Florida - More Art

Thomas Blank was born in Berne, Switzerland, in 1973. He is a master of transformation, who has been investigating the nature of glass for 20 years now, without losing his fascinatio...

VERNON KERR – [EMPTY GLASS, FALLEN ROSE] Oil on Board ⚜ Hand Signed ⚜ Dated ⚜ Framed AN INTIMATE STILL LIFE WITH SYMBOLIC QUIETUDE This original 1966 oil on board by Vernon Kerr cap...

Gayle Fraas and Duncan Slade (American, 20th Century) Mixed Technique Textile Art Dye painted and printed on cotton fabric, machine and hand stitched, fused metal foil (gold leaf). 2002 'North Woods Suite' This listing is for one piece. i am showing a picture of all 4 so you can see them. I currently have the 4 available. Dimensions: 36.25 X 36.25 frame. Quilt is 28 X 28 inches Float mounted behind acrylic in wood frames bearing Fraas / Slade studio labels verso Collaborating artists Gayle Fraas and Duncan Slade's work has always explored the relationship of ornamental surface and portrayal of landscape in quest of a sense beyond place. Recognized for developing techniques for screen printing and painting with dye on fabric, other mediums include paint and ink on paper, metal, and wood. Their work sits at the junction of fine and applied arts with an influence of naive and folk art. Their collaborative dialogue has been continuous since the mid 1970’s. Fraas-Slade’s work has been selected for some of the defining exhibitions that have influenced the field of Art Quilts: “The New American Quilt”; originating at the Museum of Contemporary Crafts, New York City in 1976, (along with Helen Bitar, Katherine Westphal, Radka Donnell, Anne Raymo) “The Art Quilt” at the Los Angeles Municipal Museum in 1986 (including Nancy Crow, Jean Hewes, Terrie Mangat, Jan Myers-Newbury, Theresa May, Pamela Studstill and Pauline Burbidge) and “Six Continents of Quilts: the Permanent Collection of the Museum of Art and Design,” NYC, touring internationally from 2002-2005. (the show included Jenny Hearn, Anne Marie Kenny, Gayle Fraas and Duncan Slade, Susan Denton, Sanae Hattori, Joan Schultze, Jenny Hearn and Mary Baxter). Books where work is featured include : Paintings of Maine by Carl Little, American Quilts: the Democratic Art 1780-2007 by Robert Shaw, The Art Quilt by Robert Shaw, Quilts Today by Robert Shaw, The Art Quilt by Penny McMorris and Michael Kile and Art to Wear by Julie Schafler Dale. Fraas and Slade continue to teach and lecture on their work. Workshops have been taught at conferences, art centers and colleges including: Haystack Mt. School of Crafts, ME, Arrowmont School of Crafts, TN and the School of Visual Arts, NYC. In 1989 and 2003, the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. Collections include the Philadelphia Museum, Baltimore Museum, MD, Peabody Essex Museum, Museum of Art and Design, NYC., the International Quilt Study Center at the University of Nebraska and the corporate collections of Fidelity Investments, Nuveen, IL., Hilton Corporation and Elmira College. Public collections in Maine include Portland Public Library, Department of Transportation, Department of Marine Resources and the University of Maine/Orono. In 1989 and 2003 the artist team received Maine Visual Artist Fellowships and in 1995 a National Endowment for the Arts/ New England Foundation Visual Artist Fellowship. There has been a huge surge of interest in textile and tapestry art led by Anni Albers, Sheila Hicks, El Anatsui, Judith Scott, Nick Cave, Tanya Aguiñiga, Faith Ringgold and Olga de Amaral. More museums are showing and collecting this work. Selected Solo Exhibitions 2018 - Silo Gallery, Nantucket Island School of Design and the Arts 2011 - Silo Gallery, Nantucket Island School of Design and the Arts 2010 - New Work, Silo Gallery, Nantucket Island School