European Dining Room Sets

Extendable dinning table by Maurice Pré, designed in France in the 1950s.

Renaissance-style dining room in richly carved oak consisting of a sideboard, a cupboard/silver cabinet, a table, and 8 chairs. The table has two extensions slid under the top. The c...

This set of table and chairs was designed by Willy Rizzo for Mario Sabot, in Italy during the 1970's. The chairs are in lacquered wood, steel and reupholstered with a synthetic leath...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

They can be sold separately 19th century Baroque round table, extendable, restored with six Luigi Filippo new-upholtered chairs. Table measure cm:...

Amazing dining set designed by Jørgen Høj for Niels Vitsøe in 1962. Featuring a round ‘Model 54’ table with brushed aluminum cross-legs. Extendable from ø 115cm to a whopping ø 175cm...

A prestigious member of one of the most exclusive Gentlemen's clubs in London, Henry Portman, whose legacy is intertwined with the architectural heritage of London's Portman Estate. ...

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

Elegant Art Deco Haagse School dining set consisting of a square oak table and two matching chairs. Designed in the Netherlands around 1925–1930, this set embodies the restrained, ar...

Stunning French iron garden set by Francois Carre, oval table, 4 spring steel arm chairs. Amazing original condition. Has always been used indoors, Han...

Rectangular table with two extension of cm 48 (19”) with top in ash-burl inlay and curly sycamore veneer in high gloss polyester, finish in dark moka tone and polished stainless stee...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

Set dining room bamboo Italian midcentury design octagonal table glass top, 1950. Measures: Table diameter cm.141, height cm.77.

Ensemble vintage des années 60, en sapin, dans le goût de Charlotte Perriand, composé d’une table rectangulaire et de 2 bancs assortis, Très bon ét...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Conference or dining room set consisting of Fabiaan Van Severen dining chairs with Bruno Mathsson and Piet Hein for Fritz Hansen Super-Ellipse table Fabiaan Van Severen, dining ch...

A stunning mid-century Danish dining set featuring six rare rosewood dining chairs designed by Schiønning & Elgaard for Randers, Denmark, paired with a beautiful Danish rosewood exte...

A set of four dining chairs designed by Bernhard Pedersen & Son, manufactured in Denmark in the 1960s. The table comes from Denmark and was manufactured in the 1960s. The table has o...

Fantastic post-modern dining table and 4 lacquer and leather dining chairs made in Italy. 2 tapered geometric V shaped base legs. Thick beveled glass top. Chairs have gentle sloping ...

A stunning Art Deco large dining table and eight matching chairs designed by Italian designer Gaetano Borsani for Atelier di Varedo, Italy, circa late 1920s to early 1930s. The set ...

Set of five dining table, with four chairs, long drop leaf table, with four folding chairs, which fit into the table when not in use. Probably made in Romania, or Yugoslavia, circa ...

Rectangular table in Brazilian rosewood veneer with high gloss polyester finish. Fixed top with base in bronzed stain- less steel. Sunburst veneer to...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The lacque...

Mid-Century Modern expandable dining table Model no. BM 60 in teak designed by Børge Mogensen for P. Lauritsen Søn, c. 1958. This ...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

The antique set of chairs and a table in the Renaissance style were made of oak wood in the second half of the 19th century. Seats and backrests of chairs upholstered with fabric, wo...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Bauhaus tubular-steel conference or dining set by GMD Berlin, Germany.

A dining set composed of four “model 121” dining chairs and a “model 778” dining table designed by Afra & Tobia Scarpa in 1965 and produced in I...

In this listing you will find an iconic design piece, a Space Age "Tulip" dining table designed by Eero Saarinen for Knoll International. It features a cast aluminum base with the m...

Set of garden furniture with two chairs, two armchairs and one top Mosaic Beautiful handmade set of patio or garden furniture. It´s made of forged iron ...

IMPORTANT: ON REQUEST WE WILL RE-UPHIDE THE CHAIRS WITH A SUPPLEMENT OF EURO 150 EACH. Reinforced structure of the chairs for daily use. Spring seat. French mahogany dining table...

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Rare and stunning Art Deco dining-room set by Mercier Freres, dating from the 1920s, comprising a large, square, extendable table, eight chairs, a sideboard with top display cabinet,...

Set of 2 Cognac XO Chairs by Eero Aarnio for Asko – Perfect Addition or Standalone Pieces for Design Enthusiasts These two original Cognac XO Chairs by Eero Aarnio for Asko are true...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Golden...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

A Klismos dining set by Kaj Gottlob. Four chairs of ash with cane seat and loose cushion upholstered in brown leather. Round ash table with four cur...

Very rare danish dining room set incl. 6 cowhorn chairs, round / oval table and the matching cabinet by Svend Aage Madsen. The whole ensemble made in finest walnut. Table with retrac...

Organic Modern Gimonde Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Gimonde marble dining table is a bold expression of exclusive desig...

Interesting set of 20th Century compact wrought iron table and six matching chairs. Quirky shaped chairs and a rectangular table with crosshatch effect top.

Arne Vodder for Sibast Brazilian Rosewood Dining Table and 6 chairs. Table top has been refinished and six chairs have new fabric on the seats. Beautiful expandable dining table wi...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspiration f...

Tulip oval dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of ...

Very beautiful Set of 6 napkins and matching tablecloth in 1900s/1920s damask linen with a single letter in white and red monogram. The embroidery is very delicate. Damascus is also ...

Founded in 1957 by Chaim Schrieber, Schreiber furniture is an interesting British success story. The Company was one of the biggest names in furniture in the 70s, rivalling G Plan a...

A spectacular 1970s Dining Set- The chairs and table have a heavy chromed steel base and were reupholstered in soft blue leather. Glass dimensions: 130 cm Chair dimensions: Width: 51...

Round expanding table by Silvio Coppola. A very versatile table with a concealed folding leaf system that allows the table to go from 47" round t...

Royal House Antiques Royal House Antiques is delighted to offer for sale this sublime designer Andrew Varah eight person extra large dining table with matching suite of carver armch...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

Vintage Modernist Table Set From France, Circa 1970. Unusual set in solid pine with nice original paint and use. Chairs measure : H-33 / W-21 / D-22 / S-18.5

Mid-Century Modern Modern Olisippo Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Olisippo dining table pays homage to Lisbon’s ancient h...

A wonderful set of 4 Georgian style English limed oak chairs. They have been recently limed to enhance the beautiful grain in the wood. The seats have been re-upholstered in hessi...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...