Renaissance Furniture

17th century carved walnut console or center table with onyx top.

PAIR of Italian Renaissance-style (17th Century) dark green painted large floor standing altar style candlesticks with gilt carved floral and vine trim supported on base with 3 griff...

Meaningful and perfect size, religious work of art. We find it refreshing to see Christ in this original 1913 oil painting as the spiritual master that he was (in a ceremonial act) ...

Spanish Arista Tile Fragment, Toledo, mid-16th Century (c. 1550–1575) This tin-glazed earthenware tile fragment originates from Toledo, Spain, dated to circa 1550–1575. The ceramic ...

An old sideboard - chest of drawers with a top in the Renaissance style. Made in the late 18th century from walnut wood. A unique piece of furniture, richly decorated with carvings a...

PETITE Antique French Octagon Center Side TABLE Side End Renaissance Carved Oak. Direct from France, this SUPER PETITE size octagon table, ornately adorned, just like the full-size ...

16th century, Flemish storied wood tapestry Flanders Brussels The beautiful and precious tapestry, of fine workmanship and made with wool yarns, was made in the 16th century in F...

Amazingly hand carved church wall bracket with a winged angel sculpture. This stunning and all handcrafted, Gothic Revival wall bracket has the mo...

Bring elegance and artistry to your dining or living room with this richly carved antique sideboard. Crafted in Italy circa 1870, the long antique credenza is built of solid walnut a...

This rare Renaissance cabinet is richly decorated on the doors and drawers with carvings depicting the four seasons, and on the uprights and the entablature, alternating flower bouquets inlaid with mother of pearl. This is a beautifully conceived piece of furniture, representing a crowned portico with its entablature and cornice. The upper body Articulated separately in a ternary rhythm, as with the lower body, the upper part opens with two carved doors. The doors are framed by both the lateral uprights and the casing. There are cartouches carved into the casing in which mythological figures are depicted with flower bouquets. On the doors: On the right: Spring, a female figure crowned with a wreath of leaves, holding a basket full of flowers. She is wearing necklaces and bracelets on each arm, with drapery discretely wrapped around her body and is standing on a winged putti’s head. On each side are depicted a tree and a village with a steepled church. Above her head floats the three signs of the zodiac corresponding to the season: Aries, Taurus and Gemini. On the left: Summer, a bearded man crowned with ears of corn and bearing armfuls of corn. He is standing on a similar winged putti, flanked by a tree and an ear of corn. The following three signs of the zodiac appear: Cancer, Leo and Virgo. On the uprights and the central casing a number of smaller figures seem to represent virtues and vices that newly wedded couples should aspire to and avoid. On each side, at the bottom of the uprights, there is a dog representing fidelity. Above, a lion embodies power, wisdom, and justice. In between, on the left upright, there is a figure of noncombatant Athena wearing a helmet and holding a spear, an arrow pointing down and in her left hand, a shield, symbol of protective power. On the right upright, the goddess Venus controls the arrow of Cupid. The iconography here acts as a clear reminder of the required virtues that both parts of a young couple need to fulfill: fidelity, power, wisdom and justice. For him, the goddess Athena focuses on the power. Whereas for her, it is Venus who shows how to control Cupid’s arrow. On the central casing at the bottom, by way of contrast, there is a peacock, a symbol of pride and at the top, a monkey representing lust and mischief. In between, a woman holding a chain and a cup full of precious stones while on the floor sits a half empty opened casket. This can be interpreted as a symbol of extravagance. Above, the entablature, decorated with male figures resting on leaking urns, may symbolize the passing of time. They are flanked by two consoles decorated with acanthus leaves and separated by flower bouquets (inlaid with mother of pearl). Finally on top, a cornice acts as a crown for the piece of furniture. The lower body The moulded base stands on four round, flattened feet. Represented on the doors: On the left: Autumn, a stocky, naked man crowned with vine leaves, holding fruits in his right hand and with his left, picking a bunch of grapes from a climbing vine. Standing on a mound, he is surrounded by a vine and a hill, at the foot of which a man presses the grapes in a big vat after the harvest. Above the climbing vine appear the signs of Libra, Scorpio and Sagittarius. On the right: Winter, an elderly man wearing a fur cloak...

Antique 17th Century Dutch oak and ebony two-door Renaissance cabinet. This extraordinary cupboard is made of the finest quarter-sawn oak...

XVII Century Renaissance Venetian Rosso Verona marble wellhead/cistern with wrought iron top pulley over octagonal base, Italy By: unknown Material: m...

