20th Century Dining Room Sets

Wonderful little set...Mid-Century Modern square dining or game table with four chairs designed by Paul McCobb / Planner Group line for Winchendon Furniture. The table and chairs ret...

"McGuire" 1970s dining room set in black lacquered rattan Complete of: – Trolley with extendable top bar cart server buffet (dimensions: 110 x 5...

Pinewood "Hongisto" Table set designed by IIlmari Tapiovaara for Laukaan Puu, Finland 1960s A lovely dining set table from the “Hongisto” series by Ilmari Tapiovaara, manufactured b...

Amazing dining set designed by Jørgen Høj for Niels Vitsøe in 1962. Featuring a round ‘Model 54’ table with brushed aluminum cross-legs. Extendable from ø 115cm to a whopping ø 175cm...

Nils Jonsson for Troeds – Double Extending Dining Table in Stained Teak with Chairs (c.1970) An elegant mid-century Scandinavian dining set featuring a double-extending teak dining ...

Raw elegance and timeless craftsmanship meet in this rectangular table in solid natural elm, model T14A, designed by Pierre Chapo. A true icon of 1970s French design, the T14A embodi...

A set of four dining chairs designed by Bernhard Pedersen & Son, manufactured in Denmark in the 1960s. The table comes from Denmark and was manufactured in the 1960s. The table has o...

Danish Modern Mahogany dining table, designed by Frits Henningsen, Denmark, circa 1930s. This dining table is currently being refinished and the leaves will be re-veneered, as their veneer was missing when we purchased the set. It expands from a compact 43" circle to an impressive 108.5" oval with all three of it's leaves installed. We also have the matching dining chairs from the same estate currently listed on 1stdibs. Please see last photos. This listing and pricing is for the dining table only.

A stunning mid-century Danish dining set featuring six rare rosewood dining chairs designed by Schiønning & Elgaard for Randers, Denmark, paired with a beautiful Danish rosewood exte...

Extendable dinning table by Maurice Pré, designed in France in the 1950s.

The extremely rare Memphis style sculptural dining set is statement piece which is also comfortable and packed with personality! Just look at the lines and sculptural shape on this beauty! Just stunning, but then your eyes are immediately drawn to the stunning colors oval table top by Benjamin Le. Influenced by the mid 20th century designs. This mid century modern race track table...

Leather basket weave wicker style square dining room table 4 chairs glass top set. All new beige wool upholstery. Table measures 42 x 42 x ...

Circa 1915. Monumental Scottishoak top refectory art table with bleached oak top and pine frame with block tapered legs. Provenance: Strathallan Private School...

Gorgeous and bright set of Herman Miller Eames dining chairs and table. All authentic Herman Miller. Chairs are vintage but have been color coated in fun colors. New Eiffel bases fin...

Sophisticated architectural patio dining set to include a glass top table and four chairs, design attributed to Tempestini, for Salterini. This set includes a wrought iron base table with plate glass top ( top shows imperfections, and may not be original ) and four wrought iron and metal mesh chairs...

Stunning French iron garden set by Francois Carre, oval table, 4 spring steel arm chairs. Amazing original condition. Has always been used indoors, Han...

Beautiful table designed by the famous Italian Mid-Century Modern designer Vittorio Dassi, 1950. The exceptional woodwork is highlighted by the curved green glass top and the rounded...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

Set of Iconic Gerd Lange Table and 4 Lacquered Thonet Stools. Gerd Lange 'Flex 2000' Table for Thonet, 1973 & a wonderful set of Thonet style stools in lacquered wood and webbing. ...

Faux Painted Dining Set, Reed Chairs, Maitland Smith Style Offered for sale is a set of 4 reed chairs with a round pedestal table with a faux-painted wood top that looks like tesse...

Elegant mid century dining table, designed by T. H. Robsjohn-Gibbings for Widdicomb, American, circa 1950s. Clean lined design with elegant splayed legs. It expands from 58-78" width...

This playful Memphis-style set, created around 1990, consists of two sculptural chairs and a matching table in a charming cloud-inspired design. The chairs feature bold red lacquered...

Rare and stunning Art Deco dining-room set by Mercier Freres, dating from the 1920s, comprising a large, square, extendable table, eight chairs, a sideboard with top display cabinet,...

Set dining room bamboo Italian midcentury design octagonal table glass top, 1950. Measures: Table diameter cm.141, height cm.77.

A Klismos dining set by Kaj Gottlob. Four chairs of ash with cane seat and loose cushion upholstered in brown leather. Round ash table with four cur...

Ron Seff Raffia wood marquetry dining table with round form and brass mounted base. Completed with thick glass table top.

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

On offer on this occasion is one of the most stunning and rare, dining set you could hope to find. Outstanding design is exhibited throughout. The beautiful set is statement piece an...

An incredible original set from the 1960s designed by Adrian Pearsall and produced by Craft Associates. The set features all solid walnut construction. Very clean and well cared for ...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

Dining set "Die vier Himmelsrichtungen" - "The Four Cardinal Points". This is an exceptional, very beautiful and unique dining set that consist of dining table with six chairs design...

