Continental Europe - More Prints

This Map of Africa is an etching realized in the 19th century. The state of preservation of the artwork is good. At the top of the paper, the inscription “Longitudine del Meridiano ...

This Ingolstadium is an original etching realized by George Braun and Franz Hogenberg. The state of preservation of the artwork is good but aged and at the top on the right angle yo...

Illustration for "Le Conte de Voltaire" (1925) is an original etching realized by the French artist Henri Farge (1884-1970). Artist proof of 2° state, hand...

Francisco Bores (1898 - 1972) - Earth Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Assembly is an original lithography on paper, realized by G. Engelmann in 1825, the artwork is signed and dated on plate. Sheet dimensions: 27 x 27 cm. Includes a white passepartou...

Marc Chagall (1887-1985) - Couple sur fond noir Lithograph from 1974. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsign...

Abraham Rattner (1895 - 1978) - Autumn Lithograph from 1938. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Bernard Buffet (1928-1999) - Mirabeau Lithograph from 1977. The edition of 103/150. On Arches paper with watermark. Dimensions of work: 76 x 56 cm. Hand signed. The work is in E...

Abraham Rattner (1895 - 1978) - Fire Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Image dimensions: 50 x 36.5 cm. Dancer II is an original contemporary artwork realized by Marino Marini in 1977. Color etching and acquatint depicting a dancer. Edited by Graphis ...

Guitar Player is an original etching and aquatint, realized 1962 by Ossip Zadkine. Hand signed in pencil on lower right margin. Artist's proof (hand written on the lower left margi...

Bernard Buffet (1928-1999) - The deer in Nara - Sorlier Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in E...

Bernard Buffet (1928-1999) - The fountain or purification Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in...

Bernard Buffet (1928-1999) - Temple To-ji,Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent...

Alfred Rethel after (1816 Diepenbenden - 1859 Düsseldorf), Death as a servant, around 1920. Color woodcut by Oskar Bangemann after a drawing by Rethel created around 1845 on handmade...

Image dimensions: 30x24 cm. Edition of 50 prints, numbered and hand signed by the Artist. Excellent conditions. Insurance may be requested by customers as additional service, contac...

Nude is an original lithograph artwork, realized by Sergio Barletta, hand-signed, edition of 100 prints. In very good conditions. Here the artwork represents a different pose of n...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moses and Aaron with Pharaoh Lithograph from 1966. The edition of 20 on Japanes...

Braun G., Hogenberg F., Jerusalem, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Image dimensions: cm 32.8 x 41; dimensions: cm 41 x 54; Passepart...

Lithograph, 1976. DImensions: 57x78 cm. Lithograph in colors - Signed in pencil lower right - Numbered in pencil lower left (there were also 15 artist’s proofs) - Printed at the Cur...

Puppen is an original black and white serigraph on paper, realized the German artist Wolfgang Jörg (1934), during the 1970's. Signed and numbered in p...

Krasno Exhibition is an original artwork realized in 1970. Original affiche for Krasno exhibition at La Hune in Paris. Hand-signed and dated on the ...

Hand signed and numbered. Edition of 15 prints. Original title "Piccolo cavaliere". This work is a plate from the Portfolio "Marino Marini Gravures" published by Crommelynck in 1970....

Personnage sans Tête is an original black and white etching on paper, realized by the artist Antoine Mayo, art name of Malliarakis (1905-1990) Signed in pencil on lower right margin...

Lithograph, 1976. DImensions: 57x78 cm. Lithograph in colors - Signed in pencil lower right - Numbered 28/50 lower left (there were also 15 artist’s proofs) - Printed at the Curwen ...

The Climber is a peculiar and beautiful lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 1975 from one of his drawings...

Untitled composition is an interesting original colored lithograph on cream-colored paper realized in 1973 by the Italian artist Primo Conti (1900-1988). ...

Antoni Tapies (1923-2012) - Variations sur un thème musical Lithograph from 1987. Edition Bon a tirer. Dimensions of work: 53.5 x 70 cm Size in frame: 83 x 99.5 cm Reference: Nú...

Planetary System - From Nuovo atlante di geografia universale is an original print realized in 1820 by Luigi Rossi. Original black and white etching. Prin...

Image dimensions: 46 x 24 cm. Wall and Trowel is a peculiar and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around...

