Continental US - Figurative Prints

Salvador Dalí "Le dos divin de Gala" (The divine back of Gala) from After 50 Years of Surrealism Original etching with hand coloring, hand sig...

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

Artist: Keith Haring (American, 1958-1990) Title: "National Coming Out Day" *Signed and dated by Haring in the plate (printed signature) lower right Year: 1988 Medium: Original Offse...

SHEPARD FAIREY Global Warning - Global Warming (Andy Warhol Edition), 2009 Silkscreen on wove paper 24 × 18 inches Pencil signed and numbered 264/450 on the front Unframed Global War...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Yale University Art Gallery (Thinking of Him)" Series: Yale University Art Gallery Posters Year: 1991 Medium: Original Offset-Lithograph, Poster on smooth wove paper Limited edition: Unknown Printer: Springdale Graphics, Springdale, CT Publisher: Yale University Art Gallery, New Haven, CT Sheet size: 27" x 26" Image size: 22.25" x 22.5" Condition: Never framed, has been professionally stored away for decades. In excellent condition Notes: Provenance: acquired directly from the printer Springdale Graphics, Springdale, CT. Comes from the 1991 "Yale University Art Gallery" series of three offset-lithograph, posters: "Thinking of Him", "Blam", and "Washing Machine". The image featured on this poster is Lichtenstein's 1963, 68" x 68", magna on canvas painting "Thinking of Him" which is part of the Yale University Art Gallery's permanent collection. GIA Gallery Poster Disclaimer: Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters. Biography: American artist Roy Lichtenstein was born in New York City on October 27, 1923, and grew up on Manhattan's Upper West Side. In the 1960s, Lichtenstein became a leading figure of the new Pop Art movement. Inspired by advertisements and comic strips, Lichtenstein's bright, graphic works parodied American popular culture and the art world itself. He died in New York City on September 29, 1997. Lichtenstein was committed to his art until the end of his life, often spending at least 10 hours a day in his studio. His work was acquired by major museum collections around the world, and he received numerous honorary degrees and awards, including the National Medal of Arts in 1995. In 2013 the painting "Woman with Flowered Hat" set another record at $56.1 million as it was purchased by British jeweler Laurence Graff...

Original American Airlines San Francisco vintage travel poster. Artist: Dong Kingman, 1970s linen-backed authentic travel poster, ready to frame. Grade A- condition. Size 20...

This rare and collectible poster by David Hockney was part of a series of three billboards commissioned by the Metropolitan Opera in New York City in 1981. Designed specifically for ...

Artist: Giancarlo Impiglia Title: A Toast Year: 1981 Medium: Screenprint Paper Size: 26 x 22.5 inches Frame: 28 x 24.5 inches An unsigned example aside from the edition of 300.

Artist: Marc Chagall, Russian/French (1887 - 1985) Title: Pantomime from Derriere Le Miroir (cover) Year: 1972 Medium: Lithograph, signed in the plate Image Size: 14.25 x 10.5 in. (3...

Marc Chagall, Vintage Exhibition Poster (1977) — 30 × 20.5 in — Very Good, A- Lithography poster (Mourlot workshop). Expertly printed in Paris by the renowned Mourlot Printers. Engra...

Swedish Jewish modern art. On Hahnemuhle paper, hand signed and numbered. poster is not included. These depict synagogue interiors, Rabbis at prayer ...

"Sergio Hernández (Mexico, 1957) 'Untitled', 2011 woodcut on paper 30 x 41.4 in. (76 x 105 cm.) P.A I/III (Proof of Artist) ID: HER-157-1"

