British Paintings

Peter Kuhfeld (b. 1952) Shadows in the Courtyard Signed 'Kuhfeld' (bottom right) oil on canvas Frame size 13 x 15.5 x 1 inches, no glass. Peter Kuhfeld (born...

Peter Kuhfeld (b. 1952) After the Rain, On the Bridge Signed 'Kuhfeld' (lower left) oil on canvas 13 x 24 inches. (33 x 61 cm ) Frame size 19 x 30 x 2.3 inches (48 x 76 x 5.75 cm), g...

A beautifully executed self portrait in oil on canvass, by the well known British artist John Mackay. This was made in the mid 1990’s, we obtained it directly from the artists est...

A Mountain Landscape by Sydney Lee (English, 1866-1949), signed lower right MEASUREMENTS 29.75" H x 35.5" W x 2" D 23.25" H x 29" W image

Large watercolor of the vessel The Mary Brack in oak frame. Dimensions Height 28 inches Length 34 inches width 1 inches.

Royal House Antiques is delighted to offer for sale this stunning pair of 16th to 17th century, miniature oil paintings which are after the originals by James Northcote (1480-1517) t...

Early 19th century English portrait of a gentleman in gilt frame. Circle of Sir Henry Raeburn. Very Stately, Handsome.

This English watercolor painting offers a dreamlike vista, employing a deeply earthy color palette of ruddy browns, smoky charcoals, and creamy bone whites. The abstract landscape sw...

Card Players by Peter Layzell (Oil on panel, 2005) Peter Layzell (b1962) studied Fine Art at Coventry University in 1984. Although current trends favor larger than life...

A fantastic and striking original oil on board painting by the renowned artist John Mackay. This is signed and dated from 2011. It is a great size and b...

19th Century oil on canvas titled ‘Dean Swift & The Young Merchant’ by Thomas P. Hall. Thomas Paul Hall (1810 - 1867) was a London painter of genre and historical scenes, who enjoye...

We are delighted to offer for sale this lovely pair of rare hunting prints titled The Death and The Chase by T Sutherland Sculpt dated 1819 A very good looking and decorative pair...

A beautiful and very high quality English 18th century oil on canvas painting named Rosewood Castle, N. Wales by Julius Caesar Ibbetson circa 1781. The wonderfully executed painting depicts washerwomen cleaning clothes in the river near a Bridge at Rosewell Castle, North Wales. In the background is a beautiful blue sky with clouds...

Painted porcelain plaque of woman flown aloft by swans English, 1884 Measures: Frame: Height 37cm, width 50cm, depth 5cm Plaque: Height 20cm, width 22.5cm,...

A Peasant Woman 2006 Fluorescent egg tempura, iron oxide, cochineal, lead white and copper resinate in oils On board This expressive painting portrays a woman wearing a wide-brimm...

A rather comical scene set in an English neo-Gothic mansion representing Sir John Falstaff . A bearded, rather pudgy man, dressed in 16th century style, is courting a lady of quality...

Nicholas Pocock: ‘The Glorious First of June’, ink, grey wash and watercolour on paper showing the battle formation of Admiral Lord Howe’s British flee...

Kew Gardens By Augustus W. Enness (1876-1948). A landscape painting with green grass and plants flowering with pink and white flowers wi...

Lady with umbrella by Christine Watson (oil on canvas) 1998 Christine Watson (b1958, Southsea, Hants, UK) is a graduate of the Winchester Sch...

An attractive watercolour painting of Brighton’s RNLI life boat house by its architect, C.H. Cooke, the sturdy rectangular building sited below the promenade with the bows of a life ...

Vintage Mary E Carter oil on canvas painting of a girl with a hat. Made in England, 1989 Hand signed. Dimensions: Actual painting size: 8 cm in width and 8.5...

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

A charming oil on canvas of "The Bennett Family" signed Frank Moss Bennett (1874-1953), Three children: Henry Richard Bennett 1896, Keighley Moss Benn...

Charming and naive 19th century watercolor of a bull in its original bird's-eye maple frame.  

Still life Oil on canvas Hawthorns, blossoms and flowers Gold frame By Vincent Clare Signed bottom right Early 20th Century

A set of three pen, ink and water color sketches set in a single frame, HMS Euphrates, HMS Irresistible and a hulk, a view of Sunbury Lock and a Dre...

An oil on canvas by R G Thurgood of HM Cruiser 'Vindictive', Assaulted the 'Mole' at Zeebrugge against the Germans, April 1918. Thomas George Thurgood (1876–1953) A very simi...

Bucolic Joinings’ by Lexden Lewis Pocock. Oil on canvas, depicting a kneeling maid and her swain in the carpenter’s shop, she tending a turtle dove, while it’s mate waits on the ...

19th century English portrait, oil on canvas in ebonized wood frame.

