Florida - Abstract Sculptures

Thomas Morin (1934-2017) Untitled, 1962. Cast iron on wood base. Cast sculpture measures 24 x 7 x 5 inches and weighs 49 lbs. Overall measures 26 inches tall on wood base. Proc...

Dorothy Gillespie (1920 – 2012) Ribboned Image X 2001 Metal Ribbon Sculpture, Enamel on Aluminum with colorful striped green ribbons. Dimensions...

Xavier Corberó Olivella (1935 – 2017) Estructuras Continual Bronze sculpture. Comprised of four elements, independant, 1 spheric. 5 X 8 X 7 inches approximately. The pieces are kinetic and moveable so dimensions are a bit variable. This is accompanied by a hand signed and dated photo certificate of the piece. A silver gelatin photograph. The photo is badly torn. Xavier Corberó i Olivella (1935 – 2017) was a prominent Catalan artist, best known for monumental public sculpture and his palatial house complex in Esplugues de Llobregat near Barcelona. He has been described as "widely considered the most important Catalan artist since Antonio Gaudí," as "one of Spain’s most celebrated sculptors" and as having "perhaps influenced Barcelona more than any artist since Gaudí." Corberó's grandfather Pere Corberó i Casals (1875-1959) was an entrepreneur and artist whose works included the bronze memorial on the birthplace of Enrique Granados, also in Lleida. He was a cofounder of Barcelona's association for the promotion of decorative arts, a precursor to the Design Museum, now known as the Foment de les Arts i el Disseny. The Corberó foundry produced sculptures by prominent Catalan sculptors of the time such as Pablo Gargallo, Josep Viladomat and Frederic Marès. It was also an industrial and commercial business that sold bronze doors, chandeliers, fountains, and other decorative items, with a showroom in downtown Barcelona at Rambla de Catalunya 105, in a building designed by Arnau Calvet i Peyronill, and a workshop nearby at Carrer Aribau 103. Pere's son and Corberó's father, Xavier Corberó i Trepat (1901-1981), also worked in the family bronze...

