1860s Furniture

A monumental antique American giltwood overmantle full length mirror, New York, Circa 1860. This exquisite mirror having a stepped ogee crown flanked with a crenelated border, below...

Antique Hand-Colored Fern Prints - Aspidium Acrostichoides, Cristatum, and Rigidum - 19th Century Botanical Art This beautiful set of three antique hand-colored fern prints showcases the intricate detailing of three distinct species from the *Aspidium* genus. These prints are part of *Ferns: British and Exotic*, a classic 19th-century botanical publication known for its exceptional accuracy and artistic appeal. The species depicted in this set include: - **Aspidium acrostichoides** (Christmas Fern): This species is characterized by its dense, evergreen fronds, depicted with great attention to texture and spore-bearing sori. This fern is one of the most well-known in Victorian botanical studies. - **Aspidium cristatum** (Crested Shield Fern): With its delicate fronds and clusters of round sori, the Crested Shield Fern is expertly illustrated to show its botanical structure and intricate design. - **Aspidium rigidum** (Rigid Fern): This print highlights the structure of the fern’s stiff fronds, showing the distinctive brownish spore clusters that set this species apart. It captures the fern’s upright posture, making it a fine addition to any botanical collection. These prints were originally published in *E.J. Lowe’s* celebrated *Ferns: British and Exotic*, which was produced between 1856 and 1860. Lowe, a renowned Victorian botanist, provided both scientific insight and aesthetic beauty through these illustrations, created using the chromolithographic printing technique. This method allowed for vibrant, multi-layered colors, giving these ferns life-like qualities that still resonate today. Each print measures approximately 12 x 8 inches, making them ideal for framing and display in any space that appreciates botanical history. They are not only perfect for collectors of botanical art but also for those looking to bring nature-inspired decor into their home. Condition Report: All prints are in good condition, with some minor foxing and age related toning, mostly on the edges. The colors are vivid, and the details remain crisp despite the prints’ age. Keywords: antique fern prints...

Pair of gilt bronze vases with leaf-cast handles forming into female masks.

Maronite Priest: Custodian of Tradition and Faith, Plate 54 This vibrant lithograph portrays a Maronite priest, garbed in traditional black robes, emblematic of his solemn devotio...

An outstanding 19th century Victorian antique carved mirrored walnut credenza with a magnificent carved solid walnut mirror back and spectacular ...

Some 150 years ago this Volk Art Work was presented as a gift to a wedding. It is called a declaration of love or a Honorable Gratulation attesting two people bonded in marriage. A l...

French circa 1860’s with original mirror and backboards Few minor blemishes to the mirror plate Height 65 inches or 165 cms Width 47.5 inches or 121 cms

Beautiful set of 3 Framed antique herb specimens taken from the private collection of acclaimed French bryologist PT Husnot, these are from his private collection of specimens and ha...

circa 1870 Large 19th C English glazed pine dresser in original finish with hand blown glass and shaped top shelves sku 992 (2 parts - top cabinet and base) Measures: W17...

Large "Japonisme" six-light wall-light in patinated bronze with gold and silver highlights attr. to Raingo Frères, representing an elegant young woman in traditional Japanese Geisha ...

Victorian mahogany twin pedestal desk. Circa 1860 This des has an arrangement of 9 mahogany lined drawers which retain their original turned knobs. The desk is raised upon a plinth b...

The sixth thousand of Lewis Carroll's highly influential work of Victorian children's literature, illustrated throughout by John Tenniel. An exceptionally early impression of Lewis ...

Pair of Victorian Open Fretwork Brass Girondelle Wall Mirrors with double candle sconces and mythological creatures - 8"w x 23"h

This collection features three exquisite 19th-century steel engravings depicting key battles and sieges from the Napoleonic Wars. These prints, created by Théodore Yung and originating from the Album de Vingt Batailles de la Révolution et de l'Empire, showcase moments of historical significance, skillfully captured with artistic precision and hand-painted watercolors. 1. Bataille de la Corogne (16 Janvier 1809): This print depicts the Battle of Corunna, where the French army under Marshal Soult attacked British forces commanded by Sir John Moore...

