Baroque Wall Decorations

Follower of Jacopo Da Ponte, called Jacopo Bassano (Bassano del Grappa, circa 1510 - Bassano del Grappa, 13 February 1592), 17th century Allegory of the Spring Measures: With frame: ...

Italian Panel, Circle of Jacopo Palma the Younger, late 16th–early 17th century " Ecce Homo" (91 x 120 x 0 cm) Good condition The image is an artistic representation of the biblical ...

Largest collection of Portuguese tiles in the world 17th Century Portuguese Tile Panel. Restored 56cm x 56cm 14cm x 14cm tiles With certificate of authenticity and export issued by ...

FRANCISCO SOLIMENA (Canale di Serino, 1657 - Naples, 1747) Attributed - "The Madonna and Child" 17th century Oil on canvas 49 x 63 cm Good condition

Early copy of Dutch painting. Oil on canvas in antique style wooden frame. “Elisabeth Bas (1571, in Kampen – 2 August 1649 in Amsterdam) was a figure in the Dutch Republic. She was the wife of Jochem Hendrickszoon Swartenhont, an admiral in the navy of the Dutch Republic and military hero. The portrait is now in the Rijksmuseum Amsterdam, where it is known as Elisabeth Bas and attributed to Ferdinand Bol...

Important Circle of Jusepe de Ribera (1588/91-1652), "Portrait of a Bearded Man," 17th century, oil on canvas 64 x 49 cm (25.2 x 19.2 in), Frame: 85 x 70 cm (33.4 x 27.5 in) Good con...

Pair of framed 17th century first edition botanical prints by Basilius Besler. One is entitled "Menthaltrum niveum Anglicum" and the other is "Calamint, Calamintha montana vulgaris,...

The 17th Century Flemish Aubusson Tapestry portraying a woman traveling or walking with her child is a captivating depiction of everyday life...

Important Pair of Italian School Paintings "Night and Day" 19th Century Inspired by the excavations of Pompeya Two oils on the carton. 35cm x 24cm A year ago it was clean underneath

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

An Italian Baroque carved and polychrome- painted winged cherub head putti This is a wall hung carved and polychrome painted wall mask in the form of a cherub set in the middle of...

Immaculate Conception, large-format, Spanish School, oil on canvas, 19th century Splendid oil on canvas depicting the Immaculate Conception, large-format (121 × 87 cm), painted arou...

With arabesques and satyr mask.

An impressive and colorful pair of Italian 18th century Baroque st. patinated wood and Giltwood wall brackets. Each wonderfully carved wall bracket displays a stunning faux marble plinth below an impressive patinated wood Rocaille scrolled reserve. The scrolls protrude and follow the shape of the patinated green backplates accented with mottled patinated wood bands. At the top front of each wall bracket is an exceptional and large scale ebonized wood foliate reserve below the original patinated wood display shelves.

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

A Late 17th Century Painting Depicting A Cavalry Battle Height: 115 cm Width: 75 cm Depth: 6 cm. Provenance: Private Australian Collection.

Spetchley park, Bargello, silk, bed curtains adapted into wall hangings in the 19th century • The use of silk, patterning and size suggests that these striking Bargello hangings were almost certainly conceived as bed curtains. In the Green Chamber at Parham House the State Bed is hung with Bargello curtains, pelmets and valences c1620. Like the Parham bed curtains, the Spetchley Park bed curtains have two horizontal pattern repeats in each drop. Needless to say, surviving bed curtains from this period are exceptionally rare as they had value as hangings and for upholstering domestic objects when removed from the bed. • The Spetchley Park bed curtains are really beautiful and luxurious. They were made as elite objects and have not lost their gravitas or their character and charm. • The Spetchley Park bed curtains were adapted into wall hangings in the 19th century. They are versatile and could easily be reinstated as curtains or panels within larger curtains. • Bargello work has a classic timeless quality to it and blends with most decorative schemes whether period or contemporary Each panel is made from two sections of bargello. The step (pattern) comprising two rows of short vertical stitches over two threads of graduating numbers of stitches up and down with two rows of long vertical stiches over six threads of graduating numbers of stitches up and down. Worked in graduating shades of blue, green, brown, red, tan and ivory silks on a hessian ground. The four edges of each hanging are faced with a 19th century, dusky pink fan...

Beautiful Massimo Popper Plate, 1911/1914, 20th Century Pompous polychrome ceramic "Marguerite" with a wide brim, short frill, and wide base. The rim is decorated with metopes and t...

A nice example of a Continental hand wrought tapestry decorated with putti or angels and cartouche, with foliate accents and subtle tan border with raised flowers. The tapestry has a...

Ancient gilded wooden frieze carved with leaves and flowers. Another example of the rich French woodwork of the 18th century. ref. O/7347.