Klaus Ihlenfeld (b.1934) Untitled (Flower Form), sculpted phosphor bronze-coated copper sounding sculpture, early 1970s. Exhibited: Klaus Ihlenfeld - Recent Sculpture at Albright College - Campus Center Gallery from Feb. 18 - March 18, 1973.. Welded bronze. 15 h x 12.5 inches w. Signed with initial on base. Provenance: Albright College Museum collection. Excellent condition. Klaus Karl Otto Ihlenfeld. He was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe. Opened own gallery in the Kurfürstendam area of Berlin. 1954 Traveled to West Germany, France, Barcelona, Spain (Balearic Islands), and Menorca for 3 months. 1957 First visit to the United States in Durham, NC. Participated in a group show at the Museum of Art, Raleigh, NC. Friendship with Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Work with metal sculptor Harry Bertoia in Bally, PA. Started own metal sculptures in Bertoia Studio. Traveled to Mexico and throughout the US. Visited Monte Alban, and Mitla-Oaxaca. Started collecting works of pre-Columbian art. Also African and South Pacific works of art and the works of children. 1958 Returned to West Berlin, Germany to open own workshop and gallery. Cooperation with his brother Bertram Ihlenfeld and brother-in-law, violinist Heinz Ortleb. Precise metal sculptures in various medias. 1959: Motion picture of the development of sculptures: Spiel in Stahl (Play in Steel), filmed by Dr. Hans Cürlis shown at the Bergamo Film Festival in Italy, in West Germany, and German Embassies in South America. 1960 Second visit to the United States. Cooperation with sculptor Harry Bertoia in Bally, PA. Friendship with Brigitta Valentiner Bertoia. Worked on large commissions. Met painter Willem DeKoonig, gallerist Georg W. Staempfli in New York City, and furniture maker George Nakashima in New Hope, PA. First one-man show of sculptures at Kutztown State College, Kutztown, PA. One-man show of sculptures at the Allentown Museum of Art under Director Hirsch. 1961 Traveled and studied archeological sites in Mexico (Monte Alban, Mitla-Oaxaca; Colima, Nayarit, Sinaloa, Patzcuaro, etc.). Collected pre-Columbian art in Mexico and New York City. Second one-man show at the Allentown Museum of Art (sculptures) under Director Caldwell. 1962 One-man show at Staempfli Gallery in New York City. Participated in various group shows at the gallery: "Twenty Sculptors" and "Recent Acquisitions". Met artists Marcel Duchamp and Salvador Dali; sculptors Alexander Calder and Alexander Lieberman. Participated in a major exhibition at the Solomon R. Guggenheim Museum in New York City entitled "Modern Sculpture from the Joseph H. Hirshhorn Collection". 1963 Married Patricia A. Lambert of Springfield, PA. Harry Bertoia was their best man. 1964 One-man show at the Pennsylvania State University, University Park, PA and a group show "Stone, Wood and Metal" at Staemplfi Gallery in New York City. First child, Paul Vincent born. 1965 Entered group show at Staempfli Gallery "Stone and Crystal". One-man show of graphics at Kutztown State Teachers College in Kutztown, PA. One-man show at Wyomissing Art Alliance, Reading, PA. 1966 Commissioned for a fountain sculpture at Kutztown State Teachers College, Kutztown, PA. Birth of twins, Phillip Sydney and Naomi Andrea. 1967 Artist-in-Residence at the Bertha Eccles Art Center, Ogden, Utah (received a grant from the National Endowment of the Arts). Met sculptor Larry Elsner. One-man show at Mansfield State College, Mansfield, PA. Fourth child born, Douglas Robinson. 1968 - 1969 Commissioned to create a large relief sculpture for the Emigrant Savings Bank at 5 East 42nd Street in Manhattan, New York City entitled: Heavenly Bodies, 250 ft. X 32 ft. (weighing 8 tons). Moved to the estate "Iron Masters Mansion", Barto, PA. 1970 - 1971 Artist-in-Residence at the Huntington Museum of Art, Huntington, WV (received a grant from the National Endowment of the Arts). One-man show at the Huntington Museum of Art. A movie was made of the exhibition by the Huntington Television Station. Met A. Moretti, sculptor of glass figures. One-man show at the old Sears and Roebuck mansion in Haverford, PA. 1971 - 1972 Artist-in-Residence at the Pennsylvania State University, University Park, PA (received a grant from the National Endowment of the Arts). Classes for drawing and experimental sculpture. One-man show at the Chambers Building and the Hetzel Union Building. Also Artist-in-Residence at Shippensburg State College, Shippensburg, PA. Commissioned to execute a sculpture for the new Library at the Shippensburg State College. Death of father, Kurt Ihlenfeld. 1973 Invitation to lecture and work with sculpture classes at Colorado State University, Denver, Colorado. One-man show at Albright College, Reading, PA. 1974 - 1976 Years of increased studies and work. Acquisition of a farm in Barto, PA. Built a new workshop. Works and lives with his wife and four children at the Barto, PA farm. New sculptures in iron, bronze, brass and wood. Traveled to Belgium, West Germany and Switzerland. One-man show at Gallery Heimat 85, West Berlin, Germany. One-man show at the Ianuzzi Gallery, Scottsdale, Arizona. Friendship with sculptor Tom Althouse and paintress Jane Mitchell. 1977 - 1981 Traveled to West Berlin. Works exhibited at Gallery Heimat 85, West Berlin. Also exhibited at Gallery Ludwig Lange. New workshop opened at parent's house in West Berlin. Many sculptures in steel, iron and bronze, some are represented at the Gallery Herbert Remmert and Dr. Barth, Düsseldorf, West Germany. Visited the Island of Korfu in Greece. New graphics. First visit to Italy. A fire at the farm destroyed two buildings, also 38 sculptures (created from 1950 to 1979), reliefs, graphics, correspondences, and various art collections. 1981 - 1984 One-man show and group shows at the Jack Savitt Gallery, Macungie, PA. One-man show at Misericordia College, Dallas, PA. 1984 - 1985 Change of direction. Painting in watercolor dominates sculptural work. Also greater interest in collecting other artists' work. One-man show at the James A. Caplan estate in Villanova, PA. 1989 Represented in the June 1989 Colonial Homes magazine. The article and photographs described the artist's life and his collections. 1992 Traveled to Europe, mainly living and working in Germany and Belgium. One-man show in Liegé, Belgium. Sculptures, drawings and paintings shown at the Heinz Ortleb Gallery, Berlin. Death of mother, Annie Ihlenfeld, in Berlin. 1994 - 1996 Restored a large barn at the farm with his son Phillip for extensive art collections and completed sculptures. Created sculpture garden at farm. 1996 Created many new bronze and brass sculptures during the winter months. Participated in the Central Bucks Chamber of Commerce Sculpture Show. Study tour to Bermuda with his wife. The semi-tropical plants and landscapes inspired new works. 1997: Traveled, study-tour, to St. Lucia, near Martinique, in the West Indies with his wife. This tropical environment was most inspiring. Participated in the Central Bucks Chamber of Commerce Sculpture Show at the James A. Michener Art Museum in Doylestown from June 13 to September 7, 1997. 1998 Entered the Berks County Art Alliance juried art show in the fall at the Reading Art Museum, Reading, PA. 1999 Travels and studies with family members of ruins near Oaxaca City, Oaxaca, Mexico (Monte Alban, Mitla, Dainzu, Teotitlan del Valle, Lambityeco, San Jose El Mogote, Yagul), the Rufino Tamayo Museum of Pre-Columbian Art, and the Regional Museum of Anthropology in Oaxaca City, in May. This is one of the most productive years in metal sculpting - forged iron and steel (many large scale works) all welded, new watercolors and art acquisitions. 2000 Sculptures entered in the Baum School Art Auction, Allentown, PA. 2001 Entered a group show of sculpture and paintings at the Schwenkfelder Library and Heritage Center, Pennsburg, PA. Continues to create new sculptures in iron, bronze, brass and wood. Also has continued to produce a wide variety of watercolor & other graphics large and small. 2002 Study tour to the Key West, Cozumel, Tulum, Belize and Nassau. Continues to produce many sculptures in bronze and iron. 2003 - 2004 Visited Niagara Falls, the Finger Lakes, Thousand Islands, Rockport, Maine and Concord, Massachusetts. Many inspirations for water colors and sculptures. 2005 - Exploring Maryland during the summer. First grandchild born in July, which was an extraordinary event. Painting many watercolors and continuing to work in forged iron. 2006 Sculptures entered in the PA Sinfonia Orchestra Art Auction, Allentown, PA. Continues to produce a wide variety of watercolors and bronze sculptures. Acquired over 200 African artifacts. Sculptures sold at David Rago Auctions...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Bronze sculpture signed in Hebrew and numbered from small edition of 6 BIOGRAPHY "I was born in Czechoslovakia in the year 1925, of traditional parents. I spent my youth partly in ...

