Florida - Mixed Media

Reginald Case (1937-2009) Geruchte: Rumors, Referring to persecution of Jews Case continued with contemporary works of Barbie and Madonna (entertainer) that reflected the glamour of...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size approx 21 x 17 inches. Artwor...

Milton Glaser creates a brilliant graphic symbolizing a pathway to success and more. Original art Cut Paper collage and colored pencil 19 1/2 x 13 5/8 Signed to lower edge ‘Milton ...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints fo...

Here for your consideration is a vibrant and richly painted original acrylic on canvas painting of a large abstract female figure by the well known American artist, Neith Nevelson. S...

Here for your consideration is a vibrant and richly painted original mixed media acrylic paint with touches of spray paint on canvas of an abstract figure in red by the well known Am...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by artist Cristian Hunter. The artist's technique c...

Original crayon and pencil drawing on cut-out paper mounted on board. Hand signed with artist's initials CA. Executed in 1966, this work is registered in the archives of the Calder...

This series of analog collages is constructed from precise assemblages of printed fragments, forming symmetrical compositions that suggest entities or emissaries from an alternate co...

This series draws inspiration from Hatillo’s Fiesta de los Santos Inocentes, translating the festival’s vibrant movement and collective energy into a refined abstract vocabulary. Thr...

Original mixed media drawing with watercolor on paper. Hand signed by Peter Max. Frame size approx 17 x 21 inches. Artwork size 11 x 15 inches. Artwork is in excellent condition....

Original mixed media on board. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered.

Henry Newman: 1923-1996. Listed American artist with auction results Over $800. This assemblage is a really clever piece, showing an artist and his model. It is made of different mat...

This artwork was created by the artistic duo Hunter Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique cons...

Mixed Media House Paint on wood and laid fabric

A portrait of two cats is deftly assembled by trailblazing modernist Hilla Rebay. The work is signed and titled lower left. 'Muschi et Antonio v. Rebay - Rome'. Titled to verso ‘Musc...

Genre: Modern Subject: Abstract Medium: Mixed Media Surface: Board Dimensions: 28.75 X 24 (size includes frame. signed with initials and bearing a label verso. Reminiscent of the Ar...

close up of Celestial :: Mixed Media :: Abstract Expressionism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: ...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Original mixed media painting on wood. Hand signed on front by the artist. Artwork is in excellent condition. Certificate of Authenticity included....

original abstract mixed media painting. virtual framed GRAU-GARRIGA, Josep (San Cugat del Valles, 1928 - Angers, 2011). Grau-Garriga was a Catalan artist, muralist and one of the...

The red series are vermilion drawings with cotton/diya baati wicks used in prayer, the fruit of the artist's longstanding preoccupation with gender, religion and rituals. The interfe...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Original double sided mixed media painting on wood. Hand signed on verso by FAKE. Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers wi...

