American Prints

A terrific example of a two-paged screen print from Josef Alber's Formulation: Articulation, 1972. This example is portfolio 1 from folder 18, 1972. From an edition of 1000 produc...

A very cool MCM artist's proof surreal abstract lithograph by Sonny Zoback circa 1970s. The piece is hand signed in lower right and numbered AP/250 in the lower left; it is in very g...

Autographed PGA Golf Tournament 1991 - Crooked Stick Golf Course that was held in Carmel, Indiana. Titled "The Cinderella Story". This lithograph is autographed by both the Legendary Golf Champion John Daly and pencil signed by the artist Donald Voorhees, Artist. Certified. The 1991 PGA Championship was the 73rd PGA Championship, held August 8–11 at Crooked Stick Golf Club in Carmel, Indiana, a suburb north of Indianapolis. John Daly won the first of his two major titles, three strokes ahead of runner-up Bruce Lietzke. Daly, age 25, was quite arguably the most unforeseen major champion in modern history. He was the ninth alternate who only qualified after several others pulled out of the tournament. Nick Price withdrew for the birth of his first child and Daly hired his caddy, Jeff "Squeaky" Medlin. Daly's outgoing personality and "grip it and rip it" style of play made him an instant fan favorite. The PGA Championship was his first tour victory. This wonderfully collectible lithograph would make a great gift. Donald Voorhees has been recognized from coast to coast for his outstanding contribution to art and is the recipient of over 100 awards from such prestigious organizations as the Hudson Valley Art Association, the Salmagundi Club of New York City and the New Jersey Water Color Society. He has been cited for his work by the State of New Jersey. The artist's works have been shown in museums throughout the country, including the Frye Museum, Seattle, Washington; the Edward Dean Museum, Cherry Valley, California; the Central Museum of Wyoming; and the Martello Museum, Key West, Florida. He has exhibited with the American Watercolor Society, Allied Artists, Knickerbocker Artists, New Jersey Water Color Society, Hudson Valley Art Association, Salgamundi Club, National Academy of Design, and the National Art Club. His works are owned by many banks, corporations and public institutions througout the country including Sun Oil, Gannett Publications, Citibank, Hertz, Pfizer Drug and Bethlehem Steel. Prints from his Americana Series hang in schools, government offices and the Freedom Foundation at Valley Forge. His painting "Beckoning Still" is in the collection of former President Reagan...

Well known image based in a sculpture comes this color lithograph , hand made in paper in 1973 signed and dated 73, edition 14/75.. chicago .The image measures 11.1 X 14.1 .Has a te...

Presenting a fabulous original Art Deco Fortune Magazine cover, October 1937. The cover of Fortune Magazine for October 1937, framed...

Period Blackened Oak Framed Engraving of Gen. Robert E. Lee, Published by J.A. O’Neill, circa 1875–1885 A richly toned 19th-century portrait engraving of General Robert E. Lee, pub...

A vintage-style print that takes us back to the golden age of Train Travel in the USA. Presented as an elaborated draft on which a few notes and remarks have been left, it plunges us into an era of discovery. Starting from the mid-thirties, many railroads were driven progressively out of business due to competition from buses, airlines, and Interstate highways.
The answer was the development of deluxe passenger trains, the streamliners. Some became legendary and profoundly influenced popular culture by focusing on concepts such as power, speed, technological progress, comfort, and luxury service like the “California...

This is a color relief half-tone of "An Argument with the Town Marshal" by Frederic Remington. The composition depicts a man on horseback firing a shot at a nearby house. The image f...

1942 Hollywood Portrait artwork print of actress Frances Gifford by George Hurrell in its original white wood Framed.

"Prostituee Francaise" is a hand signed, limited edition original lithograph by noted, deceased American artist, LeRoy Neiman (1921-2012). One of a limited edition of only 300, created in 1980, "Prostituee Francaise" (also known as "La Nuit De Paris") displays Neiman's renowned masterful technique and detail in 10 sexy vignettes depicting seduction in the night in Paris...

Two framed panels measuring 48.5 x 26.5 to create one Chromolithograph by Greg Copeland signed and numbered 4/250. Asian inspired with flat coloring of yellows and browns. Behind gla...

