1970s Dining Room Tables

Beautiful Mid-Century Modern teak rounded corners rectangle expandable dining table, circa 1970’s. Featuring richly grained, gleaming teak and smooth, clean lines characteristic of c...

Italian Modern Brass And Chrome Dining Table By Romeo Rega. This Italian mid century modern table by Romeo Rega was expertly designed using mixed metals, chrome and brass with a gran...

A gorgeous circular dining table with burgundy marble from Italy circa 1970's. It features a four legged chrome plated steel base with thick m...

A Mountain Dining Table by Aranjou France 1970's In Elmwood. Pretty openwork base. Completely removable Very nice patina. In very good condition Report : very slight traces of ...

Drexel Dateline mid century walnut dining table The table measures: 24 wide x 24 deep x 29.5 high, with a chair clearance of 23.5 inches All piec...

Set of Four Flat Bar "Brno" Model Dining Chairs, in the manner of Ludwig Mies van der Rohe, American, circa 1970s. These chairs are currently being reupholstered and can be completed...

"Delta" round dining table, crafted by designer Rudi Verelst for Novalux in 1970s Belgium. Its striking white veneer top is complemented by the distinctive pyramid-shaped chrome legs...

1970s French dining table in the style of Jean Charles with bordeaux lacquered top is supported by a brass and chrome base. Makes for a beautiful dining or meeting room table.

Table à manger octogonale vintage en travertin type marbre des années 70 80, plateau à 8 facettes, pied octogonale, très bon état général avec quelques micro-rayures d’usage de surfa...

This original 1970s Danish modern dining table, produced by FDB (Fællesforeningen for Danmarks Brugsforeninger), is a striking example of democratic design grounded in functionalism ...

Vintage one of a kind Italian large dining, conference or hall table, exclusive sleek linear design by Giacomo Sinopoli, made by Liwan's, a Roman manufacturer, as described in the do...

Large 8 person glass dining room table with a sculptural chrome base in the style Milo Baughman. The dining table comes with a 3/4" glass top. The table and glass are in excellent co...

Table à manger ovale vintage des années 70 80, en marbre rose Rosso Alicante dans les tons rose saumon avec veinage blanc, plateau ovale, 2 pieds centraux semi-cylindriques à 8 facet...

Stunning John Widdicomb French Provincial parquet top dining table made in Grand Rapids Michigan. Curved corners with fantastic inlayed criss cross pattern parquet table top...

Unusual and exceptional hand carved studio craft dining / kitchen / writing table. Concentric patterned top and twisted leg design. Very sturdy, expertly restored and ready to place.

Associates dining table, named 'The Preece'. Large Circular clear toughened glass top dining with chrome base, designed by Richard Young in the late 1970s. Merrow Associates was s...

One of a kind Angelo Mangiarotti designer 1970s round Solid marble dining table with sculptural pedestal signature Mangiarotti base This table and base are In very good vintage cond...

'Il Colonnato' oval dining table in white Carrara marble with evident gray veins by Mario Bellini for Cassina. The table features an...

Large vintage extendable dining table from the 70s. Dimensions: Length (extended): 177.2 cm Length (not extended): 117.5 cm Depth: 117.5 cm Height: 72.8 cm The table has minor sign...

Made in Czechoslovakia Made of Glass,Metal With aged patina Re-polished Good original condition.

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

Monumental 280 cm “Africa” Table by Afra & Tobia Scarpa, Maxalto Italy, 1970s Impressive “Africa” dining table by Afra & Tobia Scarpa for Maxalto, featuring a 280 cm one-piece oval ...

Some furniture is just furniture. And then, some furniture is a witness to history, luxury, and a lifetime of scandalously fabulous dinner parties. This 56” Carrara marble Eros dinin...

Henredon Mid Century Walnut and Mirrored Top Expanding Dining Table with 2 Leaves This table measures: 81 wide x 41 deep x 29.25 inches high, with a chair clearance of 25.75 inches,...

This round dining table was made in Scandinavia during the 1970s. The table top is made of fiberglass, lacquered white. The base is a metal tulip leg. The t...

Octagonal dining table by Romeo Rega, a true gem from 1970s Italy. Crafted with precision in vintage polished brass and chrome-plated accents, this table not only showcases Rega's ic...

Model Sapo dining table by Sergio and Giorgio Saporiti, crafted for Saporiti, Italy in 1972. This architectural masterpiece marries brutalist aesthetics with minimalist sensibilities...

Just a gorgeous example. The original vintage finish is pristine with only the very minimum signs of use. Extraordinary. Complimenting 4pc Credenza in a separate listing. Two 20” acc...

Mid century dining table model '4D' designed by Angelo Mangiarotti for Molteni. The table is made out of a beautiful wood, and is extendable. Nice architectural legs. Height: 72c...

