Europe - Dining Room Sets

Rare and stunning Art Deco dining-room set by Mercier Freres, dating from the 1920s, comprising a large, square, extendable table, eight chairs, a sideboard with top display cabinet,...

A stunning Art Deco large dining table and eight matching chairs designed by Italian designer Gaetano Borsani for Atelier di Varedo, Italy, circa late 1920s to early 1930s. The set ...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

Set of Iconic Gerd Lange Table and 4 Lacquered Thonet Stools. Gerd Lange 'Flex 2000' Table for Thonet, 1973 & a wonderful set of Thonet style stools in lacquered wood and webbing. ...

Bauhaus tubular-steel conference or dining set by GMD Berlin, Germany.

This playful Memphis-style set, created around 1990, consists of two sculptural chairs and a matching table in a charming cloud-inspired design. The chairs feature bold red lacquered...

Set dining room bamboo Italian midcentury design octagonal table glass top, 1950. Measures: Table diameter cm.141, height cm.77.

A large square Italian dining table designed by Paolo Barracchia. Featuring exquisite detailing including a thick brass band, double open legs and map...

They can be sold separately 1930s amazing dining room in burl walnut flame applied with particular edge to 45 degrees, the furniture industry "Guido Pennati", design attributed to Os...

Indulge in the artistic charm of our double quartz spoon, adorned with a sculptural stone handle. Meticulously handcrafted by italian artisans, the distinctive stone adds a touch of ...

You are viewing a gorgeous Regency Revival dining set with 8 chairs Classic mahogany extending pedestal table that seats 8 people comfortably The chairs consist of two arm chairs and...

Description: Mid-Century modern dining room sets by Paolo Buffa (La Permanente Mobili Cantu) consists of: long sideboard, small sideboard, table with glass top and four chairs. Orig...

Striking brutalist dining set made of solid blackened ash in the 1960ties. The Set consists of 1 table and its 4 benches. The ensemble comes f...

Danish extendable rosewood dining table with eight “Eva” chairs (Very comfortable seat and rare to find in rosewood) Designed by Niels Koefoed and manufactured by Koefoeds Hornslet...

Mid-Century Modern; Hollywood Regency; Dining Room Set; Dining Area; Dining Chairs; Dining Table; Italian Design; 1970s, Vivai del Sud Inspired; Wood; Glass; Geometric Shape; 1950s; ...

Ensemble vintage des années 60, en sapin, dans le goût de Charlotte Perriand, composé d’une table rectangulaire et de 2 bancs assortis, Très bon ét...

Kai Kristiansen. A set of six teak framed, Model 31 dining chairs with curved upholstered backs and a matching rectangular teak dining table, very sleek and compact but spacious wh...

Renaissance-style dining room in richly carved oak consisting of a sideboard, a cupboard/silver cabinet, a table, and 8 chairs. The table has two extensions slid under the top. The c...

Experience the timeless elegance of mid-century modern design with the Pirkka dining room set by Ilmari Tapiovaara for Laukaan Puu, created in 1955. This exquisite set embodies the perfect blend of form and function, making it a standout addition to any dining space. The set consits of the large Pirkka table and 6 Pirkka chairs all marked. Ilmari Tapiovaara, a celebrated Finnish designer, is renowned for his innovative approach and dedication to craftsmanship. The Pirkka set showcases his genius with its clean lines, minimalist aesthetic, and impeccable balance of practicality and beauty. Crafted from high-quality materials, the set features a combination of solid pine and birch, offering a warm, natural finish that highlights the wood’s rich grain and texture. The design’s simplicity and robustness ensure durability, making it a lasting centerpiece for your dining area. The Pirkka set includes the large model dining table and 6 matching chairs...

Belgium / 1935 / De Coene / Dining room set / wood, leather, silver / Art Deco This exceptional 1935 Art Deco dining room set by the renowned Belgian manufacturer De Coene exemplifi...

Exquisite & most rare! This French Art Nouveau dining set consisting of 8 chairs and matching table by Eugène Vallin in solid walnut. The chairs where de...

