Florida - Mixed Media

Titled: Side by side Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. ...

Wajih Nahlé (1932-2017), born in Beirut, Lebanon,was a Lebanese Arab abstract painter and calligrapher. He studied painting in the workshop of the Lebane...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Untitled II, 2017 by Ana Seggiaro From the series "Durero" Embroidery on printed cloth 120 cm H x 100 cm W Mounted on a stretcher Ana Seggiaro's training as an engraver awakens her ...

Untitled by Kelly Breez Size: 15.75 in. H x 13.25 in. W x 2 in. D Acrylic on wood 2016 ______________ Kelly Breez – (b. 1985, Lake Worth, FL) Graduate ...

Windmill at Knokke, 2014 Caran d'ache, wood and acrylic paint on canvas in artist's frame Image size: 30 in H × 25 in W Frame size: 31 in. H x 26 in. W x 2 in D Hand-signed by artis...

Adja Yunkers, Latvian/American, 1900-1983. 1973 Mixed media collage painting with applied threads on canvas, Titled "Collage #67". Initialed "A. Y." and dated "'73" lower left, ...

Ramon Antonio Carulla (Cuban, born 1936). Oil paintings on paper. Titled "When Dreams Become Reality" Artist signature lower right. Title on verso. Retains original Joy Moos Gallery label. Sheet measures measures approximately 14 in. x 22 in. (paper). Framed 20.5 X 28.5 This painting is a mixed media with oil paint, on paper It is hand signed recto and signed and titled verso. An abstract naive, folk art, work depicting depicts colorful imaginative surrealist figures with a carousel horse. This reminds me of a Latin American Niki de Saint Phalle. Dreamlike imagery. Ramon Carulla, born in Havana, Cuba in 1936 moved to the United States in 1967. He has exhibited widely throughout the United States, Latin America and Europe. He has participated in personal and group exhibitions in Canada, Venezuela, Mexico and Spain and throughout the USA. Select Gallery Exhibitions: Lowe Art Museum (Coral Gables, Florida), The Museum of Fine Arts (Montreal, Canada), The International Monetary Fund (Washington, D.C.) The Art Expo (New York City). Select Awards: First Prize at the VI Graphic Biennial of Latin America (1983; San Juan, Puerto Rico), the Silvia Daro Dawidowicz Award for Painting (1980; Metropolitan Museum) the Samuel Golan Award (1982, Fine Art Auction Exhibition; CH 2, Miami, Florida). the Cintas Fellowship (Institute of International Education; United Nations, New York) SELECTED INDIVIDUAL EXHIBITIONS 2005 Sonnet Gallery (Sarasota, Florida) 2000 Ramon Carulla: People and Places - Corbino Galleries, 1998 The Dreamers - Cuban Collection Fine Art (Coral Gables, Florida) 1997 The Immigrant Series – Metro-Dade Cultural Resource Center (Miami, Florida) 1996-96 Ramon Carulla: Works on Paper – PJorn (Hamburg, Germany) 1994 Ramon Carulla: New Paintings, Plates & Boxes – The Barbara Scott Gallery Rostros para recordar – Galería Traz (Mexico City, Mexico) 1993 Ramon Carulla, Exhibición Personal – Contemporary Art Museum (Panama) 1992 Ramon Carulla: Recent Work - The Barbara Scott Gallery (Bay Harbor, Florida) 1991 Cabinet Room – The Capitol (Tallahassee, Florida) 1988 Sofa & Hostage Series – Jay Moos Gallery 1987 20 Years After – Bacardi Art Gallery (Miami, Florida) 1985 Malcom Brown Gallery – (Cleveland, Ohio) Mask Series...

