Continental US - Figurative Prints

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930, originates from the 1930 edition published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930. Femme à la mandoline (Woman with Mandolin) exemplifies Picasso’s lyrical interpretation of the female form during his neoclassical period, fusing harmony, sensuality, and musicality into a composition that reflects both the artist’s Mediterranean roots and his mastery of modernist form. Through the union of lithographic line and pochoir color, the work conveys a balance between intimacy and abstraction, celebrating rhythm, grace, and the timeless relationship between art and music. Executed as a lithograph and pochoir on velin paper, this work measures 11.38 x 9.09 inches. Unsigned and unnumbered as issued. The edition exemplifies the refined craftsmanship of Editions des Chroniques du Jour and the technical excellence of L'Atelier Desjobert, one of the premier Parisian workshops specializing in pochoir and fine art lithography. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Femme à la mandoline (Woman with Mandolin), from the album, Pablo Picasso, 1930 Medium: Lithograph and pochoir on velin paper Dimensions: 11.38 x 9.09 inches (28.9 x 23.1 cm) Inscription: Unsigned and unnumbered as issued Date: 1930 Publisher: Editions des Chroniques du Jour, Paris Printer: L'Atelier Desjobert, Paris Catalogue raisonne references: Cramer, Patrick. Pablo Picasso, The Illustrated Books: Catalogue Raisonne. Patrick Cramer, 1983, illustration 18; Bloch, Georges. Pablo Picasso: Catalogue of the Printed Graphic Work 1904–1967. Kornfeld & Klipstein, 1968, illustration 98; Reusse, Gerhard. Pablo Picasso: The Illustrated Books, Catalogue Raisonne. Verlag Gerd Hatje, 1983, illustration 31 Condition: Well preserved, consistent with age and medium Provenance: From the album, Pablo Picasso, published by Editions des Chroniques du Jour, Paris, and printed by L'Atelier Desjobert, Paris, 1930 Notes: Excerpted from the album, This volume has been printed in MCC numbered examples, of which DL (LI to DC) constitute the edition in French and DCL (DCI to MCCL). The edition in English has been printed on behalf of E. Weyhe, 794 Lexington Avenue, New York (DCI to MC) and of A. Zwemmer, 78 Charing Cross Road, London, W. C.2. (MCI to MCCL). There have also been printed L examples on Arches paper with a lithograph by Picasso (I to L) distributed between the two editions, and some press examples. About the Publication: The album Pablo Picasso, published in 1930 by Editions des Chroniques du Jour, Paris, under the direction of Christian Zervos, stands among the earliest major printed tributes to the artist’s emerging international acclaim. Conceived as part of the publisher’s broader initiative to document and celebrate the modernist vanguard, the volume presented a series of lithographs and pochoirs interpreting Picasso’s drawings, watercolors, and gouaches from the preceding decade. Executed at the esteemed Atelier Desjobert, the edition combined the lithographic precision of line with the pochoir method’s hand-applied color, producing images of exceptional tonal depth and fidelity. Issued in both French and English, with distribution in Paris, New York, and London through E. Weyhe and A. Zwemmer, the album was limited to MCC copies, including a special suite of L examples on Arches paper containing an original lithograph by Picasso. The publication represented a vital collaboration between artist, publisher, and printer—uniting the intellectual rigor of Zervos’s art criticism with the material beauty of fine French printmaking. Today, Pablo Picasso, 1930 is recognized as a landmark in 20th-century art publishing, reflecting both the refinement of interwar Parisian craftsmanship and the international reach of Picasso’s genius. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. Pablo Picasso Femme à la mandoline (Woman with Mandolin), Picasso 1930, Picasso Desjobert, Picasso pochoir...

Original poster showing a “Baby in a Bidet”. In Italian it is Maniffatura Ceramica Pozzi. Linen backed in very fine condition, ready to frame. This Italian poster was only know...

Louis Icart, After, French (1888 - 1950) - Lillies, Year: 2000, Medium: Giclee on paper, numbered in pencil verso with printers stamp, Edition: 8/375, Size: 45 x 31 in. (114.3 x ...

Sedans used by the Japanese Ladies of Quality; One plate from Drake's Voyages London: circa 1860. Engraving with hand coloring in watercolor on cream laid paper; 7 1/2 x 10 3/4 inch...

Medium: pochoir (after the painting). This exquisitely rich impression on black wove paper was published in 1941 by the Nierendorf Gallery, of New York, for the cover of a now quite ...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Original 1934 Lithograph poster for TSF radio Monopole "une vague de puissance et d'harmonie" (a wave of power and harmony) with the beautiful mermaid strumming her harp. Archival...

