) Kändler, Circa: 1744. This is an incredible and extremely rare 18th century Meissen Porcelain piece modeled by the greatest Meissen modeler ever in the Company, Johann Joachim (J.J.) Kändler. Thalia can be seen seated on a gorgeous hand-carved and hand-painted flowered and vined porcelain pedestal. Her right arm is raised holding a Phantom of the Opera Black and White Mask, while in her other arm is a young Harlequin dancing and singing holding a hat. Thalia is wearing a gilt-edged dark blue bodice with white floral decorations over a black corset draped in a red-over-yellow robe...

Four candle light angels, Provence or Italy 17th century Set of angels, bearers of the light brought by Christ. They are on supports with coats of arms, their hands on a scroll for...

Introducing an extraordinary and complete collection of Twelve English silver and silver-gilt "Twelve Days of Christmas" gift boxes, presented...

An Elaborate 19th century Meissen Porcelain Figure of a Sultana Riding an Elephant. After the model by P.J. Reinicke and J.J. Kändler, the Sultana sitting on the elephants back and h...

Antique 19th century French patinated bronze bust of Ariadne retailed by Tiffany & Co. Beautiful Grand Tour model mounted on a gilt bronze and rouge marble plinth. Marked Tiffany & Co. with inventory number. The Antinous bust based on the Lansdown Antinous marble found at Hadrian’s Villa...

Beautiful vintage gilt metal and brass floor lamp in the style of Tommaso Barbi. Belgium, 1960s. Lamp sockets: 3 x E27 (US E26).    

A large and impressive vintage gilt bronze figure of the tantric Buddha Vajrasattva, the Diamond Thunderbolt, mid 20th century, Nepal. Crafted of cast and richly gilt bronze, Vajrasattva sits in vajrasana, or full lotus position, his torso slightly bent at the waist. He holds an upright vajra scepter in one hand, raised at heart level. His other hand, resting on his hip, would originally have held a a ghanta, or bell, which is now missing. He is festooned in jewelry, including a five pointed crown, earrings, necklaces and armlets, all studded with coral and turquoise beads. His long hair falling in elegant tresses around his shoulders, the rest tied up in a high chignon topped by a vajra. Vajrasattva wears a dhoti covering his lower half. The dhoti intricately cast and carved with a scrolling vegetal design, and featuring images from the Ashtamangala, or Eight Auspicious Emblems, including the conch, endless knot, and double fish. Scarves billow out around his arms. The tantric Buddha sits upon a tall double lotus throne, the back with more intricately cast decorations of dragons and lotus blossoms against dense vegetal scrolls. The base sealed with a dented copper plate inscribed with a visvajra, or double vajra...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

A Bronze Figure of 'La Nature se dévoilant devant la Science' by Louis-Ernest Barrias. Inscribed 'E. Barrias' and with Susse Frères foundry cachet and further Susse inscription. S...

Art Nouveau gilded bronze nude statue by George Flamand. Very fine period work. Sits on 3 3./4" square base. Signed "FLAMAND"

Two Asian gilt bronze Teppanom kneeling Thai sacred angels. Bronze gilded temple guardians in a sitting position. These temple guardians were made in Th...

A large rhinoceros sculpture crafted around the late 1980s, in England, This sculptural piece of animalia, showcases a more simplified and stylized form of the rhinoceros, with a s...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

Turquoise Blue Hand Ceramic Abstract Horse Sculpture Decorative Ancient Pixiu Glazed Home Decor In tradition Anahita, the Persian goddess associated with water, fertility, and wisd...

Paul Philippe "Radha" Bronze sculpture. A cold painted and gilt bronze sculpture by Paul Philippe. Very beautiful early 20th century French figure in stylized pose with her arms ra...

A large, antique Chinese figure of the Medicine Buddha Bhaishajyaguru made of hand crafted gilded, partly lacquered Tropical wood, in good condition. The sculpture is dressed in a fl...

More information coming soon… There are subtle differences in the motifs of this pair of giltwood carvings from Nice, France. Asymmetry was prevalent throughout furniture and art f...

Pair of Small Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury Décor & Gift An exquisite pair of small silver-plated peacock sculptures, designed in the class...

A wonderful Thai Rattanakosin Period lacquered and gilt cast bronze figure of the Buddha in royal attire, mid 19th century, Thailand. The lovely figure depicts the Buddha in bhumisparsha mudra, the gesture of calling the earth to witness. Seated in full lotus position, with one hand resting in meditation in his lap, the other extended over the knee to touch the ground, this gesture commemorates the moment the Buddha attains enlightenment. The Buddha is dressed in elaborate robes, cast with floral and foliate designs in high relief. Over his robe, he wears the regalia of Thai kings, with a heavy cape, diamond shaped pectoral, and a winged crown upon his head - all with studded designs in high relief, imitating heavy embroidery...

Stunning Pair 18th C Louis XVI French Bronze Recumbent Sphinx Chenets France, circa 1790  A stunning pair of 18th-century Louis XVI French bronze chenets featuring recumbent sphinxes...

Pair of rare 18th century temple elephants carved in sandstone with chalk and leftovers of gold leaf. Chalking is used as a surface to bind gold leaf. Originally fully covered with g...

