1910s Vases

Gallé Bowl Vase with Violets Decor – Early 1910s, collectible. Dimensions: Height: 7 cm, Diameter: 7,5 cm. An exquisite bowl-shaped vase produced by the Éta...

A stylish Doulton Lambeth art deco twin handled paneled vase by renowned artist William Rowe and dating from around 1918. The stoneware vase is of tall bu...

Louis Comfort Tiffany Red Favrile Glass Vase, circa 1917, of gently waisted ovoid form with flaring rim above a circular foot, with pulled feathering in silvery blue to purple favril...

A striking and monumental pair of cloisonné enamel vases, likely Chinese in origin, dating to the early 20th century (circa 1910s). Standing at 51.5 cm in height with a generous 30 c...

Daum Nancy, France. Large antique vase in mouth-blown art glass decorated with lake landscape and trees, circa 1910. Measures: 31 x 15 cm. Signed....

Antique and rare painted pottery vase table lamp made by Michael Andersen & Son of Bornholm Designed by Daniel Andersen for the camouflage series. With a beautiful blue and yellow gl...

A stunning French Art Nouveau pair of large vases with female figures of the era, circa 1910.

Three fine quality "Nippon" AUTHENTIC vases from the Meiji dynasty; Japan, Circa 1910. All are in excellent and all original condition with no repairs and no restoration, chips, or touch up of any kind. They are all hand painted with moriage accents to two of them; indicative and representative of the prime era of fine quality Japanese porcelain makers during the turn of the 19th century, say 1891 through 1921. Colors are crisp and not faded. The stein or mug is particularly difficult to come by. Measurements of each are below: 1) Hand painted Nippon...

Daum Nancy cameo and enamel glass vase, France, circa 1910 Decorated with trees and a far off landscape on a light opalescent ground Signe...

A rare small World War I interest art pottery vase or possibly inkwell inscribed ‘JOFFRE FRENCH’ and decorated in red lustre glazes by renowned maker Bernard Moore and dated 1914. Joseph Jacques Cesaire Joffre, was one of France’s most influential leaders, played a significant role in shaping the outcome of World War I. He served as commander-in-chief of the French forces on the Western Front from 1914-16 and became an iconic symbol of French resistance for his defence against the German invasion. The bell-shaped vase stands on a narrow round unglazed foot rim and has a wide skirted body narrowing to a small, short, raised funnel shaped neck. The vase is decorated with a cream glazed band over a red lustre ground with the inscription applied around the body of the vase. The vase has a BM monogram...

Large Kyoto region Awaji floor vase in bright yellow crackle glaze with cold painted dark red lacquer decoration, circa 1910s. Measures: 37" high, 15" diameter. Fine hairline at rim,...

Delicate Art Nouveau cameo vase of the early 20th century: Baluster-shaped stem vase with bulbous base on a stand ring with long, slender, curved neck, colorless glass with flaky whi...

Belgium Art Pottery. A tall ceramic Arts and Crafts vase decorated with five flamingoes set in mottled green and blue glaze.

Large Art Deco antique silver plated vase or decorative cup pressed, cast and chased. Circular, curved floral belt tested with the scratch test, height approx. 37 cm, diameter 18 cm,...

Japanese Awaji pottery vase with split bamboo weaving. Bottle form vase with flaring mouth in bright, warm yellow glaze with incised bamboo motif glazed in green. 12" high, 7" diamet...

Émile Gallé (1846-1904) Galle Cameo Glass Vase France, circa 1910 Cameo signature Gallé Height 8 3/8 in., Width 4 7/8 in., Depth 2 3/4 in. H 21...

Japanese vase from the Meiji Period (1868-1912). This is a beautiful pair of antique decorative vases created in the imperial Japan during the Meiji period (1868-1912), back in 1910...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...

Glass vase with enameled decor small bells blue and green. 1910 Wiener Werkstätte Austrian vase with polychrome Enameled decoration. Probably a creatio...

Large porcelain/creamware vase / urn made by Swedish porcelain gigant Rörstrand circa 1910. It has a grey/petrol blue glaze that fades from dark to light. The inside has a turquoise ...

Antique Gouda Soliflor Stem Vase - Art Nouveau Elegance from the Netherlands This soliflor stem vase, crafted from hand-painted, matte-glazed ceramic, is an example of ceramic art f...

