Continental Europe - More Prints

Herdsman's food. 1979. Paper, linocut, 19x33 cm imprint size 9x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ficti...

Intro. 1979. Paper, linocut, 25x34 cm imprint size 20x20 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction public...

Herdsman's misdeeds, vices. 1979. Paper, linocut, 19x33 cm imprint size 7x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklor...

Midsummer ferns. 1984. Paper, linocut, 20x34 cm imprint size 12x25 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Midsummer greetings. 1984. Paper, linocut, 20x34 cm imprint size 10x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and ...

Midsummer wreath. 1984. Paper, linocut, 20x34 cm imprint size 9x26 cm total page size 20x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Günther Förg (German, 1952-2013) Coda, 1996-98 Medium: Three etchings on Rives BFK rag paper Dimensions: 50 × 40 cm (19 7/10 × 15 7/10 in) Edition of 60: Hand-signed and numbered (ea...

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Pablo Picasso - Painter and His Model - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Cramer, 128 Unsigned an...

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm Reference: Chagall Lithographe 1957-1962. VOLUME II. Unsigned edition of over 5,000 Condition : Excellent Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Original Lithograph by Jean Cocteau Title: Surrealist Creature Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

Rupprecht Geiger (German, 1908-2009) Black on Different Reds, 1981 Medium: Screen print on cardboard Sheet dimensions: 39.5 x 40 cm Edition of 100 + XX: Hand-signed in pencil, verso ...

Graphisms & 4. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

Philippe Geluck - Golf Silk-screen print 2003 Numbered on 300 and signed Exhibition copy Missing and damaged 73x60 290€

> Monotype, ink, varnish on red Ingres paper > signed and dated lower right Barbara Szüts was born in Bad Bleiberg in Carinthia (AUSTRIA) in 1952. She studied painting with Carl Ung...

Acrylic paint on masonite. The frame was painted by the artist.

Marc Chagall, Original Lithograh depicting an instant of the Bible. Technique: Original lithograph in colours (Mourlot no. 234) On the reverse: another black and white original litho...

Exhibition poster Composition by Antonio Possenti, created for Artexpo New York 1981. This signed lithograph in portrait orientation features Possenti’s distinctive style, making it an excellent addition for collectors of vintage advertising art.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Exhibition poster by Nicola De Maria created for a 1988 exhibition at Galerie Lelong in Paris. The artwork highlights De Maria's unique ability to blend colors and forms into dynamic...

Original Lithograph by Jean Cocteau Title: The Voice Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

Digital print on canvas. Edition 1 of 5.

Digital print on canvas. Edition 1 of 5.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

Digital print on canvas. Edition 1 of 5. The frame is for illustrative purposes only.

The proposed print is a lithograph with a print run of 99 copies, in very good condition.The lithograph have the numbering of the print and the artist's hand signature in the lower m...

Joan Miro - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Reference : Mourlot 1106 Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Unsi...

Original Lithograph by Jean Cocteau Title: Reflections Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

*** Please note: Pictures of print in frame are only a visualization. Artwork is sold unframed DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been publis...

An exceptionally rare original poster from Georg Baselitz’s 1994 exhibition, “Holzschnitte 1966–1991,” held at Kunsthalle in Emden (Germany). The exhibition ran from October 1 to Nov...

Politeama Garibaldi is a vintage Offset print realized for the Teatro Massimo in 1974 . Good condition. Signed by Characters.

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Holy Bible -  The Transfiguration is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 a...

Composition  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1995. Hand signed and dated on the lower right margin. Extraordin...

Achille Perilli “Systematic 1°“ Lithography Achille Perilli Final lithography made for Engineering Company C. Lotti e Associati Roma. Editions numbered from 1/99 to 99/99 plus XXX ...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1992 Hand signed and dated on the lower rig...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990. Hand signed and dated on the lower ri...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990 Hand signed and dated on the lower rig...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990 Hand signed and dated on the lower rig...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990 Hand signed and dated on the lower rig...

Exibition print from “ Vibrazioni”  is a vintage photographic print on color paper applied on cardboard realized by Harold Miller Null in 1990 Hand signed and dated on the lower rig...

Pablo Palazuelo - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. Paul Rebeyrolle (1926...

JAN PAMUŁA (b. in 1944) A Polish artist, professor of Academy of Fine Arts in Cracow. In 1961-1968 he studied painting and printmaking in Cracow. In 1967 he was studying in École nat...

LESZEK RÓZGA (1924-2015) He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Arts)...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

LESZEK RÓZGA (1924-2015). He studied painting at Maria Skarbek-Kruszewska private atelier in 1945-46. In 1948, he began studies at the art school in Łódź (later: Academy of Fine Art...

RYSZARD GIERYSZEWSKI (born in 1936) Graduated from the Academy of Fine Arts in Warsaw in 1964. He is a member of International Association XYLON in Switzerland. He participated in mo...

The Reclining Figures is a print realized by the British artist Henry Moore (Castleford 1898 - Much Hadham 1986). This color lithograph on paper, was edited by the French magazine ...

Ex Libris Antonin Dolezal  is a Contemporary Artwork realized in the Mid-20th Century.  B/W woodcut print on ivory-colored paper. Hand-signed in pencil by the artist on the lower ri...

Ex Libris Victor Vernik is a Contemporary Artwork realized in the mid.20th Century. B/W woodcut print on ivory-colored paper. The work is glued on cardboard. Total dimensions:...

Hand signed. Edition of 150 (140/150). Very good condition.