Lara Schnitger (b.1969). Pink Gin, 1999. Collage of cut vintage papers on illustration board, measures 10 x 14.25 inches. Measures 17.5 x 21.5 inches framed. Provenance: Anton Kern Gallery. Search terms: woman artist; Feminist artist: Feminist Lara Schnitger 1969 Born in Haarlem, Netherlands 1987-1991 Koninklijke Academie voor beeldende Kunsten, Den Haag 1991-1992 Academie Vyvarni Umeni, Prague 1992-1994 Ateliers ´63, Amsterdam 1999-2000 C.C.A., Kitakyushu, Japan Lives and works in Los Angeles and Amsterdam Solo Exhibitions 2018 Suffragette City, Frieze Live, Frieze Art Fair, Randall's Island, NY 2017 Don't Let The Boys Win, Galerie Gebr. Lehmann, Dresden, Germany Suffragette City, Kunsthaus Dresden, Germany Lundgren Gallery, Mallorca, Spain 2016 In Real Life: Lara Schnitger, Hammer Museum, Los Angeles, CA 2015 Suffragette City, FRAC Champagne-Ardenne, Rheims, France Suffragette City, Parcours, Art Basel, Lichthof Building, Basel, Switzerland 2014 PINK POP Festival, Bonnefantenmuseum Pavilion, Maastricht, Netherlands Stuart Shave/Modern Art, London, UK Never Alone, Anton Kern Gallery, New York, NY 2012 Lara Schnitger, Wilhelm Müller: Colored Fabrics, Galerie Gebr. Lehmann, Dresden, Germany Lara Schnitger & My Barbarian: The Butterfly’s Evil Spell, Anton Kern Gallery, New York, NY 2010 Damned Women, Modern Art, London, UK Two Masters and Her Vile Perfume, Sculpture Center, New York The Artist's Museum, Museum of Contemporary Art, Los Angeles 2009 Anton Kern Gallery, New York Dance Witches Dance (with My Barbarian), Luckman Fine Arts Complex, Cal State, Los Angeles 2008 Museum of Modern Art Arnhem, Holland, Netherlands Dance Witches Dance (with My Barbarian), Museum Het Domein, Sittard [cat.] Double Happiness, Galerie Gebr. Lehmann, Berlin 2007 Stuart Shave/Modern Art, London Anton Kern Gallery, New York 2005 My Other Car is a Broom, Magasin 3, Stockholm, Sweden traveling to Stroom den Haag, The Hague, The Netherlands [cat.] Anton Kern Gallery, New York [cat.] Blacks on Blondes, Triple Candie, New York 2004 Air 2 Paris, Paris 2003 Liesje Leerde Lotje lopen langs de lange Lindenlaan, Revalidatie Centum Friesland, Beesterswaag, Netherlands 2002 Civilized Special Zone, Lara Schnitger and Matthew Monahan, Chinese European Art Center, Xiamen Anton Kern Gallery, New York, NY 2001 Statements, Basel Art Fair, Basel Raum Aktuellekunst, Martin Janda Gallery, Vienna Project Room, Santa Monica Museum of Art, Santa Monica, CA 2000 Kunstwerke, Berlin Gozaimas, Lara Schnitger and Matthew Monahan, Bureau Amsterdam, Amsterdam 1999 Anton Kern Gallery, New York, NY Up & Co, New York, NY 1998 Hyper Space, Galerie Daniel Blau, Munich Basel Art Fair, Galerie Daniel Blau SpaceInvader, Vleeshal, Middelburg, Netherlands 1997 University of Buffalo Art Gallery, Buffalo, NY 1996 Anton Kern Gallery, New York, NY Group Exhibitions 2018 Other Walks, Other Lines, San Jose Museum of Art, San Jose, CA (opening November) Pussy, King of the Pirates, Maccarone, Los Angeles, CA “Do I contradict myself? Very well then I contradict myself. (I am large, I contain multitudes.), curated by Emmanuelle Lainé, FRAC Champagne-Ardenne, Reims, France bitch MATERial, Kunstquartier Bethanien, Berlin, Germany Reclaimed, Linda Pace Foundation, San Antonio, TX 2017 3. Berliner Herbstsalon, Maxim Gorki Theatre, Berlin, Germany Brightsiders, curated by Adam D. Miller, Verge Center for the Arts, Sacramento, CA Hope and Hazard: A Comedy of Eros, curated by Eric Fischl Hall Art Collection, Reading, VT Do Disturb, Palais de Tokyo, Paris, France 2016 Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser, Wirth & Schimmel, Los Angeles, CA [cat.] Reveal the Rats, The Pit, Los Angeles, CA 2015 NO MAN’S LAND: Women Artists from The Rubell Family Collection, Rubell Family Collection, Miami, FL Poor Art - Rich Legacy. Arte Povera and Parallel Practices 1968-2015, Museum of Contemporary Art, Oslo, Norway Beating around the bush Episode #4, Bonnefanten Museum, Maastricht, The Netherlands 2014 Beating around the bush Episode #2, Bonnefanten Museum, Maastricht, The Netherlands 2013 Girls Just Want to Have Funds, La Mama Gallery, New York, NY Paintings, Sculptures, Drawings and Mixed Media Artworks, The Rema Hort Mann Foundation, New York, NY 2012 My Barbarians Collaboration / Performance, Anton Kern Gallery, New York, NY More to Tell, Museum Het Domein, Sittard, Netherlands Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA Niki de Saint Phalle Tirs: Reloaded, Getty’s Pacific Standard Time Performance and Public Art Festival Without Hope, Without Fear, Mottahedan Projects, Al Quoz, Dubai, UAE The Butterflies Evil Spell, Anton Kern Gallery, New York, NY 2011 The Artist's Museum, Museum of Contemporary Art, Los Angeles Investigation of a Dog: Works from the FACE collections, Magasin 3 Konsthall, Stockholm, Sweden; La Maison Rouge, Paris, France 2010 Ordinary Madness, Carnegie Museum of Art, Pittsburgh, PA Investigation of a Dog: Works from the FACE collections, Ellipse Foundation, Cascais, Portugal; Deste Foundation, Athens, Greece; Fondazione Sandretto Re Rebaudengo, Turin, Italy 2009 Group Exhibition, Honor Fraser, Los Angeles Strike a Pose, Stephen Friedman Gallery, London Directions, A Palazzo Gallery, Brescia, Italy Double Dutch, Hudson Valley Center for Contemporary Art, Peekskill Investigations of a Dog, Fondazione Sandretto Re Rebaudengo, Turin (re)Visions:(di)Visions, Foster Gallery, University of Wisconsin, Eau Claire 2008 Sonsbeek Sculpture Exhibition, Arnhem Attribution problems, Johann König, Berlin Carried away, Museum Moderne Kunst, Arnhem, NL 2007 Read Me! Text In Art, Armory Art, Pasadena Unmonumental: The Object in the 21st century, New Museum, New York Wild West, Galerie Gebr. Lehmann, Berlin USA Today, Hermitage, St. Petersburg, Russia To Be Continued…, Magasin 3 Stockolm Konsthall, Stockholm, Sweden Frac des pays de la loire, Carquefou, France Don’t Let the Boys Win, Mills College Art Museum, Oakland Fantastic Politics, The National Museum of Contemporary Art, Oslo, Norway Eight Sculptors from Los Angeles, Sabine Knust, Munich Uneasy Angel/Imagine Los Angeles, Sprueth Magers, Munich 2006 Lara Schnitger, Lily Van Der Stoker, Sue Williams, Modern Art Inc., London Ridykeulous, Participant Inc., New York, NY La Retour de la Colonne Durutti, Gallery Isabella Bortolozzi, Berlin USA Today, The Saatchi Gallery, London Implosion, Anton Kern Gallery, New York The “F” word, Andy Warhol Museum, Pittsburgh, USA Red Eye: L.A. Artists from the Rubell Family Collection, Miami, FL 2005 THING New Sculpture from Los Angeles, Hammer Museum, Los Angeles, CA Both Ends Burning, David Kordansky Gallery, Los Angeles [cat.] Follow Me: A Fantasy, curated by Malik Gaines, Arena 1 Gallery, Santa Monica, CA Forms after David, Accademia di Belle Arti, Florence, Italy My Barbarian, Powerplant, Toronto, Canada 2004 Obsession, Galerie Diana Stigter, Amsterdam, NL M.B. The Mary Blair...

