Gilt Sculptures

A Monumental and Fine Pair of French 19th, 20th Century Empire Style Red Porphyry-Like Granite and Gilt-Bronze (Ormolu) Mounted Obelisks on Four Gilt-Bronze Lion Paws both resting on...

Large gilt, patinated bronze and marble clock set by Raingo Frères French, Late 19th Century Clock: height 73cm, width 29cm, depth 28cm Candelabra: height 66cm, width 30cm, depth ...

The bronze sculpture Unique Forms of Continuity in Space by Umberto Boccioni (1913) is a monumental icon of Futurism and modern art. Measuring 115 cm high and weighing 70 kg, this la...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Pair of antique Japanese Meiji era bronze elephant and pagoda incense burners Japanese, Late 19th Century Sculpture: Height 151cm, width 122cm, depth 43cm Base: Height 56cm, width 82cm, depth 40cm Overall: Height 207cm, width 122cm, depth 43cm This outstanding pair of incense burners, also known as koro in Japanese, was crafted in the late 19th century during the Meiji era. This was a time when, for the first time in almost three centuries, Japan opened its borders to foreign trade, causing a wave of Japanese...

17th Century Italian polychromed and gold gilded on wood panel Sienese style painting of the Madonna Enthroned with the child and two adoring angels behind them. The halos are beautifully adorned with punch work. She is framed by a hand-carved gold gilded and velvet lined frame and sitting on a hand-carved matching base. The piece is mounted on a Lucite panel and framed with a contemporary hand-finished wood molding.

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

20th century pair of gilded bronze sculptures on a circular alabaster base. Two female figures of classic taste, allegories of freedom. Of great refinement and high artistic quality.

Introducing a mesmerizing work of art, our gilt-patinated bronze sculpture with a black marble base, featuring neoclassical figures expertly crafted by the renowned artist Miguel Fe...

On offer here is a stunning pair of 100% original gold leaf gilt and polished corner consoles, meticulously hand-carved from solid linden wood. Made in southern France around 1710, t...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A gold-black, antique French pair of girandoles made of hand crafted gilded bronze attributed to Friedrich Bergenfeldt, in good condition. Eac...

Anton Chotka (Austrian, 1875-1925) Pair of dancig women gilt bronze bookends. The base is a bronze carpet with high details. Signed Chotka and stamped Aus...

Bring devotional beauty to a mantel, console, or chapel corner with this graceful antique sculpture of the Virgin Mary, carved in the Pyrenees of France circa 1860. Hand-carved in wo...

Beautiful large Baroque angel-wing with its original color and gilding. Extremely rare to find in this size. Very decorative item placed on a wooden base. Italy, circa 1750. Weathere...

Pair Of Eagles In Carved And Gilded Wood from the mid-1800s, this pair of animalier carvings of birds of prey in carved and gilded wood represents a fascinating example of 19th-cent...

Large silver, amethyst and quartz model of an eagle attributed to Asprey Swiss, c. 1970 Height 42cm, width 50cm, depth 35cm This stunning sculpture, attributed to Asprey, the renown...

A vintage pair of tall Asian architectural elements made of hand crafted gilded Pinewood, designed and produced by an unknown artist from Myanmar in good condition. The detailed déco...

A beautiful, 4.15 lb, gilt bronze Tibetan sculpture of Buddha Vajrasattva. Seated dhyana asana on double lotus throne, in the left hand a ghanta bell, in the right hand a vajra thund...

Sterling, Bone, & Semi-Precious Gems Figure of 'St. George & Dragon' Germany, Early 20th Century A meticulously cast and modeled Medieval / Renaissance Figure of St. George Slaying the Dragon, This figure with a moveable helmet visor, revealing his carved bone face...

A fine quality Japanese Meiji period bronze statue of a Samurai Warrior firing a bow and arrow. Having a wonderful patination and gilded highlights. Batch 83 634230 SNKZZ

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

Joseph d’Aste (1881-1945), Italian born sculptor who lived and worked in France. “Fete au village” (village celebration), gilt bronze on a marble base. S...