Gorgeous period Victorian pier cabinet This cabinet is raised upon turned bun feet with a plinth base. Circa 1860 The cabinet features 1 glazed door with a marquetry panel above The ...

Late 19th Century French bakery or boulangerie rack. Made from steel and brass. These were used to display bread in a bakery. They would now make very impressive and decorative shelv...

Beautiful and colorful mid century modern painting of a flower still life. The painting dates from circa 1960 and is framed in a simple black wooden frame. The painting is signed low...

Author: TROLLOPE, T. Adolphus. Title: Paul The Pope and Paul The Friar. A Story of An Interdict. Publisher: London: Chapman & Hall, 1861. Description: First edition. 1 vol....

Timeless Authority: Handcolored Print of a Swiss Guard Officer, Plate 39, 1862 This elegant handcolored lithograph, Timeless Authority, is Plate 39 f...

Sailor's Woolwork of Royal Navy Second Rate Battleship Coming into Port, Circa 1865 The British sailor's woolwork has a dramatic view of a Royal Navy Second Rate Battleship coming i...

Pair of Staffordshire Pottery figures which feature a cat on a cushion, recumbent on an oval base. Dull gilt base line and embellishment.

Hand-carved in Belgium, circa 1860, this 11 foot tall pair of doors (132.88 inches) were recently salvaged from a Belgian chapel. They can be considered of the Gothic style, which is sometimes referred to as “pointed architecture”, because of the prevalence of pointed arches in buildings. Each door is composed of six vertical planks constructed with mortise and tenon joinery. All planks have been adorned with iron pyramid protuberances, placed in a repeating pattern. The planks and iron retain their white paint, now naturally weathered over the years, perfect for those who appreciate original condition. At over 11 feet tall, these 19th century chapel doors...

Set of 12 Sèvres porcelain plates with hand-painted pastoral scenes French, c. 1864 Plates: Height 3cm, diameter 23cm Case: Height 10cm, width 76cm, depth 52cm Originating from the...

This is a gorgeous antique French Louis Revival gilt bronze mounted amaranth bureau plat, Circa 1860 in date. The shaped top has a decorative gilt ...

We are delighted to offer for sale this very rare 1867 sterling silver hallmarked Asprey 166 Bond Street London Coromandel wood vanity dressing table box A very rare and high quality collectable piece, the box is solid Coromandel wood with brass edges, it’s a lovely dark timber with a similar grain to Rosewood. The suite inside is all sterling silver, fully hallmarked T.W for Thomas Whitehouse, the Queens head for Queen Victoria, the sideways facing Lion for Sterling silver, the Panther head for London and the date letter M for 1867 The box has Braham locks which were of such high quality Gillows of Lancaster an London used them on their finest furniture, at the back of the base section you have a hand engraved plaque which reads Asprey Maker 166 Bond Street London, in the middle of this plaque is a depression switch, if you press it a hidden drawer pops out of the bottom. The listing includes the original key The mirror pulls forward to reveal a hidden document folio...

This is a lovely antique pine chest! This piece dates to the 19th century and has lovely patina. The wood has a warm glow, that is accented perfectly by the darker stained knobs. Bei...

Set of 12 English porcelain botanical plates. Impressed Worcester with crown.

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

A fabulous pair of French 19th century ormolu figural four light candelabras, after a model by Pierre Gouthiere, After a Design by Jean-D...

Title: 1862 Johnson's Map of the Vicinity of Richmond & Peninsular Campaign, Virginia Description: This 1862 map titled "Johnson's Map of the Vicinity of Richmond and Peninsular Cam...

AUTHOR: COMMON PRAYER. TITLE: The Book of Common Prayer, and Administration of The Sacraments, and Other Rites & Ceremonies of The Church,.. PUBLISHER: London: by George E. Eyre &...

As opposed to the Mel Brooks parody of the Robin Hood story, it appears that Staffordshire in the mid 19th century depicted their men WITHOUT thights! This charming antique Staffordshire spill vase...

Antique TABLE LAMP Brass, Large Decorative Lamp Figural Art Nouveau "Monumental Antique German Art Nouveau Auguste Moreau garniture clock set Large figural table lamp on a round base...