A pair of canvases adorned with 18th century gold leaf Italian fragments and faden crystals set into a shadowbox acrylic, metallic frame. The canvases are imprinted with aquamarine a...

A hand stenciled limited-edition serigraph titled “Fieldsville Trolley” by Armond Fields (b.1930-2008). The scene depicts passengers boarding a red trolley car, with a cafe to the ri...

Antique print titled 'City of St. Louis'. This print depicts the city of St. Louis with paddle wheelers on the river. Published by D. Appleton & Co.

A wonderfully designed and richly colored woodcut image by New York City/American-born Jewish artist Irving Amen. Pencil signed, titled (Susan), and noted "artist proof" (likely a small edition after the initial run of 50-100 prints) by the artist. Would be a great eye-catching work in about any setting. Amen's work can be found in prominent collections and museums both domestically and internationally including: Museum of Modern Art, New York National Museum of American History, Washington, D.C. The Metropolitan Museum of Art, New York The National Gallery of Art Washington University of South Alabama – Mobile, Alabama Arizona State University – Tempe, Arizona Tucson Museum of Art – Tucson, Arizona Arkansas Art Center Foundation – Little Rock, Arkansas Arkansas State University – State University, Arkansas Judah L. Magnes Memorial Museum – Berkeley, California Skirball Museum Hebrew Union College – Los Angeles, California' Mills College – Oakland, California Stanford University Museum of Art – Stanford, California Hausatonic Museum – Bridgeport, Connecticut Yale University – New Haven, Connecticut University of Georgia – Athens, Georgia Honolulu Academy of Arts – Honolulu, Hawaii Art Institute of Chicago – Chicago, Illinois Quincy College Art Gallery – Quincy, Illinois Rosary College – River Forest, Illinois Illinois State Museum – Springfield, Illinois Lafayette Art Center – Lafayette, Indiana Art Gallery, University of Notre Dame – Notre Dame, Indiana Davenport Municipal Art Gallery – Davenport, Iowa Des Moines Art Center – Des Moines, Iowa University of Maine Art Gallery – Orono, Maine Baltimore Museum of Art – Baltimore, Maryland Boston Museum of Fine Arts – Boston, Massachusetts Harvard Art Museum – Boston, Massachusetts Town of Brookline Public Library – Brookline, Massachusetts Fogg Art Museum – Cambridge, Massachusetts De Cordova and Dana Museum – Lincoln, Massachusetts Art Museum Mount Holyoke College – South Hadley, Massachusetts Museum of Fine Arts – Springfield, Massachusetts Albion College – Albion, Michigan University of Minnesota – Minneapolis, Minnesota Central Missouri...

Sharon Beals Lithograph of a Bewicks Wren Nest. It is from an edition of only 25 ever made and is beautifully framed.

(1904-1987). From the archives of the Murphy "Calendar" Company. Well-listed early illustrator, " picked up" for Hy Hintermeister and Emmett Watson - con...

A large limited edition Marilyn Monroe "Lady in the Light" lithograph by Earl Moran, circa 1990s. The print is in very good vintage conditio...

Original Edwardian era Framed "The Call of the Spring" lithograph print by Jennie Harbour featuring 2 couples meeting in the garden originally done in watercolor. The print was made ...

Beautiful large limited edition signed stone lithograph entitled "Red Blanket" by R.C. Gorman, circa 1985. The print is signed "R.C. Gorman 1985" at the bottom left and is numbered 8...

Pair of Josef Albers lithographs from formulation and articulation, published by Harry N. Abrams Inc., New York and Ives Sillman Inc., New Haven, circa 1972. Unsigned edition of 1000...

Harlem, New York 1931 - Original Fortune Magazine Print Art Original print from Fortune Magazine 1931 by Zdzislaw Czermanski (Polish, 1900-1970). The inte...

Vibrant, highly detailed silkscreen print by American Pop artist Clayton Pond, created for the United States Bicentennial (1776–1976). Pond is known for his bold color palettes, grap...