Introducing a one-of-a-kind collaboration between visionary artist Dustin Yellin and the iconic 1800 Tequila. This exclusive collection features six meticulously designed, limited edition bottles, each a fusion of art and craft, encapsulating Yellin's unparalleled creative vision. Dustin Yellin is a trailblazing contemporary artist renowned for his innovative approaches to visual storytelling. Born in Los Angeles, California, Yellin's work has captivated audiences worldwide, combining elements of painting, sculpting, and collage to create captivating three-dimensional narratives. With a career spanning over two decades, Yellin's creations have been featured in prestigious galleries, museums, and private collections, solidifying his place as a leading force in the contemporary art scene. Dustin Yellin draws inspiration from a myriad of sources, weaving together a tapestry of influences that shape his distinctive artistic voice: Nature's Symphony: Yellin's fascination with the natural world permeates his work. He often captures the harmonious dance between organic forms, textures, and colors, seamlessly integrating them into his creations. Cultural Alchemy: Yellin's global travels have exposed him to a rich tapestry of cultures and traditions. His art reflects a profound respect for cultural diversity, showcasing a harmonious blend of influences from around the world. Surreal Dreamscapes: Yellin's art transcends conventional boundaries, inviting viewers into surreal dreamscapes where reality intertwines with the ethereal. His work challenges perceptions and invites contemplation. Social Commentary: Yellin's pieces often serve as a poignant commentary on contemporary issues, shedding light on societal complexities and provoking thoughtful reflection. Kinetic Energy: Movement and dynamism infuse Yellin's art, giving it a sense of vitality and energy that captivates the observer, inviting them to explore the depths of each creation. Number of Bottles: Six (6) EMPTY Limited Edition Bottles Bottle Specifications: Handcrafted, individually sealed bottles...

Mathias Goeritz (German Mexican, 1915-1990) Geometric Torch-cut Steel or Iron Sculpture with gold leaf gilding. Welded signature, MG. This came from an estate and is signed with his ...

JAY PHILLIPS – "BEL-AIR GATE" ⚜ Enamel on Aluminum Wall Sculpture ⚜ Hand Signed and Numbered Lower Right ⚜ Roy Boyd Gallery Provenance ⚜ Acrylic Shadow Box Frame BOLD GEOMETRIC ENAM...