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

This highly rare and innovative Iridescent Favrile Art Glass Gord Form Vase is by Louis Comfort Tiffany and originates from the United States Circa 1916. This vase is a true gem, wit...

Magnificent Art Nouveau vase with floral motifs in blue, pink, black, and green, highly decorative. The Manufacture Revernay is an artistic ceramics workshop founded in 1896. It is d...

Jugendstil glass vase with holder by Argentor vienna around 1910 Polished and stove enameled Original cut glass.

Paul Dachsel was the son-in-law of Alfred Stellmacher, the founder of Amphora Pottery company in Turn-Teplitz, then in Austria. Very little is known or was written about Dachsel. He ...

Tiffany Studios, circa 1912 Rare Internally Decorated "Aquamarine" exhibition quality Tiffany Favrile Glass Vase Engraved L.C. Tiffany-Favrile 5822 G, with firms paper label Height 12 in. (30.48 cm.), Diameter 5 in. (12.70 cm.) Provenance Christie's New York Important Tiffany Glass from The Minna Rosenblatt Gallery December 10,2003 Lot 454 LITERATURE: John Loring, Louis Comfort Tiffany at Tiffany & Co., New York, 2002,Martin Eidelberg, Tiffany Favrile Glass and the Quest for Beauty, New York, 2007 Catalogue note: AQUAMARINE One of the last major innovations in Tiffany Studios' glassmaking was the introduction of Aquamarine glass about 1912. The Tiffany craftsmen had been using paperweight techniques for a decade (works in which floral motives were worked in hot glass and then encased within layers of additional glass). Those made around 1900 generally had a shimmering golden background but, around 1910, this changed to a clear, transparent glass. Aquamarine glass introduced a subtle, green-tinged material that suggested a watery realm. Cased within the glass are yellow flowered plants like the one in this vase, floating in an aqueous world is this water lily. To further the illusion of watery depths, the glass itself is quite thick offering the viewer different perspectives such as one has when peering through actual water. Tiffany Studios' difficulty in making this glass was constantly emphasized. Not only was there the difficulty of properly annealing the many layers but equally challenging was the manipulation of the weighty glass ball while it was still hot and fluid. These technical difficulties caused much breakage, and the Aquamarine vases were costly as a result. Several examples were shown at the 1915 Panama-Pacific International Exhibition in San Francisco. Martin Eidelberg Literature Elizabeth Lounsbery, "Aquamarine Glass," American Homes and Gardens, vol. 10, December 1913, p. 419 (for a period illustration of other aquamarine vases) Albert Christian Revi, American Art Nouveau Glass, Camden, NJ, 1968, p. 61, pl. 94 (for an illustration of an aquamarine glass doorstop...

We are happy to offer you this sterling silver trumpet vase by Dominick and Haff. It has a fluted rim and a beautiful etched design around...

A brown-glazed ceramic vase designed by Alf Wallander and produced by Rörstrand, Sweden, 1910s.

This is a handmade, 1 off Sgraffito vase made by the Swedish ceramic artist Josef Ekberg in 1907. he was one of Sweden's top ceramic artist at the time. He started working at the Gus...

An Antique solid Silver Epergne Centrepiece with a large oval central basket supporting a tall trumpet shaped vase on top of an impressive concave shaped stand. The central stand has...

2 Vases WMF Signs: WMF G: Introduces on the 1 st June 1910, in the interests of improved legibility, especially of the very small marks. The company´s choice of an ostrich as a tr...

Gallé Nancy Art Nouveau finest vase made in France (Nancy, Lorraine) made circa 1919-1920 Specifications: Stunningly manufactured casing glass (colorless glass with various lay...

Very decorative vase from the early art deco period, made in France. This object has a shape that looks like the ancient Greek amphorae, but has a four-pass stand to ensure stabili...

Large round bowl with a quatrefoil-shaped indented mouth rim, colorless glass with yellow and brown powder inclusions, etched and painted with colored enamel columbine decor, satin-f...

Property of A Private Collector Fine Daum Nancy Glass Perfume Bottle France, circa 1910 The diamond shaped bottle, decorated with a full blown iris...