of Design and the Arts, 2009 - Island Images, Silo Gallery, Nantucket Island School of Design and the Arts, Nantucket, MA. 2007 - Watermarks, James Patrick Gallery, Wiscasset, ME; Frankie Weems Gallery, Meredith College, Raleigh, NC. Along the Coast, Maine Fiberarts Gallery, Topsham, ME Varieties of Disturbance. Susan Maasch Fine Art, Portland, ME 2005 - Nauticals, Gleason Gallery, Boothbay Harbor, ME 2003 - New Work, Winfisky Gallery, Salem State College, Salem, MA 2001 - New Work, Works Gallery, Philadelphia, PA. Selected Group Exhibitions 2020 - Maine Quilts: 250 Years of Community, Maine State Museum 2016 - Museum Collection: New Arrivals, Baltimore Museum of Art, Berman Gallery 2015 - Shared Sensibilities: The Piano Roll Project, Bates Mill Complex, Lewiston, ME 2014 - Masters: Contemporary Fiber Art, Maine Fiberarts Gallery, “Masters: Contemporary Fiber Art,” May - June 2013 - Layers: The John Walsh II Collection, Arnot Museum, Elmira College 2012 - Man-Made Quilts, Shelburne Museum, Shelburne, VT Tribute to Ardis, University of Nebraska, Lincoln, International Quilt Study Center/Museum 2011 - Instruct, The Studios at Key West Artpark 1974-1984, University of Buffalo Center for the Arts, 2009 - Reservoir, the John M. Walsh Collection, San Jose Museum of Quilts, San Jose, CA 2008 - Visual Systems, University of Nebraska, Lincoln, Howard Gallery 2005 - Rooted in Tradition, Foothills Art Center, Golden, CO 2004 - Envision 20/20, Colby College Museum of Art Another Layer, Portland Museum of Art 2002 - The Portland Show, Greenhut Galleries Six Continents of Quilts, Museum of Art and Design, NYC, traveling to: National Museum of Fine Arts, Taiwan Kaohsiung Museum of Fine Arts, Taiwan Selected Collections Elmira College, Cowles Hall, commissioned by John Walsh III 2017 Philadelphia Museum, Philadelphia, PA Museum of Art and Design, NYC Baltimore Museum of Art, Baltimore, MD Peabody Essex Museum, Salem, MA. Bowdoin College, Walker Art Museum, Brunswick, ME John Nuveen Inc. Chicago, Ill., commissions 1985, 1994, 2000, 2001 University of Nebraska, Lincoln International Quilt Study Center, The James Collection Rocky Mountain Quilt Museum, Golden, CO Mass Mutual, Boston MA Waban, Inc. Boston, MA University of Wisconsin, Madison, WI Selected Awards and Fellowships 2012- The Studios at Key West, artist residency 2008, 2007 - Nantucket Island School of Design and the Arts. A.I.R. program 2007 - Robert M. MacNamara Foundation 2003, 1989 - Maine Visual Artist Fellowships 2004 - Maine Art Commission Good Idea Grant Selected Biography Art Quilts Unfolding: 50 Years of Innovation, Bavor, Ellis, Sielman, Sider – 10/2018 Artpark: 1974-1984, Sandra Firmin, University of Buffalo Art Galleries /Princeton Architectural 2010 Masters: Art Quilts Volume 2, Sterling Publications, 2011 American Quilts: The Democratic Art 1750-2007 by Robert Shaw- Sterling Press 2009 Paintings of Maine, by Carl Little and Arnold Skolnick, Downeast Press, 2006 Six Continents of Quilts, The Museum of Art and Design Collection, 2005 Contemporary Art Quilts...

This one is 2 sided with the Brooklyn Bridge on one side and Angkor Wat on the other side. (Angkor is one of the most important archaeological sites in South-East Asia. Stretching over some 400 km2, including forested area, Angkor Archaeological Park contains the magnificent remains of the different capitals of the Khmer Empire, from the 9th to the 15th century. They include the famous Temple of Angkor Wat and, at Angkor Thom, the Bayon Temple with its countless sculptural decorations.) Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

Historical group of three 18th century hand colored engravings, including two aquatic French images and an ornithological German image, all from the original folios. Presented in woo...