"Summer's Evening" folio has the appropriate Currier and Ives' markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph depicts a young well dressed and well to do family overlooking their property as workers tend to the farmland and harvest hay. Note the haystacks and a horse drawn hay wagon. The large and well built farm house stands proudly over the scene with the village in the background. In addition to the Amon Carter Museum in Dallas, an example of "Summer's Evening" is in The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert). Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 19 7/8" h x 26" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and foxing (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Cadillac La Salle Fleetwood and Fisher Fleetwood 1920's vintage Saturday Evening Post advertising prints 1928 and 1929 The first, featuri...

Original US International Spanish Language film poster for Mean Streets. This film was directed by Martin Scorsese and starred Robert De Niro and Harvey Keitel. This poster was print...

Brunschwig & Fils hand-printed yellow Kanchou wallpaper, floral, avian, parrots. 2002. Design features lovely yellow background and a large floral a...

From contemporary artist, painter, Lisa Yuskavage, American (b. 1962), a framed fine poster of 'Day', circa 2000. Piece was received at private solo ope...

Original photographic production still for the classic 1940 comedy starring Cary Grant, Katherine Hepburn and James Stewart. This piece is conservation framed with in a Tulip wood...

American (19th Century) copy collection of two letters from the 1830s in a white mat with a central oval printed portrait of a gentleman (Otis Cafron) in a gold wooden frame.

Vintage J.J. Audubon hand-painted print of a crested hen under clear plexiglass in cream colored matting and a rectangular wooden frame (See also: MP 2071K)

American stationery with in the top the following text printed: E pluribus unum – Latin for "Out of many, one" (also translated as "One out of many" or "One from many") – is a traditional motto of the United States, appearing on the Great Seal along with Annuit cœptis (Latin for "he approves the undertaking [lit. 'things undertaken']") and Novus ordo seclorum (Latin for "New order of the ages"); its inclusion on the seal was approved by an Act of Congress in 1782. While its status as national motto was for many years unofficial, E pluribus unum was still considered the de facto motto of the United States from its early history. Eventually, the United States Congress passed an act (H. J. Resolution 396), adopting "In God We Trust" as the official motto in 1956. The thirteen letters of E PLURIBUS UNUM makes its use symbolic of the thirteen original states like the thirteen stripes on the US flag. The meaning of the phrase originates from the concept that out of the union of the original Thirteen Colonies emerged a new single nation. It is emblazoned across the scroll and clenched in the eagle's beak on the Great Seal of the United States. (Source: wikipedia) Text below the portraits: "The Presidents of our Great Republic." Letter paper with hand-colored engraving showing the portraits of the 14 presidents of the USA from George Washington up to Franklin Pierce...

American Victorian Currier and Ives print of a flower basket titled, \"A Flower Basket\" in a gilt wood and lacquer frame

An evocative hand colored lithograph by N. Currier (American 1813-1888), after a painting by A.F.Tait, titled "Arguing the Point", depicting a group of rural men engaged in an appare...

The Prints of Reginald Marsh by Norman Sasowsky. Clarkson N. Potter, Inc. / Publisher / Distributed by Crown Publishers, Inc., New York, 1976. First Edition hardcover with dust jacke...

American Art Deco style black framed advertising poster for a clothing company featuring a man in beige overcoat and brown hat, a female in a beige and red coat with a white fur and ...

Alexander Calder Exhibition Billboard "Calder's Universe" 1977 Lithograph signed in the plate lower right "Calder" A rare period piece made...

Original poem in script dated 1846 in a rectangular wooden and gilt frame and beige matting (Oliver Wendell Holmes)

A breathtaking, large in scope and scale, rivetting work by American abstract expressionist painter, and master printmaker Robert Motherwell (1915-1991). This aquatint/lift ground ...

Beautiful David Lance Goines print for India Ink Gallery in Los Angeles. This is the 2nd edition, printed on heavy stock in 1974. This print is in great condition, see pictures for...

Modern lithograph by Hoi Lebadang featuring a lovers embrace and herding bird details. Beautiful red hues. Limited edition (301/375) with a collectors edition certificate of aut...

Donald Judd is a landmark figure in the history of postwar art (June 3, 1928 – February 12, 1994). Judd was an American artist associated with minimalism. In his work, Judd sought au...

1979 Silhouette Art Lithograph by Julie Dennis. The personates are made up of the names " Harvey" and "Linda" and are featured in a black wood frame wit...