A rare and monumental vase made by Arnhemsche Fayencefabriek between 1910 and 1917. Bridging the final flourish of Dutch Art Nouveau (Nieuwe Kunst) and the emerging order of early Ar...

Beautiful antique vase by the french sculptor Eugène Lelièvre (March 13th 1856 - January 24th 1945). Exceptional silver plated bronze work. Th...

Regina, Holland. Antique art nouveau vase in glazed ceramics with hand-painted flowers and foliage. Approx. 1910. Measures: 22.5 x 13.5 cm. In excellent condition. Stamped. The Regina pottery factory, Kunstaardewerkfabriek Regina, existed from 1898 to 1979. Located in Gouda, Holland, the factory was established in Queen...

Pair of Jerome Massier French Majolica figural vases which feature a pair of chickens - a cockerel and a hen, stood in front of wheatsheaf receptacles. Colouration: yellow, teal blue...

PRE-OWNED GOODS ARE EXEMPT FROM IMPORT TARIFFS FOR U.S., UK, AUSTRALIAN & CANADIAN CUSTOMERS. THEREFORE, NO IMPORT TARIFFS WILL BE APPLICABLE TO YOUR PURCHASE. Edgar Böckman for...

Pressed glass vase with amethyst tintHeight 23 cmFélix Marcilhac, René Lalique - Catalogue Raisonné de l'Œuvre de Verre, Les Éditions de l'Amateur, Paris, 2004, N°897 More photos on...

A mesmerizing Art Nouveau vase manufactured by the french pottery Pierrefonds, at the beginning of the XXth century, around 1910. Its vivid blue Crystalline Glaze and two-handled sha...

Austrian Jugendstil glass goblet with etched decoration Opel black ca. 1915 designed by Hans Bolek manufactured by Johann Loetz Witwe Between 1912 and 1917, the architect Hans Bol...

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Baluster-shaped single vase with bulbous lower section on a standing ring with a long, slender, curved neck, colourless glass with flaky white, yellow and light blue, in the standing...

Italian artists Pietro Melandri and Paolo Zoli glazed majolica round shaped vase for ’La Faiance’. Faenza Italy 1915 ca. This wonderful little masterpiece, depicting floral in shade...

Presentation to Dowager Queen Louise, widow of King Frederick the 8th of Denmark, on the occasion of her 50th anniversary as a member of the Danish royal family. She was the daughter of King Charles 15th of Sweden and Princess Louise of the Netherlands. The vase made in 1915, chosen and mounted for presentation in 1919. Signed Valdemar Engelhardt...

A very rare organic ribbed Louis Comfort Tiffany blue Favrile miniature vase in the Jugendstil style. Beautifully signed 'L. C. Tiffany Inc Favrile' Then (indistinctly) '7168 U' and ...

Cylindrical vase, colourless glass with flaky yellow-orange, with brown powder inclusions in the lower section, highly etched exterior and delicately painted with coloured enamel, co...

This is a handmade, 1 off Sgraffito vase made by the Swedish ceramic artist Josef Ekberg in 1917. he was one of Sweden's Top Ceramic artist at the time. He started working at the Gus...

Theodor Hermann Schmuz-Baudiss for Konigliche Porzellan-Manufaktur. This monumental vase features a winter landscape at the edge of a forest. A stunning example of this artist's wor...

Cylindrical vase, colourless glass with flaky white and delicate red inclusions, yellowish and green powder inclusions in the lower section, highly etched exterior and delicately pai...

This wonderful glass vase in the hues of a sunset over the sea is signed Lorrain in script.

Impressed and incised marks.

Green Glazed Vase by Arequipa Pottery Stoneware vase by Arequipa Pottery, made in California in 1912. The low, rounded form features an undulating ri...

Rare Stoneware Art Deco Vase by French ceramist Louis Lourioux. Signed under the base.

Cylindrical vase, colourless glass with flaky white, with cobalt blue powder inclusions in the lower section, highly etched exterior and delicately painted with coloured enamel, fuch...

Galle glass Art Nouveau Circa 1910, French origin Artist Emile Galle, Art Nouveau style Motif: flowers and leaves Excellent condition and unrestored Émile Ga...

An exceptional, fine and impressive, rare pair of antique Irish sterling silver Lindisfarne style vases; an addition to our ornamental Irish silverware collection. These exceptional...