"Pulse of the Earth" Abstract Sculpture 56" x 18" x 18" in by Shawn Kolodny Medium: Steel Automotive Paint Shawn Kolodny is a Miami-based artist renowned for his immersive, l...

Jaime Avila Ferrer Bomba Blanca 4. Capitolio de Washington DC - Capitolio De la Habana Measure: 20.5" x 5" x 5" Wall ceramic sculpture with gold and copper intervention 2006 Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics. Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...

In this Menorah Chaim Hendin takes a personal approach, and turns it into a more anatomical, almost pelvic, looking piece of artwork. The sculpture is rich in texture and the candle ...

Introducing the ultimate fusion of art and function with the Cleon Peterson X Museum of Contemporary Art Denver X Modernica Case Study Chairs. These t...

Blue Scream Aluminum, and urethane car paint, artist signed and dated. The sculpture is in three seperate parts dismounted for shipping. Based in South Florida, Joseph Meerbott has...

Omaggio To Picasso Woman in Hat Murano Glass Sculpture Artist signed and titled. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

"Echoes of Terrain" Abstract Sculpture 62" x 10" x 10" in by Shawn Kolodny Medium: Steel Automotive Paint Shawn Kolodny is an artist based in Miami, FL. For the past 15 years, he has created large scale installations for cultural institutions and private residences around the world. Kolodny’s work explores the beauty and geometric synergies of the natural world, and our relationship to our innermost thoughts. His signature, playful works made of reflective steel spheres capture the symmetry, volume and balance present in both nature and design. These spheres are placed together to create new forms that reflect the vibrant and dynamic nature of the world around us, and the impact of our ever-changing perspective. Kolodny’s site-specific and shapeshifting installations construct a kinetic and immersive environment for viewers, creating space for moments of mindfulness and self-reflection within their experience. Transcending the traditional boundaries of art, the artist creates new worlds with each installation, that are at once both fantastical and organic. His practice seeks to encourage viewers to engage with the world around them in new, more meaningful and imaginative ways, inspiring a childlike wonder. Kolodny’s innovative style has garnered international recognition, and led to collaborations with brands including ​ House of Creed, Missoni, Snow Lodge at the St Regis Aspen, Paris Hilton, Four Seasons, BMF, and Pharell's Something In The Water Festival. He is represented by William Morris Endeavor. Exhibitions ​ 2023 Snow Lodge / St Regis Aspen City of Miami - Espanola Way Art Miami / Context Private Residence Art Basel - Bill Dean The MET / Eincholtz DJ Kahlid Paris Hilton F1 Creed Global Store Campaign Four Seasons Mexico City - Zona Maco - 1776 Bay Drive , Private Residence - Installation Bahamas Cruise Port x BMF - Installation Pharrell's Something in the Water Festival - Installation 2022 Scope Art Fair - Featured Installation Sagamore Hotel / Miami Art Week Art With Me Festival - Featured Installation 2018 Art Market Hamptons - Art Design Buzz Art Auction / Miami Oliver Cole Gallery...

Pop Art American Flag in Handsewn Patchwork Denim. I had another with a label from OK Harris Gallery verso. This one does not have that label or the label Label from Pratt verso (Pratt MFA '75) Not positive of the year Hand signed Genre: Modern Medium: Denim Jean Textile Fabric, Mixed Media Country: United States Dimensions: 14 X 28 inches This is a textile wall hanging tapestry "painting" made from vintage jeans. JJ had a masters (MFA) from Prat and studied at Hunter college for many years. He was a master jeweler and goldsmith for 50 years, a musician and a photographer. He made a living working with photography, jewelry, bronze sculpture and antique restoration. An artwork in denim fabric by a French Post War & Contemporary artist living in New York City, Jean de la Verrière, An untrained, art brut, 'outsider' artist, now 85. He sold some of his denim patriotic flag works through OK Harris gallery in Soho in the 1980s, one went directly to Ralph Lauren, according to the artist. He is also known for sculpture. particularly his working model, fully functional guillotine sculptures. Artist says he was influenced by Pop Art particularly Robert Rauschenberg and Jasper Johns works. He was in the New York art world along with his artist friends Bernar Venet, Arman and Claude Gillie. He fabricated and cast jewelry for some of his friends. This has a Sterling Ruby feel to it but was done a generation earlier. This is assembled like a quilt and was influenced by early American folk art. Jean Jacques De La...