Triptych Barcos Violeta, by Sergio Bazan Mix media on Canvas Overall size: 19.6 H x 59 W inches Individual size: 19.6 H x 19.6 W inches Mounted on a stretcher Signed by artist _____...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Artist: Martin Whatson Title: Urban Camouflage Size: 81.5 x 58 Inches Medium: Mixed Media on Canvas Edition: Original Year: 2021 Notes: Hand Signed, Dated, Titled, and Num...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Barco Violeta I, by Sergio Bazan Mix media on Canvas Size: 19.6 H x 19.6 W inches Mounted on a strecther Signed by artist _______ The paintings of Sergio Bazán have a strong gesture...

Screen print with stencil, acrylic and spray paint on wove paper. Hand signed on front; signed and dated on verso with studio catalog number and thumbprint. Artwork size: 30 x 22 ...

Alejandra Icaza Born in Bilbao, Spain in 1966. Lives and works in Madrid. Icaza studied at Saint Martins College in London (1985) and at The New York Studio School of Drawing, Painting and Sculpture in...

Genre: Latin American Subject: Abstract Medium: Mixed Media, Collage Country: Mexico Dimensions w/Frame: 16.75 x 16.5 Feliciano Béjar Ruíz (1920 – February 1, 2007) was a Mexican artist and artisan, best known for a style of sculpture called “magiscopios” which involved various materials along with crystals and/or lenses to play with light or create distorted visions. He was born in rural central Mexico and was completely self-taught as an artist. He was creative as a young child, drawing and creating his first sculpture like pieces from papier-mâché. His art career began in New York, where he had travelled and lived for a time in Hell’s Kitchen. His drawing the attention of Arthur Ewart and Frances Coleman, with the latter helping him have his first exhibition and whose husband helped sponsor his time in Europe. In his later life, Béjar withdrew from the art world for about sixteen years, disillusioned with it and retreating to his ranch in the State of Mexico. He returned in 1998, with a retrospective of his work in Mexico City and continued to show his work until shortly before his death. He worked as an assistant to a carpenter, sweeping out the shop in exchange for wood scraps. He used these to create toys and even large imaginary cities. When he was fifteen, he began to teach himself art using various scrap materials. At this time muralist José Clemente Orozco was in his town to paint scenes of the Mexican Revolution on the town library. Bejar brought him some drawings to show, he did not want to see them. Later in life he stated that he did not think well of the muralists and considered them false and frauds. He said that their work was supposedly for the people but they could not be understood without interpretation and the main ones (Rivera, Siqueiros and Orozco) shut out other artists. When he got to New York in the 1940s, he was disappointed and thought it ugly. He wanted to return but had no money so he had to work menial jobs and live in Hell’s Kitchen. During this time in New York, he was put in touch with English painter Arthur Ewart who encouraged him to get back to art, particularly painting. He also met socialite Frances Colman, while copying paintings...

Ana Seggiaro's training as an engraver awakened her fascination for the works of Durero and Piranesi. This leads her both to recover the language of engraving itself through other me...

*Please inquire for commissions of any other size, color or surface rendering keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, crease...

