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ROBERT KENNETH WHITE – "VELVET WRINKLES" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless display ADORABLE SHAR PEI PORTRAIT BY ROBERT KENNETH WHITE In Velvet Wrinkles, Robert Kenneth White masterfully captures the irresistible charm of two Shar Pei puppies, their soft folds rendered with lifelike precision. The artist’s signature realism and attention to texture bring warmth, character, and humor to this endearing composition. Known for blending technical expertise with playful subject matter, White’s works are highly sought after by collectors of contemporary animal portraits. The puppies’ expressive gaze and meticulously painted wrinkles highlight the artist’s ability to elevate everyday subjects into captivating fine art. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, renowned for his lifelike portraits and charming animal studies ✓ Depicts two Shar Pei puppies with exceptional attention to texture, expression, and detail ✓ Ideal for collectors of dog art, photorealism, or contemporary figurative works ✓ Ready to hang or frame — perfect for home, office, or gallery display ARTWORK DETAILS: ▸ Title: "Velvet Wrinkles" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 20.125 x 24 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American painter celebrated for his detailed landscapes, atmospheric seascapes, and photorealistic animal portraits. Working primarily in oil, White combines technical precision with a painter’s sensitivity to mood and subject, often blending realism with gentle humor. Drawing inspiration from California’s coastal vistas, rural Americana, and domestic life, White’s works resonate with collectors seeking both aesthetic beauty and emotional connection. His signature style has earned comparisons to 20th-century realist painters such as Andrew Wyeth and John Register...

Oil paint on heavy paper. (this might possibly be acrylic paint) This does not appear to be signed. Joan Kahn (USA 1953-) grew up in New York City; Princeton, New Jersey; and Vermont; in an environment that patronized the arts. At home her father, a professor, and mother, a state economist and homemaker, collected nineteenth and twentieth century drawings and prints, Middle eastern rugs, and ceramics, pewter, and old tools. Her grandfather, Max Westfield, was an academically trained portrait painter and her great uncle was a well-known gallery owner and art dealer in pre-World War II Germany. One of the influential experiences of Joan’s youth was visiting her grandfather in his studio in Tennessee where the family had first immigrated. Growing up near New York, and spending a year in Paris during high school, provided formative visits to museums and galleries. Joan was academically talented in grade and high school, but after her father’s death during her first years at university she found herself concentrating on studio and history of art. It was a subject above others absorbed and concentrated her focus. Influential in Joan’s development and later work are the historic movements of the Bauhaus and Modernist design and architecture, geometric art and design of diverse cultures, Color Field Painting. Many artists have had a impact on her work, such as Paul Klee, Piet Mondrian, Sonia Delaunay, Mark Rothko, Ad Reinhardt, Antoni Tapies, David Smith, John McLaughlin, Tony Smith, Louise Nevelson, Robert Mangold, Ellsworth Kelly, Agnes Martin, Valerie Jaudon, Jasper Johns, James Turrell, Robert Irwin, Vija Celmins, Caio Fonseca, Peter Halley, Ed Moses, Juan Usle, and Nancy Haynes...

CONTINENTAL SCHOOL (19TH CENTURY EUROPEAN) – [MOONLIT RIVER] ⚜ Oil on Board ⚜ 19th Century Provenance ⚜ Gilt Wood Conservation Frame ROMANTIC MOONLIT LANDSCAPE This Continental Scho...

Sterling Ruby (American, b. 1972) 2015 CHINATI FLAG (DNM) Tag printed with SR STUDIO LA CA printed with handwritten edition number Ed # 88/100 Hand signed "Sterling Ruby" in black pe...