Oil on canvas depicting Saint Anthony in a garden being visited by Angelic Cherubs with a courtyard and fountain and mysterious figure in the background, the ever present Lily flower in the foreground. In a period ebonized wood frame. Anthony of Padua (Italian: Antonio di Padova) or Anthony of Lisbon (Portuguese: António/Antônio de Lisboa; born Fernando Martins de Bulhões; 15 August 1195 – 13 June 1231) was a Portuguese Catholic priest...

From the Emilia Romagna school of painting this is a depiction of a mother hen protecting her chicks, the period giltwood frame in perfect condition and retaining a paper label at to...

Domenico Fedeli, Maggiotto (Venice 1712-1794) Saint Francis Meditating before the Crucifix Oil on canvas 74.5 x 60 cm This work is presented in a substantial period frame. This pain...

17th century French School "Virgin and Child (Virgin of the Rosary)" Oil on canvas (Fragment, original canvas, tension bands, restorations) 47.3 x 37.9 cm This canvas was probably...

Abraham Brueghel (1631 - 1690) Attribution - "Triumph of Flowers and Fruits in Plein Air" oil on canvas 95 x 130 cm without frame 100cm x 135cm with frame good conditions Abraham Br...

This beautiful pottery charger is is decorated with a woman carrying a basket of flowers on her head. Vividly painted in yellows, greens, and blues. Condition is very good, does have minor chips commiserate with age and use. Back is signed Vincent Garnier...

Gorgeous blue hand painted Baroque cherub or angel 18th century style Portuguese ceramic tile or azulejo This tile painted in blue over white in typical 18th century Portugal set the...

Rare 18th century Italian gaming board "Nobilissimo Giuoco Della Mea" Or "The Nobel Game of Chance" in original paint and decoupage, (lacca povera) depicting a game which appears to be a board version of "Put and Take" with different characters representing either plus or minus points. Four corners with scalloped carved coin wells, the centre slightly dished for either a top or ball to roll within. Characters include: Scimmia/Monkey - put 6, Re/King - take 1, Vople/Wolf take 3 , Pascia/Lord - take two and so on. Other characters include, Cinese/Chinese, Colombo/Pidgeon, Crepascolo/Twilight, Armigero/Knight?, Gezelia/Gazelle, Adone/Adonis, Gonhiere/Gondolier, Araba Fenice/Arab Phoenix?, Vecchio/Old Man, Leone/Lion. A very similar game board is in the collection of the Medici Villa...

Copy of a seascape painting titled " Venice, the Dogana With The Guidecca" showing ships on the Canal Guidecca inspected by Dogana or Customs

This is an absolutely stunning 18th century topographical painting, genre of which known as “veduta”. The crucial role in the development of that genre played Caspar van Wittel or Gaspar van Wittel -known in Italian as Gaspare Vanvitelli...

Circle of CASPAR NETSCHER (1635/39-1684), ALLEGORY oil on canvas. Small antique restoration. Dimensions: 94.5x77.5 cm. good conditions Of German origin, according to Arnold Houbrake...

A large exquisite silk satin panel embroidered in pastel colors with mythological figures, animals, foliage, and intertwined scrollwork from Piedmont Italy, circa 17th century. Prove...

A delightful and most charming true pair of Italian 18th century Baroque st. Giltwood wall decor. Each wonderful putto/cherub is dressed in a loose flowing fabric with a laniard acro...

One of a kind Set of two pieces belonging to a monumental Baroque altarpiece made in the 18th century. These are two magnificent carvings of large dimensions, which together make a semicircular piece with a profuse decoration also of monumental proportions of plant forms. Decoration with elaborate carved rolls, which stand out from the general structure. It comes from a Spanish church that housed an imposing altarpiece made in the second half of the 18th century. The entire visible surface is gilded with original gold leaf, with imperceptible subsequent touch-ups. The back is reinforced, which makes the pieces very strong and heavy. In the photographs you can see the approach of its collectors: they placed it as a headboard, it looked impressive! But these exclusive pieces can be presented in many possible ways, either as part of the wall or as a work of art. Due to its enormous size, the configuration chosen for transport is "the buyer picks up the piece" but if, once awarded, you want to contract transport, we will provide it (we have a team of experts). Total measurements: 450 cm (width) x 160cm (height) x 25cm (depth) Measurements of each piece (2): 225cm (width) x 160cm (height) x 25cm (depth) It is a unique opportunity to acquire two exclusive pieces in the world of antiques.

A spectacular flemish 17 century combined verdure and mythological handwoven wool tapestry in a simple palette of beige, green, brown and blue, framed with a complete floral border a...