Reginald Wilson was born in 1909 in the small town of Butler, Ohio. Determined from boyhood to be an artist, he arrived at the Art Students League of New York when he was twenty. He ...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Landscape with snow capped mountains in bright vibrant colors. Iain Baxter& (the artist recently added the ampersand to his name) is recognized as Canada’s pioneering conceptual artist. For over forty years, Baxter& has continually produced works that question the role of art as commodity and as a medium for cultural commentary. Among his many innovations, Baxter& was the first artist to adopt a corporate persona: in 1966, he formed the N.E. Thing Company. NETCO output ranged from conceptual, satirical, vacuum-formed still lives to post-modern appropriations of famous artworks. His recent work includes neon signs, ‘animal preserves’, a grocery cart of ‘GMO’s’ (genetically modified organisms) and installations using obsolete technology.) He is a painter, photographer, sculptor, mixed media artist, installationist, film & video maker, interventionist & performance artist who has been a forerunner of conceptual art in Canada. BAXTER& has been considered the Marshall McLuhan of Visual Arts in Canada. Continuous themes in his work include information technology, landscape, art as commodity, & environmental & ecological concerns. These prominent themes throughout BAXTER&‘s work are often met with wit, parody, satire & word-play. Through his art, teaching, and mentorship, BAXTER& has widely influenced Canadian art, creating new movements such as the Vancouver School of Photo-conceptualism and blurring the lines between private and public through his N.E. Thing Co. among many other impactful projects. He has also directly influenced major Canadian artists, including Stan Douglas, Ian Wallace, Jeff Wall, Roy Arden, Ken Lum and Rodney Graham. BAXTER& has exhibited throughout Canada and internationally in the United States, China, Korea, Japan, and Europe including at the Guggenheim New York, The National Gallery of Canada & the Canadian Cultural Center in Paris, France, Los Angeles Museum of Contemporary Art, Museum of Modern Art, New York & the Tate Modern, London. In 2011, BAXTER&’s work was compiled into a major retrospective IAIN BAXTER&: 1958--‐2011, organized by the Art Gallery of Ontario & The Museum of Contemporary Art Chicago. His work can be found in collections including the National Gallery of Canada, the Art Gallery of Ontario, The Museum of Modern Art, New York, The Vancouver Art Gallery, the F.R.A.C Art Museum in Bretagne, France, the Gemeentemuseum in The Hague, The Netherlands, the Los Angeles County Museum of Art, & the Tate Modern, London. He is a Member of the Royal Canadian Academy. His work was included in the seminal Made of Plastic show that included Abe Ajay...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. The artists explore even further the infinite possibilities of transformation by turning something as temporary as a fashion editorial, into something completely different and original; a unique piece of art. The artist's technique consists of the use of two prints, the first print is the original photography, and the second print is a blurry version of the image printed on glass. The glass version of the picture is shattered with an iron tool to be able to control the rupture. The artists glued the glass parts on top of the original picture, creating a blurred effect. Cristian Hunter’s work starts from that belief. His photographs —created over a solid international career— are not mere documents, but open territories where painting, texture, and gesture expand photography into new dimensions of meaning. Hunter explores how an image can shift in meaning over time—how context, memory, and manual intervention can transform what was once captured into something newly revealed. Each piece is an invitation to look again, to uncover what lies beneath the visible. Guided by the premise that “nothing stays still,” he works from his personal archive, reinterpreting it, giving new life to what was once lived, and breaking the linear flow between past and present. His lens has captured renowned figures such as Pharrell Williams...