ROBERT KENNETH WHITE – "RED DOOR" ⚜ Oil on canvas ⚜ Signed lower right ⚜ Frameless Display ARCHITECTURAL REALISM BY ROBERT KENNETH WHITE In "Red Door," Robert Kenneth White masterfully captures the interplay of sunlight, shadow, and classical architecture, transforming a simple doorway into an evocative study of structure and light. The crimson entry partially concealed in shadow invites viewers to imagine the hidden stories behind its historic façade. Known for his painterly precision and atmospheric realism, White elevates everyday scenes with exceptional technical skill and a keen eye for mood. The composition’s detailed architectural carvings and dramatic lighting showcase his ability to blend photorealism with timeless elegance. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for architectural, figurative, and landscape works ✓ Captures rich texture, historic detail, and compelling light effects ✓ Ideal for collectors of realism, architectural studies, or European-inspired compositions ✓ Ready for framing or display ARTWORK DETAILS: ▸ Title: "Red Door" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Artwork Size: 30.125 x 22 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is an acclaimed American realist known for his atmospheric landscapes, coastal vistas, and architectural studies that merge technical mastery with painterly warmth. Working primarily in oil, White draws inspiration from classical architecture, European cityscapes, and the quiet beauty of everyday structures. His compositions often explore the interaction of light and form, reminiscent of artists like Edward Hopper, John Register...

