East Asian Prints

Taizō-in Garden by Masao Ido. Traditional Japanese wood block print in great condition. The Taizō-in Garden is part of a small Zen Buddhism temple located in...

Description Watanabe Seitei (Shotei) Pigeons and Stone Lantern sheet measures: 11 1/2" H x 9" W Please note that shipping charges are inclusive of insurance, payment processing and c...

Ohara Koson (Shoson) (Japanese, 1877-1945) Pair of woodblock prints Two white geese and reeds, c.1928 Chrysanthemum and Stream, c. 1931 P...

Original Japanese poster for the 1960 drama film The Millionairess. This film starred Sophia Loren, Peter Sellers and Alastair Sim and was directed by Anthony Asquith The art work o...

A precisely composed, darkly hued woodblock print by famed Japanese printmaker Kiyoshi Saito. Many consider Saito to be one of the most important, if not the most important, contempo...

This exquisite midcentury Japanese botanical print, presented in a modern custom frame, embodies the timeless elegance of traditional Japanes...

A Chinese Qing Dynasty period print from the 19th century, depicting birds in a tree on turquoise ground, with custom frame. Created in China during the Qing Dynasty period, this lar...

Original modern art lithograph by Japanese artist Aki Kimoto. This colorful piece bears an original signature and is number 12/150 of the limited edition. Combining cubic images as w...

A beautiful work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese artists to combine Western-style elements with the traditional methods of woodblock printmaking. This work is known as "Dancing Figure (Eshima)" The print is signed (in white ink within the image) and sealed (in red) by Kawano. This work is a quite rare self-printed lifetime double dai Oban large-size print. The quality and colors are striking. It is likely from a limited edition and perhaps numbered on the lower margin (we can not verify as it was previously framed but we are confident that this is the case). A very beautiful and rich image. Would make for a great addition to any Japanese art and print collection or Stand-out accent work in about any setting. Frame dimensions: 30.5" high, 20.5" wide, .5" deep Viewable art...

Wonderful large abstract print by famed Japanese master printer Hideo Hagiwara who was generally considered one of the finest post-World War II Sosaku Hanga artists. In 1989 he was awarded a Gold Medal by the Nobel Prize Committee for five works produced on themes from the novels of Kawabata Yasunari. This print, titled Masque No...

A very nice block print by Kunisada 1850’s Additional information: Material: Paper Region of Origin: Japan Period: 19th century Japan Dynasty Period: Meiji Period (1867-1912) Condit...

This authentic 1989 Japanese woodblock print titled "Kikyō" (Balloon Flower) by Masao Ido is a rare and exquisite piece that embodies the essence of eternal love, sincerity, and eleg...

This exceptional and stunning, limited edition large woodblock print is considered by many experts to be Sekino's masterpiece. The limited editi...

Japanese 19th Century Woodblock Print of Kabuki Actors Toyokuni III Original Woodcut by Toyokuni III (1786 - 1864) Of the Kabuki actors Bando Hikosab...

Traditional 1986 Japanese wood block print of one of the 5 gardens of the Ryōgen-in, a sub temple of the Daitoku-ji Buddhist complex, located in Kita-ku, Kyoto, Japan, constructed in 1502. Signed and numbered 126/150 in pencil by the artist. Measurements wooden frame : W.48 x H.63 x D.3 cm. The print will be shipped insured overseas in a custom made wooden case. Cost of insured transport to the US, Euro 245, is case included. Colors may slightly vary due to photographic lighting sources or your monitor settings. Masao Ido...

An abstract silkscreen in colors on paper titled “Curve” by Takesada Matsutani. Signed in pencil lower right. Titled and annotated 42/75 on the lower left. Published in 1971. The com...

A gorgeous and beautifully textured mezzotint print in the style of fellow Japanese artists Wako Ito, Hamanishi Katsunori, Tomoe Yokoi, Kaoru Saito, and Yozo Hamaguchi. The print is pencil signed (Noriko?), titled ("Crab Apple...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A fine woodblock print of a Javanese puppet in profile. The imagery is a potent mixture of Saito's traditional Japanese sensibilities coupled with...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A fantastic framed Japanese woodblock triptych by Utagawa Kunisada II (Toyokuni IV) entitled "Twilight Snow at Mount HIra" from the series "Eight Views of Omi", Edo period, circa 185...

Add a touch of Eastern elegance to your space with this pair of vintage framed Japonisme prints of Geishas. These beautifully detailed prints capture the grace and poise of tradition...

A delicate study in nature’s quiet elegance, this midcentury Japanese botanical print captures the serene beauty of blooming white flowers ne...

