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Item Ships From: Georgia
Fine Chinese Stucco Head of Bodhisattva Southern Dynasties
Located in Atlanta, GA
On offer is a fine Bodhisattva head made of stucco around a wood core circa 6th century AD. The fragment was part of high-relief wall sculpture based ...
Category
15th Century and Earlier Chinese Archaistic Antique Georgia - Asian Art and Furniture
Materials
Earthenware, Stucco, Petrified Wood
Japanese Cloisonne Vase with Silver Inlays by Ando Jubei
By Ando Jubei
Located in Atlanta, GA
A Japanese cloisonne vase by Ando Company circa 1910-30s, end of Meiji to Tasho period. The vase takes an archaic Chinese bronze vessel form know...
Category
1920s Japanese Meiji Vintage Georgia - Asian Art and Furniture
Materials
Metal, Silver
Collection of Four Japanese Wood Print Blocks Meiji Period
Located in Atlanta, GA
A collection of four carved wood print blocks from Japan circa late 19th century (Meiji Period). Constructed and hand-chiseled from hardwood, the printing blocks were finely carved o...
Category
Early 20th Century Japanese Other Georgia - Asian Art and Furniture
Materials
Wood
Korean Ceramic Ritual Offering Vessel with Inscription Joseon Dynasty
Located in Atlanta, GA
A ceramic dish with high cylindrical foot in white glaze with a cobalt blue underglaze inscription from Korea, circa 18-19th century Joseon Dynasty. This is a classic ceremonial vess...
Category
Late 18th Century Korean Archaistic Antique Georgia - Asian Art and Furniture
Materials
Ceramic
$3,200 Sale Price
46% Off
Japanese Contemporary Ceramic Sculpture Kiyoharu Ichino
By Kiyoharu Ichino
Located in Atlanta, GA
"Purple Dawn", a ceramic sculpture piece by Japanese potter Kiyoharu Ichino (1957-). Purchased from Touching Stone, Santa Fe, New Mexico in 2003. Tradition meets renovation, this sculptural piece with its slab like minimal shape draws the viewer into its mysterious shape that is reminiscent of a monument. Its surface, with the typical Tanba clay fired at very high temperature and completely free of glaze, radiates a subtle metallic sheen that is nearly in a shade of purple. This piece was purchased from Touching Stone, Santa Fe, New Mexico in 2003.
Artist's bio from the gallery and the exhibition:
"Kiyoharu Ichino was born in 1957 in Tachikui into an extended family steeped in pottery-making tradition. He learned all aspects of Tanba pottery since childhood. When he was twenty, he moved to Seto to study pottery under a master of Akatsu-yaki. Upon returning to Tachikui, he launched his career with the Tanba Group Kiln. In 1983, he established his own kiln and began showing in galleries all over Japan. His works have been selected repeatedly for the prestigious juried Japan Traditional Crafts Exhibition sponsored by the Japan Crafts Association. In 1995, he was nominated to be a permanent member of The Japan Crafts Association, an honor bestowed to the most experienced and talented artists.
Traditional Tanba pottery is fired unglazed at very high temperature in large wood-fueled kilns. Ichino uses both an anagama (hole kiln) and a noborigama (climbing kiln), burning almost a thousand bundles of wood over several days to bring out the unique personalities of Tanba clay, which is renowned for its rich texture and deep purplish brown colors. Many of his pieces show silvery fire-marks like swirling mists left by the wood fire. His pieces appear to be integral parts of the clay rather than separate objects made from it. To show the unique clay texture, he often includes seemingly unfinished edges in his designs, exposing the rough clay body. Despite the high level of sophistication and innovation, Ichino's works maintain a strong connection with the ancient Tanba pottery tradition. Ichino should be no stranger to many Santa Fe residents. His work has been exhibited both in Touching Stone Gallery and as part of a major exhibition in the New Mexico Museum of International Folk Art in 2006.
About Tanba ware...
Category
Early 2000s Japanese Modern Georgia - Asian Art and Furniture
Materials
Ceramic
Burmese Buddhism Scripture with Lacquer Covers
Located in Atlanta, GA
A large Theravada Buddhism scripture book from Burma, circa late 19th century-early 20th century. The book opens to continuous folding pages that is accordion like. Ink scriptures in curvy Burmese language were handwritten on both sides of the pages. The papers are bind by two lacquered wood covers with elaborate design that features relief scrolls and mini mosaic...
