Continental US - Figurative Prints

The Coronation of Gala (The Empress) from Visions Surrealiste Salvador Dali, Spanish (1904–1989) Portfolio: Visions Surrealiste Date: 1976 Lithograph, signed and numbered in pencil E...

Jack Vettriano OBE, (1951-2025) was a self taught Scottish artist most famous for his best-selling image, The Singing Butler. Vettriano gained acclaim for his film noire 1930s glam s...

This exquisite lithograph after Andrew Wyeth (1917–2009), titled Brinton’s Mill, originates from the distinguished 1962 folio The Four Seasons: Paintings and Drawings by Andrew Wyeth. Published and printed by Art in America Company, Inc., New York, the edition exemplifies Wyeth’s intimate connection to the Brandywine Valley landscape. Brinton’s Mill, a historic gristmill near Chadds Ford, Pennsylvania—later purchased and restored by Wyeth and his wife Betsy—appears here bathed in the gentle light of seasonal transition, a motif of both personal and regional significance rendered with quiet reverence and precision. Executed on velin paper, this lithograph measures 17 x 13 inches (43.2 x 33 cm). As issued, it is unsigned and unnumbered, representing the folio’s authentic format. The Four Seasons series was conceived by the editors of Art in America in collaboration with Andrew and Betsy Wyeth, who selected drawings from the artist’s studio to illustrate the cycle of renewal and passage. Each image in the series embodies Wyeth’s profound sensitivity to mood, atmosphere, and the subtle interplay between man and nature. Artwork Details: Artist: After Andrew Wyeth (1917–2009) Title: Brinton’s Mill, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962 Medium: Lithograph on velin paper Dimensions: 17 x 13 inches (43.2 x 33 cm) Inscription: Unsigned and unnumbered, as issued Date: 1962 Publisher: Art in America Company, Inc., New York Printer: Art in America Company, Inc., New York Condition: Well preserved, consistent with age and medium Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York Notes: Excerpted from the 1962 folio: "In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry." About the Artist: Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy. Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980. In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist. Andrew Wyeth lithograph...

Medium: original lithograph. Printed in Paris in 1967 by Clot, Bramsen et Georges and issued in an edition of 2500 for "Les Temps Situationistes" (The Situationist Times -- a radical...