"EQUILIBRIUM" Abstract Sculpture 108" x 36" x 36" in by Shawn Kolodny Medium: Stainless Steel Creating art to reflect the times we live in, Kolodny creates art for our short attent...

Bark and Reliefs, 2018 By Carla Gimbatti From the Series Reliefs Aquaresin and Pigment Overall Size: 79 H x 33 W in. Individual Size: (Bark) 79 H x 16.5 W in. (Reliefs) 79 H x 8....

"UNTITLED" Abstract Sculpture 252" x 144" x 144" in by Shawn Kolodny Medium: Stainless Steel ATT: Preparation time might take up to 4 weeks. Creating art to reflect the times we l...

Bronze sculpture. Incised Pedro Friedberg on the base. Incised PA (artist proof) on the base. Certificate of Authenticity is included. Artwork is in excellent condition. All re...

Zvi Yehuda Aldouby (1904 - 1996) was active/lived in Israel. Zvi Aldouby is known for Artist, teaching. Biography photo for Zvi Jehuda Aldouby Zvi Yehuda Aldouby (Hirsch Leib Zupnick), sculptor, born 1904, Galicia. Immigrated 1924. Upon aliyah in 1924 he worked in agriculture and construction. 1936-51 studied art and the history of art with Trude Haim, Professor J. Schwartzman, Ds. Schiff, Pinkerfeld, Aviyona, Javetz, and others. After WWII he worked for the Jewish Agency as an envoy in Italy under the aegis of the UNWRA, on the welfare of the survivors of the Holocaust in the DP Camps. In 1948 in Paris, he evaluated advanced studies in European Art Centers. He was a member of the Israel Painters and Sculptors Association. He was a member of the Artists' Village in Ein Harod from its inception. EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordecai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi, Yosl Bergner and others. The graphic arts collection contains drawings and graphic works by Camille Pissarro, Modigliani, Jules Pascin, Marc Chagall (almost all of his graphic work), and numerous other artists. The sculpture collection includes works by Jewish sculptors from all over the world including leading Israeli sculptors; Ben Zvi, Lishansky, David Palombo (brutalist), Yehiel Shemi, Aharon Bezalel and Igael Tumarkin (surrealist). Many Jewish sculptors from all parts of the world, beginning with Mark Antokolsky, are represented in the collection. In the sculpture courtyard there are works by Chana Orloff, Jacob Epstein (the works he bequeathed to the Museum), Enrico Glicenstein, Loutchansky, Constant and Indenbaum from Western Europe; Glid from Yugoslavia; William Zorach, Chaim Gross and Minna Harkavy from the United States; and most of the outstanding sculptors of Israel : Zev Ben-Zvi, Lishansky, Ziffer, Rudi Lehmann, Dov Feigin, Moshe Sternschuss, Zvi Aldouby, Yehiel Shemi, Aharon Bezalel, Hava Mehutan, Igael Tumarkin. Education: 1924-28 Hebrew University, Jerusalem, graduated 1931-37 Teachers' Seminar, Jerusalem, Teacher's Certificate 1938-29 Advanced studies, with Trude Haim Joseph Schwarzman, School of Art 1948-50 Advanced studies in Italy and France Teaching Taught history of art and sculpture Holon Awards And Prizes 1957 Herman Struck Prize, Artists' Association of Haifa and the North, Haifa Municipality 1963 Dizengoff Prize for Painting and Sculpture, Municipality of Tel Aviv-Jaffa 1964 Medal from Monaco International Exhibition 1965 Prize for the ''Breakthrough into the Negev'' proposal for a monument, Givati Corps, 52nd Brigade 1967 The Histadrut Executive Prize 1991 Worthy Citizen of Tel Aviv Award, Municipality of Tel Aviv-Jaffa Environmental Sculptures 1961 Levant Fair, Tel Aviv, "A Sculpture in a Garden" 1968 Atlit Youth Club, Bas- Relief- "Davd Playing Before King Saul" 1969 Netivot (Negev), "Yizkor"- Monument memorializing Aliyat Hanoar youngsters from Tunisia who perished in an air crash. 1944 Collective Annual Exhibition by Palestinian Artists Art Gallery of the ''Habima'' Building, Tel Aviv Artists: Hermann Struck, Moshe Sternschuss, Arie Reznik, Aaron Priver, Yitzhak Itzhak Danziger, Zvi Aldouby, Menachem Shemi, Moshe Castel, Shmuel Ovadyahu, Yohanan Simon, Marcel Janco. Group Exhibition - Etched Voices, Yad Vashem, Jerusalem painting...

