Continental Europe - More Prints

Pablo Picasso (1881-1973) - De mémoir d'homme, Planche IX Lithograph from 1950. An unnumbered copy from a limited edition of 350. Dimensions of work: 32 x 25 cm Publisher: Éditio...

Curved Desolation becomes an evocative exploration of emotional desolation, depicting a figure whose very form seems to mirror the contours of inner turmoil. The canvas becomes a tes...

Luminous Flux transforms the canvas into a river of luminous currents, where flux and flow become a poetic narrative. The interplay of light and texture crafts an immersive experienc...

Metallic Stream flows as a masterpiece of dynamic elegance, where metal becomes a liquid symphony. The canvas captures the allure of motion, as metallic substance cascades with a gra...

Photography of the Absence is a vintage poster of the exhibition of the Italian photographer Luigi Ghirri (1943-1992) held in Rome, Galleria Rondanini, in 1976. Offset print, in ver...

Lustrous Fusion creates a mesmerizing tapestry of textures and reflections, where metal and liquid intertwine in perfect harmony. The canvas becomes a medley of contrasts, as the lus...

The Giants - Hell Plate 2 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editi...

RYSZARD GIERYSZEWSKI (born in 1936) Graduated from the Academy of Fine Arts in Warsaw in 1964. He is a member of International Association XYLON in Switzerland. He participated in mo...

Edition of 50 prints numbered in roman numbers. Hand signed and numbered. Excellent conditions.

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Thou shalt also anoint Aaron and his sonnes, and shalt consecrate them, that they...

Marc Chagall (1887-1985) - Poèmes, Planche VIII Woodcut print from 1968. An unnumbered and unsigned copy from a limited edition of 238. Dimensions of sheet: 32.5 x 25 cm Dimensio...

Marc Chagall (1887-1985) - Soleil aux amoureux Etching from 1968. Trial proof - unique work. Dimensions of sheet: 51 x 34 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Maegh...

Ex Libris Dolfa Bartosik is a Contemporary Artwork realized in the mid-20th Century. One Color woodcut print on ivory-colored paper. Hand-signed in pencil on the lower margin. Th...

Castle is an original lithograph realized by Denise Bonvallet-Philippon (1906-1994). Hand-signed on the lower margin. Image dimensions: 28.5x21.5 cm. Sheet dimension: 42 x 33cm. ...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

The Awakening is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Artist's proof...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

Untitled from Le XX Siècle is an original artwork realized by Richard Lindner in 1974. Original colored lithograph. Good conditions. Printed by Mourlot, France. This lithograph wa...

Act I, Scene I - From “Romeo and Juliet”  is an artwork realized  in 1975. Mixed colored lithograph. Signed and dated in plate on the higher left margin. Perfect conditions. The ...

Marc Chagall - Original Lithograph The Red Rider From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1957 See Mourlot 191 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Ugolino is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realiz...

Untitled is an artwork realized by Jean Michel Folon ( 1934-2005). cm 65x50, no frame. Signed and numbered (Exemplary H.C) on plate and in pencil on the front. Good conditions!

Gloria vultus Moysi is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-M...

The Irascibile from the Series "The Divine Comedy" by Dante Alighieri is a woodcut print by  Salvador Dalì , realized in 1963. Good conditions. Not signed. Plate n.8 (as reported o...

The Hell of Cruel Beauties is a contemporary artwork realized in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed an...

Erinnyes - Hell  plate 9 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited editio...

On The Edge of the Seventh Circle - Hell  plate 4 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good co...

Charon is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition of 2900, realize...

The Simonists - hell 19 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Good conditions. Limited edition...

Emptiness is a Photograph realized by the Italian contemporary artist Marilù Eustachio in the 1980s. In very good conditions. 

Seascape + Sails is an original artwork realized by Osvaldo Peruzzi in 1988. Mixed colored lithograph. Hand-signed by the artist on the lower right. Numbered on the lower left marg...

David and Goliath is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

David's Mourning At The Death Of Saul is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between ...

Ecce Quasi Filius Hominis in Nubibus us Caeli on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969....