1960's Japanese woodblock print untitled by Japanese asian and modern & contemporary artist Tasuku Yoshida. The At work is signed and dated in pencil by the artist. The Art work is ...

Elegant and very decorative Chinese export paintings. Very good condition in natural bamboo frames. The subject of these paintings are referred to as "Flower-Bird", one of the ...

Artist: Utagawa Hiroshige (1797 - 1858) Series: Pictures of Famous Places in the Sixty-odd Provinces Number: 5: Settsu Province: Sumiyoshi, Idemi Beach Medium: Woodblock Print Date: 1853 (Kaei 6), 7th month Number of Prints: 70/70 (inc. Title Page) Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Koshimuraya Heisuke (Koshihei) Block Cutter: Yokokawa Takejirô (Hori Take) Signature: Hiroshige hitsu Additional marks: Censors' seals: Mera, Watanabe, Ox 7 Displayed with mat and gilt wood frame. Reference: For an identical print, see the collection of MFA Boston...

Antique Woodblock Print Ukiyo-e Kunisada UTAGAWA (1786-1865) - “Utagawa Kunisada The Tale of Genji - Chapter 12. Additional information: Material: Paper Decoration Type / Colour: Po...

Early 20th century Japanese black and white paper print of drawings of 18th century Japanese screen. This black and white paper print ...

Interesting and finely painted Japanese painting. Marked Kogyo. Additional information: Material: Paper Type: Paintings, Scrolls & Prints Region of Origin: Japan Period: ca 1900 Age...

This midcentury Japanese botanical print, presented in a custom gold leaf frame, effortlessly blends the timeless charm of traditional Japane...

An antique Japanese woodblock print from the 19th century depicting a man and a woman discussing. Created in Japan during the 19th century, this woodblock print showcases an interior scene depicting a man and a woman discussing with each other. The man represented on the left, half hidden behind a screen, is leaning forward on a stool looking at his wide. His head casually resting on his hand confers a sense of intimacy. Facing him and popping subtly from the background thanks to her pink robe...

An abstract silkscreen in colors on paper titled “Curve” by Takesada Matsutani. Signed in pencil lower right. Titled and annotated 42/75 on the lower left. Published in 1971. This ar...

Five festivals While Japan has many national and regional celebrations, five festivals / gosseku were given particular importance. Chikanobu presents them from right to left: the Ne...

A very nice block print by Kunisada 1850's. 10-9-18-rof-301 Additional information: Type: Paintings, Scrolls & Prints Region of Origin: Japan Country of Manufacturing: Japan Period...

1960's Japanese woodblock print titled " In front of the garden" by Japanese asian and modern & contemporary artist Tomizaburo Hasegawa. The Art w...

This advertising poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography that was popularized in China during the econom...

A framed antique Japanese woodblock print with vibrantly colored examples of samurai armor. Five different images and patterns are shown in two rows, with kanji writing. Meiji Era ...

A framed antique Japanese woodblock print with vibrantly colored examples of samurai armor. Five different images and patterns are shown in two rows, with written descriptions in ka...

"Machiya in Marutamachi" Traditional Japanese wooden townhouse that functioned both a residence and busines. Beautiful Japanese woodblock print by Katsuyuki Nishijima...

This wonderfully designed, abstract work by esteemed Japanese printmaker Tadashi Nakayama. The print is pencil signed, numbered (46/65) and dated 1963 by the artist. A fairly uncommo...

Japanese Woodblock Triptych Scene Of A Kabuki Theatrical Performance Toyohara Kunichika (1835 - 1900) Framed, each woodblock print: 23 ...

Artist: Utagawa Hiroshige (1797 - 1858) Series: One Hundred Famous Views of Edo (1856-58) Number: 39 Distant View of Kinryuzan Temple and Azuma Bridge Publisher: Uoya Eikichi Format: Vertical Oban Number of Prints: 120/120 (inc. title page and a replacement print by Hiroshige II) Medium: Woodblock Print Date: 1857 (Ansei 4), 8th month Size (H x W): 14" x 9.25" print only. Signature: Hiroshige ga Censor's seals: aratame, Snake 8 No blockcutter's mark Reference: For a similar print, see the collection of Art Institution Chicago Accession Number 1938.536 and 1965.1062; MFA Boston...

