European Dining Room Sets

Founded in 1957 by Chaim Schrieber, Schreiber furniture is an interesting British success story. The Company was one of the biggest names in furniture in the 70s, rivalling G Plan a...

Italian Mid-Century Modern dining table 8 chairs set new linen upholstery seats Mint!. Measures- Chair: 18'' x 20'' x 33'' & seat height: 19...

Very nice table set consisting of a table, two chairs and two armchairs. All chairs are upholstered according to the traditional style by hand with belts and springs. The whole set i...

Rare French mid century wooden cabin dining set of dark stained oak in a rustic style by a French anonymous designer produced in the 1950s. The sofa has some storage under neath the ...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

One of a kind made dining set designed and made by Laurens Bisscheroux which is coming from an interior designed for his aunt in 1956. Its clear to see that Bisscheroux, an architect...

A wonderful set of 4 Georgian style English limed oak chairs. They have been recently limed to enhance the beautiful grain in the wood. The seats have been re-upholstered in hessi...

Organic Modern Cerdeira Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Cerdeira marble dining table captures the raw beauty and organic e...

Gilbert Marklund Pine Table & Benches for Furusnickarn, Sweden, 1970s This striking pine dining set was designed by Gilbert Marklund for Furusnickarn in Sweden during the 1970s. Com...

Chair measurements : Depth: 41cm Width: 55cm Heigh: 70cm Height to the seat : 50cm

Biloba dining table, contemporary collection, handcrafted in in Portugal - Europe by Greenapple. Designed by Rute Martins for the contemporary collectio...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

Set of 3 Meribel Chairs and Stool by Charlotte Perriand, 1960s Vintage Design Chairs and stools of the first Méribel model drawn by Charlotte Perriand in the 1950s to furnish the sk...

Peter Hvidt Mid-Century Teak Dining Table & Six Chairs for John Stuart Furniture. Excellent Vintage condition with age appropriate wear. Table is expandable but missing leaf. Also...

Chinese Red Lacquer Lattice Dining Chairs, Italian, circa 1960s. They retain their original Chinese Red color lacquer finish and caned seats. We ...

SALE ONE WEEK ONLY Rare Mid-Century Modern dining table and eight dining chairs with black leather seats by Erik Worts for Henrik Worts Mobelsnedkeri, Denmark. A beautiful hand-c...

A Rare Marzio Cecchi Circular Glass, Metal Wicker Pedestal Dining Table With A Set Of Four Woven S Chairs 1970's Made In Italy 1972 Table diameter 111 cm CHAIRS Height 120cm...

Tito Agnoli for Matteo Grassi leather dining table and six chairs. The table has the same beautiful brown color and is covered with leather. The glas...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona marble dining table draws inspiration from the serene landsca...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite Regency style Burr Walnut two pedestal dining table with ten matching inlaid dining chairs that have ornately carved frames Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good-looking hand made to order suite, these absolutely never come up for sale on the preowned market, the suite is based on a Regency design with Dutch inlay...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

6 chairs covered with red leather with matching table original leaves missing from the set but the table could be extended.

Set of 6 Home Dining Room Set from Maison Regain, 1960s Vintage Design Home dining room REGAIN Table/Chairs from 1960s. In perfect condition. Additional information: Material: Elm ...

Gilt bronze, marble, silk, wood dining room set for twelve people with one vitrine, one longcase clock, two buffets, one mirror and one fireplace. France, l...

Country French Carved Italian Two Drawers Dining Game Table 4 Chairs Set MINT! Table is 40" square X 30"H Mint frames and all the wood details. Up...

Solanas Outdoor Dining Set by Daniel Germani for Gandía Blasco Table: 55" diameter x 30" height Chair: 23" W x 22" D x 29" H, seat height 19" Designed with both durability and refi...

When an avant-garde tubular steel design meets a classic refectory table, the result is the double X. A large but elegant table whose X-shaped supports ensure optimal rigidity. Like ...

Indulge in the timeless elegance of this exquisite matching set of 4 side chairs and breakfast table carved in the Rococo style. 3 armless chairs and one with arms. All identical but...

Set of garden furniture with two armchairs and one sofa in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant paint...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Crafted from oak and finished with a dark stain, this stunning dining set is comprised of a table and six chairs. Carved shells, ribbon, and scrolled leaves consistent with Louis XV ...

Vintage custom made dining chairs with armrests and dining table with a clear glass top. The chairs have a wooden seat. Beautifully man...

Spanish style cherry trestle table with pair of matching benches. Solid thick top measuring 2.5" thick, very sturdy all over. Bulbous shaped legs ...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Organic Modern Armona Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Armona dining table draws inspira...

A table from Denmark, made in the 1960s. The table has one additional 50 cm long insert. Furniture in very good condition, after professional renovation. Dimensions: height 74 cm /...

Brutalist sculptural dining table and 4 chairs, by De Puydt. Belgium. Heavy pieces. Highback chairs. Set is made of solid oak wood and constructed with visibl...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

Art Decor Vallin dining table, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The branched legs in solid beech, lacquered with gold-coloured bronze powder, are a...

Bamboo and Brass dining set from the 1960s attributed to Vivai del Sud. Table made from bamboo. The tabletop in a stunning herringbone motive. Perfect for use as an indoor use or...

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

This vintage set made in the 1990's showcases the innovative style of Josef Hoffman, a renowned architect and designer of the early 20th century. The set consists of stunning ebonized round coffee table...

Rare dining set in patinated masur birch. Dining table (model 91) and four chairs (model 611). Maker Huonekalutehdas Korhonen Oy. Table size 125 cm diameter.

The “778” model is an example of solid wood boards arranged to form a C-shaped frame. The table, with a top that opens, is supported by four trestles, two of which are a few centimet...

An exquisite English solid oak dining suite comprising a refectory table, a set of eight upholstered back chairs and a sideboard, made by Brights of N...

We are delighted to offer for sale this Kindel furniture cherrywood gold giltwood dining table. This table is vintage 1950s, an extendable table with three extra boards, so you ch...

An incredible rare dining set designed by Nanna Ditzel for Domus Danica, circa 1969 A set of 4 untouched dining chairs with a rare vinyl upholstery and a large dining table. M...

Belgium / 1935 / De Coene / Dining room set / wood, leather, silver / Art Deco This exceptional 1935 Art Deco dining room set by the renowned Belgian manufacturer De Coene exemplifi...

Set of Four Medea Chairs Designed by Vittorio Nobili for Fratelli Tagliabue, 1956 This set of four Medea dining chairs features: - Elegant beech plywood shell construction - Sculptu...

Maurizio Tempestini for Satlerini Patio Set, White Reed Enameled steel 1960s. Rare set includes 4 lounge chairs and coffee table. Original finish. Lovely and relaxing alternative to ...

Beautifully carved, gilded and painted Venetian table.

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

Modern Howlite Round Dining Table 4-Seats, Modern Collection, Handcrafted in Portugal - Europe by GF Modern. Howlite dining table represents the dawn of a new modern era. The Traver...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

When I made this table, the main challenge was to find really old walnut slabs. So that they would be dark, with a rich dark vein, a little rotten and with lots of holes and cracks. ...

Afra e Tobia Scarpa for B & B Italia. Bauhaus dining set from the seventies Rare leather upholstered Dialogo Dessau chairs with cantilevered base combined with a sculptural rectangu...