Empty Packaging Tiffany Hermes Swarovski MacBook Air Burj Al Arab Disney Secrets de Sothys This consists of the following empty packaging: 1 Tiffany box 10” x 10” x 4” 1 Apple Watch box 8” x 5” x 1” 1 Hermes box 9” x 9” x 1” 1 Hermes bag 12” x 12’ 1 Swarovski bag...

DNA is genetic information, hidden and encrypted in body fluids. Veiled data that we load, that we do not know and that someone knows how to decipher. Such specifications characteriz...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

Unique hand embellished with silver marker on serigraph. Hand signed and dated lower right by Ronnie Cutrone. Hand numbered 29/36 lower left. Artwork size: 40 x 30 inches. Frame ...

Realising the consciousness or Self is realising the Universe and its Source. Connecting with this light within is also then a path of connecting with the Source. The Self series of ...

Original mixed media drawing and painting on paper. Hand signed and dated on front by Purvis Young. Paper size: 9 x 11.25 inches. Frame size: 12.25 x 15.25 inches. Artwork is in ...

Zupan combines images from old masters, alchemical prints, contemporary artists, and bits from magazines and newspapers to create overlapping, intersecting worlds of transparencies a...

Galaxy Brain by Leobardo Huerta Mounted Mixed-media Vintage photograph drawn on with pen and acrylic paint Image size: 13.75 in. H x 10.75 in. W Shee...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

A very good quality early 19th Century Austrian, Vienna style convex porcelain plaque depicting a hand painted portrait of the "Duchess of Devonshire." Georgiana Cavendish...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

This artwork was created by the artistic duo Hunter & Gatti (2010–2023). These works are part of the archive managed and exhibited by Cristian Hunter. The artist's technique consists...