ICARUS I is an original hand-drawn lithograph created in 1986 by the French American artist Marius Sznajderman, printed in neutral warm grays and intense black on archival Arches pap...

Lithograph in colors on Arches paper. Hand signed and numbered by the artist. From the edition of 250. Artwork is in excellent condition. Certificate of authenticity included. Al...

En plein soleil. (In the Sunlight). 1881. Etching and drypoint. Tissot 54, Béraldi 45, Wentworth 54. 7 13/16 x 11 1/2 (sheet 11 1/4 x 15). Edition about 100. Mat line and two hinge s...

Paris: Sagot, 1898. Wood engraving on cream wove paper, 8 1/2 x 6 1/4 inches (216 x 158 mm), full margins. Signed and numbered 11/25 in pencil, lower right. With the blindstamp of t...

Japanese Artisans - Japanese Woodblock Print J Japanese woodblock depicting six women, all wearing vibrant kimonos, working on crafts by Tosa Mitsuoki (Japanese, 1617-1691). Japanese,c. 1600. Handcraft depiction (dye works).Section from a painted screen with presentations of handcraft.Kita-in, Saitama. Stamped lower left. Presented in a white mat and giltwood frame. Frame: 19"H x 14"W Mat: 18.25"H x 13.25"W Image: 14.5"H x 9.5"W Tosa Mitsuoki was a Japanese painter, reinvigorating the Yamato style of classical Japanese painting. Yamato-e originated from interest in reproducing early Tang dynasty paintings, and was later reinvented and further refined to fit Japanese cultural perceptions in the late Heian period. Yamato, sometimes referred to as wa or kazu had become synonymous with the Tosa-ha by the Muromachi period as a way for Japanese artist to distinguish their works from those of mainland Chinese paintings, kara-e. Yamato-e incorporated various visual and literary techniques for establishing narrative. Works were not always accompanied with text and may rely on heavily on period specific visual motifs, icons, and symbols to relay a story or theme. Tosa style by the time of Mitsuoki focused heavily on depicting themes of plants and nature, famous places, meisho, the four seasons, shik, bird-and-flower, kacho. Many of these popular symbols and icons from mimicking Chinese practices, treating the original Chinese masterwork as a sort of prototype to improve upon. Popular formats for Mitsuoki's pictures were wall scrolls kakemono, or handscrolls that would be read from right to left with the accompanied story, sliding doors fusuma and folding screen panels byobu that featured up to six panels. Mitsuoki's style incorporated the depth and calligraphy techniques of ink wash brushwork similar to Song dynasty and Yuan dynasty Chinese court paintings...

Artist: Peter Max (1937) Title: Liberty Head V Year: 2001 Edition: 454/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscriptio...

Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...

Heliogravure on cream laid paper, 3 1/4 x 4 1/4 inches (80 x118 mm), thread margins. In good condition with a soft vertical crease and minor uniform toning. Printed early 19th centur...

From the Moby Dick Domes series. Aquatint, etching, engraving, relief, screen print and stencil with hand-coloring in acrylic on handmade, shaped TGL paper. Hand signed and dated l...

This is a hand-colored copper plate engraving depicting Ranunculus (Persian Buttercup) flowers from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thick laid chain-linked paper. There is latin text on the verso. There are central horizontal creases and two small holes on the right and another in the left lower corner. It is otherwise in excellent condition. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

Title: Highest Mountain Year: 1999 Medium: Offset lithograph in colors on gloss archival paper Size: 24 x 36 inches Inscription: Hand signed by Peter Max in ink and unnumbered, as is...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Sans titre (Untitled), originates from the 1964 album Recettes pour un ami, illustrations de Jean Cocteau (Recipes for a...

The 1999 Roland Garros poster by Antonio Seguí is a vibrant and whimsical work that captures the lively spirit of the French Open through a playful and satirical lens. Seguí’s use of...

LIMITED EDITION PRINT - Edition of 75 signed by the artist. Price for unframed. Ask us for custom framing options for this piece. Craig Alan is a Pop Surrealist, internationally rec...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

Original “Noc-turno or Nocturno” vintage European movie poster. This stone lithograph printing is for the Swedish release of the film. Archi...

Interspaceograph - multidimensional silkscreen print on two clear plexiglass panes. There is space between the two silkscreen print plexiglass panes in the custom frame giving the a...

This artwork "Trois Danseuses" (Three Dancers) c.1940 is an etching in sepia on Wove paper after French artist Marie Laurencin, 1883-1956. It his signed in the plate as issue. This is a posthumous impression from the canceled plate. The image (plate mark) is 14.60 x 10.75 inches, sheet size is 16.5 x 12.85 inches. It is in excellent condition, hanging tape mark, small piece of tape and 3 small skinned area are visible on the back only. About the artist: Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools. She was prim, conservative and always wore a kitchen apron...