I think this one is the Chinese Premier on one side and fingerprints on the outside of the other side. wrapped in plastic. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

This one includes Albert Einstein amongst other drawing. Tom Carapic (born 1939), full name Tomislav Sava Čarapić, is an artist who specialises in found object artwork. He also does street art. A prominent Outsider Artist he was a featured artist in the American Visionary Art Museum's End is Near Exhibit. His work was also featured in the exhibition catalog. His work has been sold at Slotin Folk Art. Carapic was born in Velisevac, Serbia (then Kingdom of Yugoslavia). He was educated at a military school in Herzegovina in the 1950s, and served as a sergeant in the Yugoslav People's Army. Afterwards he was denied a college education, possibly because he was not a member of the Communist Party, illegally crossed into Italy in 1961, and, from there, emigrated to the United States. In 1965, he began attending classes at the New York Art Students League, but dropped out soon afterwards, eventually attending the Wilfred Academy of Beauty Culture. He was unable, however, to find steady beauty parlor employment, and worked in menial labor while attending classes in Spanish Education at Manhattan Community College. Due to a problem with accreditation, he was forced to switch to classes in the field of studio art. There he experienced hallucinatory visions that explained his repeated failures to obtain a degree. In the late 1970s, Carapic began experiencing more hallucinatory visions; claiming that his degree problems were caused when "the evil marriage bureau massed the troops" against his college and proceeded with "an Air force bombardment" of the school. After receiving other visitations, he began making and showing his art. Most of his art is centered on found objects, most famously computer keyboards, especially those by IBM. Most of his art consists of these objects, marked with black Sharpie markers, and with green thumbprints and handprints along the objects. His most famous exhibit in New York City is "Big Bang Theory," a doomsday warnings painted on computer keyboards and shoes and construction debris. Bears similarity to the Art Brut movement made famous by Jean Dubuffet. He was inluded in The End is Near! an exhibit which included an unprecedented group of noted thinkers, from His Holiness the Dalai Lama and Stephen Jay Gould to Reverend Howard Finster and Apocalypse culture expert ,Adam Parfrey, visionary artists brought together by curator, Roger Manley, for an amazing exhibition at the American Visionary Art Museum, the world’s largest ever mounted on the subjects of Apocalypse, Millennium, and Utopia. The End is Near! featuredwork from the following visionary artists amongst others: William Adkins Z.B. Armstrong Bill Bruley Frank Bruno Harry Leroy Brunson Tom Carapic Pierre Carbonel Howard Finster Tim Fowler Mary Mac Franklin Victor Joseph Gatto Robert Gie Patrick Gimel Hugo Hempel Oskar Herzberg Vojislav Jakic Norbert Kox Charles Keeling Lassiter...

Biomorphic Surrealism. Signed Luigi, Enamel on metal (probably copper). Mounted to a plexi or acrylic purple mounting. I am assuming it is Italian as it is signed Luigi but it might ...

RALPH ROSENBORG – "NIGHT MOUNTAIN LANDSCAPE, 1974" Oil on Canvas ⚜ Signed Lower Left and on Verso ⚜ Custom Conservation Frame A VIVID ABSTRACT VISION OF MOUNTAINOUS NIGHTSCAPE In "N...

This charming 1860s American frame captures the rustic elegance of the Barbizon School aesthetic. With its rich gilded tone and naturally aged patina, ...