This depicts KIng David reciting Psalms, Hallelujah in Hebrew Kopel Gurwin (Hebrew: קופל גורבין‎) (1923–1990) was an Israeli tapestry wall hanging, painter and graphic artist. Kopel (Kopke') Gurwin (Gurwitz) was born and raised in Vilna, the capital of Lithuania. He spoke Yiddish at home, but simultaneously studied Hebrew at their school which was part of the Tarbut educational network. Kopel was active in the Hashomer Hatzair youth movement. In the 1930s, as a teenager, Kopel helped his parents with the home finances by working in a suit workshop, there he first encountered the art of sewing. With the outbreak of the Second World War and the German invasion of Vilna, the Jews were imprisoned in camps and ghettos. Kopel and his brother Moshe were separated from their parents and were put to work in coal mines and peat. Kopel's parents were taken to the Stutthof Nazi concentration camp where they died of typhus within a month of each other. Kopel's 12-year-old sister Chava was turned over to the Germans by a Polish family and murdered. The brothers were arrested by the Germans, but were saved thanks to the connections of Nina Gerstein, Kopel's drama teacher. They hid in an attic until they were discovered, fled and moved to Riga, where they were caught and sent to the Stutthof concentration camp where they were imprisoned until the end of the war. They were put to work maintaining and cleaning trains and took part in one of the death marches. In July 1946, Kopel and Moshe sailed to Helsingborg, Sweden, as part of operation "Folke Bernadotte", in which Sweden took in ill survivors for rehabilitation. Once he recovered, Kopel worked in a publishing house and later was appointed director of the local branch of the Halutz movement. In 1950 Kopel and Moshe made aliyah to Israel. Kopel worked as a survey for the Survey of Israel Company. In 1951, he enlisted to the Communication Corps and served as a military draftsman. There he won first prize for the design of the front cover of the Communication Corps bulletin. With his discharge from the army at 29 he started studying drawing and graphics at the Bezalel Academy of Arts and Design in Jerusalem. Among his teachers were Isidor Ascheim, Shlomo Vitkin, Yossi Stern and Jacob Steinhardt. At the end of his first year of study, Kopel won the Reuben and Sarah Lif Excellence Award in written studies. During his studies he also won additional prizes: In 1956 he won first prize from the Lethem Foundation in California for poster design. Later the same year, Kopel won the Hermann Struck prize for his drawing on the theme of Jerusalem. In 1957 he won an additional first prize from the Lethem Foundation and second place from the printing company Ortzel for a drawing for a Jewish New Year greeting card. In 1958 he won first prize in a competition to design a poster for Tel Aviv's jubilee. Two years later he won three other awards: First and third prize for designing a poster for Israel Independence Day, celebrating 12 years of the State of Israel. Also that year Kopel won first prize for a poster to mark the 25th Zionist Congress. In 1964 he entered the Independence Day poster competition on the theme of aliyah and won first and second prize. Four years later he again entered the competition on the theme of 20 years of Israel's independence and won first prize. The poster was styled like a Holy Ark curtain with two lions and a menorah at its centre. This poster appeared on the cover of the famous book Jewish Art and Civilization, edited by Geoffrey Wigoder as well as the record Voices of 20 Years, 1948-1968, edited by Yossi Godard. In April 1971 he won first prize in the Independence Day poster competition for the fourth time. Kopel's Folk Art tapestry won the Israeli Independence Day Poster Contest in 1968 With the completion of his studies at Bezalel Kopel moved to Tel Aviv and was hired by Shmuel Grundman's graphics and design studio. Grundman took him to Europe with him to design and supervise the construction of Israeli exhibition pavilions. During his time at Grundman's he discovered the fibrous felt from which he produced most of his wall hangings. At the 1964 Levant Fair exhibition he used felt stuck onto wooden panels for the first time. The first felt wall hanging that Kopel produced was intended for the American Cultural Centre in Jerusalem and its theme was the United States Declaration of Independence. The wall hanging, which measured 2.85 X 1.85 meters, was stuck on a wooden panel. Kopel ordered rolls of felt from France and began work on wall hangings based on bible stories. He used a needle, hand sewing small even stitches with black embroidery thread which framed and highlighted every detail in the work, as well as using appliqué. The interior designer, Alufa Koljer-Elem, introduced him to Ruth Dayan who managed the shop Maskit in September 1967 he opened his first solo exhibition at the Maskit 6 gallery, in which 12 wall hangings were displayed. In light of the exhibition at Maskit 6, Meira Gera, the director of artistic activity at the America-Israel Cultural Foundation, organized an additional exhibition of his works at the foundation's exhibition hall in New York City. The exhibition sparked immense press interest, and was also displayed for a few months at the New York Jewish Museum, from where it travelled throughout the United States. Followed by the exhibition at the Delson-Richter gallery in Old Jaffa, which was later also exhibited at the Jerusalem Theatre. Kopel's tapestry "The Time for Singing has Arrived" was printed on a UNICEF greeting card in 1978 and again in 1981. The Israeli Philatelic Service issued three stamps based on three of Kopel's holy ark curtains and one stamp based on an Independence Day poster he designed. Kopel's creations decorate a large number of synagogues, public buildings, hotels and private collections which were purchased in Israel and around the world. They have decorated, among others, the walls of the King David Hotel in Jerusalem, the VIP room at Ben Gurion Airport, the Kfar Saba theatre and the Plaza Hotel in Tel Aviv. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Israel Paldi, Nahum Guttman, Reuven Rubin had naive periods. The most well know of the strict naive artists are Shalom of Safed, David Sharir, Irene Awret, Gabriel Cohen, Natan Heber, Michael Falk and Kopel Gurwin. Exhibitions: 1995 The Knesset Jerusalem 1988 Temple Beth Shalom Miami, Florida 1988 University of Jewish Studies Los Angeles 1987 Israel Congregation on the Northern Coast Chicago 1985 Jerusalem Theatre Jerusalem 1984 Tenafly New Jersey 1983 Horace Richter Gallery Old Jaffa 1974 Jerusalem Theatre Jerusalem 1974 Delson Richter Gallery Old Jaffa 1972 University of Jewish Studies Miami, Florida 1971 Jewish Museum New York 1970 Norman Gallery Canada 1970 Sharei Tzedek Congregation Winnipeg, Canada 1970 Gallery of the Year Los Angeles 1970 Gallery of the Year Scottsdale 1969 Gleeman Gallery Chicago 1969 Israel Congregation of the Northern Coast Chicago 1967 Maskit 6 Tel Aviv Prizes: 1971 First Independence Day poster 1971, 23 yeaes of the State of Israel 1969 Second International Tel Aviv poster...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

Three Light LILY Table Lamp, 1900s Favrile glass, patinated bronze, two shades engraved L.C.T. F Avrile base impressed TIFFANY STUDIOS NEW YORK319 13 in

ROBERT KENNETH WHITE – "THE ARTICULATED FORM" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MECHANICS OF HUMANITY In “The Articulated Form,” Robert Kenneth White presen...