Original oil painting on metal double sided spinning polymorph kinetic sculpture. Artwork size: 3.8 x 5 x 1 inches. Hand signed and dated on the underside by Yaacov Agam. Certif...

ARTIST: Salvador Dali TITLE: Daum Montre Molle Sculpture Designed by Salvador Dali for Daum MEDIUM: pate de verde glass and bronze sculpture. Pate de ve...

Zigi Ben-Haim, Metal sculpture Hand signed and dated Zigi Ben-Haim, 1998 Untitled, patinated aluminum or steel, Dimensions: 6"h x 2"w x 2"d This listing is for 1. I have 2 similar...

Bronze with patina sculpture. Incised signature by the artist and stamp numbered with foundry and date. From the edition of 350. Size including marble plinth approx. 15 x 8.5 x 3.5 ...

Dale Chihuly Venetian, 1990 Blown glass 18 x 20 x 17 in Unique piece

Impressive branch and cauliflower coral assemblage hand crafted in specimens with mother nature's sea inspired colors and forms. Presented on a lucite base to enhance its sculptural ...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

Duayne Hatchett ((1925-2015). Banner, 1958. Welded metal, sculpture measures 11 h. x 9 w. x 3.75 d. inches. Measuring a total of 17.5 inch high on base. Base measures 5.5 x 5.5 by 6 ...

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

This vessel was built using the traditional and ancient methods of coil building. Through this meditative process, ancestral connections are drawn. The composition wraps around the f...

Welded, brazed, copper (based on the weight, this might be iron or bronze) with colorful inset enamel plaques on a painted wood base. A studio handmade Brutalist sculpture in a mann...

while composed of industrial steel this has a delicate almost floral quality to it and is suitable for the outdoors and would work beautifully in a garden. it also filters light thro...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #14", 2017 Ceramic plate in Uriarte's Talavera 45 x 45 x 4.5 cm. (17.75 x 17.75 x 1.75 in.) Hand-signed by author ___________________________...

BILLY, 1975, epoxy painting on riveted fiberglass and aluminum, titled signed and dated verso . Gallery label from Obelisk Gallery, Boston, MA Tom Holland (born 1936 in Seattle, Was...

El Hombre Araña II - Contemporary Bronze Spanish Abstract Sculpture, 2017 Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ III PA Fantastic piece...

Fumio Otani (Japanese, 1929-1995). Untitled and Untitled, ca, 1965. Cast and polished steel. Smaller composition measures 14.75 x 7.75 x 1.5 inches. Larger composition measures 16...

DALE CHIHULY Cerulean Macchia, 2010 Handblown glass 5 x 8 x 9 in

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. The length of the horizontal bars can be modified to your liking Fantastic piece of art representing Spanish sculpture Very p...

Pablo Picasso A.R. 172 Bird With Worm 1952 6” round Edition of 500 White earthenware clay, oxidized paraffin decoration, white enamel. Ramie 172 is a Madoura...

Pablo Picasso A.R. 161 Toros 1952, July 29 8” round Edition of 500 White earthenware clay, decoration in engobes and oxidized paraffin. Ramie 161 is a Madour...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

