Florida - Abstract Sculptures

MATT SMITH Aiden (Spout with pearls), 2021 Black Parian, Freshwater pearls 20 x 12 x 6 cm 7 3/4 x 4 3/4 x 2 1/4 in.

MATT SMITH (BRITISH) Jeff (Spout with pearls), 2021 Black Parian, Freshwater pearls 29 x 12 x 10 cm 11 1/2 x 4 3/4 x 4 in. (MS212) UK-born Matt Smith is well known for his site-spec...

This interactive installation allows the collector to plan their own design using these sophisticated elements made of steel or aluminum painted in polyurethane. This indoor or outdo...

Harald Schmitz-Schmelzer’s cast acrylic works bridge the gap between painting, sculpture and science. The artist’s studio, like an experimental lab, is ...

Alex Gabriel Bernstein’s Open Sun (2023) is a luminous cast and cut glass sculpture that radiates warmth and elegance. Measuring 23.5 x 25 x 3 inches, the piece is composed of vibran...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein presents a bold and refreshing exploration of visual form and storytelling through the art of glass. Bernstein skillfully combines metaphor with the impact and...

Alex Gabriel Bernstein (b. 1972) Aqueous Galaxy Half Moon 2023 Cast and cut glass, fused steel 10.25 x 20.50 x 4.25 in (26.04 x 52.07 x 10.80 cm)

Alex Gabriel Bernstein (b. 1972) Steel Bust, 2023 Cast and cut glass, fused steel 23.50 x 8.50 x 8.50 in (59.69 x 21.59 x 21.59 cm)

Edition of 30 Shaped powder-coated aluminum, printed the same on each side with UV-cured archival inks, clear coated and mounted to a polished aluminum base 23 x 24 x 4 in (58.42 x ...

Yellow flock over 3/8 inch Aluminum and mounted on 1/4 inch polished stainless steel base with yellow flocked feet 25 x 23.75 x 3.50 in (63.50 x 60.32 x 8.89 cm)

Shaped aluminum with aqua powder coat on polished aluminum base 24.50 x 24 x 3.50 in (62.23 x 60.96 x 8.89 cm)

Shaped aluminum with blue flocking 54 x 31 in (137.16 x 78.74 cm)

Shaped aluminum with yellow flocking 54 x 31 in (137.16 x 78.74 cm)

Artist Statement: I fully believe a certain "luck factor" exists when working with glass; sometimes a piece turns out and others crack or break. Glass can be solid/liquid, can be...

Beverly Pepper is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. She was married to the writer Curtis Bill Pepper. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and Brâncuși. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. After several exhibitions in New York and Rome, she was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Pietro Consagra, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. Beverly Pepper has had a long and extraordinary career. Like her contemporaries Louise Bourgeois and Louise Nevelson, Pepper forged a unique path as a mid-century feminist artist. As the 1960s progressed, Pepper turned to polished stainless steel. In some of the first works, she used a torch to carve used one-inch thick elements of stainless steel. From there, her pieces evolved into highly polished stainless with painted interiors. She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Beginning in the 1970s, and to the present day, she has lived a bi-continental life traveling between Europe and the United States. Western Washington University outdoor sculpture collection. The collection has some pieces which qualify as "land art" including Alice Aycock's 1987 "The Islands of the Rose Apple Tree Surrounded by the Oceans of the Word, for You, Oh My Darling," and Nancy Holt's 1977-1978 "Stone Enclosure: Rock Rings." Other artists in the collection include Beverly Pepper, Robert Morris, Richard Serra, Isamu Noguchi, Bruce Nauman, Tom Otterness, and Mark di Suvero. Pepper's works have been exhibited and collected by major museums and galleries throughout the world, including: deCordova Sculpture Park and Museum, Lincoln, Massachusetts The Metropolitan Museum of Art, New York The Whitney Museum of American Art, New York Brooklyn Museum of Art, Brooklyn, New York The Albright-Knox Art Gallery, Buffalo, New York The White House Sculpture Garden, Washington, D.C. The Hirshhorn Museum and Sculpture Garden The National Museum of American Art, Smithsonian Institution, Washington, D.C. The Walker Art Center, Minneapolis, Minnesota The San Francisco Museum of Modern Art, California Denver Art Museum, Colorado Columbus Museum of Art, Ohio The Georgia Museum of Art, Athens, Georgia Centre Georges Pompidou, Paris, France Les Jardins du Palais Royal, Paris, France Palazzo degli Uffizi, Florence, Italy Galleria Nazionale d’Arte Moderna, Rome, Italy Forte Belvedere, Florence, Italy The Albertina Museum, Vienna, Austria The Museum of Modern Art, Barcelona, Spain The Wohl Rose Garden, Jerusalem, Israel The Contemporary Sculpture Center, Tokyo, Japan The Museum of Modern Art, Sapporo, Japan Europarkas Sculpture Park, Vilnius, Lithuania The Bradley Foundation, Milwaukee, Wisconsin The Gori Collection, Pistoia, Italy Nasher Sculpture Center, Dallas, Texas The City of Todi, Italy Indianapolis Museum of Art, Indianapolis Museu d'Art Contemporani de Barcelona, Barcelona, Spain Casal Solleric, Majorca, Spain Laumeier Sculpture Park, St. Louis, Missouri The Seattle Art Museum, Olympic Sculpture...

Bronze sculpture 102 x 85 x 85 inches on 16 x 48 x 48 inch base

46 x 32 x 32 inch bronze sculpture on 32 x 16 x 16 inch black granite base

This unique piece by Margulis is from his latest body of works and is part of an edition of 9. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paints t...

Suitable for Outdoor placement

Bronze knot sculpture

TECHNICAL INFORMATION: Jesus Rafael Soto (June 5, 1923 - January 14, 2005, Venezuelan) Vibrations Metalliques 1969 painted metal with metal rod with nylon string 10 3/4 x 11 3/4 x 5...

This unique piece by Margulis is from his latest body of works. After assembling the Plexiglas sheets onto the aluminium core, he uses acrylic paint to cover some the front of the sh...