This exquisite lithograph after Edgar Degas (1834–1917), titled Danseur au bar (Dancer at the Barre), originates from the 1945 folio Degas, Ten Ballet Sketches. Published by The Studio Publications, Inc., New York, rendered and printed by Albert Carman, City Island, 1945, this work reflects Degas’s sensitive mastery of line, movement, and intimate observation, capturing the grace, poise, and psychological immediacy that define his iconic ballet imagery. In Danseur au bar (Dancer at the Barre), Degas reveals gesture and inner emotion through economical contour and lyrical nuance. Executed as a lithograph and pochoir on velin paper, this work measures 17 x 13 inches (43.18 x 33.02 cm). Signed in the plate and unnumbered as issued. Rendered and printed by Albert Carman, City Island, one of the notable American ateliers specializing in fine art lithography during the mid-20th century. Artwork Details: Artist: After Edgar Degas (1834–1917) Title: Danseur au bar (Dancer at the Barre), from Degas, Ten Ballet Sketches, 1945 Medium: Lithograph and pochoir on velin paper Dimensions: 17 x 13 inches (43.18 x 33.02 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1945 Publisher: The Studio Publications, Inc., New York Printer: Albert Carman, City Island, 1945 Condition: Well preserved, consistent with age and medium Provenance: From the 1945 folio Degas, Ten Ballet Sketches, published by The Studio Publications, Inc., New York Notes: Excerpted from the album, Born in Paris in 1834, Edgar Degas lived, and surely loved the life of that city during most of his years. These continued somewhat sadly beyond those of most of his friends— into the debacle of the first World War, during which he died in 1917. Judging by the frequency with which he used them as models, he must have had an especial admiration for the ballet girls who followed a profession that at the time brought none of the glory and prosperity which attend it today. New aspects of the human body, revealed in movement, fascinated him. But his occupation with the simply anatomical side of his subjects never resulted in a cold interpretation. On the contrary there is a warmth and sympathy that pervades all of his work. The drawings here represent the painter in one important phase of his multi-sensitive view of life; and permit an insight which a more ambitious work might not do-into the operation of the creative process, the artist's transformation of reality as it passes through the mesh of his sensibilities. The Edition of this Portfolio is limited to MMMD examples. Rendered by Albert Carman. About the Publication: Degas, Ten Ballet Sketches, published in 1945 by The Studio Publications, Inc., New York, stands as one of the most elegant and scholarly mid-century American fine art folios devoted to the ballet imagery of Edgar Degas. Conceived as a high-quality interpretive portfolio, the album presents a series of lithograph-and-pochoir renderings based on Degas’s original drawings, executed with exceptional attention to tonal subtlety, contour fidelity, and the emotional interiority that defines the artist’s draftsmanship. Rendered and printed by Albert Carman on City Island, the publication embodies an American postwar effort to restore and celebrate European masterworks through meticulous handcraft and artisanal color application, honoring Degas’s distinctive line and the atmospheric delicacy of his studio-based studies. Produced in a substantial edition of MMMD examples, the portfolio offered audiences rare access to Degas’s private working drawings—images rarely seen outside institutional collections—while exemplifying the technical refinement and interpretive care characteristic of Carman’s workshop. Today, Degas, Ten Ballet Sketches remains a sought-after historical publication, valued for its craft, fidelity to Degas’s aesthetic, and its role in preserving and disseminating the artist’s intimate ballet imagery in a beautifully executed mid-century fine art format. About the Artist: Edgar Degas (1834–1917) was a French painter, draughtsman, printmaker, and sculptor whose groundbreaking fusion of classical draftsmanship, modern experimentation, and psychological depth helped define the trajectory of Western art, positioning him as one of the most influential figures of the nineteenth and early twentieth centuries; renowned for his depictions of ballet dancers, racehorses, theater scenes, cafe life, domestic interiors, milliners, laundresses, and women at their toilette, Degas reimagined observational realism through radical compositional innovation—employing extreme cropping, asymmetrical framing, oblique viewpoints, and dramatic lighting that anticipated photographic and cinematic language long before these technologies shaped visual culture, and although associated with Impressionism, he rejected plein-air spontaneity in favor of studio-based discipline rooted in the linear precision of Jean-Auguste-Dominique Ingres, the expressive chromaticism of Eugene Delacroix, and the modernity of Edouard Manet while also drawing inspiration from Japanese ukiyo-e prints, classical sculpture, and early photography; his independent artistic philosophy resonated with and helped shape the innovations of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, whose explorations of movement, form, dream logic, abstraction, and conceptualism all find antecedents in Degas’s investigations into seriality, temporality, and the fragmented figure, and his pioneering use of pastel, monotype, and wax sculpture fundamentally transformed each medium, influencing artists from Henri Matisse, Francis Bacon, Lucian Freud, and Giacomo Manzu to Paula Rego, contemporary realists, experimental photographers, and choreographers; his works are held in nearly every major museum collection worldwide—including the Musee dOrsay, the Louvre, the Metropolitan Museum of Art, the National Gallery of Art, the Art Institute of Chicago, the Courtauld Institute, and the National Gallery, London—affirming his central place in the history of art, and the highest auction record for Degas was achieved at Sothebys London on February 3, 2015, when Danseuses en Bleu sold for 37,033,000 GBP, cementing his status as one of the most sought-after and enduringly significant artists of the Western canon. Edgar Degas lithograph...