They can be sold separately 1930s Art Deco majestic room furniture sets in burl walnut attributed Atelier Gaetano Borsani, Varedo, polished to wax. Two tulip-shaped sideboards with b...

Conference or dining room set consisting of Fabiaan Van Severen dining chairs with Bruno Mathsson and Piet Hein for Fritz Hansen Super-Ellipse table Fabiaan Van Severen, dining ch...

A truly stunning antique Art Deco burr walnut and Coromandel dining suite attributed to the world renowned cabinet makers Harry Lou Epstein, comprising a dining table with the ...

Stunning walnut dining table and six matching dining chairs by Pier Luigi Colli, handmade by the famed 'Fratelli Marelli' atelier in Cantu, Italy circa 1950. The dining table is ...

Set of garden furniture with four armchairs and glass top in forged iron Beautiful handmade set of patio or garden furniture. It´s made of forged iron with a special antioxidant pai...

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Very beautiful Set of 6 napkins and matching tablecloth in 1900s/1920s damask linen with a single letter in white and red monogram. The embroidery is very delicate. Damascus is also ...

IMPORTANT: ON REQUEST WE WILL RE-UPHIDE THE CHAIRS WITH A SUPPLEMENT OF EURO 150 EACH. Reinforced structure of the chairs for daily use. Spring seat. French mahogany dining table...

On offer on this occasion is a sublime, immaculately-presented “Polo” Dining Table and 8 Dining chair suite (consisting of 2 Wing-Back Carver-Armchairs and 6 Colonial Dining Chairs) by the world-renowned interiors-doyen, Ralph Lauren. As you will no doubt be aware by your interest in these divine creations, Ralph Lauren furniture is the epitome of modern and traditional furniture design, is of peerless quality and finish, and exhibits detailing and execution of the highest standard. In a world of temporary pleasures, Ralph Lauren create beautiful furniture that remains a joy forever. This suite is in superb, impeccably-maintained condition, having seen light, irregular use in its previous home, and is entirely free from fault, flaw or damage. Its hugely handsome order reflects the TLC and considerate use afforded it in the past but, as you would think normal when considering the nature and colour of this particular (deliberately) heavily-distressed and vintaged leather and wood-finish, it does possess a small number of barely-visible and largely-inconsequential marks to the table top, base and chairs as you might expect. For the avoidance of doubt, please view the numerous images provided to confirm the superb condition and appearance of this gem. Clearly not in perfect condition (it is not far-off though) but a true classic of modern furniture design presented in as-good and lightly-used condition as i suspect you are likely to find. Whilst it could not be considered pristine due to the reasons stated above, it is certain to meet the requirements of all but the true perfectionist and, for someone looking for a dining suite of peerless design and execution to position at the heart of their home, it is truly heaven sent! Without question, this superb table and chair group...

Refined dining set dating back to the second half of the 19th century, in the Louis Philippe style, consisting of a round inlaid table and six matching chairs. The table features a f...

Royal House Antiques Royal House Antiques is delighted to offer for sale this absolutely exquisite Regency style Burr Walnut two pedestal dining table with ten matching inlaid dining chairs that have ornately carved frames Please note the delivery fee listed is just a guide, it covers within the M25 only for the UK and local Europe only for international, if you would like an accurate quote please send me your postcode and I’ll provide you with the exact price A very good-looking hand made to order suite, these absolutely never come up for sale on the preowned market, the suite is based on a Regency design with Dutch inlay...

Exceptional hand woven rattan dining set circa 1970. 1 table, 2 armchairs and 4 chairs. Incredible rattan work, very good condition. Rare!

Very rare danish dining room set incl. 6 cowhorn chairs, round / oval table and the matching cabinet by Svend Aage Madsen. The whole ensemble made in finest walnut. Table with retrac...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

TABLE: Frank Gehry, the ‘gratuitously eccentric’ architect behind the Guggenheim Bilbao gained attention in the 1970s with his ‘Easy Edges’ furniture series (1969-73). Constructed i...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Locus Solus set is composed of four chairs with a structure in tubular steel a seat in padded leather and a table with a frame in tubular steel and a glass table top. The Locus Sol...