A good quality French bronze and ormolu clock garniture, having bronze cherubs mounted either side of the clock and supporting the five branch candelabra. Retailer; Humbert.

the rectangular hinged lid fitted with a flush-mounted handle over a conforming body flanked by solid brass bail handles; all resting on a later detached stand; adorned overall with ...

A Very Large 19th Century Antique French Baccarat Crystal and Ormolu Mounted Covered Box, Attributed to Baccarat. This incredible large crystal box is all hand-diamond cut and attri...

A superb antique Victorian burr walnut credenza, Circa 1860 in date. Displaying sophistication and charm, this credenza is the ...

A Northern elm wood console table with high stretchers and long cornered legs, from China, circa 1860. This table displays the features of traditional Asian carpentry where no nails ...

Hallmarked in Sheffield in 1869 by Fenton Brothers Ltd., this attractive, Victorian, Antique Sterling Silver Goblet, features wonderful bright cut engraved decoration throughout, a g...

Pair of Hand-Carved Late 19th Century Chairs - Ornate Antique Craftsmanship Description: Discover the charm and craftsmanship of the late 1800s with this stunning pair of hand-carved antique chairs. These exceptional pieces embody the elegance and intricacy of 19th-century furniture design, showcasing an extraordinary level of detail and artistry. Each chair has been carefully carved from solid wood, with ornate motifs and sculptural elements that bring a sense of grandeur and sophistication to any space. The backs of the chairs feature an intricate, symmetrical carving inspired by nature, while the base is adorned with richly detailed scrollwork and animalistic forms. Perfect as statement pieces for your home, these chairs are ideal for use in a formal dining room, entryway, or as accent pieces in a vintage-inspired interior. Key Features: Historical Significance: Handcrafted in the late 19th century, these chairs are a testament to timeless antique craftsmanship. Intricate Hand-Carving: Elaborate decorative details with natural and sculptural elements make these chairs true works of art. Solid Wood Construction: Durable and robust, these chairs stand the test of time both structurally and aesthetically. Elegant Dimensions: Height: 104 cm (40.9 in) Width: 35 cm (13.8 in) Depth: 44 cm (17.3 in) Seat Height: 50 cm (19.7 in) Versatile Placement: Perfect for vintage-inspired interiors, formal settings, or as collector's items. Condition: These chairs are in excellent antique condition, with minor wear consistent with their age, which only adds to their charm and authenticity. Why Choose These Late 19th Century Hand...

Antique Victorian carved mahogany hall chair having a beautifully carved shaped top and sides, attractive solid mahogany barley twist supports standing on shaped carved cabriole legs...

A Napoleon III boxed set of twelve coffee spoons. This is a fantastic unused set of twelve coffee spoons created in Paris France during the Napoleon III period, back in 1860. The sp...

Finely crafted silver bowl featuring a chased rim and applied coat of arms on the body. The bowl rests on a molded, ebonized wooden base. Hallmarked on the interior with the maker’s ...

Elegant pair of late 19th century French Directoire period painted side chairs with their original patina. Lovely curved seat backs are detailed with a hand carved urn at each back t...

A superb antique Victorian period pedestal desk. This was made in England, it dates from around 1860-1880. It is of fantastic quality and has a lovely design. The top has an inverte...

A real photograph from Thomas H. Dyer's Ruins of Pompeii collection, 1867. Albumen print, tipped in. Mounted on card. The actual photograph measures: 6.5 x 5 inches (17 x 12 cm).  

Hand-colored lithograph views of the Cathedral and La Merced Church, Lima – 1865 Description: This fine hand-colored lithograph sheet presents two important ecclesiastical monuments...

Antique lithograph views of Lima, Peru – Paseo de los Descalzos & Calle de Mercaderes, 1865 This lithograph sheet presents two distinct urban views of Lima, published in 1865 in Mar...

An open curb link charm necklace which had hung various charms, including a fire engine, motorcycle, trolley bus, doctor’s bag, dunce hat, barrel organ, an...

An antique 1860’s French rococo, mahogany and walnut tilt top serving table having a lovely hand carved four support base.