Size includes Mat. Without its 8" X 4". Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (Ahn Dong Kuk) was born in Seoul, Korea. He studied at Seoul University (BFA), graduate student at Miami University, Oxford Ohio 1962, Pratt Institute (MFA), and New York University (Ph. D, Art History). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first Korean artist to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. He belongs to the generation of Korean Abstract artists that include Kim Whan-Ki, Park Se-Bo, Lee Ufan, Chung Sang-Hwa, Yun Hyong-Keun and Ha Chong-Hyun. He was also a student of the T'ai Chi grandmaster Cheng Man-ch'ing in New York City. Ahn's work is greatly influenced by nature, specifically the cycles of nature as in Zen and other Eastern philosophies. Ascribing to the Eastern belief that nature is central to everything that exists, Ahn paints natural forms and environments, which he abstracts into brushstrokes, drips, and splatters. Titles of his paintings reference trees, wind, and water, and include Broken Branch in the Rain, Old Zen Tree, and Wind, Rain, & Ocean. His swirls and drips portray the rapid, random, and untamed effects of natural forces. Another influence or concept in Ahn's work is the dragon, a good and powerful figure from Korean and Chinese mythology, whose movements and forms Ahn suggests in whimsical ribbon-like marks and trails of paint. In Korean folk tales, dragons show goodwill to humans by sending clouds and rain, and they tend to live in lakes, rivers, and oceans. Paying tribute to this Folkloric legacy, Ahn's paintings bear titles such as Brown Dragon and Yellow Dragon, as well as titles using names of underwater creatures and habitats, like Phantasy in the Deep Sea. Ahn's ink and acrylic paintings on canvas are reminiscent of Chinese Zen Calligraphy and paintings, with their quick brushstrokes and elegant compositions. Composed of swipes and spatters that course across the pictorial field, these works blend Eastern brush painting with Abstract Expressionist "action painting." Ahn has had numerous solo and group exhibitions in the U.S. and abroad, including the solo shows Dragons & Oceans at Ewha Gallery, Seoul, South Korea in 2007, and Zen & Void at Walter Wickiser Gallery, New York, NY in 2004. His work is in private and public collections, including The Museum of Modern Art, New York, the Dayton Art Museum, Ohio, and the Evansville Museum, Indiana. Awards and honors include First Prize (in painting) from the Dayton Art Museum Ohio Regional Art Annual in 1963, the Pratt Graduate Fellowship in 1963, First Prize (in etching) from East Coast Printmaker's Annual in 1964, and the McDowell Artist Fellowship in 1964. Selected solo exhibitions 2014 Don Ahn: Spirit, BBCN Bank, New York, NY 2014 Don Ahn (1937-2013), Walter Wickiser Gallery, New York, NY 2012 Paintings From 1968 Through 2005, Walter Wickiser Gallery, New York, NY 2007 Dragons & Oceans, Ewha Gallery, Seoul, South Korea 2004 Zen & Vold, Walter Wickiser Gallery, New York, NY 1975 Lotus Gallery, New York, NY 1972 Green Mountain Gallery, New York, NY 1972 Westbeth Gallery, New York, NY 1971 Westbeth Gallery, New York, NY 1971 Dalhousie Gallery, Nova Scotia, Canada 1969 Downey Museum, Los Angeles, CA 1965 Evansville Museum, Evansville, IN 1963 Dayton Art Museum, Dayton, OH 1952 Kilbride Bradley Gallery, Minneapolis, MN 1950 Korean Do-Su-Kwan Gallery, Seoul, South Korea Selected group exhibitions 2013 Coloring Time, Korean Cultural Service, New York, NY 2013 Friends, Walter Wickiser Gallery, New York, NY 2011 Friends, Walter Wickiser Gallery, New York, NY 2011 Art Toronto, Toronto, Canada 2011 Art Chicago, Chicago, IL 2010 Art Toronto, Toronto, Canada 2002 Eastern Essence, Gary Snyder Gallery, New York, NY 2001 Abstract Expressionism, Gary Snyder Gallery, New York, NY 1999 Pleiades Gallery, Seoul University Alumni show, New York, NY 1999 Korean New York Art Society Show, Jersey City, NJ 1999 Fukuoka Asian Art Museum Fukuoka, Japan 1999 Artist of the Third Millennium, Walter Wickiser Gallery, New York, NY 1998 Kaohsiung Museum Of Fine Arts, Taipei, Taiwan 1997 Chicago Institute Of Art, Chicago, IL 1997 Zimmerli Museum, Rutgers University 1997 Asian Tradition & Modern Expression: 1945 - 1970, Zimmerli Museum, Rutgers University 1976 Lotus Gallery, New York 1972 Westbeth Gallery, New York, NY 1971 US National Print Biennial, Museum Of Modern Art, Tokyo, Japan 1969 Cooper Union, faculty show, New York, NY 1968 6th Invitational International Print Biennial, Museum Of Modern Art, Tokyo, Japan 1967 International Print Biennial, Grenchen, Switzerland 1967 Audubon, National Annual, New York, NY 1966 Society of American Graphic Artists, National Annual, New York, NY 1966 Ball State College, National, Drawing and Sculpture, Muncie, IN 1966 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1965 Traveling U.S. Print Show, Pratt Graphic Arts Center, New York, NY 1964 New York, Institute of Technology, faculty show New York, NY 1964 Evansville Museum, Indiana 1964 East Coast Printmakers, Village Art Center, New York, NY 1963 Ohio Regional Art Show, Dayton Art Institute, OH 1963 Drawing and Prints from the collection of J.Johnson, Cincinnati Museum of Art, OH 1962 Seattle...