French ships at dock, signed illegibly LR 'Barlhey, giltwood frame. We also have numerous other ship paintings and models. Feel free to call or email with questions.

Late 18th century portrait of a gentleman unframed , English. Joh Rud Kupfer, 1764 age 37 signed on back.

Glyn Thomas (b.1946) : Lighthouse, Orford Ness Etching. Artists proof from a limited edition of 150, signed and titled in pencil, f Depicting the lighthouse in the foreground, the Ministry of Defence buildings on the left and the River Alde and with the Castle and Church on the horizon. visible sheet length 46cm., 18",, height 29cm., 11.5" in the original mount and wooden frame length 63.5cm., 25" height 48cm.,19" The encroaching sea eventually got so close that the lighthouse had to go. Rather than simply let it fall into the sea, in July 2020 the entire building began to be carefully dismantled so as not to have any impact on the surrounding sensitive environment. The Orford Ness Lighthouse Trust plan at that time was to remove the lantern room as well as other original features and artefacts with a view to one day creating a lighthouse memorial of some sort on the other side of the Ness, facing Orford town’s quay. In the original pine slip frame height 48cm., 19" length 63cm., 24 1/2" ORFORD NESS Orford Ness is an internationally important site for nature conservation and a designated National Nature Reserve. It is a rare and delicate landscape, consisting of shingle ridges and valleys, deposited over centuries by the sea. 20% of Europe's vegetated shingle is found on Orford Ness. Once a former World War One and World War Two Airfield, the land is now a rich grazing marsh, providing home to birds, deer and rare-breed sheep. It is one of the few sites in the UK with purpose-built facilities for the testing of components of nuclear weapons. Comprising of six 'labs', which now form impressive backdrops on the shingle and the Black Beacon erected in 1928 to house an experimental rotating-loop navigation beacon. GLYNN THOMAS Glynn Thomas was born in Cambridge 1946. He studied at the Cambridge School of Art 1962-67, specialising in illustration and printmaking; taught printmaking at the Ipswich School of Art 1967-79, and is now a full-time artist living in Suffolk. He has illustrated a number of books. He is a Fellow of the Royal Society of Painter-Printmakers and at the Society’s 1983 annual exhibition his etching ‘Honfleur’, was awarded the Davys’ prize for the best print. In addition, his work has been included in the Houses of Parliament art collection. One man exhibitions include the Dominion Centre Toronto, the John Russell Gallery, Ipswich, Printworks and the Minories, Colchester, the New Ashgate Gallery Farnham, the Royal Exchange Theatre, Manchester, the Lyric Hammersmith, and the Barbican Centre London. Mixed exhibitions include the Cambridge Contemporary Art Gallery, the Adelphi Gallery New York, Donald Hughes, Hong Kong, the Royal Academy, the British Miniature...

Igneous is a design made from carbon powder and using Custhom’s innovative process of hand-foiling wallpapers, creates a unique distressed or highly polished finish in a wide range o...

Mahogany furniture to keep paintings, plans and special documents. It can be oriented in different positions.

MARK HOUGHTON THE COMFORT OF STRANGERS, 2024 Acrylic on linen on wooden panel 62 x 42 x 5cm Series: Urban Glitter Signed & dated verso All rights, the ar...

This English watercolor painting offers a dreamlike vista, employing a deeply earthy color palette of ruddy browns, smoky charcoals, and creamy bone whites. The abstract landscape sw...

Artist : Vere Lucy Temple Title : Hedge Bindweed Medium: Watercolour Size: With frame 63cm x 48cm Frame : Gilded Restoration: None Additional Information : A fine highy accomplished British wildlife artist "Lucy' Temple also worked as an illustrator for Enid Blyton...

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

Antique English Oil/Canvas of a Young Girl holding a Rose after William Hammer, within a gilt frame, ready to be hung.

Roy Turner Durrant (British, 1925-1998), 'Untitled', grey and black washes heightened with white on paper, indistinctly inscribed and dated 1966, fr...

Using 1500 clothes pins to combine painting and sculpture to a dramatic affect is what artist Annie Morris is most famed for. Each peg is individually pai...

Two landscape oil paintings on canvas by J R Wallace Orr, 1938, both showing Scottish coastal scenes with labels on the reverse from ‘Pearson and Westergaard Ltd, Fine Art Dealers, 28 West Nile Street, Glasgow, CI’ one titled ‘Ocharton Bay’ and the other’ Auchencairn Bay’, both signed ‘J R Wallace Orr 1938’. Scottish. Can be purchased individually or as a pair. James Robert Wallace Orr (1907 – 1992) attended the Glasgow School of Art and gained a diploma from the Royal College of Art in 1933. He became a well-known painter, printmaker and teacher at the Glasgow Academy until his retirement in 1967. During the war he served in the London Fire Brigade...