RALPH ROSENBORG – "AMERICAN LANDSCAPE: TREES AND SKY" ⚜ Oil on Canvas ⚜ Hand Signed and Dated Lower Right and on Verso ⚜ Conservation Frame AMERICAN ABSTRACT LANDSCAPE Painted in 19...

Picasso: Catalogue of the Edited Ceramic Works, 1947–1971 Published in Paris in 1988, this comprehensive volume is the definitive catalogue raisonné of Pablo Picasso’s ceramic editi...

Monotype Painting Title: Table and Chairs, 1980 Medium: monotype or monoprint painting Size: image 13 x 9.5,overall with frame 23 x 20 Hand signed and dated lower right Provenance...

"RFD Courant", hooked rug tapestry, rural community with country homes and buildings throughout rolling hills, lush green trees with three-dimensional leaves frame the scene, in the...

Jean Picart Le Doux, French (1902 - 1982) "Au Rendez Vous Des Oiseaux" Larger handmade wool Aubusson tapisserie Produced by Maison M. Berthaut Aubusson Atelier, France. Signed Lower left corner woven with firm's monogram and lower right with artists full name. Bears stitched label attached en verso. Original documents included with the lot. Measures 71-1/2" x 50". Jean Picart Le Doux, born in Paris in 1902 and died in 1982, was a French painter and painter-cartonnier the revival of contemporary flat weave tapestry. He is the son of the painter Charles Picart Le Doux (1881-1959). His first tapestry dating from 1943 after winning the Grand Prix of the theater poster exhibition in the imaging. He met Jean Lurcat and, and Marc Saint-Saëns,and together they founded the Association of painters cardboard tapestry in 1947. In 1950, he comes up with the idea for ​​the Alliance Graphique Internationale, during the meeting with exhibitors of an exhibition of their work in Basel, Switzerland along with two other French designers Jean Jacques Colin and Nathan, and two Swiss graphic designers, Fritz Buhler and Donald Brown. AGI is officially founded November 22, 1952 and Picart Le Doux will be its first president. Picart Le Doux was a French artist noted for his role in the revival of contemporary hand woven Aubusson tapestry. Picart Le Doux's first tapestry cartoon was a diptych entitled The Four Seasons. Made in 1943...

ROBERT KENNETH WHITE – "TAKING FLIGHT" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display FREEDOM AND POISE IN A MOMENT OF LIFT In “Taking Flight,” Robert Kenneth White c...

CHARLES LEVIER – UNTITLED [NATURE MORTE AVEC MANDOLINE, PICHET ET FRUITS] Oil on Board ⚜ Signed Lower Right ⚜ Custom Minimalist Frame A RARE MIDCENTURY STILL LIFE WITH STRIKING SCAL...

STEPHEN STALLINGS – "AN EVERLASTING MYSTERY" ⚜ Mixed Media on Board ⚜ Hand Signed and Titled Lower Right; Signed Verso with Fingerprint ⚜ Conservation Frame MYSTICAL COASTAL SCENE P...

Raymond Gallucci (1923-2005) Lamp Base, ca. 1970. Glazed ceramic. 15 " h, 7 3/8" w, 6" d. Opening for lamp post measures 11/16 inch. While the piece would make a lovely lamp, we...

SUSIE Q. SMITH Medium: Newspaper comics Distributed by: King Features Syndicate First Appeared: 1945 Creators: Linda and Jerry Walter 6.25 X 18.25 Like her contemporaries, Aggie Ma...