A handsome English dome-topped steamer or traveler's luggage trunk, circa 1858 - 1880, featuring a toleware enameled tin body, nail-head accents, brass hardware, and original opposin...

Each of these globes is set into a walnut stand with burr walnut veneers to the frieze and a solid turned and gadrooned walnut bluster support. This is raised on three acanthus carv...

A very fine antique Coalport parian bust of the Prince of Wales sculpted by John Rose and dated 1863. Probably made to commemorate the forthcoming marriage of Albert Edward Prince...

A beautiful French Louis XVI revival ormolu mounted marble table lamp, Circa 1860 in date. This beautiful ormolu mounted boldly veined breche violette mable table lamp is decorated...

19thc French Antique Masterpiece Oil on Board Painting "Woman Imploring The Cross In Ocean" Signed and Giltwood Framed. This is a stunning piece of art that moves you when viewed.

Important two-tiered sideboard attributed to H.A. Fourdinois made in natural and carved wood : the lower part made up of four panels, two concave ones and two doors, richly ornated with a polychrome enameled floral decoration and gilt bronze plaques. A large dual drawer is surmounted by the upper part of the sideboard, opening with two glazed doors, framed by detached columns. The entire unit is topped with a pediment onto which a female bust is carved in relief within a medallion on a gilt background. With a matching set of twelve chairs. The Forney library in Paris preserves order registers of the Fourdinois as well as sketches books and pictures representing pieces of furniture made by the Fourdinois workshops. In this documentation, some elements enable us to link this sideboard with Henri-Auguste Fourdinois’ productions, such as the large scrolls linking the upper part to the lower part of the sideboard, as well as the detached columns carved at their lower third. (picture n°1 attached) Notebook containing ink-sketches coming from the Fourdinois workshop shows a project for a pelmet, beautified with a centering trophy composed of a torch and a quiver within in a foliage wreath, this motif obviously reused by the Fourdinois on the central decoration of the panels of our sideboard. (picture n°2 attached) The firm of Fourdinois, considered during the Second Empire as the greatest furniture manufacturer in Paris, was founded in 1835 by Alexandre-Georges Fourdinois (1799-1871). It was developped in the context of the Expositions Universelles. At the time, the firm already produces furniture of the Neo-Renaissance style, such as a dresser that won the Great Medal at the London Universal Exhibition of 1851. The son, Henri-Auguste Fourdinois (1830-1907), joined the firm in 1860 and will become head of the firm in 1867. The high quality of his designs was remarked at the Universal Exhibition in 1862, when the jury awarded him two medals « for Excellence of Composition and Execution ». Henri-Auguste, now sole in charge, brought the firm to the summit of its achievements at the 1867 Universal Exhibition in Paris by winning the Grand Prize for his stand. Apart from the commissions he executed for the « Mobilier de la Couronne », he also produced high quality furniture for the Parisian bourgeoisie. The firm is at its zenith during the years 1862-1880. At this time, it is considered as an example to follow for other cabinet-makers, whether they are French, British or American. Through the quality of execution and the extreme care taken in the decoration of furniture, H.-A. Fourdinois was particularly appreciated by Napoleon III and Eugenie...

The lacquer ground with a strong burgundy undertone. Well carved , colored and other wise decorated . The porcelain well in good Antique condition . Minor wear due to age and use .

Signed Machauld et Eug. Cornu – G. Viot et Cie Fondeurs Bust of a Greek goddess, made entirely of silvered bronze and gilded bronze. The tiara and collar necklace ornating the bust are finely decorated with stylized floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made in red griotte marble. The sculptor Eugène Cornu (1827-1899), installed in Paris at N.29 rue Popincourt, after having worked as a designer and then director for the renowned company Tahan, worked closely with the « Compagnie des Marbres Onyx...

A stunning, antique 1860’s Dresden porcelain centerpiece with floral transfer ware and gilt decoration now fitted with a later, quality removable copper liner. Most of the early ...

A Victorian Black Forest Rustic Drinking Goblet, Germany 1860s A beautiful antique drinking goblet made of real deer horn featuring relief carvings of stag and deer ornaments around...