Signed and inscribed copy of “Please Don’t Buy This Artwork” by David J. Muller 11” x 9”, 450 pages. Condition: New. See attached photos. EXCERPTS FROM PLEASE DON'T BUY THIS ARTWORK! BY DAVID J. MULLER As the owner of Photorealism, a wholesale art dealership, I have visited the front and back rooms of over 300 "art galleries" around North America, and in doing so, I learned a few things: Most art galleries sell original paintings, and they also sell photocopies of paintings. There are many names for these photocopies. They can be called lithographs, serigraphs, giclees, embellished giclees, prints, posters, limited editions...

Artist: Jeff Ladouceur Title: Simple Uncle Sam Size: 10.75 x 8.75 Inches (Framed: 14.5 x 12 Inches) Medium: Mixed Media on Book Cover Edition: Original Year: 2020 Notes: Hand...

ROBERT KENNETH WHITE – "WHERE THE SHADOWS BLOOM" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MEDITERRANEAN COURTYARD IN VIBRANT LIGHT Suffused with radiant hues and d...

ROBERT KENNETH WHITE – "TO THE BEACH AT DEL MAR" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display SUNLIT MOMENT IN SOUTHERN CALIFORNIA Inspired by a real-life encounter, Robert Kenneth White captures the quiet magnetism of a spontaneous moment on a sunlit road in Del Mar. The figure—draped in white and holding a woven beach bag...

ROBERT KENNETH WHITE – "FOUNTAIN VISITORS" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display HUMOR AND ELEGANCE IN A MEDITERRANEAN FOUNTAIN SCENE In Fountain Visitors, Robert Kenneth White brings humor, realism, and elegance together in a charming portrayal of pigeons interacting with a sculpted dog-head fountain. The composition highlights a vibrant turquoise pool contrasted by golden sunlit walls, while the birds add a lively, whimsical presence to the classical setting. White’s skilled rendering of reflected light and surface textures—carved stone, water, and feather—demonstrates his exceptional technical command. The clever detail of a bird drinking directly from the dog’s water spout adds personality to the scene and highlights the artist’s talent for visual storytelling. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for realism and architectural nuance ✓ Blends technical mastery with humor and narrative charm ✓ Features finely detailed animal forms, Mediterranean architecture, and luminous water ✓ Ideal for collectors of photorealism, animal art, or classical European imagery ARTWORK DETAILS: ▸ Title: "Fountain Visitors" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2019 ▸ Signature: Hand signed lower left ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 22.125 x 30 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for his atmospheric landscapes, architectural studies, and expressive animal portraits. With a refined oil technique and a deep appreciation for light and form, White captures both the elegance and character of his subjects—often with a touch of narrative wit. Inspired by artists such as Andrew Wyeth, John Register...

BIO Artist Philomena Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the f...

1880s Large American Gilt Antique Frame Frame Size: Wight: 54.50″ X Height: 69″ Thickness: 10″ Picture Size: Wight: 36.60″...

R.Lalique Vase Penthievre (Fancy Fish) 1928 white blown-molded glass with patina and high color 10,5 x 10,5 in

Artist: Atomik Title: Atomiko III Medium: Mixed Media on Wood Size: 34 x 34 Inches Edition: Original Year: 2021 Notes: This original was created at the SLS Hotel...

Vintage handmade boat model diorama of the "Sovereign of the Seas" a three masted schooner, displayed in its original case. Originally built in Massac...

Measurements when open: 15 3/4 x 71 in. / 40 x 180.3 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sec...

Measurements when open: 15 3/4 x 71 in. / 40 x 180.3 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sec...

Measurements when open: 14 x 212 in. / 35.6 x 538.5 cm A makimono is a long, horizontal scroll made of paper or silk that is meant to be unrolled from right to left and viewed sect...

Stencil on slag glass. No known maker. Dragon stencil. Condition is excellent. Circa 1975. Soldered lead frame and hanger. Provenance: Sarasota estate collection

ROBERT KENNETH WHITE – "FIELDS OF EVENING LIGHT" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display ATMOSPHERIC SUNSET LANDSCAPE BY ROBERT KENNETH WHITE In Fields of Even...