Mini. Copper Metallic keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, an...

Titled: Rise n Shine Ann Chernow (Connecticut b. 1936) etching. hand signed 'Ann Chernow' in pencil lower right. Numbered '5/15' in pencil lower left. Titled in pencil lower center. ...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Paper and Adhesive collage by Wayne Timm. Image measures 16 x 18 Framed in a closed corner steel custom frame In the 1960's, Wayne Timm rubbed elbows with the likes of Warhol, Lich...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Large Size artwork Mix Media on Canvas. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenous pines and...

Painting on Canvas signed verso, blue white navy blue Cecil Touchon Born 1956 Austin, Texas is a contemporary American collage artist, painter, published poet and theorist living in...

Original shaped canvas and vinyl tempera. Hand-signed and dated on verso by the artist. Canvas is stretched. Artwork in excellent condition. All reasonable offers will be considered.

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Board Dimensions: 15 1/2" x 19 1/2" Reminiscent of the Art Brut work of french master Jean Dubuffet this Boy with balls is a wonderful mixed media piece with stypol, copper resin, concrete all in a great colorful composition. Alexander Raymond Katz, Hungarian / American (1895 – 1974) Alexander Raymond Katz was born in Kassa, Hungary, and came to the United States in 1909. He studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts. In the late 1920s, he worked as a director of the Poster Department at Paramount Studios. He was appointed the Director of Posters for the Chicago Civic Opera in 1930. During the Great Depression, notable architect Frank Lloyd Wright urged Katz to become a muralist. In 1933, he was commissioned to paint a mural for the Century of Progress exposition in Chicago. In 1936, he painted the mural History of the Immigrant for the Madison, Ill., post office. Katz’s works were included in various exhibitions and now are part of several museum collections, including those of the Art Institute of Chicago; Corcoran Gallery of Art, Washington, D.C.; and the Jewish Museum, New York. His murals, bas-reliefs and stained glass designs adorn more than 200 Jewish synagogues...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Original mixed media collage on paper. Unsigned. Paper size: 13.5 x 10.25 inches. Frame size: 16.5 x 13.5 inches. Artwork is in excellent condition. Certificate of Authenticity i...

Oil and cold wax painting that depicts nature and its glorious colors. Filled with texture and color, it is perfect for any home or office. It is 12 x 12 on a wood panel. It is re...

This little jewel has movement and texture depicting a rocky shoreline. Painted with cold wax and oil, it has a perfect satin sheen. This piece is good for home or office and will ...

Jacques Lerebourg hand made abstract metal sculpture in welded and polished metal with inclusion of a natural quartz or crystal mineral specimen. part of a distinguished group of Fre...

Mixed Media painting on wood panel with pink yellow purple red Born in Tallahasee Fl, William started his artistic career as a color consultant for his family's Design and Painting...

Textured Cool blue artwork Mix Media on Canvas. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenous p...

"Four Injections of Light" mixed media painting on canvas in wooden frame by street artist Omar Hassan, who is diabetic. Inspired by the daily insulin injections taken by the artist ...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

*Card pictured after painting not included. Dongkuk Ahn (1937-2013), better known as Don Ahn, was a South Korean artist and t'ai chi master who resided in New York City. Don Ahn (A...