Kumi Sugaï, “Crossing 4”, 1978 — Signed & Numbered Silkscreen Printed by Ryoichi Ishida Studio Offered here is a striking limited edition silkscreen by renowned Japanese-French artist Kumi Sugaï (1919–1996), titled “Crossing 4”, created in 1978. Known for his refined visual language merging Zen philosophy, Japanese calligraphy, and European modernism, Sugaï’s work resonates with clarity, movement, and meditative strength. This particular work was printed by the prestigious Ryoichi Ishida printing company in Tokyo, a studio celebrated for its collaborations with contemporary masters including Andy Warhol. The print is hand-signed and numbered by the artist in pencil, marked 237/250, and was originally sold by Sarani Gallery in Tokyo in 1978 or 1979. Title: Crossing 4 Date: 1978 Medium: Silkscreen on paper Edition: 237/250, signed and numbered in pencil Printer: Ryoichi Ishida Studio, Tokyo Provenance: Sarani Gallery, Tokyo Sheet size (unframed): 18 x 18 cm / 7.1 x 7.1 in Condition: Excellent vintage condition, vibrant colors and sharp impression Sugaï’s works are part of major international collections, including MoMA (New York), the Centre Pompidou (Paris), and The National Museum of Modern Art (Tokyo). His “Crossing” series is particularly admired for its rhythmic balance of form and color—embodying motion, intersection, and harmony. This is a rare opportunity to acquire a signed print by a postwar master who bridged Eastern minimalism and Western abstraction, produced by one of the most respected printing studios of the 20th century. Price includes frame. The Art will be shipped insured overseas in a custom made wooden case. Transport to the US, Euro 275, is case included. Kumi Sugaï, one of the most internationally acclaimed Japanese painters of the twentieth century. Colors may slightly vary due to photographic lighting sources or your monitor settings. KUMI SUGAÏ, JAPAN (1919 - 1996) Kumi Sugaï was a painter, sculptor and print maker born in 1919 in Kobe, Japan. Sugaï first experimented with oil painting at age nine and became a student at the Osaka School of Fine Arts in 1933 when he was fourteen. He met with the Gutai Art Association founder, Jiro Yoshihara which had a huge impact on his further artistic development and experimentalism. He was part of the first generation of 20th-century Japanese artists to become acquainted with Western painting techniques (under the instructions of Yoshihara), but he also explored both typography and Japanese calligraphy, important in his subsequent work. Sugaï left art school prematurely to work in commercial advertising for Hankyu electric rail company from 1937 to 1945. These formative years of practicing Western and traditional Japanese mediums gave a dual foundation to his future work. He dedicated himself to painting and moved to Paris in 1952, enrolling at the Académie de la grand chaumière, being one of the first generation of the post-war Japanese artists to join the international avant-garde art scene. Sugai was immediately noticed in Paris for his delicate touch and use of abstract gestures resembling primitive forms. He had his first solo show at Galerie Craven in 1954. In 1955 he made his first work in edition (Diable Rouge, a lithograph) and decided that from now on print work (lithographs, etchings and later silkscreens) was going to be an important part of his oeuvre. One of the reasons was to make his work more accessible. Between 1955 and 1996 Sugaï produced a little under 400 works in edition. Considered part of the École de Paris (School of Paris) and the Nouveau Réalisme (New Realism) movements, in 1962 he began to move from calligraphic, mainly monochromatic, organic motifs to more hard-edge geometric forms painted with clear colors. This aesthetic was more often than not influenced by speeding the curves of the freeways surrounding Paris in his beloved Porsche. He was possessed with speed and in a lot of his work we find abstracted roads (The S shape) details of roadsigns, parkings and in general an abstract visual language inspired by what he would see through his window moving at great speed. City and rural Landscapes transformed into simple colored compositions. Sugaï found great joy in the act of repetition and some iconic shapes have been appearing in his work throughout his whole career, first loosely and soft in his early etchings, paintings and lithographs, later hard edged and straight in his silkscreens. Sugai died in Kobe in 1996. His artworks were shown in numerous exhibitions around the world and most of his paintings are in the collections of well-known museums (Such as MOMA, the Guggenheim and Centre Pompidou) and important collectors. Vintage Objects...