Exquisite Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain sculpture from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock prints show they were being widely sold as good luck charms by the 1850s. The beckoning cat comes in two varieties. The more common right-handed beckoning cat (with right paw raised) is said to bring money and wealth to its owner, and are to this day frequently seen in shops and restaurants in Japan. The less common left-handed cat is said to be inviting friends and acquaintances to hearth and home. The “mori” style refers to raised loops and other decorative motifs applied by squeezing a tube of slip onto the body of the cat much like applying frosting to a cake. The cat boasts the traditional Kutani colors of bright green, red and yellow presented against an dark blue background, and is generously accentuated with gold. The red kerchief with a knotted amulet in the back and two bells on the side also identify this as a traditional Kutani piece, as do the perked ears turned outward. A stamp indicating it is produced in Kutani region of Japan appears at reverse side of this beckoning cat scultures...

An exquisite antique French Empire neoclassical gilt bronze figural clock signed by Jouquet a Paris.. This unusual clock is surmounted by a s...

The bronze sculpture Unique Forms of Continuity in Space by Umberto Boccioni (1913) is a monumental icon of Futurism and modern art. Measuring 115 cm high and weighing 70 kg, this la...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

*Note that we arrange the shipping ourselves to ensure a smooth, secure, and reliable delivery. This allows us to provide the best possible service and care for your purchase. Monumental Bronze Eagle Lectern Sculpture .. Symbol of Saint John the Evangelist, Church Relic, ca. 1900 For the true connoisseur of ecclesiastical antiques and meaningful design, this remarkable bronze eagle sculpture offers a rare opportunity to own an object that is both spiritually symbolic and visually commanding. Originally crafted as a Bible lectern...

This is a cast-iron figural eagle doorstop, circa early 20th century. The eagle is depicted with wings spread wide, perched and mounted to a square marble base. The eagle retains traces of its original gilt surface and is embossed with “F.O.E.” at its midsection, possibly referring to the Fraternal Order of Eagles.   The eagle is both the national bird and the national animal of the United States. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States...

Noah and King David, Flanders, early 16th century Rare wood carvings in the round of Noah holding the Ark and King David holding his lyre. Noah, a biblical figure, is the tenth and l...

This truly stunning French mantel clock was crafted during the Empire period, and reflects the Neoclassical interests of the Emperor Napoleon I, whose influence over the decorative arts contributed toward a profound revival of beauties of the ancient empires. The mantel clock is crafted entirely in gilt bronze, and features a stepped base on four block feet. The base depicts a Classical relief panel to the front, showing female dancing figures and putti, as well as musical instruments. Surmounting the base is an arch featuring a central mask fountain and basin...

French Empire style (19th Cent) bronze dore inkwell with perched eagle and acorn finial (signed A. MARIONNETt)

19th Century German extremely detailed sterling silver and gold gilt knight figure. Knight in full suit of armour, carved face beneath a hinged viso...

17th century Italian hand-carved and gilded crown adorned with herkimer diamonds and mounted on an antique gold base. This was original from a historical Italian church and would ha...

Pair Of Eagles In Carved And Gilded Wood from the mid-1800s, this pair of animalier carvings of birds of prey in carved and gilded wood represents a fascinating example of 19th-cent...

A fine pair of antique French gilt bronze vases. Decorated with an assembly of musical instruments, a gourd, and even a hat. Extremely solid and finely cast, these urns or vas...

Beautiful and rare authentic and antique bronze standing Buddha from Thailand from the Rattanakosin period, a large specimen gilded with 24 carat gold leaf, circa mid 19th century, t...

Pair of Silver-Plated Peacock Figurines Hollywood Regency Style, Vintage Luxury 32cm A striking pair of silver-plated peacock sculptures, masterfully handcrafted in the classic Holly...

18th century Italian hand-carved gold leaf angel with fossil agate coral wings and mounted aragonite. The hand-carved angel was once part of a decorative, angelic depiction in a ...

18th century Italian "Florence Fragment" candlestick base mounted and adorned with quartz crystals and topped with an ammonite. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. It is part of the The Florence Fragment Collection which is exhibiting with Museo de’ Medici in Florence, Italy this fall. This is a collection of historical fragment...

An unusual set of sculptural palm trees with young figural trumpet players on faux rock bases on giltwood plinths .the players in elaborate Turkish orientalist costumes . Both drille...

A beautiful, small. French gilt bronze statue in the style of sculptor Hippolyte Francois Moreau, circa late-19th century, France. This gilt ...

A gold-black, antique French pair of girandoles made of hand crafted gilded bronze attributed to Friedrich Bergenfeldt, in good condition. Eac...

18th century Italian hand-carved and gilded bird on a cut phantom calcite crystal base. The missing wing of the bird has been replicated with a rare coordinating calcite crystal clus...

This Empire ormolu head of a woman was made as a furniture mount in France around 1810, and probably adorned a bed. In any case, closer to our own time, it was deemed worthy of mount...

A pair of antique Italian angels carrying a cornucopia, two exclusive Baroque polychrome hand painted and hand carved giltwood armorial sculptures dating back to late 17th century and coming from an private villa of Siena, a Tuscan city in Central Italy. This pair of hand carved, painted and gilded Cembran pinewood figurative sculptures represent two standing angels...