May Wilson (1905–1986) was an American artist and figure in the 1960s New York City avant-garde art world. A pioneer of the feminist and mail art movement, she is best known for her Surrealist junk assemblages and her "Ridiculous Portrait" photo collages. Wilson was born in Baltimore, Maryland, into an underprivileged family. Her father died when she was young. She was reared by her Irish Catholic mother, who sewed piecework at home. Wilson left school after the ninth grade to become a stenographer/secretary to help support her family. When she turned 20, she married a young lawyer, William S. Wilson, Jr., and give birth to her first child. She continued to work until the birth of her second child, after which she devoted her energies primarily to mothering and homemaking. In 1942, the couple had prospered enough to move to Towson, Maryland, where she began to take correspondence courses in art and art history from several schools, including the University of Chicago. In 1948, after the marriage of their daughter, the couple moved to a gentleman's farm north of Towson, where she pursued painting and gave private art lessons to neighbors. She exhibited her paintings, scenes of everyday life painted in a flat, purposefully primitive manner in local galleries and restaurants. In 1952 and 1958, she won awards for work submitted to juried exhibitions at the Baltimore Museum of Art. In 1956, her son, the writer Williams S. Wilson, gave to Ray Johnson, the founder of the New York Correspondence School, his mother's address. This began a friendship and artistic collaboration between Johnson and Wilson, which would last the remainder of her life. Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others. When her marriage dissolved, she moved to New York City in the spring of 1966, aged 61, taking up residence first in the Chelsea Hotel and then in a studio next door, where she threw legendary soirées and became known as the "Grandma Moses of the Underground". By the time she arrived, Wilson was already working with photomontage collage techniques. Encouraged by Johnson, who had sent her magazines through the mail, she scissored patterns into images of pin-up girls and muscle men until they resembled doilies or snowflakes, as Wilson called them. She decorated her hotel room and later her studio on West 23rd Street with these and other manipulated, found object images. Around this time, she also began her series of neo Dada "Ridiculous Portraits", for which she would ride the subway to Times Square, where she made exaggerated faces in photo booths. She then would cut and paste her photo-booth face onto postcards, along with Old Master reproductions, fashion shoots, and softcore Playboy magazine pornography. Long before artists such as Cindy Sherman and Yasumasa Morimura embarked on similar critical projects, Wilson's "Ridiculous Portraits" sent up the ubiquitous sexism and ageism that exists in popular and fine-art images of women. At the age of 70, she converted a nude photograph of herself into a stamp that she pasted on envelopes. Her collages and humorous self-portraits were made as gifts and mail-art items for her friends and were not widely known until after her death. Her work was contemporaneous with the Arte Povera artists Jannis Kounellis and ‎Michelangelo Pistoletto. She was also an innovator of junk art assemblages that incorporated real objects, such as high-heel shoes, bed sheets, sauce pans, toasters, liquor bottles, ice trays, and wrapped baby dolls. Her sculptures were inspired by Surrealist and Dada practices and are similar in spirit to Yayoi Kusama's contemporary accumulations. Wilson was the subject of a 1969 experimental documentary by Amalie R. Rothschild, "Woo Hoo? May Wilson". Since her death, May Wilson's work has been featured in numerous exhibitions and retrospectives at the Baltimore Museum of Art, Maryland; Gracie Mansion Gallery, New York; the Morris Museum, Morristown, N.J.; the Pavel Zoubok Gallery, New York City; and The University of the Arts, Philadelphia. Selected Exhibitions 2010 "Seductive Subversion: Women Pop Artists, 1958-1968", University of the Arts, Philadelphia (traveling exhibition) 2008 "1968/2008: The Culture of Collage", Pavel Zoubok Gallery, New York, City 2008 "Ridiculous Portrait: The Art of May Wilson", Morris Museum, Morristown, New Jersey 2008 "Woo Who? May Wilson", Pavel Zoubok Gallery, New York City 1995 [Retrospective], The Baltimore Museum of Art, Maryland 2001 "May Wilson: Ridiculous Portraits and Snowflakes", Gracie Mansion Gallery, New York, City 2001 "Inside Out: Outside In-The Correspondence of Ray Johnson and May Wilson", Sonoma Museum of Visual Art, California 1991 "May Wilson: The New York Years", Gracie Mansion Gallery, New York City 1973 "Sneakers", Kornblee Gallery, New York City 1973 "Small Works: Selections from the Richard Brown Baker Collection of Contemporary Art", RISD Museum, Providence, Rhode Island 1971 Corcoran Gallery of Art, Washington, D.C. 1970 "Sculpture Annual 1970", Whitney Museum of American Art, New York City 1965 The Baltimore Museum of Art, Baltimore, Maryland 1962 The Johns Hopkins University, Baltimore, Maryland 1957 Bookshop Gallery, Baltimore, Maryland Public collections Whitney Museum of American Art (New York City) The Baltimore Museum of Art (Baltimore, Maryland) Brooklyn Museum (Brooklyn, New York) References William S. Wilson, "May Wilson: Constructing Woman (1905-1986)", in Ann Aptaker, ed., Ridiculous Portrait: The Art of May Wilson, ed. Ann Aptaker, Morristown, N.J.: Morris Museum, Camhi, Leslie, "Late Bloomer", Village Voice, December 18, 2001 Giles, Gretchen, "Cosmic Litterers: Artists Ray Johnson and May Wilson: Taking the Cake", "Northern California Bohemian," June 14–20, 2001 McCarthy, Gerard, "May Wilson: Homespun Rebel", Art in America, vol. 96, no. 8, September 2008, pp. 142–47 Sachs, Sid and Kalliopi Minioudaki, Seductive Subversion: Women Pop Artists, 1958-1968. Philadelphia: The University of the Arts, 2010, ISBN 978-0789210654 Wilson, William S. Art is a Jealous Lover: May Wilson: 1905-1986, andy warhol...