Chikanobu Triptych – Shogun Returns from the Hunt in Koganehara, c.1897 This powerful and dynamic triptych by Toyohara Chikanobu (1838–1912) depicts the Shogun and his retinue returning from a falconry hunt across the vast grasslands of Koganehara. The print is part of the celebrated Meiji-era series Chiyoda no Omote (Outer Palace of Chiyoda), which portrayed ceremonial and military scenes from the life of the Tokugawa shogunate. This series blends historical reverence with a modern Meiji sensibility, celebrating Japan’s warrior heritage at a time of rapid transformation. Rendered in rich color and vivid linework, the triptych shows a noble procession in motion: the mounted Shogun at center turns back toward the viewer, while falconers and warriors in elaborate dress surround him. Attendants carry game and falconry equipment, and a dense forest line marks the horizon behind them. The sweeping composition emphasizes both movement and status, with the central figure visually dominant and placed against a pale, open sky. The triptych is signed by Chikanobu with the toshidama cartouche and published by Fukuda Hatsujirō around 1897. Chikanobu, one of the last great ukiyo-e masters, was celebrated for his ability to capture imperial ceremony, samurai culture, and the feminine elegance of the court — often in triptych format for dramatic impact. While the work shows some age-related signs, it retains strong visual appeal and is a compelling historical document of samurai-era tradition as imagined through Meiji eyes. Condition report: Good overall condition considering age. The three sheets are mounted together on old Japanese paper backing (verso), which is loosening slightly along the joins. Light overall toning and minor wrinkling across the panels. Colors remain well preserved with strong impression and no major losses or tears. Margins present, minor handling wear visible. A stable and attractive display piece. Framing tips: We recommend float mounting the full triptych in a custom horizontal frame, allowing the slight backing and joins to remain visible as part of its historical charm. Use a dark walnut or black lacquer frame with an off-white or light beige acid-free mat. Proper archival mounting can help preserve the integrity of the backing while enhancing its display quality. Technique: Woodblock print (ōban triptych) Maker: Toyohara Chikanobu, Japan, c.1897 Publisher: Fukuda Hatsujirō Keywords: Chikanobu triptych, samurai falconry print, Japanese woodblock print, Meiji print, Chiyoda no Omote, shogun artwork, Koganehara, antique Japanese triptych...

Please note: this is NOT a copy of a print. It is a real vintage woodblock from Japan and has been see by Auction house. It was purchased from the original owner. A very wealthy Art ...

T. Sugano (b. 20th c.) — Winter Serenity: Mount Fuji’s Majestic Embrace, 1989 Signed and numbered “46/50” in pencil by the artist Original framed edition, with packaging H.40 × W....

The famous commercial advertising artist Hu Boxiang created this advertisement calendar poster for the British American Tobacco Company in 1931. Unlike other poster artists, Hu was k...

Fortress Assault Triptych – 1894 Japanese Meiji War Woodblock by Gekko This powerful Meiji-era woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic assault on a Chines...

Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894 This striking 1894 woodblock triptych by Ogata Gekko (1859–1920) depicts the dramatic Battle of Pyongyan...

Original Japanese style B film poster for the classic Frank Capra 1946 film. starring James Stewart , Donna Reed, Henry Travers, and Lionel Barrymore The art work on this poster is ...

A collection of nine original early 20th Century Japanese double page woodblock prints. In sumptuous colours of traditional palanquins and ceremonial carriages published by Yoshikaw...

This calendar advertisement poster for White Horse cigarettes was produced by Hu Boxiang, a famous commercial advertising artist in Shanghai during the 1920s-1930s. Framed in a highly ornate floral border, a fashionable woman poses while gathering plum blossoms, emblems of winter and eternal beauty. Dressed in a traditional qipao but with Western hairstyle and accessories, the woman reflects the rising influence of Western advertising and the Art Deco movement during the economic boom of early 20th century Shanghai. Beneath this scene is a calendar for the year 1936, surrounded by packs of prominent cigarette brands...

With its product discretely located on the lower left, this early 20th century Shanghai poster for Hatamen cigarettes uses a dramatically rendered imag...

Artist: Utagawa Hiroshige (1797 - 1858) Series: The Fifty-three Stations of the Tokaido (Upright) Number: 6 Totsuka: View of Fuji from the Mountain Road (Totsuka, Sando yori Fuji chobo) Medium: Woodblock Print Date: 1855 Format: Vertical Oban Size (H x W): 14" x 9.25" print only. Publisher: Tsutaya Kichizo Seals: Aratame and date Signature: Hiroshige hitsu...

An antique Japanese Shunga woodblock print in gilt frame depicting a man and a woman making love. Created in Japan, this woodblock print called...

A beautiful work by famed Japanese artist Kaoru Kawano who was known for his whimsical portrayals of women, children, and animals. Stylistically, he was one of the first Japanese art...

This is a printmaking called Hanga in Japanese. This Hanga was made around 1900s in Japan. As this is made with a paper and getting damaged, there is a new paper sticked on the back....

Dated between 1738-1806 Mitsusada Tosa Printed 1806-1808 Engraver Jihei Inoue Printer Kisaburo Hori

"Le Soleil" by Kumi Sugaï (1996) Step into the vibrant world of contemporary Japanese art with "Le Soleil," a captivating copperplate etching by the renowned artist Kumi Sugaï. Crea...

Title: Japanese Edo Warrior Print – Temple Guardian with Halberd, c.1850 Description: This striking Japanese woodblock print from the late Edo period, circa 1850, depicts a fierce t...