Joan Miro (Spain, 1893-1983) 'Maravillas con variaciones acrósticas en el jardín de Miró (cobertura para el estuche)', 1975 lithograph on canvas 21.5 x 32.25 x 21 in. (54 x 82 cm.) Edition of 1500 Unframed ID: MIR2001-014 It is documented in Cramer, P (1992). Miró Litographer V (1972-1975). Maeght Éditeur, pp 162-163. No. 1051. Artwork history: At the end of 1971 Rafael Alberti wrote from Rome to Joan Miró in the following terms “(…) I think I have news that you liked my folder...

BESSIE MAE is a hand drawn, limited edition lithograph/linocut by the African American artist JONATHAN GREEN printed in 10 colors using hand lithography techniques and linoleum cut o...

An original etching created by Pablo Picasso in 1966 . It is stamp signed and numbered from the edition of 50. This piece measures 8.8 x 12.8 inches and the framed dimensions are 1...

God and the Four Evangelists ("Fool's Concert") - 1943 Linocut on Paper Leopoldo Méndez (Mexico City, Mexico, 1902–1969) "Fool's Concert" (from the portfolio "25 Prints of Leopoldo ...

"Stand Strong" is a digital illustration by Samantha Viotty, a Washington DC-based artist. This piece, similar to her others, is an exploration into ac...

LEOPOLDO MENDEZ (1902 – 1969) THE MAKING OF TORTILLAS 1954 Linocut. Edition unknown. This example signed in pencil and dated 1957. 14” x 47 3/8” ...

This exquisite lithograph by Marc Chagall (1887–1985), titled La Baie des Anges (The Bay of Angels), from the album The Lithographs of Chagall, Volume I, originates from the 1960 edi...

The Society of Iconophiles (New York, 1894–1936), 1898. Each a lithograph printed on grayish-green, or white wove paper each sheet 10 3/4 x 7 1/2 inches (274 x 190 mm), each with ful...

Salvador Dali Mythology: Leda and Swan (Leda et le Cygne), Published 1963 -1965 Medium: Copper and Drypoint Etching with Hand-Coloring on Japon Edition: VII/XX Artwork Size: 30 ...

Artist: Peter Max (1937) Title: Liberty Head III Year: 2001 Edition: 485/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscript...

Original poster: BATMAN - Museo Dell'Automobile Torino Artist: after Andy Warhol. Size 27.25" x 37" Printed: 1996 in Milan, Italy. Excellent condition. This pop art Italian poster in perfect condition, ready to frame. This is the original first printing of the Museo Dell'Automobile Torino (Italy) Batman, Andy Warhol. 'Viaggio in Italia'. This poster features the artwork for Warhol’s unauthorised 1964 film “Batman Dracula”. Excellent condition. Certificate of Authenticity. Printed in Italy. The exhibition poster was for Nov. 30, 1996 - March 9, 1997. This BATMAN - Museo Dell'Automobile Torino is an Original Vintage Poster, not a reproduction. This poster is in excellent condition. This is an Original Lithograph Vintage Poster; it is not a reproduction. This is an Original Lithograph Vintage Poster; it is not a reproduction. Free Continental USA shipping included (saves $69 1st Dibs...

Etching with drypoint on antique handmade laid Japon paper, 12 7/8 x 7 1/2 (327 x 191 mm); sheet 15 5/16 x 10 7/16 (389 x 265 mm), full margins. Signed in pencil in the lower margin....

Artist: Peter Max (1937) Title: Liberty Head VII Year: 2003 Edition: 451/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.43 x 2.62 inches Condition: Excellent Insc...

Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: WP (Working Proof) of 90 Year: 1988 Notes: Ha...

Clifford James (active 1900-1930) After James Abbott NcNeill Whistler (1834-1903) Symphony in White No. 2, The Little White Girl Color mezzotint, 1922 Signed in pencil by James (see ...

Muramasa Kudo, Japanese (1948 - ) - Loves Passenger, Medium: Screenprint, signed and numbered in pencil, Edition: 150/275, Image Size: 26.5 x 35.75 inches, Size: 33 x 41.75 in. (83.8...

This exquisite lithograph by Marc Chagall (1887–1985), titled Printemps (Spring), from Verve, Revue Artistique et Litteraire, Vol. I, No. 3, originat...

ITZCHAK TARKAY – "VISITING FRIENDS" ⚜ Serigraph in Color on Wove Paper ⚜ Hand Signed and Annotated AP 23/90 ⚜ Gilt Wood Frame VIBRANT INTERIOR PORTRAIT Printed in 2001, "Visiting Fr...