Hand Forged Iron Stone Mosaic Hanukah Menorah Candelabra David Palombo was an Israeli sculptor and painter. He was born in Turkey to a traditional family and immigrated to the Land of Israel with his parents in 1923. They lived in the Nahalat Shiva neighborhood of Jerusalem. In 1940 he began his studies at Bezalel Academy of Arts and Design, and from 1942 was a student of sculptor Ze’ev Ben-Zvi. For a period of time, Palombo was an assistant at Ben-Zvi’s studio and also taught at Bezalel. During this period he was also a member of the “Histadrut HaNoar HaOved VeHaLomed” (The General Federation of Students and Young Workers in Israel). In the 1940s he took art lessons at night. In 1948 he went to Paris, where he visited the studio of the sculptor Constantin Brancusi whose work influenced him. Around 1958 he married the artist Shulamit Sirota. In 1960 he quit his job to devote himself to art. In 1964 he married for the second time to the artist Yona Palombo. The two of them went to live in an abandoned home on Mount Zion in Jerusalem. In 1966 he was killed when the motorcycle on which he was riding ran into a chain stretched across the street to prevent the desecration of Shabbat. His widow opened a museum in their home that was active until the year 2000. Work by Palombo is included in the Judaic collection of the Jewish Museum (a well known Hanukkah menora). Palombo executed the impressive metal gates of the Tent of Remembrance at the Yad Vashem, the memorial to the martyrs of the holocaust, as well as the gates to the Knesset Building the United Nations Educational Scientific and Cultural Organization (Unesco award) awarded him a scholarship for study in Japan. He worked in marble, granite, bronze, iron and steel. as well as with glass mosaic tiles. Palombo’s early works, in the 1950s, were influenced by modernist sculptors such as Brancusi. These works were composed of abstract images from nature and were carved out of stone or wood. At the end of the 1950s he began making metal sculptors, using the technique of welding. His work took on a more abstract and expressive character. Education 1940 Painting with Isidor Ascheim, New Bezalel School for Arts and Crafts, Jerusalem 1942 Sculpture with Zeev Ben Zvi, Jerusalem 1956 Mosaic, Ravenna, Italy 1958 Welding Course Awards And Prizes 1966 UNESCO Award Exhibitions: Sculpture in Israel, 1948-1958 Mishkan Museum of Art, Kibbutz Ein Harod Artists: Zvi Aldouby, Yitzhak Danziger, Arieh Merzer, Dov Feigin, Aaron Priver, David Palumbo, Menashe Kadishman, Kosso Eloul, Yehiel Shemi, Zahara Schatz. The Spring Exhibition of Jerusalem Artists, Artists' House, Jerusalem Artists: Palombo, David Bezalel Schatz, Mordechai Levanon, Fima, Ludwig Blum 12 Artists, The Bezalel National Museum, Jerusalem Avraham Ofek, Aviva Uri, Avigdor Arikha, Yosl Bergner, Lea Nikel, Palombo, Ruth Zarfati...

Dale Chihuly Basket Group, 2001 Hand-Blown glass 22 1/2 x 23 x 24 in Provenance: Lowe Gallery, Atlanta. Private Collection.

Tom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base. Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho. Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...

Cubist Nude Patinated Bronze Sculpture. Dominique Polles' bronze sculptures of female nude edition 2/4 patinated bronze signed and dated 1999. Born in Paris in 1945, young Pollès of...

Edgar Tafur (Colombian, 1929 - 2007) Chrome Over Bronze Sculpture Undated, signed on side near bottom, abstract sculpture Dimensions: Height: 12 3/4 inches, Width: 4 inches, Depth: 3 3/4 inches Mod Space Age Chrome over Bronze Abstract Architectural Totem Cast Sculpture Edgar Alonso Tafur, Latin American artist born and raised in Cali. Colombia, was first trained as an architect at the University of the Andes, but shortly thereafter switched his focus to sculpture. It is this work which brought Tafur to the United States, first to study at the University of Florida and then to Oklahoma where he was featured in a solo exhibition at the Oklahoma Art Center in 1966. Alluding his architectural roots, Tafurs sculptures possess a marked structural form, drawing on themes of positive and negative space. In addition to his work as a sculptor, Tafur was well known for his modernist concept designs, consisting of fountains and architectural murals commissioned by fellow architects. “Each of his works is an understatement of the principles of architecture, which is itself sculptural. Tafur’s sensitivity towards the play of light and shadow on the surfaces, his relationship of positive and negative spaces, and his fluid play of rhythms all lend themselves dramatically to an exciting visual statement. His simplicity and modernism evokes the opinion of the renowned architect, Mies Van der Rohe: ‘less is more.'” Patric Shannon, Director, Oklahoma Art Center While some of his work has a brutalist quality to it it is generally more abstract geometric, masculine with polished chrome surfaces, enamel and some with great, strong colors. This has an abstract flora, cactus like shape to it. He is from the generation of Colombian artists who rose to prominence in the mid 20th century which included Fernando Botero, Doris Salcedo, Oscar Murillo, Antonio Caro...

STEEL ROOM, 1989, steel sculpture, 8 x 8 x 8”, signed and dated. Peter Lodato was born in 1946 in Los Angeles, California, has exhibited extensively and received significant acclai...

