1910s Vases

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

Schneider glass vase, circa 1910. Internally decorated pink, white and blue.

An attractive Japanese Art Nouveau silver overlaid bronze vase, late Meiji period, early 20th century, Japan. A tall and elegant bronze vase of q...

Stunning and rare set of early 20th Century Vases by the Swedish designer Alf Wallander for Rörstrand. As with many of Alf Wallanders ceramic pieces these vases have a art nouveau in...

An interesting and vibrant piece of blown art glass from the Isle of Murano Venice Italy. Tall and with an interesting twist stem, this piece will be lovely for your table or dessert...

Chinese Peking Cut Blue & White Cameo Glass Vase, Ca. ca.1900-1920 DIMENSIONS: Height: 12.5 inches Diameter: 5.5 inches ABOUT CHINESE PEKING GLASS Peking cut blue ...

Pair of Minton Secessionist fluted vases, decorated with typical Art Nouveau stylized flowers and leaves. Green tube lining detail, on purple ground. Printed maker's marks 'MINTONS L...

Antique fine quality Japanese Meiji period pair of bronze vases circa 1910. Depicts Cranes. Would look amazing in the right location. The very best colour and patina. Exudes quali...

Svend Hammershøi for Kähler. Early and rare decorative ceramic vase. Glaze in shades of blue. With foliage ornamentation. Circa 1915. In excellent condition. Marked. Dimensions: Hei...

Vase Sign: Le Verre Francais (French) Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider ...

Original and unique Wiener Werkstatte hand-painted design.

Particularly large Baluster vase on a slightly offset base, colourless glass with flaky sky blue powder melting, green overlay, spring landscape etched in several stages and finely p...

We are proud to offer this sterling and crystal vase by the Hawkes Glass Company of Corning, NY. Based in Corning, NY, T.G. Hawkes & Co. (circa 1880-1959) was established by Thomas ...

The original "Heart & Vine" Vase Set by Imperial showcases the exquisite craftsmanship of Imperial Glass, featuring an iridescent finish that beautifully captures hues of green and r...

Large baluster vase on a separate foot, colorless glass with flaky white, yellow-green and brown colored powder inclusions, overlay in yellow, orange-red, green and brown, rosehip decoration etched in several stages, satin-finished surface in the background and on the inside, large cameo signature 'Daum Nancy' with Cross of Lorraine midway between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Early unique Patrick Nordstrom, own workshop, pottery vase. Beautiful glaze in earthy colors, 1910s. Signed. Measures: 17.5 x 15 cm. In perfect condition.

Rozenburg, Den Haag. Large Art Nouveau vase with handles in glazed ceramics with flowers, 1910s-1920s. Measures: 27 x 21 cm. Stamped. In very good condition.      

Aluminia, Copenhagen, rare snail vase, hand-painted with snails and floral motifs. Measures: 24 cm x 19 cm Number 147/190. In perfect condition. Stampe...

Royal Doulton, England. A pair of narrow-necked Art Nouveau vases in hand painted porcelain, circa 1910. Measures: 28 x 12 cm. In very good condition. Sta...

Vintage Murano Vase from the early 1900s: The Elegance of Italian Glass Welcome to the fascinating world of Murano glass art, embodied in this period vase of extraordinary beauty, m...

A tall vase / urn with black glaze. Hand-crafted in Thailand, in the tradition of antique Thai and Khmer earthenware. Early 20th Century. Sawankhalok, one of the main centers of an...

Daum Nancy cameo and enamel glass vase, France, circa 1910 decorated with green and red flowers on a pink opalescent ground signed in gi...

Rare stoneware vase by French ceramist Louis Lourioux. Stamped under the base with one of Lourioux's signatures, "Les Ailes".

Beaker-shaped vase on a stepped, conical base, widening upwards to a square mouth rim, colorless glass with flaky white, yellow and blue, in the base area with green colored powder inclusions, with etched and painted in colored enamel Daphne decor, satin surface in the background, floor smooth polished, relief signature 'DAUM NANCY' with cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

This elegant object of the Loetz glassworks was produced immediately after the First World War, in the years 1918- 1919. Although stylistic as well as technical recourse to past tech...