This exquisite lithograph, titled Sans titre (Untitled), by Leonor Fini, from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini), 1969, was published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969. Executed as a lithograph on grand velin d'Arches paper, this work exemplifies the technical refinement and sophisticated aesthetic that defined the finest Parisian printmaking of the mid-twentieth century. Measuring 15.94 x 11.61 inches, the work is unsigned and unnumbered as issued. Printed on grand velin d'Arches paper, the composition reveals Finis distinctive blend of psychological intensity, theatrical sensuality, and symbolic mysticism. Artwork Details: Artist: Leonor Fini (1907–1996) Title: Sans titre (Untitled), from the folio Parallelement (Parallel), Illustre de lithographies originales de Leonor Fini (Illustrated with Original Lithographs by Leonor Fini) Medium: Lithograph on grand velin d'Arches paper Dimensions: 15.94 x 11.61 inches (40.5 x 29.5 cm) Inscription: Unsigned and unnumbered as issued Date: 1969 Publisher: Pierre de Tartas, Paris-Bievres, Paris Printer: Pierre de Tartas, Paris-Bievres, Paris Catalogue Raisonne Reference: Monod, Luc. Manuel de L'amateur de Livres Illustres Modernes: 1875-1975. Ides and Calendes, 1992, No. 11122. Condition: Well preserved, consistent with age and medium Provenance: From the folio Parallelement, published and printed by Pierre de Tartas, Paris-Bievres, Paris, 1969 Notes: Excerpted from the folio (translated from French), Justification of draw: a unique example on Japon nacre, including two original watercolors specially executed for the work, two vouchers to shoot, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; a unique example. XX examples on Japon nacre with an original watercolor of the Artist executed for the work, a suite of all the plates on grand velin d'Arches, a continuation of all the plates on Japon nacre, signed by the Artist, as well as a series of the plates refused on grand velin d'Arches; lettered from A to T; XXX examples on Japon nacre including a suite of all the boards on grand velin d'Arches, as well as a suite of the plates refused on grand velin d'Arches; numbered from I to L. LX examples on grand velin d'Arches, including a suite of the six double-boards on grand velin d'Arches, as well as a series of the plates refused on grand velin d'Arches; numbered from XXXI to XC. CCC grand velin d'Arches, with the definitive state of the illustrations; numbered from XCI to CCXC; In addition, some examples were drawn, all nominative, reserved for the Artist, the Publisher and those who contributed to the production of this album. All examples are signed by the Artist on the colophon, the publisher, and endorsed by Ministere d'Huissier de Justice. On Japon nacre, it was taken from the sequels of the plates numbered and signed by the Artist. About the Publication: Parallelement (Parallel), published and printed in 1969 by Pierre de Tartas, Paris-Bievres, is one of the most refined and luxurious livres d'artiste of the late twentieth century, uniting Paul Verlaines celebrated poetry with the visionary imagery of Leonor Fini. Produced with uncompromising standards of printing, paper, and typographic craftsmanship, the folio exemplifies the golden era of French limited-edition printmaking. Issued in multiple paper states—from Japon nacre to grand velin d'Arches—the album reflects the meticulous care, material richness, and artistic ambition characteristic of Pierre de Tartas' finest publications, affirming its status as a masterwork in the tradition of French illustrated albums. About the Artist: Leonor Fini (1907–1996) was an Argentine-born Italian-French painter, illustrator, author, and stage designer whose electrifying fusion of myth, mysticism, eroticism, and psychological depth established her as one of the most unmistakable and influential artistic voices of the twentieth century. Celebrated for depicting women as sovereign, enigmatic, and psychologically commanding beings, Fini rejected the patriarchal hierarchy of Surrealism even as she exhibited alongside its foremost figures, forging instead a fiercely independent path defined by theatricality, female autonomy, and visionary imagination. Her richly symbolic universe filled with sphinxes, priestesses, witches, and androgynous guardians was shaped by a broad constellation of influences including Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, while also drawing deeply from Symbolist painting, Renaissance portraiture, and Venetian colorism. Moving among artists such as Max Ernst, Giorgio de Chirico, Leonora Carrington, Dorothea Tanning, Meret Oppenheim, and Pavel Tchelitchew, she nevertheless maintained a singular vision whose impact reverberates through the work of later creators including Kiki Smith, Cindy Sherman, Marlene Dumas, Tracey Emin, Pierre et Gilles, Laurie Simmons, and numerous feminist and queer artists who embraced her exploration of gender, identity, and psychological mythology. A prolific illustrator and designer, Fini also shaped European performance culture through celebrated costumes and stage designs, while her paintings entered major museum collections worldwide, including the Metropolitan Museum of Art, the Tate Modern, Centre Pompidou, the Museum of Modern Art in Buenos Aires, and the Moderna Museet. Known for her imaginative freedom, elaborate personal style, and legendary Parisian salon, she remains a defining figure in feminist and avant-garde art history. The highest auction record for Leonor Fini was achieved when her self-portrait Autoportrait au Scorpion sold for 2,319,000 USD at Sotheby's New York on May 12, 2021, underscoring the dramatic rise in appreciation for her visionary legacy. Keywords: Leonor Fini print, Parallelement Fini, Leonor Fini lithograph...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 17 x 13 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Degas, Ten Balle...

This artwork titled "Baden Baden, Casino" 1988 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 261/375 in pencil by the artist. The image size is 36 x 42 inches, sheet size is 42 x 48 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, three small pieces of hanging tape remain on the back. About the artist: Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival. Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes. Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions. When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union. In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars. Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care. Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out." His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995. LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather. He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess. As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid." After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war. On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s. When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint. While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine. In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician. Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation. In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter. Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world. "Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962. Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him. A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters. Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS. Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...

Original 1919 Vintage "Americans All!" Victory Liberty Loan Poster by Howard Chandler Christy. Archival linen backed in A- condition, ready to frame. This iconic 1919 "American...