Category
Late 19th Century Burmese Other Antique Georgia - Asian Art and Furniture
Materials
Lacquer, Paper
Korean Celadon Inlay Plate Goryeo Period
Located in Atlanta, GA
The round ceramic plate with a slightly raised foot ring is dated from late Korean Goryeo Kingdom (918 to 1392 AD) likely toward the end of the 14th century. The plate features a celadon glaze and underglaze slip inlays in black and white. The inlays showcases a pair of bird (appears to be cranes) in the center of a radiating double walled ring...
Category
15th Century and Earlier Korean Archaistic Antique Georgia - Asian Art and Furniture
Materials
Ceramic
Antique Korean Book Bandaji from Gyeongsang Do
Located in Atlanta, GA
An antique Korean wood Bandaji cabinet from Yecheon area in Gyeongsang Do (southern part of Korean Peninsular) circa late 19th century Joseon Dynasty. This particular Bandaji features a partial drop-down front door and extended top plank with upturned end. The relatively plain hardware indicates that its origin was likely from the Northern part of the Gyeongsang Do. The construction suggests that the use of the piece might be to store books or manuscript, known as Ch'aek Bandaji. The cabinet was made from stained pine wood and fitted with black iron hardware. It is supported on carved curvy legs...
Category
Late 19th Century Korean Other Antique Georgia - Asian Art and Furniture
Materials
Iron
Framed Antique Japanese Embroidery Fukusa Textile Panel
Located in Atlanta, GA
A Japanese silk Fukusa Panel housed in a gilt frame circa late 19th century of Meiji Period. Fukusa is a traditional Japanese textile art used as a wrap for presenting gifts at important occasions. On the deep blue background, the elaborate embroidery work depicts a historical scene where street vendors selling goods to a royal household or an aristocratic residence. The scene focuses on the activities at the front gate where the couriers and servants were busying carrying the goods in. A peasant with straw coat...
Category
Late 19th Century Japanese Meiji Antique Georgia - Asian Art and Furniture
Materials
Silk, Wood
Woodblock Print Comical Views of Famous Places in Edo by Hiroshige Hirokage
Located in Atlanta, GA
Artist: Utagawa Hirokage (active 1855-1865)
Series: Comical Views of Famous Places in Edo
Number: 21 "Cherry-blossom Viewing at the Middle Hall and the Double Hall in Ueno"
Mediu...
Category
1850s Japanese Edo Antique Georgia - Asian Art and Furniture
Materials
Paper
Rare Large Vase with White Slip Inlay Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A impressively large and unusual stoneware vase in an urn shape from the studio of Japanese Potter Makuzu Kozan, also known as Miyagawa Kozan (1842–1916), one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama circa 1870s and later became one of the appointed artist to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes.
This vase is dated to the end of Makuzu's life circa 1910-1916 based on similar work created around that time. After achieving domestic and international fame, Makuzu retired and handed the business to his son Hanzan in 1912. He dedicated his time to other selected projects that were more in tune with Japanese sensibility than export aesthetic. He made a group of stoneware pottery pieces inspired by Edo master like Ninsei and Kenzan as well as his own poetic creation. This piece is attributed to that period.
Standing of an impressive size, this vase is more like an urn, made with stoneware instead of porcelain. It was coated with a brown iron glaze with a slight translucent quality. Underglaze whit slips were used to draw low relief decoration of bamboo leaves that sparsely scatter on the surface. Slightly more elaborate scrolling vines and autumn flowers circles under the mouth rim. Same white slip inlay was used to sign the vase under the base. The whole effect of the piece is unusual. With its dark glaze in contrast with the sparse white decoration that is more abstract and geometric than realistic, it appears almost modern with an Art Deco flavor.
For stoneware urn and vase in the similar genre by Makuzu Kozan: see figure 113 on page 182 of "Sekai ni Aisa Reta ya Kimono" MIYAGAWA KOZAN MAKUZU...
Category
1910s Japanese Japonisme Vintage Georgia - Asian Art and Furniture
Materials
Ceramic
Large Terracotta Head of Luohan on Wood Stand from Vietnam
Located in Atlanta, GA
A large and heavy fired clay (terracotta) head of an Arhat (also known as Luohan in Chinese). The followers of Buddha who achieved the enlightenment, statues of Arhats are always fou...