Judith I, no. 9 from the second installment of Das Werk Gustav Klimts Much like his treatment of the Classical personage, Danae, from Greek mythology, Klimt’s depiction of Judith takes an Old Testament character, a heroine who avenges the death of her husband by killing an Assyrian king, and firmly positions her in his present-day Vienna. His multicolored collotype rips the canvas from its gilded frame which directly references the subject with its title: “Judith und Holofernes”. Now in print form, Judith, holding the severed head of a male in murky shadow, is the ultimate Viennese femme fatale. Her likeness is unmistakably similar to a former lover of Klimt’s and famous Viennese soprano, Anna von Mildenburg. Though his allusion to ancient Assyria is apt, Klimt literally lifted the gold patterned background’s design motif from a relief detail from Sennacherib’s Palace displayed in a London museum. His context then is contemporary. In a sensual and sexually powerful tour de force, Klimt’s Judith...

This artwork titled "Portrait #1" from the suite "After Noon" 1976, is an original color lithograph on Arches paper by artist Richard Lindner (German/American 1901-1978) It is hand s...

This artwork "Street with Church" c.1925 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil by the artist at the lower center. The p...

James Allen, 'Pipe and Brawn,' 1937, lithograph, edition 40. Signed and annotated 'Ed/40' in pencil. A superb, richly inked impression on cream wove paper, the full sheet with margin...

Artist: Peter Max (1937) Title: Heart on Blends Year: 2005 Edition: 500/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 12.75 x 10 inches Condition: Excellent Inscri...

Pablo Picasso The Rehearsal, (La Répétition) Original Lithograph, (litho crayon composition on transfer paper, transferred to stone) Hand signed in ink in lower left corner Numbered ...

Pablo Picasso, After, Spanish (1881 - 1973) - Faune a la Diaule. Portfolio: Femme et Faunes, Year: 1956, Medium: Pochoir, signed in the plate, Edition: 200, Size: 19.5 x 16 in. (49.5...

After Gustav Klimt, Max Eisler #1, Die Freundinnen II; multi-color collotype after 1916/17 painting in oil on canvas which was destroyed by fire in May 1945 at Immendorf Castle Lower Austria. Eisler’s choice to begin his 1931 portfolio of works by Klimt with Girlfriends II was both bold and prescient. Just 14 years later, the painting was tragically destroyed in a fire. With such a loss, this rare and exquisite image is all the more valuable by virtue of having been made in color. In works from his late period, Klimt continued his fascination with exploring female dynamics and their various forms of love. Girlfriends II is a fine example of how space, color and ornament play a noticeable role in the evolution of his symbolic language. Wide swaths of space in the background as well as the two female forms create the structure. Klimt’s strong brushstrokes show a painterly quality and a new move toward abstraction which feels very far away from his earlier work. Nor should Klimt’s economy of line be overlooked. His draughtsmanship is what infuses the female bodies with movement, emotion and a profundity of life. Both women confront the viewer’s gaze unselfconsciously, as if they are modern-day Viennese women stepping out of a Klimtesque ukiyo-e print. Characteristic of this late period, Klimt uses ornament...

Original Paul Mohr Dubonnet Vintage Poster – Rare Art Deco Advertising, Linen-Backed, Excellent Condition, Authentic French 1930s Print – Wall Decor & Col...

The Virgins, no. 2 from the fifth installment of Das Werk Gustav Klimts The Virgins speaks to a new chapter of Klimt’s artistic development. That it was sel...

This exquisite lithograph by Fernand Leger (1881–1955), titled Apres le deluge (After the Flood), originates from the 1949 folio Les Illuminations, lithographies originales de Fernan...

Artist: Andy Warhol Title: Flowers (Hand-Colored) Medium: Screenprint hand-colored with watercolor on white wove paper Date: 1974 Edition: 238/250 Sheet Size: 40 7/8" x 27 1/4" Signa...

Plage de France, Côte d’Argent, le Bassin d’Arcachon by A. Marguet (1960) — Original French Travel Poster. Archival linen-backed in very fine condition, ready to frame. Grade A- co...

Marc Chagall The Bay of Angels Artist: Marc Chagall Medium: Lithograph Title: The Bay of Angels Portfolio: 1960 Mourlot Lithographe I Year: 1960 Editio...

Lucian Freud After Constable's "Elm" 2003 Etching on Somerset Textured White paper 18 7/8 x 15 inches; 48 x 38 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Artist: Keith Haring Title: Apocalypse 2 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Edition: 22 of 90 Year: 1988 Notes: Hand-signed by artist, Signed, numbered, and dated in pencil. Published by George Mulder Fine Arts, New York. Catalog Raisonne: Littmann, 98. Text: Willliam S. Burroughs Page 2 The planet is pulling loose from its moorings, careening into space, spilling cities and mountains and seas into the Void, spinning faster and faster as days and nights flash by like subway stations. Iron penis chimneys ejaculate blue sparks in a reek of ozone, tunnels crunch down teeth of concrete and steel, flattening cars like beer cans...