Unusual and rare table. Pencil reed/bamboo with brass, heavy and well made ca' 1970's. Could be a dining table or with smaller piece of glass a console table. Has a great futuristic ...

Osvaldo Borsani for Stow Davis Mid Century Dining Table This dining table measures: 48 wide x 48 deep x 28.25 inches high, with a chair clearance of 26.75 inches Fair Vintage Condi...

Italian table represent in style of Giotto Stoppino, an influential Italian architect and designer, is renowned for his modern and innovative furniture designs, particularly from the...

This dining table is a compelling embodiment of Pierre Chapo’s distinctive style. He always paired his creative and elegant designs with impeccable craftsmanship that gained him worl...

Peter Hvidt Style Mid Century Danish Teak Expanding Dining Table with 2 Leaves This table measures: 47 wide x 47 deep x 28.75 inches high, with a chair clearance of 28 inches, each ...

Stunning 1970s modern travertine base with glass top Italian dining table. In vintage original condition with minor wear and patina due to age and use.

Italian midcentury dining table with a parchment top having rounded corners on an hourglass-shaped rosewood pedestal base with carved diamond detail on an oval white marble foot (att...

Tavolo esagonale in vetro di Sandro Petti, per Angolometallarte, 1970s Informazioni aggiuntive sull'oggetto condizioni: Molto buone, lieve opacità su un ango...

An exceptional Mid-Century Modern Parsons extension dining table in gorgeous book-matched burled olive wood In the manner of Milo Baughman By Lane Furniture USA, Circa 1970s Meas...

Paul Evans for directional "Cityscape", 84" Parsons style dining table. All chromed metal over wood with additional pair of leaves. Possible length of 114" with both 15" leaves.

Dining tacle, circa 1970 Piètement en bronze doré, numéroté et signé 2/8 Plateau en verre d'origine Bronze, original glass top Signed and numbered 2/8

Dux Mid Century Danish Teak Flip Top Dining Table This table measures: 47.25 wide x 35.5 deep x 29 inches high, with a chair clearance of 27.5 inches, the expanded width of the tabl...

Pierre Chapo “T21B Sfax” Dining Table for Atelier Pierre Chapo, wood, France, 1973 A perfect study in balance and proportion, the T21B “Sfax” dining table by Pierre Chapo reveals th...

This stunning Roche Bobois dining table, crafted circa 1970s, features a striking contrast of sleek chrome and a sophisticated smoked glass top. The unique design showcases a set of ...

Vintage Midcentury Modern dining table for sale. Beautiful high-end dining table in excellent condition. It has a metal black frame with aluminum trims in brass. It's really solid an...

Rectangular dining table Formanova Italia 1970 in satin steel top in thick glass. Modernist structure of great quality.

An iconic design from the 1970s, originally designed by Arthur Edwards for Mehitabel Philippines and distributed widely by John McGuire. Original label on the base. Two table bases, ...

A gorgeous Mid-Century Modern oak Parsons extension dining table with patchwork top By Thomasville USA, 1970s Measures: 60"W x 40"D x 29.5"H. Extends up to 100"W with two 20" leav...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Valmarana model table, made entirely of wood with a light finish and a rectangular top, composed of two lateral shoulders that act as legs that are positioned at the head of the tabl...

c. 1970s. Red Persian Travertine with five columns. Can be arranged however you like. This is a very rare table.

This beautiful cerused oak dining table was designed by Italian mid-century modern designer Tommaso Barbi in the 1970s. The top features a nice brass inlay frame, with a round raised...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Frank Gehry, the ‘gratuitously eccentric’ architect behind the Guggenheim Bilbao gained attention in the 1970s with his ‘Easy Edges’ furniture series (1969-73). Constructed in corrug...

Introducing a stunning vintage goatskin dining table, a remarkable piece inspired by the renowned designer Aldo Tura and beautifully crafted in Italy during the 1970s. This exception...

A gorgeous mid-century modern Parsons extension dining table By Henredon USA, Circa 1970s Carved oak, with beveled mirrored glass top, and brass trim. Measures: 81"W x 41"D x 29....

Introducing the epitome of elegance and timeless design - the Model A825 Circular Beech Wood Dining Table by Arne Jacobsen for Fritz Hansen, a true masterpiece that has graced dining...

Large extendable dining table in solid pine wood from 1970's. Denmark. The table has two extensions of 50 cm. so it can be used closed (160 cm) with one extension (210 cm) or with tw...

Introducing a highly functional, Danish-made expansion dining table built from a mix of solid and veneered Burmese teak with exceptional old-growth woodgrains throughout. True to the...

A gorgeous mid-century modern Hollywood Regency Chinoiserie extension dining table Attributed to Henredon USA, Circa 1970s Carved ash wood, with beautiful patchwork burl wood top....

This Knoll dining table by Tobia Scarpa features a fume glass top resting on a chrome architectural frame with the original round orange leather pads on each leg. The piece is in goo...