"Daphne" by Ernst Fuchs Dramatic gilt and black patinated bronze study of a seductive young woman holding aloft a feathered display, raised on a domed base, signed and inscribed on the underside Euro Art - Venturi Arts 0998 from the limited edition produced by this foundry ADDITIONAL INFORMATION Height: 41 cm Condition: Excellent Original Condition Foundry Venturi Arte Circa: 1970 Materials: Bronze SKU: 8193 ABOUT Ernst Fuchs (13 February 1930 – 9 November 2015) was an Austrian painter, draftsman, printmaker, sculptor, architect, stage designer, composer, poet, singer and one of the founders of the Vienna School of Fantastic Realism. In 1972, he acquired the derelict Otto Wagner Villa in Hütteldorf, which he restored and transformed. The villa was inaugurated as the Ernst Fuchs Museum in 1988. Fuchs studied sculpture with Emmy Steinbock (1943), attended the St. Anna Painting School where he studied under Professor Fröhlich (1944), and entered the Academy of Fine Arts in Vienna (1945) where he began his studies under Professor Robin C. Anderson, later moving to the class of Albert Paris von Gütersloh. At the Academy, he met Arik Brauer, Rudolf Hausner...

Chinese late Ming dynasty bronze figure of the Bodhisattva Avalokiteshvara, also known as Guanyin (Quan Yin, Kwan Yin, Kuan Yin), 17th century, China  The figure well cast in two ...

Horse in black lacquered resin with a sterling silver armor with Italian XIV Century Knight in sterling silver armor with golden and enamelled details.

Japanese Contemporary porcelain beckoning cat, a uniquely and intricately gilded and hand painted porcelain piece from the Kutani region of Japan. The cat raising his left paw is adorned with multiple golden medallions and is covered with raised loops characteristic of the Kutani “mori” style. While the origins of the Japanese beckoning cat are unclear, contemporary woodblock...