Abraham Rattner (American, 1895-1978) Hand signed Rattner on the label and signed in the weave Edition 1 OF 8 (I do not know how many of the 8 were actually produced) Created at Itche Mambush Atelier Workshop Ein Hod Artist Village Israel. Titled: In Memory of the Six Million A stunning large example in a brightly colored Abstract expressionist design. A hand made made textile artwork Dimensions: 55 X 79 inches This is an Aubusson style flat weave hand woven wool tapestry wall Hanging. Hand signed. Executed at Itche Mambush studios Ein Hod Artists Village. Itche Mambouche worked with Marcel Janco, Mordecai Ardon, Robert Helman, Sami Briss, Abraham Rattner and others inspired by Jean Lurcat and Jean Picard le Doux. This is similar to an Aubusson style flat weave tapisserie hand woven wool tapestry. Along with the George Goldstein...

1980 clear crystal "Vase Bacchantes" designed by René Lalique in 1927 to celebrate feminine beauty. Inspired by the mythology of antiquity, this vase features a circle of 10 nude fem...

ELLIE RILEY – "DEEP WATER I" Acrylic on Canvas ⚜ Hand Signed, Titled and Dated on Verso ⚜ Frameless Display A LUMINOUS, HIGH-TEXTURE STUDY IN COLOR AND FORM Ellie Riley’s "Deep Wate...

Circa 1890-1920. This Neoclassical, Judaic, Egyptian revival, Orientalist Mizrach sign, was produced in British Mandate Palestine by the chromolithograph process at the beginning of the 20th century. It pictures vignettes of holy places. with a hand written memorial. It was for the Tzedakah charity fund for the century-old institutions in Jerusalem: The great "Torah Center Etz Chaim"; a Free Kitchen for poor children and orphans; the famous Bikur Cholim Hospital with its dispensaries and clinics and the only Home for Incurable Invalids in Eretz Israel. They also worked with Arthur Szyk and Alfred Salzmann.. The A.L. Monsohn Lithographic Press (Monzon Press, Monson Press, דפוס אבן א"ל מאנזאהן, דפוס מונזון) was established in Jerusalem in 1892 by Abraham-Leib (or Avrom-Leyb) Monsohn II (Jerusalem, c.1871-1930) and his brother Moshe-Mordechai (Meyshe-Mordkhe). Sponsored by members of the Hamburger family, the brothers had been sent to Frankfurt, Germany in 1890 to study lithography. Upon returning to Jerusalem in 1892 with a hand press, they established the A.L. Monsohn Lithographic Press in the Old City of Jerusalem. According to the Information Center for Israeli Art A.L. Monsohn "created complex decorations for documents and oriental calendars that combined the tradition of Jewish art with modern printing techniques such as photographic lithography, raised printing and gilding." The founders of the Monsohn press produced Jewish-themed color postcards, greeting cards, Jewish National Fund stamps, and maps documenting the evolution of the Jewish settlement in Eretz Israel in the nineteenth-twentieth centuries; religious material such as decorative plaques for synagogues, portraits of Old Yishuv rabbis such as Shmuel Salant, Mizrah posters indicating the direction of prayer for synagogues, memorial posters, and posters for Sukkot booths; color frontispieces for books such as Pentateuch volumes and the early song collections of Abraham Zvi Idelsohn (e.g., Shire Zion, Jerusalem 1908); artistic wedding invitations; and labels, packaging and advertisements for the pioneering entrepreneurs of Eretz Israel. The texts appearing in the Monsohn products were in several languages: Hebrew, Arabic, Yiddish, English, German (e.g., a c1920 trilingual Hebrew-English-Arabic "Malaria Danger" broadside warning the public of mosquitoes spreading malaria). Many of the brilliantly colored postcards and maps can be seen online as can the artistic invitations to his children's weddings which Monsohn published in the Jerusalem Hebrew press. For years, the Monsohn (later, Monson/Monzon) Press was considered the best and most innovative in the country—pioneering in such techniques as gold-embossing and offset printing, among others. Early items for tourists included collections of Flowers of the Holy Land (c. 1910–1918)—pressed local flowers accompanied by scenes from the Eretz Israel countryside and relevant verses from the Bible, edited by Jsac Chagise (or Itzhak Haggis), an immigrant from Vitebsk, and bound in carved olive wood boards. Shortly after World War I Monsohn (now spelled מונזון) used zincography to produce the prints included in the Hebrew Gannenu educational booklets for young children illustrated by Ze'ev Raban of the Bezalel Academy of Art and Design and printed in Jerusalem by Hayim Refael Hakohen (vol. 1, 1919; vols. 2–3, 1920). In 1934 Monsohn moved into the new, western part of Jerusalem, in a shop with four presses and 30 workers, including Abraham-Leib's sons, David, Yosef, Moshe and Shimon, and his daughter Raytse's husband, Abraham Barmacz. The concern did business with all sectors of the city's population, including Arabs, for whom they printed in Arabic. Among their clients were members of the Ginio, Havilio, and Elite families, and Shemen, Dubek, and other renowned national brands, manufacturing products such as wine, candies, oil, and cigarettes. They also printed movie and travel posters, and government posters, postcards and documents, hotel luggage labels...