Unusual set of eight bird or parakeet images ambitiously crafted in butterfly wings with a sculptural effect. Presented in wood frames under glass.

ELLIE RILEY – "TACTILE VISIONS-BLUE" Acrylic & Stainless Steel on Canvas with Tinsel ⚜ Hand Signed, Dated & Titled Verso ⚜ Frameless Display DIMENSIONAL MIXED MEDIA WITH GEOMETRIC F...

Archival pigment print Philomena Marano has spent decades “penetrat[ing] the soul of Coney Island to reveal its twin promises of candy-colored paradise and garishly ornate nightmare...

ROBERT KENNETH WHITE – "CABIN IN THE PINES" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TWILIGHT FOREST RETREAT WITH WARM INTERIOR GLOW Set deep in the quiet of a moo...

ROBERT KENNETH WHITE – "SANCTUARY OF THE SEA" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display MYTHIC SEASCAPE WITH FANTASTICAL ARCHITECTURE In Sanctuary of the Sea (2015), Robert Kenneth White presents a visionary coastal realm—part ancient city, part imagined utopia. Classical domes and soaring towers rise from lush hillsides and rugged cliffs, their golden light and crisp detailing reminiscent of both Mediterranean antiquity and high fantasy world-building. Rich sapphire waters lap against stone piers as a sailboat makes its way through the tranquil harbor, offering a sense of scale and serenity. Executed in oil with White’s signature attention to atmospheric color and architectural clarity, this large-format landscape blends historical evocation with imaginative escape. The composition feels cinematic and immersive, balancing realism with reverie—inviting comparisons to romantic illustrators like Maxfield Parrish, the architectural surrealism of Simon Stålenhag, or the coastal visions of classical landscape painters. WHY COLLECT THIS WORK? ✓ Dreamlike coastal cityscape rendered in luminous oil technique ✓ Large, immersive horizontal format ideal for major feature walls ✓ Evokes timeless architectural fantasy with painterly realism ✓ A standout for collectors of Maxfield Parrish, James Gurney, or Thomas Cole ARTWORK DETAILS: ▸ Title: "Sanctuary of the Sea" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2015 ▸ Signature: Hand signed on verso ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 19.75 x 39.5 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is known for his richly imagined compositions that merge classical realism with visionary storytelling. His works often blend architectural fantasy with mythic naturalism, drawing comparisons to the luminous worlds of Maxfield Parrish and the immersive landscapes of James Gurney, creator of Dinotopia. White’s painterly technique—marked by soft atmospheric transitions and crisp linearity—recalls Thomas Cole and J.M.W. Turner, while his symbolic, storybook environments resonate with fans of Roger Dean...

ROBERT KENNETH WHITE – "SPRING GREENS" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display LUMINOUS FOREST STUDY IN EARLY SPRING LIGHT In Spring Greens, Robert Kenneth Whi...

WILLIAM VERDULT – Untitled [VENETIAN REFLECTIONS] Oil on Canvas ⚜ Signed Lower Right ⚜ Custom Conservation Frame A DREAMLIKE IMAGINING OF VENICE AT SUNSET [Venetian Reflections] sho...

CAR SERVICE Hand cut paper on heavy weight gessoed watercolor paper, framed in flat gray painted wood & plexi. Ms. Marano is a daughter of Brooklyn. She holds a BFA from Pratt Institute, is an intimate of the visual poetry of Coney Island, created the winning poster for the first Spirit of Brooklyn poster...

ROBERT KENNETH WHITE – "ECHOES OF THE VIADUCT" ⚜ Oil on canvas ⚜ Hand signed on verso ⚜ Frameless display TURNER-INSPIRED LANDSCAPE WITH MODERN EXPRESSION A richly atmospheric lands...