David Hockney Grimms' Fairy Tales (Hand Signed), 1996 Offset Lithograph Poster Boldly signed in ink marker on the top front 16 1/2 × 11 1/2 inches Unframed This signed offset lithogr...

An original 1930 Art Deco lithograph poster by French artist Maurice Dufrene. Rayon des Soieries Maurice Dufrene, (1876–1955) Date: 1930 Lithograph Size: 46 x 30 in. (116.84 x 76.2 c...

This artwork "American Indian, Navajo" is a offset lithograph on paper by noted Brazilan artist Ozz Franca, 1928-1991. The image size is 21 x 14.75 inches, framed size is 31.25 x 27 inches. Custom framed in a wooden brown/grey frame, with lith purple matting. It is in excellent condition. About the artist: Born October 2, 1928, França (pronounced FRON-suh) grew up in Sao Paulo, Brazil, and from an early age showed talent as an artist, as well as exceptional prowess as a competitive swimmer. At 14 he won first prize at the annual Spring Salon Art Competition. At 15, he qualified for the Brazilian Olympic Swimming Team. With two amazing talents, França was unsure what he should do with his life. Fate stepped in, and the Olympic Games were canceled the year França was to compete due to the outbreak of World War II. At that point, he decided to devote his life to art. He held his first one-man show at the age of 18. Following what he would later say was the best advice anyone ever gave him, França came to the U.S, to accept a scholarship in Utah. A year later, he moved to Hollywood and began doing movie illustration for Walt Disney. His projects included Lady and the Tramp and 20,000 Leagues Under the Sea. He moonlighted as a swimmer when movie parts were available. França painted many subjects, but he is best known for his esoteric images of Native American women. França's art enters the world of fantasy and dreams, where the spiritual meets the sensual. His works, with their floating imagery and airy, muted colors, evoke an aura of mystery. França said he always painted his subjects, which primarily were women, either in profile, looking toward the edge of the painting, or looking over her shoulder, "so that anyone could walk into it." Joan Lee, print marketing professional, said that Ozz saw the spirituality and quiet dignity of Native American men and women. "there's a romance surrounding Native Americans that people appreciate seeing," said Lee. Ozz França died in 1991. Ozz Franca’s work is held in the collections of numerous celebrity, including: Jacqueline Onassis Lyndon B. Johnson Patty Duke Jerry Lewis Kim Novak Burt Lancaster Gig Young Tom Bradley Sammy Davis, Jr. Ronald Reagan Red Skelton...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Alphabet Year: 1982 Medium: Offset lithograph on archival paper Size: 36 x 24 inches Condition: Excellent Inscription: Signed in in...

Carlos Quintana (Cuban, 1966) 'Sin título I', 2001 silkscreen on canvas 39.4 x 28.8 in. (100 x 73 cm.) Edition of 75 ID: QUI1316-001-075 Unframed

This exquisite lithograph by Marc Chagall (1887–1985), titled Nocturne a Vence (Nocturne in Vence), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edi...

Artist: Albert Hirschfeld Title: Kabuki Kyo Medium: Lithograph, signed and numbered in pencil Edition: 1116/275 Size: 30 x 21.75 in. (76.2 x 55.25 cm)

Original vintage poster: VINAIGRERIES GENERALS BORDEAUX BASTIDE, FRANCE. A more unique vintage poster that is round. The poster features a sun in the middle in deep red, with th...

SCHOMBURG LIBRARY is a hand drawn, limited edition lithograph printed using traditional hand lithography methods on archival Arches printmaking paper...

This is a hand-colored copper plate engraving entitled "Ptarmica Vulgaris (Sneezewort), Papaver Spinosum (Mexican Poppy), Chrysocame Peregrina (Seaside Strawflower)", depicting flowering Sneezewort, Mexican Poppy and Seaside Strawberry plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This beautiful colorful engraving is printed on thin laid chain-linked paper. The left margin is thinner than the others and the left edge is somewhat irregular where the engraving was previously bound in the original publication. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 20" high and 16.38" wide. Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...

This exquisite lithograph by Joan Miro (1893–1983), titled La Femme Arborescente (The Tree-Like Woman), from the folio Derriere le miroir, No. 151–152, originates from the 1965 editi...

Linocut on vélin pur fil Johannot a la forme paper. Inscription: signed in pencil and unnumbered, as issued, from the edition of 50. Good condition. Notes: From the folio, Le Poème p...