Komar and Melamid combine various photographs of Tolstoy with their own renderings, cropping and overprinting the 19th-century moralist's portrait in a heady two-headed mix of art an...

ROBERT KENNETH WHITE – "UNBOUND ELEGANCE" Oil on Canvas ⚜ Signed and Dated Lower Left ⚜ Frameless Display A LUXURIANT STUDY IN MOTION AND FORM Robert Kenneth White’s Unbound Elegan...

ELLIE RILEY – "TACTILE VISIONS-RED" Acrylic on Canvas and Stainless Steel ⚜ Hand Signed, Dated & Titled Verso ⚜ Frameless Display A MINIMALIST, TEXTURED EXPLORATION IN RED AND STEEL...

ROBERT KENNETH WHITE – "SUMMER LIGHT" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display TONAL PORTRAIT OF FEMININITY IN SUN-WASHED SILENCE In Summer Light, Robert Kennet...

Tom Pfannerstill was born in Milwaukee, Wisconsin, in 1951. He earned is bachelor’s degree in 1975 from Western Kentucky University. Pfannerstill has been a full-time studio artist s...

Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

ROBERT KENNETH WHITE – "THE SEA REMEMBERS THE SKY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A COASTAL STORMSCAPE OF LIGHT, WATER, AND MEMORY In "The Sea Remember...

Rare and remarkable Italian pietra dura bayscape with birds, boats and a lighthouse handcrafted in inlaid stone and marble and presented in a marble frame.

Signed and inscribed copy of “The Jew In The Mosque” by David J. Muller 10” x 8”, 90 pages. Condition: New. See attached photos. The Jew in the Mosque: The Story of How an Orthodox...

ROBERT KENNETH WHITE – "PACIFIC HORIZON" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A TRANQUIL VIEW OF THE CALIFORNIA COASTLINE IN EARLY LIGHT In “Pacific Horizon,...

R. Lalique Acacia Vase, 1921 Blown molded white glass with opalescent and colored patina 8 in Catalogue Razzone no. 1471

The artist confessed that, regarding her working methodology, she performs exhaustive research before starting a series. This process includes developing the theme and selecting colo...

Vintage Jean Lurcat glazed fired enamel wall plaque ceramic plate limited edition hand inscribed faience Ceramique Saint Vicens charger. It depicts a h...

Lofty group of three mid century palm frond sculptures or wall decor handcrafted in perforated metal having a worn gilt gold tone finish and plenty of decorative appeal. From left ...

VERNON KERR – "FULL BLOWN ROSES" Oil on Canvas ⚜ Hand Signed ⚜ Dated ⚜ Conservation Frame A CLASSIC STILL LIFE WITH BLOOMING ROSES This original 1974 oil painting by American artist...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

CHARLES LEVIER – "LE VASE BLEU" Oil on Canvas ⚜ Signed Lower Right & Verso ⚜ Professionally Framed A RARE MIDCENTURY STILL LIFE WITH HISTORICAL DEPTH A striking floral still life by...