A high quality and most decorative pair of French 19th century Renaissance st. Ormolu and patinated Bronze wall decor/plates. Each most elegant and octagonal shaped charger displays ...

Beautiful Italian black painted wood towel rack or quilt stand with globe turnings and feet. This towel rack or quilt stand is one of those handy piece...

An exceptional 18th-century French Renaissance cabinet, sourced from the French Alps. Masterfully hand-crafted from solid oak, this two-piece ensemble showcases exquisite and elabora...

A fine Italian carved limestone and wrought iron wishing well head from the Veneto area. Great decoration for your garden. It may also be used as a planter. The octagonal base diamet...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

Pair of patinated bronze sculptures after Giambologna French, late 19th century Measures: Mercury height 86cm, width 19cm, depth 27cm Fortuna height 83cm, width 18cm, depth 28cm ...

An Italian Renaissance Style Walnut Studiolo Cabinet, 17th Century Description: A renaissance style studiolo of architectural form in walnut, the exterior entablature with risen gal...

A 17th-18th Century French/Italian Renaissance Walnut Figural Carved Credenza Cabinet or Cupboard. The two-part cabinet with a pair of upper coffered doors with metal key-hole hardwa...

A Round Cocktail Table of the highest quality, produced by Niagara Furniture. Satinwood banding surrounds a field of pie shaped, figured mahogany to form an elegant circular top. The...

An exceptionally scarce example of a Renaissance burgonet, originated most likely in Italy and dating to circa 1540. The skull is forged in one piece and surmounted by three low comb...

Handsome oak library piece that can be used as a desk or Work table. Made of oak having carved gadrooned edges. A stretcher made of iron. Carved on all sides and five drawers ox bow ...

Pair of Italian Renaissance style (19th Century) black painted iron scroll design gates with serpents (PRICED AS Pair).

This incredible Italian secretary desk, attributed to the renowned 19th-century master carver Luigi Frullini, is a museum-worthy example of Renaissance Revival craftsmanship. Execute...

19th Century French Renaissance desk with dolphins is a remarkably sculpted work with fully carved apron all around, making it a great choice for placement in the center of the room ...

Antique French Renaissance Flower Carved Walnut China Cabinet Radio Bar Cabinet. Item features wonderful relief carved flowers throughout, shapely ca...

17th Century Italian polychromed and gold gilded on wood panel Sienese style painting of the Madonna Enthroned with the child and two adoring angels behind them. The halos are beautifully adorned with punch work. She is framed by a hand-carved gold gilded and velvet lined frame and sitting on a hand-carved matching base. The piece is mounted on a Lucite panel and framed with a contemporary hand-finished wood molding.

A charming oriental-style side table featuring a carved base with details of dragons and mythological figures. The round top is finished with a decorative frame and features a glass ...

16th century Spanish Moorish tile of the so-called ‘Arista’ technique. Good condition; some chipping to the edges, some wear to the glaze. No restorations

3 Italian Murano wall mirror with nine rectangular panels and etched floral and scroll design border with applied gold glass flowers and spindle trim (PRICED EACH) Glass rod has hai...

Precious rectangular Venetian mirror, made in the most rigorous Murano tradition, finely hand-engraved with precious decorations on all side elements. It is assembled with numerous c...

From Niagara Furniture a Vintage Baker Mahogany Sideboard in excellent condition, with the top have recently been French polished to give it a straight from the showroom look. Simpl...

Italy / 16th century / Venetian chest or Cassone / oak, polychroom / antique / renaissance A large carved and gilt painted Venetian marriage chest made in oak in the 16th century i...

Great image after Nicolas Poussin Fine steel engraving Published circa 1850 Unframed. Free shipping

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

Antique hand-painted porcelain plaque, "Flora" after Titian signed by Rau. This beautifully executed 19th century porcelain plaque has been hand-painted with a luminous version of Renaissance painter Tiziano Vecellio's famous oil painting...

Rare monumental Hunt style Renaissance Revival cabinet by Alexander Roux 1870 museum quality piece. Carved out of solid oak with numerous rich details...

A very impressive Tuscan gilt and polychrome painted Neo-Classical mirror, Italian circa 1760 Height: 173 cm Width: 140 cm Depth: 13 cm Provenance: Old Australian Collection acquir...

English Renaissance-style halberd spear with eight sided wooden shaft with nail heads and 52¬Ω-inch iron open design ax blade.

Add elegance and history to your bedroom or living area with this richly decorated antique coffer. Crafted in Italy circa 1760, this rectangular chest rests on carved paw feet beneat...

