Europe - Dining Room Sets

Set of 2 Cognac XO Chairs by Eero Aarnio for Asko – Perfect Addition or Standalone Pieces for Design Enthusiasts These two original Cognac XO Chairs by Eero Aarnio for Asko are true...

Beautiful Dutch dining set manufactured by L.O.V. (Labor Omnia Vincit - Labor Overcomes Everything) in the mid-1920s. It was innovator Gerrit Pel...

Bamboo and Brass dining set from the 1960s attributed to Vivai del Sud. Table made from bamboo. The tabletop in a stunning herringbone motive. Perfect for use as an indoor use or...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

The “778” model is an example of solid wood boards arranged to form a C-shaped frame. The table, with a top that opens, is supported by four trestles, two of which are a few centimet...

A spectacular 1970s Dining Set- The chairs and table have a heavy chromed steel base and were reupholstered in soft blue leather. Glass dimensions: 130 cm Chair dimensions: Width: 51...

A superb dining room suite consisting of table and six chairs designed by Guido Faleschini for Hermes, France, circa 1970. Hermes barely needs any introduction: it is probably the most famous firm in the world known principally for its workmanship of leather goods of the highest quality. The French luxury goods manufacturer established in 1837 specializes in leather goods, lifestyle accessories...

Dining room set consisting of a table and six chairs, pine, Italy, 1960s The substantial size, peculiar material use, and superb carvings, combine to form an exceptional ensemble pe...

"Alanda" model coffee table, design Paolo Piva for B&B italia, 1980s inverted pyramid structure in black steel , light signs of wear due to age Size cm 120 x 120 x 26 will be shi...

Afra e Tobia Scarpa for B & B Italia. Bauhaus dining set from the seventies Rare leather upholstered Dialogo Dessau chairs with cantilevered base combined with a sculptural rectangu...

Dining room set with table and chairs, lacquered wood, fabric, Italy, 1970s A lovely dining set made in Italy in the 1970s. This Post-modern set stands as an exquisite centerpiece, ...

Set composed of four Medea dining chairs, designed by Vittorio Nobili for Fratelli Tagliabue in 1954. Made of teak plywood, excellent vintage condition. Reported at “Compasso d’Oro...

Royal House Antiques is delighted to offer for sale this lovely original finish hand carved English oak extending dining table with matching chairs Please note the delivery fee list...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

Beautiful hand woven wicker and iron vintage dining room set including one table and 4 chairs. Great design and condition.

When an avant-garde tubular steel design meets a classic refectory table, the result is the double X. A large but elegant table whose X-shaped supports ensure optimal rigidity. Like ...

- Good original condition with some signs of use - Leather upholstery in good condition with some signs of use - The table dimensions : H: 74 W: 121 D: 77 cm

A Dinning Room table set with eight ( 8 ) chairs: - An elegant Art Deco dining table crafted from walnut with a clear finishing of clear veneer with two extensions and chrome iron d...

Lovely Italian dining set consisting of a Angelo Mangiarotti table and Giuseppe Rivadossi dining chairs Angelo Mangiarotti for Bernini, dining table, model '302', cast bronze, marbl...

Made of steel and fabrics with original and unprecedented patterns, Locus Solus is a reissue of a collection designed by the unpredictable flair of Gae Aulenti in 1964. The retro des...

We are delighted to offer this very rare circa 1852-1857 Gillow & Co Lancaster attributed burr walnut and ebonished wood occasional or dining table A very rare and well made piece...

The dining table, designed by Karsten Lauritsen, features solid oak legs and a laminate surface in the color salsa linoleum. The table is in very nice condition and includes four add...

Elegant Art Deco Dining Room Set – Fine Craftsmanship and Premium Materials. This exquisite Art Deco dining room set showcases outstanding woodworking and high-quality materials. The...

Elegant dining table designed by Pier Luigi Colli with finely carved and painted legs decorated with acanthus leaves. Dark red glass top. The same set ...

The antique set of chairs and a table in the Renaissance style were made of oak wood in the second half of the 19th century. Seats and backrests of chairs upholstered with fabric, wo...

Dining table mod. ‘Samo’ by Studio Simon. Series ‘Ultrarazionale’. Italy, 1970. Made of granite. Literature: Giuliana Gramigna, Repertorio 1950-2000, Allemandi, Torino, 2003, p.180. Excellent vintage condition. The Samo table was designed in 1970 by the project office of Studio Simon. Carlo Scarpa was the brand's artistic director, and the Venetian architect's style inspired the shapes of this table. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how 20th century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this 20th century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A smart and stylish vintage G Plan Redford dining table and chairs. They were made in England, and date from the 1950’s. The table is sometimes known as the helicopter table...

Dining table and 4 Chairs This elegant dining set from the Bauhaus period was crafted in Czechoslovakia by the renowned company Hynek Gottwald. The set includes a dining table and f...

Rare and very nice example of the "Bossche school" furniture by architect Jacques Uppelschoten, made for his own house at the Raffendonkstraat 20 in Oirschot. Dom Hans van der Laan s...