A Fine Pair of French 19th/20th Century Gilt-Bronze Sculptures of "The Marly Horses" (Now turned into lamps) After the original by Guillaume Coustou (French, 1677-1746). The large pair of equestrian bronze sculptures, finished in a gold patina, each depicting rearing horses with their groom, both raised on oval a black slate and Bardiglio marble bases and fitted with modern electrical twin-light brass fittings and cream colored shades. The base on an ebonized wooden platform. Circa: Paris, 1900-1920. Sculpture Base Height: 31 1/4 inches (79.8 cm) Base Width: 21 3/4 inches (55.3 cm) Base Depth: 12 3/4 inches (32.4 cm) Height to top of (Adjustable) shade fitting: 48 1/4 inches (122.6 cm) Shade Height: 15 inches (38.1 cm) Shade Width: 26 inches (66.1 cm) Shade Depth: 20 inches (50.8 cm) The original Marly Horses are two 1743–1745 Carrara marble sculpted groups by Guillaume Coustou. They were commissioned by Louis XV of France for the trough at the entrance to the grounds of his château de Marly. Coustou's last works, they were intended to replace two other sculpted groups, Mercury on Pegasus and Pegasus, Renown of Horses, both by Antoine Coysevox, which had been removed to the Tuileries Gardens in 1719. Louis XV chose the modellos in 1743 and the full-size sculptures were completed in only two years, being installed at Marly in 1745. They proved highly successful in reproduction, particularly on a smaller scale, and prefigured Théodore Géricault and other Romantic artists' obsession with equestrian subjects. The Marly horses were later also used as the central motif of the monochrome 819-line RTF/ORTF test card which was used on TF1 from 1953 until 1983. The originals were moved to the place de la Concorde in Paris in 1794 and Louis-Denis Caillouette (1790–1868) restored them in 1840. In 1984 it was concluded that the annual military parades on 14 July were damaging the sculptures and they were replaced by marble copies produced by Michel Bourbon in the studio of a subsidiary of Bouygues. The latter also gained the right to an extra copy, which was placed in Bouygues's social building. The original sculptures were moved to a former courtyard in the Richelieu wing of the Louvre Museum, which was renamed the 'cour Marly' in their honour, whilst Bourbon's two main copies were moved to the originals' first site near the trough at Marly, with work overseen by the architect Serge Macel. Guillaume Coustou the Elder (29 November 1677, Lyon – 22 February 1746, Paris) was a French sculptor of the Baroque and Louis XIV style. He was a royal sculptor for Louis XIV and Louis XV and became Director of the Royal Academy of Painting and Sculpture in 1735. He is best known for his monumental statues of horses made for the Chateau of Marly, whose replicas now stand in the Place de la Concorde in Paris. Coustou was a member of a family of famous sculptors; his uncle, Antoine Coysevox, was a royal sculptor; his elder brother, Nicolas Coustou was a sculptor, and his son Guillaume Coustou the Younger also become a noted royal sculptor. Like his older brother, he won the (Prix de Rome) of the Royal Academy which entitled him to study for four years at the French Academy in Rome. However, he refused to accept the discipline of the academy, gave up his studies, set out to make his own career as an artist. He worked for a time in the atelier of the painter Pierre Legros, and eventually returned to Paris. Upon his return to Paris, he assisted his uncle Coysevox in making two monumental equestrian sculptures, Fame and Mercury, for the Château de Marly, the new residence of Louis XIV near the Palace of Versailles, where he went to escape the crowds and ceremony of the Palace. He later (1740–1745), made his own horses, The Horses of Marly, his most famous works, to replace them. The horses reinvent the theme of the colossal Roman marbles of the Horse Tamers in the Piazza Quirinale, Rome. They were commissioned by Louis XV in 1739 and installed in 1745 at the Abreuvoir ("Horse Trough") at Marly. The horses were considered masterpieces of the grace and expressiveness of the French Late Baroque or Rococo style. After the Revolution they were moved from Marly to the beginning of the Champs-Élysées on the Place de la Concorde. The originals were brought indoors for protection at the Louvre Museum in 1984. In 1704 Coustou was received into the Académie royale de peinture et de sculpture. The work he made to mark his entrance was Hercules on the Pyre, now in the Louvre. It displays the special hallmark of the Baroque, a twisting and rising transverse pose, as well as highly skillful carving. He rose to become Director of the academy in 1733. Another of his major works from his later career, the statue of Maria Leszczynska, (1731)is on display at the Louvre. Coustou also created two colossal monuments, The Ocean and the Mediterranean among other sculptures for the park at Marly; the bronze Rhone, which formed part of the statue of Louis XIV at Lyons, and the sculptures at the entrance of the Hôtel des Invalides. Of these latter, the bas-relief representing Louis XIV mounted and accompanied by Justice and Prudence was destroyed during the Revolution, but was restored in 1815 by Pierre Cartellier from Coustou's model; the bronze figures of Mars and Minerva (1733–34), on either side of the doorway, were not interfered with. In 1714 for Marly he collaborated in two marble sculptures representing Apollo Chasing Daphne (both at the Louvre), in which Nicolas Coustou sculpted the Apollo and Guillaume the Daphne. About the same time he was commissioned to produce another running figure in marble, a Hippomenes designed to complement an Atalanta copied from the Antique by Pierre Lepautre...

Attractive pair of Italian neoclassical style parcel-gilt and patinated bronze opposing figures of artistic maidens surmounted by moulded glass shades made into lamps, all standing o...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface with verdigris patina. Not entirely sure of the maker but possible by L. W. Cushing & Co. In Waltham or Harris. Co in Boston. The surface has been re-gilt historically likely dated from early 20th century. A lovely piece that transcends American fold art...

A large and rare antique Austrian gilded bronze desk set/sculpture, modeled as a Pug dogs with her two puppies, documented, circa 1910. To the center i...

Italian gilt bronze sculpture of an eagle on a rectangular white Carrera piece of marble. The high quality of the gilt work and the early age makes the eagl...

Art Deco gilt bronze sculpture of the 'Theban Dancer' by CJR Colinet French, circa 1925 Measures: Height 55cm, width 59cm, depth 23cm The important Fr...

A beautiful, small. French gilt bronze statue in the style of sculptor Hippolyte Francois Moreau, circa late-19th century, France. This gilt ...

A magnificent gilt bronze statue of Tibetan Avalokiteshvara, the compassionate Bodhisattva Water Moon Guan Yin. Seated on a lotus base in rajalilasana, the "posture of royal ease...

18th century Italian sunray adorned with tangerine crystal quartz points on an angle plated quartz. Angle-plated quartz is an extremely rare form of quartz and is only found in the u...