Dina Recanati Cosmos Series (they look like outer space or abstract desert landscapes) Hand signed and dated 2002 Metallic paint, acid etched on aluminum, wood Dina Recanati (born Diane Hettena; 1928 – 2021) was an Israeli artist, sculptor and painter. Diane Hettena was born in Cairo, Egypt. In 1946, she married Raphael Recanati in Tel Aviv, Mandatory Palestine. Went to London to study History and Art 1946-1948. Moved to New York 1948. Raised two sons, Oudi and Michael. Attended Art Student League 1959-1962. Studied with Jose de Creft and John Hovannes. Beginning in 1964, she was active on the board of the America-israel Cultural Foundation. In the 1970s, she was a member of the board of the Israel Museum and in the 1980s Bezalel Academy of Art & Design, Jerusalem. At the same time as she was working as an artist, she was also collecting artwork. She lives and works in Herzliya and New York. Most of Recanati's work is in the medium of sculpture. Her works, which contain images of books or parchment, have been influenced by American abstract expressionism in their use of swaths of color. In the 1980s and 1990s, she worked widely in sculptures in the public domain. Dina Recanati was a proponent of Israeli art and supported many Israeli artists. In the 1950s and 1960s, she showcased the work of beginning artists at the 5th Avenue branch of Israel Discount Bank in New York City, while growing Discount Bank’s art collection. She has gone on to exhibit worldwide with permanent works in the Israel Museum, Tel Aviv Museum, Ben Gurion Airport, The Jewish Museum (New York) among others. She is the recipient of the AICF AVIV Award and The Council for a Beautiful Israel Yakir Award. She was represented by Flomenhaft Gallery in New York City (was included in the Feminist Art Project along with Miriam Schapiro) and Gordon Gallery in Tel Aviv. Recanati died in Herzliya Pituah at the ate of 93. Israeli Art: Painting, Sculpture, Graphic Work. Tel Aviv Museum of Art, Tel Aviv 1971 Artists: Igael Tumarkin, Bezalel Schatz, Yehiel Shemi, Buky Schwartz, Dina Recanati, Menashe Kadishman, David Palombo, Itzhak Danziger, Sorel Etrog, Yaacov Agam, Jakob Steinhardt, Louise Schatz, Anna Ticho, Ruth Schloss, Moshe Castel, Yohanan Simon, Lea Nikel, Marcel Janco, Mordecai Ardon etc. 40 From Israel: Contemporary Sculpture & Drawing Israel: Contemporary Sculpture & Drawing Brooklyn...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Omaggio To Picasso Murano Glass Sculpture Artist signed and titled 16"h15.5wx15d Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

Asger Jorn (1914-1973) Ege Axminster, Denmark. Danish Tapestry Rug Art-Line Etiquette de l'éditeur Ege Axminster (Danemark) titrée au revers. Les Emigrants 132 x 98 inches, Pure ...

Carlos Aguilar y Linares, Mexican Sculptor (1945-2010) Sculpture chose him. In his hands and his soul he always had the necessary impulse to create wi...

Bruch Hilding White (American 1933-2025) Hand signed at base. Not dated estimated to the 1980's by the artist. Painted with metallic automotive paint. Suitable for outdoors or indo...

Red Anteater Large Garden Sculpture signed, limited edition #4/10, 84" tall Joseph Meerbott has been constructing bronze, metal sculptures, and ceramics for over 30 years. Schooled at Florida Atlantic University, with a BA in Fine Arts, his education covers a broad spectrum of artistic mediums. Influenced by the works of Picasso to Matisse, Meerbott sculptures embody the spirit of Pop Art. In his personal style, Meerbott transforms acclaimed two-dimensional post-modern works into dynamic three-dimensional sculptures. The results are instantly familiar yet firmly unique pieces of modern art. Joseph Meerbott utilizes welded aluminum as well as bronze for the creation of his sculptures. Meerbott uses urethane-based enamels to allow for his works to be exhibited in all locations, both indoor and outdoor. The sculptures themselves range in size, from the intimate to the grandiose, and can be built to site-specific requirements. 2000 - 2012 Featured Artist - Elaine Baker Gallery Boca Raton, Florida 2000 - 2012 Featured Artist - Collectors Corner...

6.5 X 4.5 X 4.5 18" chain Antique Judaica brass hanging Sabbath or Synagogue Oil Lamp with seven wick oil reservoir. Heavy brass or bronze chain and hook for hanging. Estimated to the 19th century or earlier. there are no markings but similar pieces have been in the Bezalel Museum collection and the Israel Museum collection and the Jewish Museum collection in New York city.. Judaic Shabbat...

Carlos Cruz Diez (1923-2019) “Physichromie No. 1354” 2002 Plastic inserts and digital print on cardboard Ed. 2/3 11 7/8 x 12 in Provenance: Galerie Mark Hachem, Paris. Private Colle...