20th Century Dining Room Sets

Immerse yourself in the timeless glamour of the Hollywood Regency era with this stunning vintage dining set from the iconic Brown Jordan, crafted in the United States during the 1970...

Set of 2 Cognac XO Chairs by Eero Aarnio for Asko – Perfect Addition or Standalone Pieces for Design Enthusiasts These two original Cognac XO Chairs by Eero Aarnio for Asko are true...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Bamboo and Brass dining set from the 1960s attributed to Vivai del Sud. Table made from bamboo. The tabletop in a stunning herringbone motive. Perfect for use as an indoor use or...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

Vintage French Victorian style wrought iron flower garden patio dining set - 5 piece set. Set includes (4) chairs, (1) glass top table, flower bac...

Vintage Salterini Leaf & Vine Wrought Iron Patio Garden Dining Set - 5 Pc Set. Listing includes (2) armchairs, (2) side chairs, large oval glass top dining table, leaf and vine desig...

A beautiful pair of vintage 1960's Italian chairs with elaborately detailed backs in the design of a sheaf of wheat along with the original bistro table. Raised on gorgeous slim leg...

The “778” model is an example of solid wood boards arranged to form a C-shaped frame. The table, with a top that opens, is supported by four trestles, two of which are a few centimet...

Midcentury wicker and rattan stands with round glass tops and a classic hour glass form on bun feet. Can also be used as a dining table base.

A spectacular 1970s Dining Set- The chairs and table have a heavy chromed steel base and were reupholstered in soft blue leather. Glass dimensions: 130 cm Chair dimensions: Width: 51...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

Art Deco, Hollywood Regency and Mid-Century Modern design elements have combined to create what is arguably the most sublime patio dinette set ever. Gilt gold and black glam of this ...

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

Mid-Century Modern expandable dining table Model no. BM 60 in teak designed by Børge Mogensen for P. Lauritsen Søn, c. 1958. This ...

This unique Sheraton style mahogany dining table features swing legs which is perfect in case you need more space at times and features fluted legs with brass castors. Four handsome ...

Afra e Tobia Scarpa for B & B Italia. Bauhaus dining set from the seventies Rare leather upholstered Dialogo Dessau chairs with cantilevered base combined with a sculptural rectangu...

"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s inverted pyramid structure in black steel , light signs of wear due to age Size cm 120 x 120 x 26 will be shi...

Beautifully carved, gilded and painted Venetian table.

A striking Mid-20th Century metal faux bamboo dining set featuring a Chippendale-style design with an original aged yellow finish in the manner of Phyllis Morris. The set includes si...

A wonderfully detailed Bamboo Dining Table with Two matching chairs in the style of Louis Sognot. The set is well made, sturdy and in very good condition. The lashing is leather a...

Designed In The 1940s Maximilian Karp Dining Set, The Dining Table Also Has A Glass Top With 4 Upholstered Dining Chairs. This Is A 1940s Five Piece Dining Set...

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

A gorgeous Light Oak Wood extendable Art Deco Dining table with 12 chairs. Designed by Batistin Spade. Made in France Circa: 1940

Original signed Herman Miller Eames dining set. Features multicolored shell chairs on black H bases. All nylon self leveling chair glides intact, for use on multiple types of surface...

Spanish style cherry trestle table with pair of matching benches. Solid thick top measuring 2.5" thick, very sturdy all over. Bulbous shaped legs ...

Rattan dining set with 4 Bucket style dining armchairs each with a Geometric seat back and blue cotton seat and a round rattan pedestal dining table with a 48" glass top. Each ratt...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d’Oro...

Osvaldo Borsani set of eight unique high back swivel dining chairs for Tecno 1971, Original cotton velvet upholstery, aluminum with bronzed finish. A copy of the blueprint included ...

Black lacquered parchment & chromed metal Jacques Adnet dining table with six chairs. Table with black glass top, chairs upholstered upholstered in black leather. Diameter of the bas...

Unusual Arts and Crafts Pub / Bistro Table and Chairs manner of Limbert..All hand pegged,,dowelled.. Charming set.. Perfect for small little nook in the kitchen,, sun-porch,,etc.. H...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Vintage Paul Frankl dining room set by Brown - Saltman. 9 piece dining table one leaf six chairs with matching buffet all with honey combed design ico...

Beautiful hand woven wicker and iron vintage dining room set including one table and 4 chairs. Great design and condition.

This is a unique piece from a furniture series created specifically for one of the remarkable historical events – the 1968 Winter Olympics. This table comes from the athletes' bedro...

Circa 1950, we offer this amazing original Mexican vintage rattan and iron dinning set with 4 chairs. Table measurements: Diameter 102 cm. Height: 75 cm.

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H: 74 W: 121 D: 77 cm

Art Deco American of Martinsville burlwood 8 piece dining set. Stunning Art Deco American of Martinsville burlwood 8 piece dining set. This set includes: table with 1 leaf, and 6 chairs. Unique mirrored burlwood dining table with a leaf. Beautiful set of 6 art deco campaign style dining chairs...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

Hollywood Regency Chinoiserie Chin Hua Ebonized Dining Set By Raymond K. Sobota for Century Furniture - 8 Piece Set This gorgeous Asian Style dining set...

Elegant Walnut dining table with matching buffet cabinet, designed by Paul Frankl for The Johnson Furniture Company, American, circa 1940. The table ha...

Five-piece Danish dining set with four chairs and extending table. Table measures: 29" H x 54" W x 33 1/2" D. Chairs measure: 32" H x 19 1/2" W x 21" D. Seat height 18" (Please co...

An original Belgian Art Deco dining table featuring a parquetry inlaid table top defined by expert woodworking and a curved double pedestal base with polished aluminum decorative acc...

Elegant 1940s Lucite dining table with four matching chairs by Grosfeld House. This 1940s dining set features a table framed in tubular Lucite with an inset glass top and embellishe...

A gorgeous dining set made of Brazilian rosewood by Dyrlund in Denmark, circa 1960s. Includes 6 chairs recently reupholstered in an ivory performance fabric, and a table that include...

Paul McCobb dining table for Calvin, American, circa 1950s. Elegant design with brass stretcher. This table is currently being refinished and can be completed in your choice of color...

A beautiful set by Brown Jordan. It is a licensed adaptation in Aluminum of Dan Johnson 1950’s Gazelle design. This set has been repowder coated in a bronze color. The table is 37.5 ...

Set of cast aluminum pineapple table and four chairs made by Thinline Manufacturing Santa Ana. Glass top is octagon shape and measures 42" x 42"

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A smart and stylish vintage G Plan Redford dining table and chairs. They were made in England, and date from the 1950’s. The table is sometimes known as the helicopter table...

Ultra rare “Jocker” dining set by A Simonit & G. Del Piero for Olivia Srl. Made in Italy circa 1970s. Simple and elegant design featuring 3 bent ply legs and 3 leaves to fill out...

Dining table and 4 Chairs This elegant dining set from the Bauhaus period was crafted in Czechoslovakia by the renowned company Hynek Gottwald. The set includes a dining table and f...

An impressive Vintage French Empire Revival burr walnut dining table and a set of six burr walnut dining chairs dating from the mid 20th Century. The circular burr-walnut top featur...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...