A stunning Art Deco large dining table and eight matching chairs designed by Italian designer Gaetano Borsani for Atelier di Varedo, Italy, circa late 1920s to early 1930s. The set ...

McGuire comprising revolving flip top games and dining table with two woven rattan side chairs and two armchairs. Chairs feature McGuire "M" logo inlay in back of each chair seat (se...

Super cabin-modern and hard to find California design outdoor patio set. The wicker on all pieces is still in very good condition! All these pieces were procured together, and are in original unrestored condition. The upholstery on the 4 stools okay, two stools each have a puncture each to the tops, and one a hole/nick to the edge. It is recommended you recover the stools to match your situation/uses...

Transform your dining space with this exquisite vintage Coastal Chinese Chippendale rattan dining set. Featuring intricately crafted chairs with classic Chippendale lattice backs and...

Very rare danish dining room set incl. 6 cowhorn chairs, round / oval table and the matching cabinet by Svend Aage Madsen. The whole ensemble made in finest walnut. Table with retrac...

Charles P. Limbert Co Jacobean Style Bookmatched Walnut Dining Room Suite, Circa 1916 - 1918. Suite Amazingly kept together for over a century, this set is comprised of: -One extended dining room table with amazing bookmatched Walnut top and 3 leaves in they their original case. Table without leaves is 96" wide x 42" in depth and 29.5" in height. Three 12" leaves. Table without leaves is 60" in width. C. P. Limbert, 1916-18 English Revival...

Rare Blond Maple Round Expandable Dining Table 6 Chairs Set Set Denmark MINT! Table Dimensions Extended: 59x57.5x29 Chair Dimensions: 17.5 x 18 x 37

1970's Italian dining set by Renato Zevi! Dining table in chrome and brass, very thick glass top. Six brass dining chairs upholstered in soft supple Italian leather. Stamped with th...

Vintage 5 pieces coastal style pencil reed dining / game set. Circa 1980s The Table features an intricate Pencil Reed Pedestal in a natural finish...

Ensemble vintage des années 60, en sapin, dans le goût de Charlotte Perriand, composé d’une table rectangulaire et de 2 bancs assortis, Très bon ét...

Industrial post-modern design bar height table and two stools by Robert Josten, circa 1970s. The table and the stool frames are made of cast aluminum with solid maple seats. The bistro table measures 28"W x 27.5"D x 41.5"H and the stools are 18.5"W x 18.5"D x 47.5"H with a seat height of 30.5". This very hard to find set is in good vintage condition with some minor discoloration to the top of the table (please see pictures). A really cool bar...

A truly distinctive and masterfully conceived bespoke Italian card table set from the 1980s, this collection combines hand-carved elm with bold red leather upholstery. Comprising a striking drum-shaped table and six accompanying chairs, it embodies an expressive approach to design from the era. The six chairs are a surrealistic marvel, featuring thick, undulating, totem-like back posts adorned with curved, carved branches that evoke a whimsical, forest-like quality. Each is hand-carved with a primitive style and fitted with matching red leather seating...

You are viewing a gorgeous Regency Revival dining set with 8 chairs Classic mahogany extending pedestal table that seats 8 people comfortably The chairs consist of two arm chairs and...

Kai Kristiansen. A set of six teak framed, Model 31 dining chairs with curved upholstered backs and a matching rectangular teak dining table, very sleek and compact but spacious wh...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Vintage Modernist Table Set From France, Circa 1970. Unusual set in solid pine with nice original paint and use. Chairs measure : H-33 / W-21 / D-22 / S-18.5

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

This vintage French style zinc top farm style dining, kitchen or garden table sits on an industrial style trestle base. The aged oak trestle base and the well oxidized top gives this...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

Phenomenal Quality 8 Carved Dining Chairs Walnut Table 3x18" Leaves Overall 132" Long Dining Set MINT! Table Dimensions: 44" x 78" x 31" 3 x 18" leaves with an extended table length ...

We love this classis but still very modern set. It can be used as a game table or as a dining room set for four. This all original color sati...

Vintage Contemporary Round Tessellated Stone Dining Table and Chairs Vintage Contemporary 54" Round Beveled Glass-Top Wood with Teselated Stone top Pedestal Base w/4 Wood Sheild Ba...

Early Charles Eames Dining Set, This set consists of Four DCW Dining Chairs in Birchwood and Rare DCW-1 Walnut Dining Table. Tables measures; 29¼ h × ...

Nice Art Deco garden, Patio dining set having a glass top table with four matching armless chairs. This set shows significant rust, peeling paint and surface wear, as shown. In the s...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Oval racetrack shape rattan or bamboo dining table, American, circa 1960s. Retains warm original patina.  

Iconic mid-century Moorish style café table with two small chairs, upholstered in aqua Sunbrella. Perfect set for a balcony or other tight space. The two petite chairs...