A large 16th century Venetian cedar. wood Cassone is an exquisite example of the craftsmanship characteristic of the Italian Renaissance period, featuring beautifully detailed scenes dating to circa 1550-1580. Made from cedar wood, the chest has a deep, rich patina. Cedar wood was prized during the Renaissance for its durability and resistance to decay, making it an ideal choice for fine furniture intended to last for generations. In Renaissance Venice, cassoni were a standard part of a bride's dowry among the nobility and wealthy merchant classes. Venice was a thriving trade hub with a population of about 150,000 in the mid-16th century, and the upper classes commissioned these chests . The decoration of the chest is particularly breathtaking. Its surface features intricate figural panels that depict various scenes, which include historical, mythological, and symbolic representations. Among these are 16th century knights, chariots, mythical beasts, and lions. The designs are expertly silhouetted against a recessed ground, giving a three-dimensional quality that enhances their visual impact. The use of punch-work, a decorative technique involving the stamping of the wood with a mesh-like pattern, adds texture and depth to the surfaces. This technique is indicative of the meticulous attention to detail for which artisans in Italy were known during this period. Overall, this Venetian Cassone...

16th C. Portuguese Renaissance Painting “Our Lady of Navigators” Dutch Ripple frame. Very early and extremely rare Old Master Painting from the 16th century Portuguese School depict...

17th Century Flemish Old Master Painting Circle of Frans Francken Rare 17th century Flemish School painting, circle of Frans Francken the Younger (1581-1642). This Cabinet picture, ...

English Renaissance style oak carved side chair with a shaped back and stretcher with a carved front panel under seat and upholstered in red velvet.

Italian Renaissance-style (19/20th Century) wrought iron 6 sided hanging lantern with military motifs and glass panels (attributed to: SAMUEL YELLIN)

74749 Vintage Italian Tapestry Swan in the Lake, 03'05 x 05'11. This exquisite vintage Italian jacquard-woven tapestry, titled "Verdure with Pine Tree and Swans," gracefully captures...

17th C. Italian Ebonized Fruitwood Mirror, 19th C. Mercury Glass Interior Mirror H: 38.5 D: 1.5 W: 35 in.

This outstanding Tonnerre stone fireplace is a masterpiece of the first French Renaissance. It was sculpted in 1534, under the reign of King François the 1st for Philippe Merlan (1503-1546), Baron of Montpont, Lord of Jully-lez-Arnay-le-Duc. This monumental fireplace...

Italy / 16th Century / Cabinet / walnut / Renaissance / Antique Rare 16th Century Italian Renaissance cabinet in walnut with hand carved decorations of 3 heads and floral patterns f...

Elegant Venetian mirror made in the strictest Murano tradition with rich bands carefully engraved by hand. All assembled with crystal elements handmade in the Murano furnaces. Wooden...

A most elegant and sophisticated French 19th century Renaissance st. patinated Bronze and Ormolu chandelier. This stunning three arm chandelier is centered by a finely chased Ormolu ...

This Tuscan round terra cotta planter is full of extremely intricate details and mounted onto a hand-carved limestone base. This typical Renaissance-style urn includes shields, masks, and stags. This terra cotta garden planter...

A tall and boldly carved, columned walnut trumeau fireplace in the Renaissance style. The upper frieze, with a central cartouche flanked by floral scrolls, is set above the main frie...

This high quality, antique reproduction Large Duncan Phyfe Console is very similar to our best selling model the NOC043 Console, please see the re...

1930s Italian Nero marble coffee table framed with plant and people ornamental stucco inlay.   

This buffet confiturier is in the style of Henri II, rich in carvings. Buffet confiturier means a cabinet with 1 door that was in the 19th century generally used in the kitchen.

Gothic Renaissance Revival Carved Walnut Dragon Griffin Sideboard Buffet Cabinet. Item features two-part construction with ornate carvings throughout including dragons/griffins and f...

Large Renaissance style painted porcelain plaque German, 20th century Frame: Height 50cm, width 64cm, depth 6cm Plaque: Height 34cm, width 49cm, depth 0.5cm In this beautifully painted porcelain plaque, a young woman in fine aristocratic clothing sits in a dark Renaissance style interior scene. She sits in a gold armchair, covered in ornate floral upholstery, stretching out her arm to pluck a rose from a bouquet of flowers on the table beside her. Behind her is a landscape painting with red velvet...

Spanish 17th century oak refectory table with 2 carved drawers & apron supported on turned legs with stretcher at base.