Made in Italy, 1910s. This pitcher vase is made in transparent pagliesco blown glass and the external surface is slightly ribbed. It features a black Murano glass handle. This is ...

Bronze vase by Christlofle. Brown patina and golden details. Argus Valentine's (2003) "20ème Siècle - Les Principales Antiquités Des Années 1880-2002" p, 113. France, CIRCA 1910.

Vintage WMF Art-Deco can and vase is an original decorative pair of objects realized in the 1910s. Realized by WMF, Germany. Original brass product....

Vase Le Verre Francais acid worked Le Verre cameo glass was a separate line of art glass designed by Charles Schneider. Its production was made at the same time as the Schneider des...

Tall Tiffany Studios wheel-carved Favrile glass leaves vase, 1918 Art Nouveau. Marks: 7062M L.C. Tiffany Inc. Favrile Measures: Height: 11.85 inches (29.8 cm) Diameter: 3.5 Inc...

Rookwood Vase, Monumental tapered shape in a Vellum glaze with a beautiful wild rose design, executed by Fred Rothenbusch in 1914, No.1653. Bottom Di...

Signed Galle in cameo.

Exquisite French Art Nouveau Glass Craftsmanship: Small baluster vase with bulbous body on stepped round stand, with short slightly flared neck, colorless glass with flaky white and...

Le Verre Francais glass vase, circa 1910.

Tiffany Studios, circa 1912 Fine carved Tiffany Favrile glass Egyptian collar vase, of baluster form, the shoulder carved with a band of flowers En...

Tiffany Studios "Nasturtium" paperweight glass vase engraved 3595N L.C. Tiffany-Inc. Favrile also with firms paper label circa 1919 favrile glass 7 1/4 in. (18.4 cm) high Provenance: Sotheby's New York December 15, 2006 Private Swiss Collection Lillian Nassau...

Signed in gilt Daum Nancy with the Cross of Lorraine.

Tri-lobed vase, signed Daum Nacy with the Cross of Lorraine.

Daum Nancy Cameo and enamel glass vase, France, circa 1910 decorated with orange and red flowers on a yellow opalescent ground signed in gilt Daum Nancy and cross of lorraine Dimens...

Daum Nancy wheel-carved cameo glass vase: Iris France, circa 1910 decorated with red lowers on a mottled pink ground. Wheel-cut Daum Nancy with Lorraine cross Dimensions  Height...

Fine Daum Nancy Cameo glass vase, France, circa 1910 decorated with orange and purple flowers on an opalescent ground cameo mark Daum Nanc...

Hallmarked in Sheffield in 1910 by James Dixon & Sons, this handsome pair of Antique Sterling Silver Vases, are plain in design, and of a larger than usual size. Each vase measures 1...

This wonderful, elegantly shaped with a flared rim vase , by Daum Nancy, features wheel-carved cameo glass of the highest quality detailing an amazing pink roses, or rose of France ...

Royal Copenhagen. Colossal porcelain vase. Motif of two wood grouses (Tetrao urogallus) in a forest landscape, gold decoration. Hand-painted in overglaze technique. Marked with Juli...

Small baluster vase, flush round stand, bulbous body with attached funnel-shaped neck, colorless glass with color powder enamels in yellow-orange and red, with highly etched and painted with color enamel strawberry plant decor...

Pair of Jerome Massier Fils Majolica figural vases which feature a hen and a rooster, stood in front of a vase. The vase has leaves and wheat around the sides. Colouration: brown, ye...

René Lalique (1860-1945) Monnaie Du Pape, Opalescent, frosted and clear Rene Lalique Glass Vase France, circa 1914 inscribed R.Lalique France Li...

A French "Lyciet de Barbarie", pâte de verre vase by Gabriel Argy-Rousseau, depicting pink wolf berries suspended from brown stems, with green leaves, all against a vignette ground...

A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period. Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor. For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...

From the Pinhas collection A fine Daum Nancy wheel-carved cameo glass vase with low relief applied decoration France, circa 1915 Signed with intaglio mark Daum Nancy with Lorraine cr...

Very rare glass vase designed by Simon Gate. Produced by Orrefors in Sweden.