Pioneering female abstract artist Elsie Driggs paints stylized abstract organic forms in a warm palette of orange browns and tope. She merges abstraction with some figuration. A structured face composed of lines and tone emerges from an orange background. It's 1939, and even though Driggs is not well known, she is preceding many of the marquee names of abstraction by a decade. Although under the radar, this is a major work and is titled on the back stretcher is " Egyptian Gothic." It features the artist's inventiveness with her fine pencil lines incorporated in flat washes of color and collage elements. Signed lower right and inscribed on frame verso with title, artist and the date of 1939. Provenance, Christie's, Freemans. Framed under glass.. Elsie Driggs (1898 – July 12, 1992 in New York City) was an American painter known for her contributions to Precisionism, America's one indigenous modern-art movement before Abstract Expressionism, and for her later floral and figurative watercolors, pastels, and oils. She was the only female participant in the Precisionist movement, which in the 1920s and 1930s took a Cubist-inspired approach to painting the skyscrapers and factories that had come to define the new American landscape. Her works are in the collection of the Whitney Museum of American Art, the Houston Museum of the Fine Arts, the Fine Arts Museums of San Francisco, the James A. Michener Art Museum in Pennsylvania, and the Columbus Museum of Art, among others. She was married to the American abstract artist Lee Gatch. Career Born in Hartford, Connecticut, Driggs grew up in New Rochelle, a suburb of New York City, in a family that was supportive of her artistic interests. After a summer spent painting with her sister in New Mexico in her late teens, she felt she had found her life's calling. At twenty, she enrolled in classes at the Art Students League of New York, where she studied under George Luks and Maurice Sterne, both of whom were charismatic, inspirational figures in her early life. She also attended the evening criticism classes held at the home of painter John Sloan. Driggs spent fourteen months in Europe from late 1922 to early 1924, drawing and studying Italian art. There she met Leo Stein, first in Paris and later in Florence, who became an important intellectual influence, and who urged her to study Cézanne. He also introduced her to the works of Piero della Francesca, the Renaissance artist for whom she felt throughout her life the greatest admiration.[1] Driggs eventually settled in New York City, where she found representation with the progressive Charles Daniel Gallery.[2] (Advised that the old-fashioned and misogynistic Daniel would be unlikely to take on a woman artist, she signed the works she left for his consideration simply "Driggs" and waited to meet him in person until he had expressed his eagerness to include her in his gallery.)[3] In sympathy with those artists Daniel represented who were part of the burgeoning Precisionist movement, such as Charles Demuth, Charles Sheeler, George Ault, Niles Spencer, and Preston Dickinson, she too painted "the modern landscape of factories, bridges, and skyscrapers with geometric precision and almost abstract spareness."Impressionism and academic or Ashcan realism represented the past, in Driggs' view, and she intended to be resolutely modern. She was an attractive and engaging woman, but her demeanor belied a strong ambition and a clear sense of what it would take to make her mark in the New York art world. Driggs was part of the pre-eminent first group of Precisionist painters, including Demuth and Sheeler, who exhibited at the Daniel Gallery in the 1920s. Although a later group of Precisionist painters, including Louis Lozowick, Ralston Crawford and others, came on the American Art scene during the 1930s, Driggs felt that the style came to an end with the 1929 stock market crash.[5] In 1926 she painted her most famous work, Pittsburgh, a dark and brooding picture now in the permanent collection of the Whitney Museum of American Art, which depicts the gargantuan smokestacks of the Jones & Laughlin steel mills in Pittsburgh. Its focus is an overpowering mass of black and gray smokestacks, thick piping, and crisscrossing wires with only clouds of smoke to relieve the severity of the image, yet it was an image in which she found an ironic beauty. She called the picture "my El Greco" and expressed surprise that viewers in later years interpreted the painting as a work of social criticism. Like the other Precisionists (e.g., Demuth, Charles Sheeler, Louis Lozowick, Stefan Hirsch), she was concerned with applying modernist techniques to renderings of the new industrial and urban landscape, not in commenting on potential dangers the overly mechanized modern world of 1920s America might present. If anything, Precisionism, like Futurism, was a celebration of man-made energy and technology. One year later, she painted Blast Furnaces, in a similar vein. As noted above, Piero della Francesca's mural depicting "The Story of the True Cross" in Arezzo, with its tubular, static and frozen forms was the major influence on Driggs' "Pittsburgh" (it may have been the major influence for "Blast Furnaces" as well).[7] After Pittsburgh, Driggs' most acclaimed work was probably Queensborough Bridge...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Peter Frederiksen Untitled (Bugs Bunny Trap Piano) Jacquard Woven Tapestry Dimensions: 50 x 68.5 in (approx.) Edition of 5 – Rare, quietly released This striking jacquard tapestry b...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Desmond Mclean (1929-2015). Untitled, ca. 1960 Mixed media on paper. Sheet measuring 11 x 14 inches. Taped at corners to backing backing board measuring 17.5 x 21.5 inches. Unfr...