A late XVII Century Italian School head of a young man (Circle of Guido Reni). A sensitively rendered portrait figure in profile, echoing soft modelling and restrained elegance chara...

A Fine Pair of Framed Porcelain Plaques Of Tavern Scenes By Jean-Pierre Feuillet The hand-painted, glazed & fired rectangular plaques of tavern scene, one depicting a friendly card ...

The framed engraving of "Aurore and Cephalus" depicts the kidnapping of Prince Cephalus by Aurore, who has fallen madly in love with him. This work was created by Annibale Carracci ...

Important English School, " Young Gentlemen " 18th century Oil painting on canvas cm. 76.5x64 in gilded frame. Condition: work lined, good condition

Portrait of Philip II, 17th-century Spanish school, with gilded Baroque frame Medium-sized oil on canvas (50 x 58 cm with frame) depicting Philip II of Spain, following the official...

Niche. Gilded and polychrome pine wood. Spain, 17th century. Niche made of carved and gilded pine wood, decorated with moldings, a venerated shape and plant elements in the upper p...

Pair Of 19th Century Italian Giltwood Wall Brackets. Stunning large pair of Italian Baroque style painted and gilt wood wall brackets, wall shelves or wall consoles to display your p...

18th Century, Italian painting with Saint Nicholas and the miracle of the brick Oil on canvas; Frame cm H 136 x W 109 x D 10. Canvas cm H 100 x W 74 The oil on canvas painting, with...

Breathtaking 18th Century Antique French Beauvais Tapestry, Country of Origin: France, Circa Date: 18th Century - Size: 4 ft 4 in x 6 ft 9 in (1.32 m x 2.06 m).

Barthelemy Roger (Ladeve 1767- 1841 Saulx-les-Chartreux) “Marie Antoinette de Lorraine-d’Autriche, Reine de France”, after Elisabeth Louise Vigée-Le Brun, 1828, engraving, inscribed “Peint par Rossline de Suédois / Dessiné par Monanteuil / Gravé par B. Roger 1828” This engraving of Marie Antoinette was wonderfully done by Barthemely Roger in 1828. It is beautifully framed in the original 19th century gold gilded frame.

A remarkable and most unique Italian 18th century Baroque st. giltwood and oil on board picture frame/painting of the Louis Philippe family. The picture frame displays a beautiful pi...

Amazing Tiziano Vecellio's Circle of the 17th century "Ecce Homo" Oil on canvas, 17th century, based on the original housed in the Kunsthistorisches Museum, Vienna. Dimensions: 1...

Part of Marcin Rusak’s signature Flora collection, the wall-hanging Flora Lens 65 constitutes a unique decorative piece that works well in a variety of settings. Based on discarded flowers carefully submerged in resin, this convex piece is entirely handmade in a labour-intensive process, in which everything, from collecting and processing the flowers to encapsulating them in cast resin, and to setting the material on an aluminium wall hanging system...

Peruvian Cuzco School Oil on Canvas of the Archangel Michael defeating Satan 18th Century. Later Frame. Wear commensurate with age. The Cuzco or Cusco school was a Roman Catho...

A 17th Century Flemish Baroque tapestry with Dramatic composition and movement –The central figure is in a dynamic pose with flowing draperies, and strong diagonals to convey action...

Roman School, early 19th century (Rome 1780-1842) Portrait of a young woman, probably dressed as a bride, in front of the temple at Paestum, possibly a posthumous portrait. Oil on pa...

Antonio Alegri, (Correggio - 1494-1534) Our Lady with the Child Jesus oil on copper, Italian School 16th century With inscription on the back '1494-1534...

Pair of 17th Century Gilt silver framed saints. Silver saints are draped in period clothing and holding a book, against a red fabric background with ...

A moving devotional work in the manner of 17th-century Italian Baroque painting, this 19th-century oil on canvas was created in Italy circa 1870 and depicts the Holy Family with the ...

The Treasures of Rembrandt Book by Michiel Roscam Abbing Art Gallery Book in slip case. Celebrating the 400th anniversary of the birth of one of the wo...

Very beautiful 19th century Italian altar back in red silk velvet, probably Venetian Very elegant altar back adorned with metal-gold braid and metal...

FRENCH SCHOOL "Portrait of a Girl with Flowers". Oil on canvas from the 18th century. Relined. Dimensions: 80 x 64 cm Good condition

18th Century Italian School "Sybile" H.s.t. bears a signature, oil on canvas 37cm x 30cm good condition

Magnificent and enormous pair of 17th century Italian Baroque period carved giltwood putti wall figures. The pair maintained its original gilding and co...

A Superb Pair Patinated & Gilt Wood Ornamental Wall Plaques. Italy, circa 1860. Dimensions: Height 36" Width 23 1/2" Depth 5 1/2" NI1019.