This bright and lively work was originally created for a poster showcasing Miró's works at the Galleria del Milione, Milan. Bold colors, lively imagery, and vivid spontaneity are sta...

One of America's great modernist innovators, Max Weber carved Figure, 1919-20, on the end piece of a wooden cigar box. This Cubist image is composed o...

Medium: original etching. Printed in 1965 and published by The Collectors Guild. Plate size: 9 x 3 1/2 inches (225 x 90 mm). Sheet size 11 1/4 x 6 1/4 inches (285 x 157 mm). Not sign...

Alfredo Sosabravo (Cuba, 1930) 'La amiga de los animales', 2001 silkscreen on canvas 37.1 x 28.8 in. (94 x 73 cm.) Edition of 75 ID: SOS1289-006 Unframed __________________ ____________________ Alfredo Sosabravo  Born: 1930, Sagua la Grande, Matanzas, Cuba.  Studies: Between 1955-1957 he studied at the Elementary School of Applied Plastic Arts attached to the Academy of Fine Arts San Alejandro, in Havana, Cuba.  Experience: Member of the Association of Cuban Recorders and teaches several drawing and engraving courses at the National School of Art Instructors. In 1965 he entered the Graphic Experimental Workshop of Havana. In 1993 he teaches a mural ceramic course at the Faculty of Fine Arts of the University of Tenerife in the Canary Islands, working in turn at the Giuseppe Mazzotti Museum House 1903 in Albissola Mare, Italy.  Exhibitions: It is included in the 1959 annual Salon, Palace of Fine Arts, Havana. He made the first personal exhibition of importance in 1967 with oil-collages and ceramics in the Havana gallery. In 1973 he placed on the mezzanine floor of the Habana Libre Hotel a mural composed of 555 pieces of ceramics started since 1971. In 1997 he presented Sosabravo, The Guardian of the Small, in the Art Gallery, Madrid, Spain. In 2001 he exhibited graphic and painting works in El Comune de Orvieto Italia, in the Sala Conca de la Laguna, Tenerife and at the Feria de la Estampa in Madrid. In Cuba, he built the 10 m2 mural called Carnaval de la Habana for the Residencial América real estate. In 2002, Galería Cernuda Arte, Coral Gables, Florida, shows his works at the Art Miami Fair. In the United Kingdom he exhibited Murano glass oil paintings and sculptures. The Biennale di Ceramica nell'Arte Contemporary of Albissola Mare, Savona, invited him to participate with works that he would carry out in the San Giorgio da Poggi workshop. In 2003 his work was part of the Important Cuban Artworks...

JOSE CLEMENTE OROZCO (1883 – 1949) CABEZA DE MUJER, ( Woman's Head: Mexican Woman) 1929 (Orozco 9) Lithograph, signed and numbered 23/50. in pencil. Pri...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faune et femme nue (Faun and Nude Woman), from the folio Picasso, La flute double, 16 Dessins, Aquarelle...

Official poster designed and created for the tennis tournament held at Roland Garros French Open every year. The poster is a limited edition of 2000. First edition, unsigned and not ...

ANGEL WITH HEART is an original hand drawn limited edition lithograph by the pop culture icon - Peter Max, printed using traditional hand lithography techniques on archival Arches printmaking paper 100% acid free. ANGEL WITH HEART is an Inspiring and expressive portrait of a winged Pop Art Guardian Angel with gleaming red heart and glowing halo rendered in rich lavender tones and rainbow colors. Max's bold colors, uplifting images and his unconventional artistic diversity have touched almost every period of American culture. Peter Max is well known for his leading role in the psychedelic art of the hippie generation. Print size - 36 x 27 inches, unframed, excellent condition, fresh vivid colors, full bleed image, pencil signed by Peter Max Edition size - 300 Year published - 1990 Printer - J K Fine Art Editions Co. NY German/American artist: b. 1937, Peter Max spent his childhood in Shanghai. From China, the family went to Tibet for a year, and then on to Israel. Peter Max's family's odyssey continued to Paris, and finally, at the age of 16, Max arrived in the United States. Peter Max began his art studies in New York at the Art Student's League and continued at the Pratt Institute and School of Visual Arts. Peter Max, recognised throughout the world and a well-known name in America, is famous for his new age style, cosmic imagery and multi-colored blends. During the late 1960's and early 70's, Peter Max's colorful award winning art reached millions of people. Peter Max's paintings, drawings, sculpture and limited edition graphics have been exhibited in major museums throughout the world. American icons, especially the Statue of Liberty, appear repeatedly in his art repertoire. Returning to the public art scene in the ‘80s...