Category
Early 19th Century Vietnamese Other Antique Georgia - Asian Art and Furniture
Materials
Terracotta, Wood
Antique Japanese Imari Bottle Vase on Wood Stand
Located in Atlanta, GA
On offer is a large Japanese Imari ceramic bottle vase with elaborate surface design circa 19th century (late Meiji Period). The distinct shape of the bottle is called tea-whisk form and the rare prototype was found in the early Ko-Imari production dated back to 16-17th century of Edo period. The shape was designed specifically to store liquor. This revived bottle was made in the 19th century and showcases decoration and colors typical of Imari ware. A lady in kimono holding a fan under a Sakura tree is showcased in the front and the back, with underglaze blue contrasting the rich overglaze enamel and gold. On the two sides, raised relief borders enclose scenes of combatant dragons and tigers under plum trees, both rendered in great relief details and of sculptural quality. The base was marked in underglaze blue the archaic Chinese characters "Da Ming Cheng Hua Year Made...
Category
19th Century Japanese Meiji Antique Georgia - Asian Art and Furniture
Materials
Ceramic
Japanese Maki-e Lacquer Portable Sagejubako Theme of Three Winter Friends
Located in Atlanta, GA
Sagejubako is a portable lunch or picnic set that became popular in the early Edo period when an additional meal was added between breakfast and dinner. It normally consists of a han...
Category
19th Century Japanese Japonisme Antique Georgia - Asian Art and Furniture
Materials
Lacquer
Chinese Export Sterling Silver Creamer and Sugar by Cutshing
Located in Atlanta, GA
A two-piece set sterling silver creamer and sugar signed "CUT" and "TienXing" in Chinese, circa second half of 19th century. Cutshing...
Category
Late 19th Century Chinese Chinese Export Antique Georgia - Asian Art and Furniture
Materials
Sterling Silver
Fine Japanese Ceramic Vase Makuzu Kozan Meiji Period
By Makuzu Kozan
Located in Atlanta, GA
A Japanese long neck porcelain vase circa 1900-1910s by the studio of Miyagawa Kozan (1842–1916), one of the most established and collected Japanese ceramist from the end of Meiji Period. Commonly known as Makuzu Kozan, which also appears as the signature on his work, his originally birth name was Miyagawa Toranosuke. He was the appointed artist to the Japanese Imperial household and his work was exhibited in many international fairs that the Meiji government participated at the turn of the century.
This vase features an elegant Classic form with a slender neck and slightly flared mouth above a baluster body. It was finely painted with two swimming carps in a copper red underglaze among green ribbons like waves. The background display a brilliant verdant green overall, Around the fish a poetic hazy effect was emphasized for a visual complexity by Fuki-e (the blow painting), an invention in Kozan's studio. The new technical development of chemical colors from the west was embraced circa 1900s in Kozan studio. This empowered the more creative experiments with not only colors, but also concept of dimension, which led Makuzu Kozan's work to become a bridge between East and West aesthetics. This is particularly evident in this vase with the Masterly details of the brush strokes, the expertly employment of gradient of color, and a very realistic and detailed rendering of the fish and their vivid motions.
For two similar examples of Kozan's work with similar carps decoration, see Page 148-149 of the book: Sekai ni Aisa Reta ya Kimono Miyagawa Kozan Makuzu...
Category
Early 20th Century Japanese Meiji Georgia - Asian Art and Furniture
Materials
Ceramic
Asian Flambe Studio Pottery Vase
By Kyoto Pottery
Located in Atlanta, GA
A garlic bottle vase in an archaic Chinese form, but likely Japanese in origin. Several circumventing grooves however, suggest a more modern age. It was done in a brilliant purple glaze over a robin egg blue background glaze. The bubbling and bursting effects during the firing renders the surface an artistic spotting effect. The color pallet recalls the Classic Jun Yao...
Category
Late 19th Century Japanese Japonisme Antique Georgia - Asian Art and Furniture
Materials
Ceramic
Japanese Glazed Ceramic and Silver Koro Incense Burner Makuzu Kozan
By Makuzu Kozan
Located in Atlanta, GA
A tri-pod ceramic incense burner (koro) by Japanese Imperial potter Makuzu Kozan (1842-1916) circa late Meiji to the start of Taisho period (1890-1910s). A fine example of the artist's work belonging to the late part of his underglaze paint phase (started around 1887 until his death), the surface of the koro was painted in beautiful shades of blue to depict a continuous landscape not unlike a traditional ink and watercolor hand scroll. The rise and fall mountains recede and fade into the horizon and are dotted with groves of pines. The sky is painted with a beautiful subtle shade of pink, suggesting a time of sunrise or sunset. The koro is fitted with an ensuite reticulated sterling silver hoya (incense cover), pierced with swirling cloud and marked with "pure silver' in Kanji. The base is signed in underglaze blue "Makuzu Kozan Sei" within a double ring. The piece is beautifully potted in form and the decoration was done with expertise using the novel technique developed by Kozan called Fuki-e (the blow painting), in order to achieve the striking landscape known as "Mountain and Water" with sense of dimensions and gradient, the poetic effects normally conveyed only by sumi ink staining on paper. The piece comes with an unsigned tomobako (wood storage box) of a recent age.