Robert Rauschenberg Rare 1960s Musee D'Art Moderne de la ville de Paris poster, 1968 Offset Lithograph Edition of 500 27 1/2 × 21 inches Unframed, not signed Accompanied by Certifica...

Vintage 1962 Seattle World's Fair Poster by Earl Duff – Linen Backed. Condition A-: upper right corner restored as shown in the last enlarged photo. Size 35.5” x 25”. Capture a piec...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

This artwork titled "Delassement (Relaxation)" 1901, is an original etching and aquatint by renown French artist Louis Auguste Mathieu Legrand, 1863-1951. The plate mark (Image) size...

Andy Warhol Portraits of the 1970s (Deluxe Limited Edition Monograph with Slipcase, Hand Signed and Numbered by Warhol), 1979 Hand Signed and Numbered Hardback Monograph with 120 Bound offset lithographs and text, held in original slipcase (boxed set). Boldly signed by Andy Warhol and numbered 7, from the edition of 200 on the colophon page. 9 1/2 × 8 1/2 × 2 inches Provenance The original (uptown) Whitney Museum An amazing and historic gift! As dazzling as the Warhol show was in 2019 at the new Whitney Museum -- only his show in the late 1970s at the old Whitney Museum, could offer this Deluxe limited edition collectors item - hand signed and numbered by Andy Warhol - because the latter was published during his lifetime. This rare 1979 First (and only) Edition hardback monograph is held in the original slipcase, and is hand signed by Andy Warhol and numbered 108 out of only 200 on the first front end page (see image). This collectors item features text, accompanied by 120 full page color offset lithograph bound, double sided plates on regular pages. (Total pages are: 145) It was published by the Whitney Museum in collaboration with Random House, in conjunction with the exhibition held at the Whitney Museum of American Art, November 20, 1979 to January 27, 1980. Text foreword is by Tom Armstrong, the Whitney's director. Total pages are: 145. The Warhol portraits included are: Giovanni Agnelli, Marella Agnelli, Corice Arman, Marian Block, Irving Blum, Truman Capote, Cristina Caramati, Leo Castelli, Carol Coleman, Norman Fisher, Kay Fortson, Tina Freeman, Diane Von Furstenberg, Henry Geldzahler, Halston, Brooke Hayward...

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...

The Basque Boy also called Boy with Beret and Fabian. 1944. Lithograph. Fletcher Lithographs 3.ii. zinc plate. 13 x 10 1/4 (sheet 7 1/8 x 13 7/8). Edition 10. Printed on countermarke...

HENRI MATISSE (French 1869-1954) LE REPOSE du MODELE 1922 . (Duthuit 416) Original lithograph, FIRST STATE, on Chine volant paper BEFORE image was reduced at the left edge. An uns...

David Hockney My Mother (Bridlington), 1988 Four Color Lithograph on T.H. Saunders Waterford 250 gram paper. Hand signed. Also accompanied by a separate signed Certificate of Authent...

Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Scene de famille (Family Scene), from the folio Picasso, La flute double, 16 Dessins, Aquarelles Lavis (...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

Artist/Designer; Manufacturer: Robert Longo (American, b. 1955) Marking(s); notes: signed, blind stamp; ed. HC 1/10 aside from the edition of 50; 1999 Materials: lithograph on Arches...

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...

Keith Haring ‘Kutztown Connection’ 1984: This rare vintage 1980s Keith Haring poster was illustrated by Haring in conjunction with the Benefit Performances for the New Arts Program o...

JACOB LAWRENCE THE BUILDERS 1985 Commemorative Poster - National Urban League 75th Anniversary 1910-1985 Vintage original 1985 printing Poster size - 35.25 x 22 inches, unframed, u...

KATHE KOLLWITZ (1867-1945) HAMBURGER KNIEPPE, 1901) (K.58 IIIb) Soft Ground Etching, Plate 9 ¾ x 8 ¼ sheet 10 ½ x 13 ¾. With the von de Becke blind stamp in the lower right. Prin...

Society of Iconophiles, 1898. Lithograph on brown wove paper, 10 x 7 1/2 inches (253 x 190 mm), full margins. In good condition with some age tone and the lower left corner dog-eare...