Beautiful mid 19th century Japanese woodblock print of a samurai by Utagawa Toyokuni III (Kunisada) (Japanese, 1786-1864/5). This piece is from a series of "The 53 Stations of the To...

Robert Indiana 0, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 (unsigned) Frame included: Elegantly matted and fra...

This exquisite lithograph by Henri Matisse (1869–1954), titled La Chute d’Icare (The Fall of Icarus), from Verve, Revue Artistique et Litteraire, Vol. IV, No. 13, originates from the...

Photogram from a frottage in black in white on photosensitive paper. Inscription: Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: A photogram was a...

Louis Icart, After, French (1888 - 1950) - Louise, Year: Of Original: 1927, Medium: Lithograph, facsimilie signature, Edition: 122/300, Image Size: 20 x 14 inches, Frame Size: 2...

This exquisite lithograph after Rene Magritte (1898–1967), titled Sans titre (Untitled), from the album Poems 1923-1958, Dix dessins de Rene Magritte (Ten Drawings by Rene Magritte),...

The Pool of London. c. 1915. Etching and drypoint. 7 7/8 x 15 7/8 (sheet 11 x 14 7/8 x 21 1/4). A rich impression with drypoint burr printed on the full sheet of simili-Japan paper. ...

Art Card: Leonor Fini - Dimanche après-midi/, Sunday Afternoon/Domenica pomeriggio, ca. 1980 (Hand signed by Leonor Fini), 1988 Charming offset lithograph postcard Hand signed on the...

Artist: Marc Chagall (after) Title: Siren with Pine Portfolio: Nice and the Cote d'Azur Medium: Lithograph Date: 1967 Edition: Unsigned and unnumbered proof (aside from the edition o...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.140 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

Ellen Tiberino (1937-1992). Head of Woman, ca. 1980. edition 450. Offset print on paper, image measuring 15.5 x 21 inches. 21.5 x 27 inches in matting. Hand signed and numbered i...

This artwork titled "Old City Hall, Munich, Germany" c.1930 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13.25 x 11.15 inches, framed size is 24.75 x 21.75 inches. Custom framed in a wooden black and gold frame, with light grey matting and blue fillets. It is in excellent condition, slightly toned by age around the plate mark, see picture #7. The frame have a very small minor restoration, practically invisible. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna...

Original Les Codes de CHANEL Poster – Black Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in ...

Alexander Calder Lithograph c. 1971 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preseved. Unsigned from an edition of u...

Artist: Camille Pissarro Title: Les Faneuses Portfolio: l'Histoire des Peintres Impressionistes Medium: Etching on cream laid paper Date: 1906 Edition: 1000 Frame Size: 19 1/2" x 17"...

Jim Dine Jim Dine Paintings", Pace Gallery poster, 1979 Offset lithograph poster on lithographic paper Signed in plate, with the Pace Editions, INC stamp Limited Edition 500 30 × 38...

Original Les Codes de CHANEL Poster – Pink Fashion Wall Art, Modern Luxury Décor, Iconic Designer Brand Print for Bedroom, Living Room, Glam Office poster. Archival linen backed in...

"Sifnos" is a serigraph on paper by Thomas McKnight from his 'Aegean Sea Suite', signed 'McKnight' lower right and numbered XXIX/CC lower left. From the edition of 510 (there were al...

This exquisite lithograph after Henri Matisse (1869–1954), titled Fusain (Charcoal), from the album Dessins de Henri-Matisse (Drawings by Henri Matisse), originates from the 1925 edi...

This exquisite lithograph by Marc Chagall (1887–1985), titled Cirque au Soleil (Circus in the Sun), from the folio Derriere le miroir, No. 235, originates from the 1979 edition publi...

This exquisite linocut by Henri Laurens (1885–1954), titled Sirenes (Sirens), from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommair...

A rare, signed image from a lesser-known female impressionist printmaker. c. 1900. Etching with drypoint on cream laid paper with a partial watermark, 11 x 5 1/4 inches (280 x 133 m...

An original fine art print by Jacob Lawrence from the Kent Spirit of Independence Poster Portfolio, published in 1975 by Lorillard. The offset prints from this portfolio are unsigned...

Alex Katz uses outline drawings, called “cartoons”, as templates to transfer full size images onto the canvas prior to painting. Rendered in red chalk or charcoal on brown paper, th...

Poster/Print. Measures 36 x 20.75 inches and is Unframed. Good Condition-signs of wear consistent with age and handling/minor tear along the edge of white border.

HELLEU, PAUL CÉSAR (1859 - 1927) MADAME GEORGES MENIER Montesquiou XXI Drypoint in colors, c. 1900 Signed in pencil, lower right Printed on wove paper Full Margins 22 1/4” x 13...