ROBERT KENNETH WHITE – "SHUTTERS AND BLOSSOMS" ⚜ Oil on canvas ⚜ Hand signed lower right ⚜ Frameless display SUNLIT ARCHITECTURAL STILL LIFE WITH FLORAL DETAIL In Shutters and Blossoms, Robert Kenneth White captures the poetic quiet of a Mediterranean-style window framed by flowering plants and rustic wooden shutters. Dappled sunlight falls across the textured stucco wall, while clusters of greenery and delicate blooms fill the scene with warmth and charm. Balancing architectural form with botanical detail, the composition offers a harmonious interplay of structure, light, and color. White’s expert handling of shadow and surface texture recalls the traditions of 20th-century realism, while evoking the inviting atmosphere of Southern Europe. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, celebrated for his light-rich architectural scenes ✓ Inviting composition blending structure, foliage, and Mediterranean color ✓ Ideal for collectors of classical realism, garden themes, or romantic still life ✓ Rich scale and palette make this a stunning statement piece ARTWORK DETAILS: ▸ Title: "Shutters and Blossoms" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2018 ▸ Signature: Hand signed lower right ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 36.375 x 30.125 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for luminous paintings that merge classical architecture with natural beauty. His work often centers on quiet vignettes—courtyards, coastal scenes, and sunlit façades—that celebrate light, form, and atmosphere. In Shutters and Blossoms, White echoes the influence of artists like John Register...

ROBERT KENNETH WHITE – "TRANQUILITY" ⚜ Oil on canvas ⚜ Hand signed lower left ⚜ Frameless display ARCHITECTURAL GARDEN STUDY IN SUNLIT STILLNESS In Tranquility, Robert Kenneth White captures a moment of quiet illumination in a Mediterranean-style garden. A classical terracotta urn rests amid wildflowers and trimmed hedges, framed by palm fronds, stucco walls, and pale blue shutters. The painting balances bright floral textures with deep shadow, inviting viewers into a peaceful courtyard retreat. As the artist reflects, “This painting was inspired by the timeless beauty of southern France, and the wonderful homes that one finds there.” That inspiration shines through in both the subject and atmosphere—an evocation of warmth, elegance, and enduring charm. Known for his mastery of architectural scenes and natural light, White renders this composition with both structural clarity and painterly softness. The glowing focal point and contrasting cool shade exemplify his skill at evoking calm and stillness through light and design. WHY COLLECT THIS WORK? ✓ Original oil by Robert Kenneth White, acclaimed for garden courtyards and architectural realism ✓ Mediterranean palette with vibrant sunlight and lush foliage ✓ Ideal for collectors of classical realism, garden subjects, or decorative architectural studies ✓ Compact horizontal scale, perfect for home or hospitality interiors ARTWORK DETAILS: ▸ Title: "Tranquility" ▸ Artist: Robert Kenneth White ▸ Medium: Oil on Canvas ▸ Year of Creation: 2021 ▸ Signature: Hand signed lower left ▸ Country of Origin: United States ▸ Dimensions: — ◼︎ Canvas Size: 18.125 x 30.125 inches ▸ Condition: Excellent ▸ Framing: Frameless Display – Ready to hang or frame INCLUDED DOCUMENTATION ✓ Certificate of Authenticity ✓ Artist Biography Document THE ARTIST: Robert Kenneth White is a contemporary American realist known for his luminous courtyard scenes, tonal landscapes, and sunlit interiors. Drawing on the traditions of American and European realism, his work recalls the influence of artists like John Singer Sargent, Joaquín Sorolla, and John Register...

Bold one of a kind elephant wall sculpture hand crafted in metals with a stylized assemblage form decorated with paint in eccentric colorful floral designs.

Standout wall hanging art ambitiously handcrafted in terra cotta having each piece separately cut, fired, decorated, glazed and assembled depicting a jungle scene with toucans, flowe...

— CALIFORNIA COAST I — BY ROBERT K. WHITE (B. 1950) Original Oil on Canvas ⚜ Large Scale ⚜ Signed ⚜ Framed A DRAMATIC COASTAL MASTERPIECE This large-scale original oil painting by R...