An impressive Vintage French Empire Revival burr walnut dining table and a set of six burr walnut dining chairs dating from the mid 20th Century. The circular burr-walnut top featur...

Art Deco dining room consisting of one large sideboard, a dining table and six side chairs. The furniture is ebonized. Decorative fluting on the frames and front of the sideboard uni...

Dining Table in Rosewood by Ole Wanscher, 1945 Additional Information: Material: Rosewood Style: Mid century, Scandinavian Produced by cabinetmaker A.J. Iversen in Denmark Dimension...

The T/5140-180 dining table is part of the new Classic collection by Zanaboni: veneered in citronnier and ebony woods, the direction of the veneer is ...

Dining room set by Pierre Cardin for Roche Bobois, 1970s. Black lacquered wood set consisting of four chairs, a table and a sideboard. The table has an extendable glass top (extensio...

Rare dining set in patinated masur birch. Dining table (model 91) and four chairs (model 611). Maker Huonekalutehdas Korhonen Oy. Table size 125 cm diameter.

A stunning dining table crafted by a Danish cabinetmaker in luxurious rosewood, featuring a Dutch extension mechanism, dating back to the 1960s. This dining table epitomizes the ele...

6 chairs covered with red leather with matching table original leaves missing from the set but the table could be extended.

Royal House Antiques Royal House Antiques is delighted to offer for sale this sublime designer Andrew Varah eight person extra large dining table with matching suite of carver armch...

Vintage 1980s Spanish handcrafted bronze and glass 10-seater round table signed "González".  

THE FOUR CARDINAL POINTS Rosenthal Kunstmöbelreihe This noteworthy design is the work of Bjørn Wiinblad. The furniture pieces were produced in a limited edition of 300 in 1976. E...

This rare table, accompanied by six matching stools, hails from the 1970s and stands as a notable creation by the Dutch Benedictine monk and architect Dom Hans van der Laan, alongsid...

Table with eight chairs, Italy 70s Measurement: table cm 216 x 88 x height cm 74 chairs cm 48 x 50 x height cm 95; seat height cm 47

Dining table and set of six chairs is an original design furniture realized by Umberto Mascagni in the 1950s. The set is composed...

We present Art Deco dining furniture that includes a table and four chairs. A set from 1940, designed by a famous Czech designer Jindrich Halabala, (a Czech designer ranked among the...

The term Brutalism is a rough translation by British architectural critic Reyner Banham of béton brut, words that the pioneer modernist architect Le Corbusier used to characterise ar...

Handmade Walnut Dining Table Set with Matching Benches – Custom Solid Wood Furniture for Modern Dining Rooms A refined centerpiece for the contemporary dining room, this handmade wa...

A rosewood dining table and chairs by Hans Brattrud for Hove Mobler, Norway, 1960s. This stunning set consists of four rosewood 'Scand...

A unique mid-century Italian chinoiserie dining table and six dining chairs, designed by Umberto Mascagni for Harrods. Circa 1960s. Image numbers 6 and 7 show original photographs...

Chair measurements : Depth: 41cm Width: 55cm Heigh: 70cm Height to the seat : 50cm

Belenus dining table by Gisbert Pöppler Dimensions: D 240 x W 101 x H 73 cm Materials: High gloss lacquered wood, smoked oak La Luna extension side table also available. The Be...

Set of 4 Cognac XO Chairs & Matching Table by Eero Aarnio for Asko An iconic piece of Mid-Century design – this set of four Cognac XO Chairs and the matching table, designed by Eero...

Art Deco table with clean, rational lines. The rosewood base gives way on the front to green aniline-stained maple. The top is made of rosewood feather laid open. The piece showcases...

Measures: Sideboard - H 95 x 300 x 51 Mirror - H 88 x 240 Bar cabinet - H 91 x 116 x 41 Mirror - H 122 x 78 x p5 Table - H 80 x 197 x 96 Chairs - H 91 x 48 x 50, seat H 47.

Extremely rare and unique tripod pine needle table with 5 matching tripod stools. Beautiful set that is made in a style that requires painstaking attention to detail and time to make...

Danke Galerie is pleased to present the latest creation from cabinetmaker Vincent Vincent, a round table in burnt solid wood, entirely handmade in Lyon. ...

A wonderful set of 4 Georgian style English limed oak chairs. They have been recently limed to enhance the beautiful grain in the wood. The seats have been re-upholstered in hessi...

Attributed to GAUTHIER-POINSIGNON & Cie, Dining room furniture in walnut and elm burl veneer decorated with fruits and plane tree leaves (Platanus orientalis) and bronze ornamentatio...

Exceptional and rare entire dining set by david Rosen 'Futura-series' for Nordiska Kompaniet, 1950's. a Dining table expandable, with 8 dining chair, certains with armrest. Futura-...

Magnificent and rare Brutalist dining room table with six Brutalist dining room chairs. Striking Dutch design from the 1970s. The table has a solid oak base and the top is original v...