Artist/Designer; Manufacturer: Julian Schnabel (b. 1951) Marking(s); notes: signed, marking(s); 1985 Country of origin; materials: American; oil on map and paper collage Dimensions (...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 150/600 DX lower left. This Deluxe Edition features three layers of dimens...

Acrylic, sand, and earth on paper. Signed, titled, and dated 1986 en verso. Michael Young Auto Biography I was born in 1952, in Kansas City, Kansas. My interest in art began as a ch...

Medium Sized Artwork Mix Media on Stretched Canvas. BIO Born and raised in the coastal town of Mobile, Alabama, Brad Robertson's earliest inspiration was the landscape—the indigenou...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

This is a wall sculpture of a protruding abstract organic appendage form. They are in the form of Surrealist fantastic flora and fauna. It is from her 1990-1995 series called tondos & squares. This is a mixed media sculpture composed of plastic/resin (it looks like blackened steel), rubber and metal wire. Hand signed verso. This sale is for one. I have 5 of them available, they make a great wall installation grouping. Carol K. Brown is an American woman artist born in Memphis, Tennessee and lives and works in New York and Miami Beach, Florida. Brown works with sculpture, painting, photography, video, digital and installation art. She has received the State of Florida Fine Arts Fellowship (1983), Southeastern Center for Contemporary Art Fellowship (1986), and two National Endowment for the Arts Fellowship (1984 and 1986). Her work is owned by the Perez Art Museum Miami, the Museum of Contemporary Art San Diego, the Memphis Brooks Museum of Art, and the Herbert F. Johnson Museum of Art at Cornell University. She is a professor of sculpture at the New World School of the Arts in Miami. She was included in the show Making Art in Miami along with Jose Bedia; Consuelo Castaneda; Quisqueya Henriquez...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered PP lower left. ThisPrinter's Proof Edition features three layers of dimens...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 28 AP lower left. This Artist Proof Edition features three layers of dimen...

Titled "In G-d We Trust" signed dated and titled verso. there is also a gallery label. Mixed Media wall hanging in a pop art style. Background of pennies and then the foreground is l...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Cheryl Warrick (American, b. 1956), "Build a nest" 1998, Acrylic and mixed media painting on paper, Hand signed, titled and dated verso, matted and framed. (I have not opened thi...