Artist: Keith Haring Title: Andy Mouse: Plate 2 Medium: Silkscreen Date: 1986 Edition: 2/30 Sheet Size: 38" x 38" Signature: Hand signed and dated by the artist (K. Haring '86) and t...

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

Artist: Peter Max (1937) Title: Year 2250 II Year: 2003 Edition: 500/500, plus proofs Medium: Lithograph on archival paper Size: 15.43 x 13.5 inches Condition: Excellent Inscription:...

A Mirage. 1928. Etching. Hardie 238. 11 13/16 x 14 3/8 (sheet 12 3/16 x 18 3/4). Edition 76, #46. Illustrated: Fine Prints of the Year, 1928 and 1938; Holmes, Etchings of Today. A ri...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king since he once resided here at Versailles. Transform your living space with the elegance and grandeur of the Versailles Original Poster. This exquisite piece captures the breathtaking beauty of the iconic Palace of Versailles, showcasing its majestic fountains and lush gardens. The vibrant colors and intricate details bring to life the opulence and historical significance of one of the world's most renowned landmarks. The grand fountains had a chariot and horses...

This exquisite silkscreen by Andy Warhol (1928–1987), titled Birmingham Race Riot, originates from the landmark 1964 folio X + X (Ten Works by Ten Painters). Published by the Wadswor...

Leon Bibel, 'Abstract Boats', color serigraph, 1938, edition 12. Signed, dated, and numbered ' /12' in pencil. A fine, painterly impression, with fresh colors, on buff wove paper; t...

Derain, Andre (French, 1880-1954). VISAGE DE FEMME APPUYE SUR SA MAIN (FACE OF A WOMAN LEANING ON HER HAND). Adhemar 71, BN-IFF 17. Lithograph, 1927. One of 25 copies numbered in Rom...

Mane-Katz (1894-1962) Original Lithograph published by Andre Sauret, Monte Carlo, 1966, printed in France, by Mourlot. The ouvrage sheet is not included. this is from a limited editi...

Rare vintage limited edition Stone Lithograph printed at Mourlot in Paris. this is from a signed and numbered portfolio but the individual shee...

Artist: Itzchak Tarkay (1935-2012) Title: Chit Chat Year: 2010 Medium: Silkscreen on wove paper Size: 11.75 x 8.5 inches Edition: 178/750, plus 100 Remarques Condition: Excellent Ins...

Artist: Jamie Wyeth, American (1946 - ) Title: La Boheme (Metropolitan Opera) Year: 1978 Medium: Poster on Heavy Stock Size: 36 in. x 24 in. (91.44 cm x 60.96 cm)

This exquisite linocut by Joan Miro (1893–1983), titled Personnage, Oiseau, Etoile (Figure, Bird, Star), from the album XXe Siecle, Nouvelle serie, XXIe Annee, No. 13, originates fro...

Sagittarius, 2018, digital collage print, surreal figurative, astrology, astrological sign, metallic gold edge, on glossy heavy card stock with pink art deco design on reverse.

OUT WEST is a hand drawn original lithograph by the artist Ari Gradus printed in 13 colors using traditional hand printmaking techniques on archival Arches paper 100% acid free. OUT ...

Pablo Picasso Le Repos du Sculpteur II, from La Suite Vollard Hand signed by Picasso in pencil in the lower right, Watermark "Vollard" Reference: Bloch 172; Baer 325 Original etching...

Zapata David Alfaro Siqueiros (After), Mexican (1896–1974) Date: Printed 1966 of original: 1913 Lithograph, signed in the plate Image Size: 18 x 13.5 inches Size: 23 x 17 in. (58.42...

Poseidon is one of 16 works in a suite by the artist called "The Mythology". The suite included works depicting other Greek/Roman gods such as Hypnos, Jupiter, and Athena, as well as lesser figures and concepts like the gorgon Medusa...

Artist: Andy Warhol. Title: 'Mick Jagger' FS II.138 Framed Announcement card. Medium: Lithograph Size: Image size: 6" x 4" Framed: 10" x 8" Year: 1975 Description: Signed and numbere...