Fear and insecurity came uninvited to keep the artist company. Suddenly it became necessary to release the sensations that surrounded him day and night. At times the artist felt as i...

Artist: Peter Max Title: Sailboat Sunrise Medium: Mixed Media On Paper Edition: Original Size: 13.5"x11.75" inches Hand signed by the artist Frame size 22.25"x18.25" inches Condition...

Joni Mitchell “Green Flag Song,” Published by Lev Moross Gallery. Los Angeles, CA From an exhibition of 60 large photographic triptychs. When Mitchell’s television set broke, it b...

TECHNICAL INFORMATION Daniel Arsham Polaroid (Future Relic 06) 2016 Plaster and broken glass 5 x 5 3/4 x 5 1/2 in. Edition of 500 Signed and numbered ...

Neerja Chandna Peters enjoys navigating harmony through the play of lines with their symmetrical synchrony and rhythmic interplay, manipulating the nuances, their saturation and thei...

Eclectic, mixed media wall hanging textile tapestry by Marlene (Marlen) Richard featuring abstract embroidery atop free hanging locks of fabric over a black background embellished wi...

Desmond Mclean (1929-2015). Untitled, ca. 1960. Mixed media on paper. Sheet measuring 13 x 16.25 inches. Unframed. Born: Ireland Studied: Heatherly School of Art, London; Americ...

The series Geometric Alphabet is part of my series Geometric Abstract, in which the abstract game is used in the form of asemic writing with geometric shapes. Here Peters recreates h...

The Liquied series is inspired by transformation, the speed with which things change, and the material's ability to adapt to its environment. As Zygmunt Bauman describes, liquid life...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 33/350 DX lower left. This Deluxe Edition features three layers of dimensi...

Imprints/I am Yourself is a work of collection; a collection of images augmented by Casey Waterman to create a habitat where paralleled materials, connotations, and ambiguity comment...

Mabel Barnsbee (1892-1980). Miniature Watercolor Painting Surrealist Postage Stamp Collage. Image measures 4.5 x 6.5 inches. Measuring 11 x 13 inches in original frame. The Mysti...

Drape in Deep Pink by Ted VanCleave transforms a single sheet of metallic leather into a sinuous, process-driven study of material and form. Its creased, crinkled, and softly wrinkle...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

3D constructed mixed media serigraph on paper. Hand signed lower right by Charles Fazzino. Hand numbered 347/400 lower left. Artwork size 10 x 5.5 inches. Frame size 18.25 x 14 i...

Can be rotated and hung in any orientation. For inquiries please use ASK THE SELLER button. *Continental US shipping is $500 USD keywords; #sinuous, focus on material, sculptural fo...

This is an artistic weaving depicting the old city of Jerusalem. Signed in Hebrew and dated verso. it is all Hand Woven. Esther Bensimon is a native of Argentina. She graduated from the Teacher’s College of Yeshiva University in New York City and immigrated to Israel in 1968. She is held in high regard as both an artist and a human being. Perpetually fascinated by the world of art, Esther Bensimon originally fulfilled her yearning to become a part of it by weaving magnificent wall hangings. She was accepted, early in her career, as a member of The House of Quality, the prestigious Jerusalem artist cooperative where she opened her first studio. It is a prestigious venue with sculpture by David Palombo and artists studios Zelig Segal, Ori Resheff, Avi Biran, Menachem Berman...