1970s Dining Room Tables

French dining table attributed to Pierre Cardin, 1970s. Polished brass bi-color metal base with glass top.

This dining table is equal parts post modern and industrial modern and just oozes California modernism. This dining table or writing desk was designed by Robert Josten in the 1970's. Made of aluminum, this metal grille / grid style is a staple of Robert Josten's work. This dining table is a great transitional piece that could easily flex into any contemporary environment. The table has an almost Allsaints, industrial modern feel with a slight steampunk vibe as well. The table could also be used in an ultra modern environment and would look great in a new modern designed home. This piece could also be used as a retail display table...

Italian table represent in style of Giotto Stoppino, an influential Italian architect and designer, is renowned for his modern and innovative furniture designs, particularly from the...

Timeless and beautiful travertine dining table very much in the style of Angelo Mangiarotti's tables. Beautiful conical central leg with a round top. Untouched travertine which loo...

A large Lucite Dinkng table base by Gary Gutterman.

An exceptional Queen Anne or Georgian style solid mahogany extension dining table By Henkel Harris USA, 1975 Measures: 64.5"W x 42"D x 28.75"H. Extends up to 100.5"W with three 12...

Large vintage extendable dining table from the 70s. Dimensions: Length (extended): 177.2 cm Length (not extended): 117.5 cm Depth: 117.5 cm Height: 72.8 cm The table has minor sign...

"Delta" round dining table, crafted by designer Rudi Verelst for Novalux in 1970s Belgium. Its striking white veneer top is complemented by the distinctive pyramid-shaped chrome legs...

A stunning Maison Regain dining table executed in a rich and beautifully colored elm wood. The table is sturdy and combines a simplified yet complex design with solid construction de...

Impressive square glass dining table with cast bronze legs designed by Peter Ghyczy. The thick glass top is supported in the corners by the ...

Magnificent signed Paul Evans burl and chrome Cityscape Dining table. This piece is in very nice vintage condition with only light signs of age. The table is signed with a Paul Eva...

Original 1970s matching base and has 54” carrara marble top.

70s natural color oak table, extendable, honeycomb, with extensions, Scandinavian design. Closed size cm: 79 x 120 x 80 H Open size cm.: 79 x 200 x 80 H. They will be delivered in ...

An exceptional sculptural table created in Spain during the 1970s by Vidal Grau, known as the iconic Mesa de Hierro. The striking base is built from polished chrome and brass element...

Unusual and rare table. Pencil reed/bamboo with brass, heavy and well made ca' 1970's. Could be a dining table or with smaller piece of glass a console table. Has a great futuristic ...

Beautiful dining table or center table made from travertine stone. Has an extra support for the top to make it steadier. Elegant round table top. Good condition 1970s - Italy H...

Mid-century table with fumé glass top and tubular steel base in Hollywood Regency Style. Attributed to Giotto Stoppino and realized in Italy in 1970s. Very good goodition except for...

Robert Josten hand cast aluminum table, 2 in stock.

Paul Evans for directional "Cityscape", 84" Parsons style dining table. All chromed metal over wood with additional pair of leaves. Possible length of 114" with both 15" leaves.

Seats up to 10 people. The dining table was designed by Baughman for Directional and is comprised of the finest hand selected fletches of book matched veneers in: walnut, rosewood, English brown oak...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

The creative and jewellery-like design of this impressive dining table by Isabelle Faure is really something special. Tangled in a web of heavy brass branches is a beautiful riviera ...

Rare 1970s Bill Stephens design for Knoll. Features beautiful wood grain and bentwood legs. This MCM/transitional design allows so many possibilities for chairs! Solid hardwood. Very...

This pair of 'Paracarro' dining table bases are by Giovanni Offredi for Saporiti Italia which are sculpted from concrete and chromed steel with ceramic tiles in a mosaic form during ...

- Vyrobeno v Československu - Horní desky jsou dýhované- - Vše funkční a konstrukčně pevné - Délka po rozložení 178 cm. - Dobra originalni kondice se znamkami uzivani ( skrabance ode...

Very nice sculptural dining table made by Banci and Firenze, Italy, 1970. This table base was made of square tubular bent pipes in chrome and brass,...

Space Age vintage Dining Room Set consists of a circular like dining table and six matching sculptural dining chairs from white lacquered fibe...

Pierre Chapo; Model T21; Round Dining Table; Solid Elm; Wood; Crossed Feet; France; 1973; Woodworking; Mid-Century Modern; French Craftsmanship; A Pierre Chapo 'T21' round dining ta...

Osvaldo Borsani for Stow Davis Mid Century Dining Table This dining table measures: 48 wide x 48 deep x 28.25 inches high, with a chair clearance of 26.75 inches Fair Vintage Condi...

Elevate your dining room with this exquisite vintage dining table, a testament to the unparalleled craftsmanship and innovative design ethos of the 1970s. Believed to be a custom pie...