Exceptional dining set by Hans J. Wegner, featuring the iconic PP75 dining table accompanied by 11 CH36 dining chairs. Crafted in solid oak with meticulous attention to detail, this ensemble exemplifies Wegner’s mastery of functional elegance, organic forms, and impeccable craftsmanship. The PP75 table measures 140 cm in diameter and extends seamlessly to 200 cm, offering both intimate and larger-scale dining flexibility. Its gracefully tapered legs and sculpted apron reflect Wegner’s signature balance of structural ingenuity and refined minimalism. The oak CH36 chairs...

Rare French mid century wooden cabin dining set of dark stained oak in a rustic style by a French anonymous designer produced in the 1950s. The sofa has some storage under neath the ...

Circa 1880 19thC English Large Scrub Top Pine Farmhouse table with bleached top, stout tapered and pegged legs. W244 x D68 x H75 cm Apron 62 cm Circa 1880 19thC English Large Scr...

Gilbert Marklund Pine Table & Benches for Furusnickarn, Sweden, 1970s This striking pine dining set was designed by Gilbert Marklund for Furusnickarn in Sweden during the 1970s. Com...

They can be sold separately Italy 18th century majestic dining room set, baroque renaissance, table and six chairs, all in solid walnut restored and polished to wax. On request the c...

Tulip oval dining table designed by Eero Saarinen in 1957 and manufactured by Knoll in 1967. Composed of a white lacquered pedestal and a tabletop made of ...

Very nice table set consisting of a table, two chairs and two armchairs. All chairs are upholstered according to the traditional style by hand with belts and springs. The whole set i...

Interesting set of 20th Century compact wrought iron table and six matching chairs. Quirky shaped chairs and a rectangular table with crosshatch effect top.

We are delighted to offer for sale this Kindel furniture cherrywood gold giltwood dining table. This table is vintage 1950s, an extendable table with three extra boards, so you ch...

Ensemble exceptionnel de salle-à-manger composé d’une grande table à manger rectangulaire vintage des années 60 70, en bois de chêne massif, dans le goût de Charlotte Perriand, Pierr...

Stunning dining set by Leomardo Fiori in teak wood and metal, pro ISA Italy 1950, composed by Measures: 1 table: 140 x 75 cm H 73 cm 6 chairs: 42 x 48 x 84 cm.

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Vintage custom made dining chairs with armrests and dining table with a clear glass top. The chairs have a wooden seat. Beautifully man...

Set of 3 Meribel Chairs and Stool by Charlotte Perriand, 1960s Vintage Design Chairs and stools of the first Méribel model drawn by Charlotte Perriand in the 1950s to furnish the sk...

Founded in 1957 by Chaim Schrieber, Schreiber furniture is an interesting British success story. The Company was one of the biggest names in furniture in the 70s, rivalling G Plan a...

A Rare Marzio Cecchi Circular Glass, Metal Wicker Pedestal Dining Table With A Set Of Four Woven S Chairs 1970's Made In Italy 1972 Table diameter 111 cm CHAIRS Height 120cm...

This dining set by Pierre Gautier Delaye, circa 1965, pairs one green beechwood table with eight matching “Coffee Bean” chairs for a striking look. The table’s design features two el...

Space age vintage white plastic dining room set designed by Maurice Burke 1960s United Kingdom and produced by Arkana Great Britain. The dining room set consists of 1 white enameled ...

Regency Style Extending Dining Table and 6 Chairs The table has a large leaf that is stored under the table top, it is set on a sturdy wooden base The Table comes with a set of 6 di...

1960's Rosewood Dining Table and 6 Chairs - by Robert Heritage for Archie Shine - 1st Exhibited 1957 and retailed from Heals and Harrods in the 1960's - table 56" diam x 28.5"h - cha...

Set of Six Mid-Century Modern Teak Dining Chairs by Benny Linden for Benny Linden Designs This elegant set of six Mid-Century Modern dining chairs, designed by Benny Linden for Benn...