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

Jose Luis Cuevas (Mexico, 1934-2017) Artist Proof 'Fantasmas del Centro Histórico V', 2004 woodcut on paper Guarro Biblos 250g. 20.9 x 16 in. (53 x 40.5 cm.) Edition of 60 Unframed I...

Artist: Peter Max (1937) Title: Cosmic Flyer in Space Year: 2003 Edition: 497/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Ins...

Artist: Peter Max (1937) Title: Star Catcher Year: 2003 Edition: 453/500, plus proofs Medium: Lithograph on Lustro Saxony paper Size: 3.5 x 3 inches Condition: Excellent Inscription:...

BROTHERS is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Printed in 1975 at Circle Gallery NYC using traditional hand lithography methods on archival Arche...

Al Hirschfeld, American (1903 - 2003) - Fred Astaire, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 80/125, Size: 28 x 25 in. (71.12 x 63.5 cm), Frame S...

Engraving on cream laid paper, 8 x 5 3/8 inches (203 x 137 mm), trimmed at the platemark. A fine impression with a Coat of Arms watermark. Second state, after the addition of the Frederick de Witt...

This exquisite lithograph by Jean Cocteau (1889–1963), titled Scene XXXVIII, Bacchus (Scene XXXVIII, Bacchus), originates from the 1957 album Jean Cocteau de l'Academie francaise, Th...

Lithograph in black and red, on BFK Rives paper. Hand signed and dated lower right by Keith Haring. Hand numbered 59/80 lower right (there were also twenty artist's proofs). Sheet...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Lithograph printed by Chez Daniel Jacomet, Paris, France 1960 offset lithograph in colors on Arches, signed in crayon on the justification sheet (this auction is just for the one lithograph pictured as the 1st photo, the justification sheet with the original drawing is just included for provenance and is not part of this sale), on Arches deckle edged paper. limited edition of 250. plate signed and hand signed in pencil. Israeli views Lithograph by Israeli Master. Reuven Rubin 1893 -1974 was a Romanian-born Israeli painter and Israel's first ambassador to Romania. Rubin Zelicovici (later Reuven Rubin) was born in Gala?i to a poor Romanian Jewish Hasidic family. He was the eighth of 13 children. In 1912, he left for Ottoman-ruled Palestine to study art at Bezalel Academy of Art and Design in Jerusalem. Finding himself at odds with the artistic views of the Academy's teachers, he left for Paris, France, in 1913 to pursue his studies at the École Nationale Supérieure des Beaux-Arts. At the outbreak of World War I, he was returned to Romania, where he spent the war years. In 1921, he traveled to the United States with his friend and fellow artist, Arthur Kolnik, with whom he had shared a studio in Cernovitzu. In New York City, the two met artist Alfred Stieglitz, who was instrumental in organizing their first American show at the Anderson Gallery.Following the exhibition, in 1922, they both returned to Europe. In 1923, Rubin emigrated to Mandate Palestine. Rubin met his wife, Esther, in 1928, aboard a passenger ship to Palestine on his return from a show in New York. She was a Bronx girl who had won a trip to Palestine in a Young Judea competition. He died in 1974 Artistic career Joseph Zaritsky...

Offset lithograph in colors on smooth wove paper. Hand signed lower right by Takashi Murakami. Hand numbered 817/1000 lower right. Hand signed by Fujiko F Fujio (creator of Doraem...

Lithograph on Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: Published by Atelier Mourlot, Paris, 1964. PABLO PICASSO (1881-1973) Spanish painter and sculptor is one of the most recognized figures of twentieth century art. During his artistic career, which lasted more than 75 years, he created thousands of works using all kinds of mediums. He changed art more profoundly than any other artist of his time. First famous for pioneering cubism, Picasso continued to develop his art with a pace...

Adolf Frohner, Austrian (1934 - 2007) - Woman, Year: circa 1978, Medium: Etching, signed and numbered in pencil, Edition: E.D.A, Image Size: 7.75 x 7 inches, Size: 11.5 x 8.5 in. (...