Hand-signed in pencil on the lower center. Edited by La Nuova Foglio, Macerata. Good conditions, except for folds along the margins. a tear on lower right margin, and a stain on left...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Image dimensions: 44 x 35 cm. Paradiso is a colored lithograph on paper, realized by the Italian artist Sante Monachesi, published by Euromuseum Editore, Ancona. Signed and numbere...

Six Mark Stones is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson, and published by La Nuova Foglio, a publishing house of Macerata as the dry-stamp reportes on the lower right corner. Image dimensions: 28.4x37.8 cm. Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. This a plate is from the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson; and represents six mark stones as the title points. A copy of the same print is part of the Tate Gallery's collection. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

An old fairy tale 1978, paper, linocut, 35x19 cm "An Old Fairy Tale" is a linocut artwork created on paper in 1978. The dimensions of the piece are 3...

Hand Signed and numbered. Edition of 20 prints. Very good conditions.

Untitled is a brightly colored serigraph realized by the contemporary Italian artist Pino Reggiani in 1970s. Hand-signed in pencil on the lower center. Good conditions, except for ...

Image dimensions: 44.5 x 37 cm. Hand Signed lower right in pencil. Very good conditions.

Original lithograph from Series "Corrida" . Edition of 99 prints numbered and hand signed. Excellent conditions.

Blue Woman is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower...

BThe Diva is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower ...

Hand Signed and Numbered. Edition of 75 pieces.Belong to the series "Tout pros de Marino". Ref. Toninelli 50 tav. 3; Guastalla n. A52. This artwork is shipped from Italy. Under exis...

Image dimensions: 23x41 cm. Edition of 96 pieces numbered and signed by the artist. Very Good conditions.

Image dimensions: 19x12 cm. Hand signed, on ivory colored paper. Artist's proof. In excellent conditions. Passepartout included : 49 x 34 cm Reference: G. Di S. Lazzaro, 33; Toninell...

Image dimensions: 54x80 cm. Edition of 50 pieces and some Artist's proofs. Printed in Zurich. Catalogues: l'Oeuvre Gravée, N°476; Toninelli Abrams New York, no. 84; "Le litografia di...

Limited edition of 50 prints, numbered and hand signed. Excellent conditions.

Hand signed and numbered. Edition of 260 prints, belonging to the Suite "Olympic Games Beijing 2008". Each work of this portfolio is recognizable by the official stamp of the Olympic...

Joan Miro (1893-1983) - Litografía original VIII Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Ea...

This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...

Marc Chagall Original Lithograph from Chagall Lithographe 1957-1962. VOLUME II. 1963 Dimensions: 32 x 24 cm From the unsigned edition of 10000 copies without margins Reference: Mourlot 398 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater...

Joan Miro (1893-1983) - Litografía original X Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each ...

Günter Fruhtrunk (German, 1923-1982) Seh-Übung (from Dschuang Dsi), 1967 Medium: Screenprint on card Dimensions: 38 x 33 cm Edition of 40: This is an unsigned print outside the editi...

The present work is the fifth sheet from ‘Hommage au carré’: portfolio with 12 colour screenprints, a French foreword by Michael Seuphor, French and English annotations by Josef Albe...

Jaremi Picz (1955) - Einstein Ring Giclée from 2025. The edition of 100. Dimensions of work: 50 x 50 cm. Hand signed. Publisher: Dell'Arte Foundation, Cracow. -- Jaremi Picz i...

Jaremi Picz (1955) - Cat's Eye Nebula NGC 7293 Giclée from 2025. The edition of 10. Dimensions of work: 50 x 50 cm. Hand signed. Publisher: Dell'Arte Foundation, Cracow. -- Ja...

Joan Miro (1893-1983) - Litografía original IV Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Each...

Winter solstice. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Moses wrath waxed hote, and he cast the Tables out of his handes, and brake them...

Alexander Calder - Original Lithograph - from "Derriere le Miroir"Behind the Mirror 1976 Framed Dimensions: 38 x 56 cm Source: Derrière le miroir (DLM), n°141, 1976 Alexander Cald...

Serge Gladky - Art Deco Colorful Composition Original Pochoir Circa 1925 33 x 26 cm So what is a "pochoir?" In its most basic sense, it is a stencil. By the 1920’s and 1930’s, th...