Sensational image by Frederick Simpson Coburn. In the style of one of my favourite artists, Goya. Photogravure Limited edition of 300. This is No. 84 From The Complete Wo...

Sharon Beals Lithograph of a Song Sparrow Nest. It is one of a limited edition of only 25.

A fine Neil Welliver aquatint on embossed Rives BFK paper, pencil signed, titled and numbered 32/500 in the lower margin. Professional framing in a natural wood frame and matting in ...

An original numbered lithograph on paper, titled ‘944 President Street’ by Shunji Sakuyama. Shows the facade of a Brooklyn house in fine detail. Numbered 19/25 in the lower left, tit...

Title: Stunning Winter Scene on Broadway, New York - Hand-Colored Aquatint from 1857 Description: This aquatint engraving with hand-coloring, created by Paul Girardet after Hip...

Lithograph made by Alexander Calder. From Derriere le Miroir #212. Good vintage condition.

Original US film poster for The Empire Strikes Back also known as (Star Wars: Episode V, The Empire Strikes Back) this was the second movie in the Star Wars saga staring Mark Hamill,...

SS Mariposa dinner menu for Matson Lines dated July 28, 1938, with cover artwork by Frank Mcintosh. Messurments: 9" tall by 6.5 " wide United States, 1938

This is a very good coloured Lithograph Print of National Coats Of Arms. The print is mounted all ready for framing. The external measurements of the mount are 12 W x 15 H and t...

Original US Style B film poster for The Empire Strikes Back also known as (Star Wars: Episode V, The Empire Strikes Back) this was the second movie in the Star Wars saga staring Mark...

"ROUGE PAD" (GLENN 134), an etching with aquatint, printed in colors, hand-signed in pencil, titled, and numbered in pencil 25/78 by James Rosenquist, American 1978 (Signed on front,...

Sensational image by Frederick Simpson Coburn In the style of one of my favourite artists, Goya Photogravure Limited edition of 300. This i...

An original hand signed lithograph by listed Austrian artist Elfi Schuselka (b. 1940). The abstract scene depicts six different colored ropes descending from a black hole in a cumulu...

Highly collectible "Kiss The Beatles" lithograph print from the legendary ICONS Exhibit by Mr. Brainwash, circa 2010. The piece, which is framed measures 22.25" x 22.25" is an origin...

"Pleasures of Winter" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph portrays a woman leaving her stately home with her two children, being escorted by two drivers to ride in a double seated horse drawn sleigh. In the background is a snowy field with other houses and a loaded horse drawn timber sleigh. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Library of Congress The Springfield Museum (Massachusetts) Gift of Lenore and Sydney Alpert) Metropolitan Museum of Art (Gift of Colgate 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 9/16" h x 27 1/2" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is minor foxing and a tideline upper center (see images). The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

This lithograph portrays a pleasant scene of a man in a top hat atop a handsome dark horse, with a boy riding a white horse (presumably father and son) in front of a country estate, while women gather as they water flowers, and children play with a lamb in the foreground. A man plows a field; while a horse is being groomed near the stable in the background. Afar and to the right is the sea dotted with ships here and there. The folio is mounted on cardboard and set in the matte. It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some toning and slight fading, The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in their original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

It is rare to have the opportunity to acquire all four of these scenes at once, especially in this very good all original condition; and housed and professionally framed in fine quality and attractive bird's eye maple wooden frames with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); all are the more rare and desirable large folio sheet examples in fine original color. The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. All examples had been framed and housed in museum quality conservation backing for over 80 years. I have had each one professionally taken apart and inspected visually and examined with a black light and loop; as a result, I guarantee and can attest to the accuracy of my descriptions of each folio. I then had the folios professionally remounted in their original frames with an upgraded preservation backing (see images for viewing original folios out of frame and for confirmation of inspection). When available these lithographs are typically acquired individually, in varying condition, and often unframed. Other examples are often reproductions or "tear out sheets" from coffee table type books. These lithographs have no tears, no touch up paint, and no glued or taped repairs. This iconic and highly desirable set of four lithographs by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series depicts; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". All four images are produced from the paintings of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The series of four reflects affluent life styles in each of the four seasons by showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. Each of the hand painted lithographs is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...