Large baluster vase on a separate stand, bulbous walls widening at the top towards the opening, colorless glass with flaky white and yellowish, yellow-orange, in the stand area with dark brown-violet powder inclusions, with etched and painted in colored enamel Bittersweet nightshade (Solanum dulcamara) decor, satin surface in the background, base and bottom smoothly polished and covered with green enamel, relief signature 'DAUM NANCY' with a Cross of Lorraine on the wall between the plants. Technique: Handmade cameo glass Glass overlaid with several layers, with high-cut worked out motifs. Since the middle of the 19th century, the design has also been done by etching. Cameo glass vessels...

Art Nouveau glass manufacture turn Vienna, Austria Origin Austria porcelain hand painted perfect condition 1910. Art nouveau, modernist art or modernism wa...

A French Art Nouveau pâte de verre vase, "Eucalyptus," by Gabriel Argy-Rousseau. The vase has three isolated brown branches, each with curving purple and green leaves, and flower bud...

An early Art Deco Lava glass vase with yellow and green shades. Signature: Schneider

Large and fine Daum Nancy internally decorated, enameled and acid etched glass vase decorated with pink flowers on an opalescent ground France, circa 1910 cameo mark Daum Nancy with...

A pair of Art nouveau amphorae patinated bronze and gilt, circa 1910 decorated with vine plants and snails Origin France perfect condition. Art nouveau, modernist art or modernism wa...

Vase Sign: Schneider Schneider Charles Schneider (1881-1953) studied art in two of most prestigious French school of the Arts. First in the School of Fine Arts in Nancy, then in the...

Alfonso Canciani (Italian-Austrian, 1863-1955) was a famous Italian-Austrian sculptor of the period of accession to the Viennese Secession. Son of a stonemason, after a realist period he managed to establish himself as a leading sculptor of the Viennese Secession. In fact, he worked in Vienna, where he had enrolled in 1886 at the Academy of Fine Arts, then at the Higher School of Sculpture and finally at the Special School, where he obtained the Rome prize for the sketch for Dante's Monument. He developed a notable business obtaining important prizes and numerous commissions. First among the sculptors of the Viennese capital, he was invited to join the Association of the Viennese Secession, of which Klimt was magna pars, after the exhibition of Dante's group in 1900 at the Secession exhibition, and obtained the most important Austrian artistic prize, the Kunstlerlpreis. This same work, presented in 1910 in Berlin, at the Great Art Exhibition, also received an important recognition here. He obtained the Rome prize in 1896, exhibited successfully in Munich and in 1899 at the III International Art Exhibition in Venice. In that period he made some statues of saints for the cathedral of Santo Stefano in Vienna, the monument to Wagner, the bust of Nietzsche for the University, the scepter and the gold chain of the University Rector, figures of Italian poets ( Petrarch, Boccaccio, Tasso, Ariosto). He submitted a sketch for the official monument to Empress Elizabeth, which was then built in Austrisn Gföhl and Pula. At the time of his accession to the Secession, he dedicated himself to decorating the facade of the Artaria house in Vienna in collaboration with the architect Max Fabiani. He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work, and preferring to exhibit at the Künstlerhaus. In Vienna, he was generous with advice and help with the Italians and in particular with his fellow citizens (such as the Brazzanese Luigi Visintin, then a university student). After the First World War, he returned to Italy and lived in Friuli, penalized by the fact that the Habsburg Empire had by now disappeared. Instead of large-scale public monuments, he then devoted himself to engraving medals (e.g. for Benedict XV and for the Italian mission in Vienna in 1919) and to designing funeral monuments (examples in Mali Lošinj and Trieste) and portrait busts (of Generals Carlo Caneva and Antonio Baldissera in Udine, sculptures of the War Memorial of Corno di Rosazzo). After all, he had already executed the Bab grave monument in the Döblinger cemetery in Vienna in 1909. He taught in Trieste from 1920 until 1935, at the local school of industrial art, where he had Marcello Mascherini...

Pair of "Pichet Oie", by Edouard Marcel Sandoz (1881-1971) and manfucatured by Haviland. Wapler, Jacques-Ph. (1999) "De la sculpture a la porcelaine", p. 531. France, Circa 1916.