ROBERT KENNETH WHITE – "WIND AND LIGHT" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT PORTRAIT IN MOTION AND STILLNESS Robert Kenneth White’s "Wind and Light...

ROBERT KENNETH WHITE – "ISLAND GOATS" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A SUNLIT HERD IN A ROCKY GROVE This compelling 2018 composition by Robert Kenneth ...

ROBERT KENNETH WHITE – "DUNES AT MIDDAY" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A CALIFORNIA DUNE SCENE IN NOONTIME STILLNESS A luminous study in natural rhyth...

Fonfria's work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magaz...

ROBERT KENNETH WHITE – "GOLDEN HOUR CAMP" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display TONAL LANDSCAPE WITH CAMPFIRE GLOW BY ROBERT KENNETH WHITE In Golden Hour Camp...

ALFRED JANSSON (1863-1931) – FOREST LANDSCAPE Oil on Canvas ⚜ Signed ⚜ Dated ⚜ Framed A STUNNING IMPRESSIONIST WOODLAND SCENE FROM 1909 This original oil painting by Alfred Jansson,...

This striking “Unyielding” aluminum signed print from 2020 stands as a commanding testament to one of the most influential figures in contemporary street art. Conceived by Shepard Fa...

CHARLES LEVIER – UNTITLED STREET SCENE Oil on Board ⚜ Signed Lower Right ⚜ Original Gilt Frame A VIBRANT MIDCENTURY CITYSCAPE BY A MODERN MASTER This original oil on board by Charle...

Harland Miller (British, born 1964) York So Good They Named It Once Offset lithographic poster printed in colours, 2020, on wove, from an edition of an unknown size, this poster is ...

The JUNONIA vase is a creation by the renowned Venetian glass master Afro Celotto. The dimensions of this artwork are 18.25" x 9" x 4.5". Every vase is hand signed at the bottom by...

Shepard Fairey Liberté Égalité Fraternité, 2015 – 2021 Signed offset lithograph on paper Description Originally created in response to the 2015 Paris attacks, Shepard Fairey’s Libe...

ROBERT KENNETH WHITE – “1948 WOODY” Oil on Canvas ⚜ Hand Signed Lower Right and Titled on Verso ⚜ Custom Wood Frame A VINTAGE AUTOMOTIVE PORTRAIT WITH CONTEMPORARY SPIRIT “1948 Wood...

Lofty wall hanging tile art, ambitiously handcrafted in terracotta with each piece cut, fired, decorated, glazed and assembled depicting a cockatoo in a lush jungle setting with bird...

ROBERT KENNETH WHITE (B. 1950) – "CHANNEL ISLANDS I" Oil on Canvas ⚜ Signed ⚜ Frameless Display A VIBRANT TRIBUTE TO THE CALIFORNIA COASTLINE A brilliant evocation of light and form...

Chain measures 19.5 inches in length Pendant measures 2.4 X 1.5 X .5 inches Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculpture...

ROBERT KENNETH WHITE – "SANTA MONICA PIER AT NIGHT" Oil on Canvas ⚜ Signed Lower Right ⚜ Titled on Verso A LUMINOUS NIGHTSCAPE OF CALIFORNIA COASTAL ICONOGRAPHY Santa Monica Pier at...

Rare and unusual antique diorama of a street in a neighborhood, in a city capturing a time and a place for centuries to come. Crafted with metal and pa...

Happy world. Original tapestry RAVENTÓS Mª Assumpció – (San Sadurní d’Anoia, Barcelona 1930). Raventos trained at the elite Sant Jordi School of Fine Arts in Barcelona. Raventós expa...

The Sun and The Star, Diptych From the Ventura Series Embroidery thread on canvas Frame size: 15.7 H x 23.6 W x 1.1 D in. Image size: 10.6 H x 13.2 W in. Individual size: Frame size:...

Rene Lalique (1860-1945) Mures Vase 1926 Glass Opalescent Vase Sizet: 8.5 x 7 in Literature: Patricia Bayer & Mark Waller. The Art of Rene Lalique. ...