Designed in the Biedermeier style, this 20th Century octagonal extending table was made by Henredon. It is fruitwood and oak with brass mounting and two pedestal legs. It comes fitte...

A Mid-Century Modern Andre coffee table designed by Tobia Scarpa for Gauvina. The Chrome frame is made of flatbar steel and the legs are made of tubular steel. It has a beautiful smo...

Tavolo esagonale in vetro di Sandro Petti, per Angolometallarte, 1970s Informazioni aggiuntive sull'oggetto condizioni: Molto buone, lieve opacità su un ango...

Vintage Midcentury Modern dining table for sale. Beautiful high-end dining table in excellent condition. It has a metal black frame with aluminum trims in brass. It's really solid an...

Every once in a while I find a table that is perfect. I don’t need to do a thing to it and this is one of those occasions. The natural patina is breathtaking. The previous owner kept...

Associates dining table, named 'The Preece'. Large Circular clear toughened glass top dining with chrome base, designed by Richard Young in the late 1970s. Merrow Associates was s...

Large extendable dining table in solid pine wood from 1970's. Denmark. The table has two extensions of 50 cm. so it can be used closed (160 cm) with one extension (210 cm) or with tw...

Vintage 1970's Hollywood Regency dining table for sale. Has a tubular brass base design, and has a smoked dark glass oval top. It's in great condition. The brass is in great conditio...

Angelo Mangiarotti's Skipper "Eros" dining table features exquisite grey marble from Italy, dating back to the 1970s. Supported by two cone pedestals, the marble exudes timeless eleg...

The eccentric dining table made by Vivai Del Sud in the 1970s represents a masterpiece of craftsmanship and design, perfectly in keeping with th...

Italian midcentury dining table with a parchment top having rounded corners on an hourglass-shaped rosewood pedestal base with carved diamond detail on an oval white marble foot (att...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

- Good original condition with minor signs of use - Repolished

The Fritz Hansen B613 Table is an iconic piece of design furniture that strikes the perfect balance between aesthetics, functionality and craftsmanship. Designed by Arne Jacobsen in ...

An exceptional and highly refined extendable dining table by Vladimir Kagan, featuring a spectacularly figured rosewood top, leather-wrapped architectural base with chrome banding, a...

Eero Saarinen, born in Finland in 1910, moved to the US in 1923, where he grew and graduated from Yale in 1934. He met Charles Eames, with whom he collaborated and won the 1st prize ...

Mid-Century Modern Italian Round Table with "Marquina" Marble Top. The basement of the table is composed by three Stainless Steel cylinders that make to the whole table very distinti...

Dining Table Model “Corinto” by Ferdinando Meccani, Italy 1978 The “Corinto” dining table, designed by Ferdinando Meccani for Meccani Arredamento in 1978 was created in tandem with ...

Round table, stone, laminated wood, chromed metal, Europe, 1970s Made in Europe in the 1970s, this round table features a minimalist design with a strong material presence. The base...

This dining table is a compelling embodiment of Pierre Chapo’s distinctive style. He always paired his creative and elegant designs with impeccable craftsmanship that gained him worl...

Mario Marenco for Mobil Girgi, 'Sapporo' dining table, walnut, Italy, 1970s. An exceptional dining table by Italian designer Mario Marenco, showcasing refined craftsmanship in woodw...

A 1970s carved wood dining table. A lifesize stylized agave plant with the leaves supporting the 60” diameter glass top. Ned’s new top. Carvin...

Dining tacle, circa 1970 Piètement en bronze doré, numéroté et signé 2/8 Plateau en verre d'origine Bronze, original glass top Signed and numbered 2/8

Mid century dining table model '4D' designed by Angelo Mangiarotti for Molteni. The table is made out of a beautiful wood, and is extendable. Nice architectural legs. Height: 72c...

This magnificent table is shipped as professionally photographed and described in the listing narrative: Meticulously professionally restored and completely installation ready. An ...

Centro Progetti Tecno, dining table model 'T334A', lacquered wood, aluminum, Italy, 1975-1978 A refined round dining table by Centro Progetti Tecno, featuring a luxurious black lacq...

For collectors and aficionados of high art furniture that inspires, this 1970s Brutalist Dining Table by Adrian Pearsall hits all the marks. Resin over wood is etched and finished in...

This beautiful cerused oak dining table was designed by Italian mid-century modern designer Tommaso Barbi in the 1970s. The top features a nice brass inlay frame, with a round raised...

Modernist sculptural vintage dining table or consoles or center table from solid brass and clear glass designed 1970s Italy very similar to an Italian female iconic designer, not sta...

Mastercraft Mid Century Brass and Glass Dining Table This dining table measures: 81 wide x 42.25 deep x 29.5 inches high, with a chair clearance of 25.75 inches All pieces of furni...