ROBERT KENNETH WHITE – "MYSTIC FJORD" Oil on Canvas ⚜ Signed on Verso ⚜ Frameless Display AN EVOCATIVE STUDY OF LIGHT, FORM, AND COASTAL GRANDEUR In "Mystic Fjord", Robert Kenneth W...

ROBERT KENNETH WHITE – "KELLY SLATER" Oil on Canvas ⚜ Hand Signed Lower Right ⚜ Frameless Display A PORTRAIT OF FOCUS, LEGACY, AND DEPTH Rendered with near-photographic precision, ...

Eye catching wall hanging tile art, ambitiously hand crafted in terracotta with each piece cut, fired, decorated, glazed and assembled depicting a cockatoo in a lush jungle setting w...

1870’s American Antique Gilt Frame Antique Painting Frame Frame Size: Width: 21″ X Height: 24.25″ Thickness: 2.75″ Picture Size: Width:15.75...

Handmade tray or basket with a faux bamboo border, two handles and a folksy parrot painted over a herringbone weave.

Signed and inscribed copy of “Growing Up With Houdini” by David J. Muller 10” x 10”, 90 pages. Condition: New. See attached photos. Prologue On February 17, 1984, I interviewed in the bond trading...

"Angel of Hope and Strength" Silkscreen Print by Obey Giant Artist: Shepard Fairey Year: 2020 Dimensions: 18" x 24" Edition Size of 550 prints Print Details: Signed and numbered by S...

Large antique needlepoint of the British sailing ship Amelia hand crafted in wool, popularly known as woolies, crafted with ambitious detail. Pres...

Signed and inscribed copy of “Vignettes, Lessons & Stories” by David J. Muller 11” x 9”, 450 pages. Condition: New. See attached photos. Vignettes, Lessons & Stories: Written by Mem...

Mid century framed wall hanging depicting a lively bunch of musicians in a tropical setting ambitiously crafted in a needlepoint technique. Indisti...

Vintage Haitian game board crafted in wood and hand painted with parrots, ballet dancers, and the tree of life in a rustic naive style and signed by the artist J Michel.

Step into the warmth and character of 19th-century craftsmanship with this hand-carved American School frame, dating to the 1880s. Finished in original gilt with a soft, time-earned ...

Collection of Twelve Items Six of them are USA Day of Issue Houdini stamp Covers July 3, 2002 One is Hungary Day of Issue Houdini stamp 150th Anniversary of Houdini's birth Nove...

Wanda Koop and Oli Epp's 2021 Show - Limited Edition Postcard Pack" In the vibrant tapestry of their collaborative exhibition, acclaimed artists Wanda Koop...

R. Lalique Coquilles No. 2, 1924 Molded pressed opalescent white glass 10,5 in cod 3010

Year: 2021 Class: Art Print Released: 05/14/21 Run: 150 Technique: Screen Print Size: 16 x 11 inches Markings: Signed & Numbered by the Artist Mark Drew in pencil Lyrics: Inspired by...

Artist/Designer; Manufacturer: KAWS aka Brian Donnelly (American, b. 1974); Medicom Toy Corporation Marking(s); notes: marking(s); 2020 Materials: painted cast vinyl Dimensions (H, ...

1860s American Hudson River Gilt Wood Antique Frame Frame Size: Width: 33.75″ X Height: 42.25″ Thickness: 6″ Picture Size: Width: 22.50″ X Height...

This striking 17th-century Italian gilt frame embodies the expressive craftsmanship of the Baroque era. Its luminous gold surface is softened by a time-worn patina that speaks to cen...

Provenance: Virginia Field, arts administrator; New York, N.Y. Assistant director for Asia House gallery. (she was friends with John von Wicht, Bernard Childs, John Ford and Andy War...

Set of two black vinyl figures in original box from KAWS' (a.k.a. Brian Donnelly) 2019 open edition release of "Along the Way." Never removed from box. ...