The Family of Mattathias is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969...

Marc Chagall (1887-1985) - Jonah II Lithograph from 1972. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsigned and unnum...

Mane, Thecel, Phares is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. S...

Interchangeable Names is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition, 93/100 The artw...

Digital print realized by the italian artist Chiara Santoro in 2023. Stamp signed, limited edition.

Solemn Receiving is an original artwork realized in 1872 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This be...

Fiore Segnale is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 51/125. Good conditions.

Piazza San Pietro is a modern artwork realized by Mino Maccari, Aldo Palazzeschi in 1944-1945. Black and white lithograph realized by Maccari and a poem written by Aldo Palazzeschi ...

Sarah Morris (American, born 1967) Total Lunar Eclipse, 2012 Medium: Screenprint in colors Dimensions: 50.2 × 50.2 cm (19 3/4 × 19 3/4 in) Edition of 108: Hand-signed and numbered Co...

The Diary is a modern artwork realized by Mino Maccari, and Velso Mucci, in 1944-1947. Black and white lithograph realized by Maccari and a test written by Valso Mucci in Italian on...

Marc Chagall (1887-1985) - Poèmes, Planche XXI (collage enhanced) Collage, woodcut print from 1968. Trial proof - unique work. Dimensions of sheet: 32.5 x 25 cm Dimensions in fra...

Ex Libris Glonka is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W woodcut on ivory-colored paper. The work is glued on card...

Door To The East no.17 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Asymmetric Abstract Composition is an original lithograph realized by Marcello Avalani between 1960's and 1970. Hand signed in pencil on lower right margin and numbered in pencil on...

Marc Chagall (1887-1985) - Maternité Suite of 5 etchings from 1926. The edition no. 953 of 960, on Lafuma de Voiron paper. Dimensions of work: 22 x 17.5 cm. Publisher: Au Sans Pa...

Naked in the Landscape is a beautiful original colored pochoir on paper, realized by the Italian artist Umberto Brunelleschi, signed on the lower-right of artwork. In excellent con...

Decorative Motifs of the Indian Renaissance is a vintage chromolithograph realized by an anonymous artist in the early 20th Century, Good conditions.

Hieroglyphics Alphabets is an Etching realized by Domenico Klemi Bonatti in the 1850s. Signed on the plate. Good condition with folding and foxing on margins. Domenico Klemi Bonat...

Image dimensions: 41.5 x 38 cm. Female Nude is a wonderful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 prints around ...

Adveniat Regnuum Tuum is a lithograph from the volume "Pater Noster" published by Rizzoli Editore, Milan, 1964. Signed and dated "1964" on plate on the lower left margin. In excellent condition. Reference: R. Michel, L. W. Löpsinger, Dalì, Catalogue Raisonné of Prints II, Lithographs and Wood engravings, 1956-1980, p. 180, n. 1599. Pater Noster is a beautiful artists' book illustrated by the oldest and mystic Salvador Dalí. Nine colored plates protected by Japanese paper represent the verses of the Lord's Prayer. The pages of a 14th-century missal reproduce a Pater Noster in Gregorian chant...

Artist's Proof, Hand signed. Edition of 50 prints. Image Dimensions : 42 x 55 cm Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork ...

Doll In Dream is an emulsion on canvas artwork realized by an anonymous artist in the 1950s. Very Good Conditions. The artwork is represented a dreamy world through an arch and a d...

Mechanical Splendor unveils a mesmerizing tableau of steampunk interior architecture, where the symphony of gears and cogs orchestrates a timeless elegance. The canvas is a tapestry ...

Molten Brilliance forges an ethereal connection between fire and artistry, as molten hues coalesce into a transcendent masterpiece. The canvas becomes a testament to transformation, ...

A comprehensive exploration of the life and work of Norman Foster With a career spanning across continents and over six decades, the work of the renowned architect Norman Foster is ...

Blanchefleur is a contemporary artwork realized by Salvador Dalì in 1972. Etching and drypoint on watermarked paper Chiffon de la Dore, (image cm 18x13; sheet cm 31x45) Hand signed...