A magnificent 19th century French Louis XVI style gilt and patinated bronze clock depicting mother and child, by Raingo Frères, Paris. The dial marked: Raingo Fres, A Paris. Circa ...

A graceful gilt bronze period Art Deco figure of a nude young lady holding a tambourine as she dances. Mounted on a colorful marble base and signed by ...

Mathurin Moreau (French, 1822-1912) rare gilt and silvered bronze of a young maiden seated on a rock with three birds, conceived 1898. The semi clad figure seated on a rustic outcro...

Beautiful weathered giltwood winged angel head, France, circa 1750 Weathered and small losses. Measurements include the wooden base.

A striking Japanese late Muromachi Period (1333-1573) lacquered and giltwood figure of Yakushi Nyorai, the Medicine Buddha, seated upon an elaborate car...

Decorate a living room, entryway, or chapel corner with this expressive pair of antique Italian wall-hanging cherub sculptures, carved in Italy circa 1860 and finished in richly burn...

A fantastic and powerful Sino-Tibetan gilt bronze figure of Hayagriva and his consort Vajravarahi, created in Tibet for the Chinese market, 18th/19th century, Tibet. The wrathful...

17th century Italian hand-carved and gilded crown adorned with herkimer diamonds and mounted on an antique gold base. This was original from a historical Italian church and would ha...

A decidingly charming Chinese polychromed and gilt cast bronze figure of Nanhai Guanyin, Guanyin of the South Sea, Ming Dynasty, 16th/17th century, China. Guanyin, the bodhisattva of compassion, is portrayed here as a beatific figure seated upon a raised lotus pedestal over waves. Guanyin is dressed in heavy robes, and wears an elaborate headdress. The small figure of Amitabha Buddha in the headdress positively identifies this figure as Guanyin. Guanyin rests one hand in his lap, holding a cup of pure water said to be able to alleviate all suffering. His other hand is raised, holding a willow branch which is used to sprinkle the healing waters. The two lotus blossoms to either side of Guanyin would originally have supported figures of the acolytes...

Transform your space with this breathtaking Italian figural standing candelabra floor lamp, a masterpiece of early 20th-century European craftsmanship. Exuding elegance and sophistic...

A small antique bust of Jesus Christ. Made of gilded spelter (zinc alloy). On a black marble plinth. No signature. Minor wear to the gilt patina. Dimensions: 14 (h) x 6 x 6 cm Free...

A delightful pair of 18th century Italian puttini or cherubs in giltwood. Wonderfully carved with delicate features - lending this pair elegance and charm.

Three-week duration, striking half and full hours. The enamel dial signed 'Dartois Fils à Paris'. Dartois was, just like Galle, Ledure, Raviro and Thomire, one of the leading and mos...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

This magnificent pair of gilt and patinated bronze sculptures faithfully reproduces the iconic Marly Horses, originally sculpted in marble by Guillaume Coustou (1677–1746) for the Ch...

A Fine French 19th/20th Century Patinated Bronze Figure titled “Lutin des Bois” (Woodland Fairy or Elf) after Luca Madrassi (Italian, 1869-1914). The beautifully executed slender fig...

Dimensions - H: 10 1/2 in W: 17 1/4 in D: 11 in This antique 19th century Louis XV style bisque and ormolu sculpture of children on a sofa is made of the highest quality! If you loo...

American gilt copper full bodied running horse directional weathervane with two gilt circular spheres resting on squared iron stand, J.W. Fiske, late 19th century.

Cast bronze with gold wash.

Painted pottery figure of an opulent Chinese court woman with up-swept hair and standing in a simply draped robe from the Tang Dynasty (618-907 AD). Her beauty is illuminated by the ...

An antique pair of Portuguese Baroque architectural table bases made of hand carved Pinewood, in good condition. The partly gilded pieces are particularized by floral décor. Authenti...

Signed under the left shoulder: ”CerNelille”.

French Flute Player Gilt Bronze Figure, mid 19th century, the standing figure in 16th century costume on a black marble base. 11" H x 4.5" W x 4.5" D.

Sculpture Zebra Gold Skull with structure in resin hand-painted with gold and black paint, on solid blackened iron base. Base: 25x25cm. Exceptional and uniq...