Also known as Miyagawa Kozan (1842–1916), Makuzu Kozan was one of the most established and collected ceramist from Meiji Period. Born as Miyagawa Toranosuke, Kozan established his pottery studio in Yokohama around 1870s and later became one of the appointed artists to the Japanese Imperial household. His work was exhibited in many international fairs that the Meiji government participated at the turn of the century and won many grand prizes. Being one of the most creative ceramists, Kozan started experimenting with new chemical colors from the West in the format of his porcelain glaze around 1880s. New colors allowed him to create underglaze designs that appeared bright, smooth and glossy. He even invented his own receipt of cobalt blue to achieve a much brighter yet softer shade, as evident on this vase. To create landscape that is realistic and dimensional, more common in the western paintings, he was inspired by the native Japanese ink painting technique developed around 1900 by Yokoyama...
Category
Early 1900s Japanese Japonisme Antique Georgia - Asian Art and Furniture
Materials
Silver
Framed Antique Chinese Child Tiger-Head Hat
Located in Atlanta, GA
This lovely textile art was from Central-Northern China circa 1900s, known as "Tiger-head" hat, it was a lavishly made cotton with silk hat in form of tiger for baby boys with a wide...
Category
Early 20th Century Chinese Chinese Export Georgia - Asian Art and Furniture
Materials
Cotton, Silk, Plexiglass, Wood
Chinese Ming Dynasty Tomb Funeral Pottery Bed Model
Located in Atlanta, GA
A Chinese stoneware day bed model circa Ming dynasty (15th-17th century). The miniature models were traditionally made as burial offering objects. Pottery models of daily life necess...
Category
16th Century Chinese Ming Antique Georgia - Asian Art and Furniture
Materials
Stoneware
Malachite Rock on Display Stand as a Viewing Stone
Located in Atlanta, GA
A malachite rock specimen with intense green and black colors fitted on a wood stand. The gemstone in the botryoidal form was polished in all sides except one side with a fissure to reveal the beautiful swirling patterns and colors. It is displayed as a viewing stone on a fitted wood base by an American collector of Chinese scholar rocks. Known as "Peacock Rock" in Chinese, there was a more recent tradition in China (from Qing Dynasty and on) to collect the exotic gemstones such as malachite and turquoise specimen...
Category
20th Century American Georgia - Asian Art and Furniture
Materials
Stone
Pair Antique Japanese Artia Ceramic Cabinet Plates
By Arita
Located in Atlanta, GA
A pair of Japanese decorative ceramic plates, made in Arita for export market circa 17-18th century. The cabinet-display dishes feature lotus-petal gilt rim and a lavish tricolor ene...
Category
18th Century Japanese Japonisme Antique Georgia - Asian Art and Furniture
Materials
Ceramic
Ceremonial Cape Textile Art from Hmong Miao People
Located in Atlanta, GA
An oversized and impressive cape worn during ceremonial dancing by Miao people (also known as Hmong in English) from Guizhou Province, China circa 1940s-1950s in a rarely intact and well-preserved condition. Miao people are diverse minority groups living in Southern China as well as Southeast Asia with complex sub-affiliations based on attires, languages, cultural customs and art tradition. They are renowned for their textile and silver craftsmanship as well as singing and dancing traditions. This cape, rather heavy in construction and striking in bold red and black, was made from wool, hemp and cotton. The surface showcases elongated diamond patterns in complementary woven wool and couched plaque on top of the cotton part. The pattern strikes the viewer with a strong sense of dignity and power. The heavy material and pattern are strangely akin to some of the Navajo weaving. The cape is in a form a jacket with long and wide sleeves, and it was meant to be used in ceremonial occasions.
Our research reveals that the piece was from the Northwest Guizhou in an autonomous county called Weining. The area is of subtropical highland and the generally cold weather was reflected in the heavy materials used in this piece, in comparison with other textiles made in the warmer lowland.
There is an older paper label with price tag in Chinese inside the cape. It was purchased in Guizhou decades ago by a US collection in MA. With a span of over 94 inches long, it makes a very impressive textile art piece for wall hanging. Not framed and easily shipping folded up.
For a similar jacket from Weining, see "Miao Textile...
Category
Mid-20th Century Chinese Tribal Georgia - Asian Art and Furniture
Materials
Textile
Japanese Studio Ceramic Vase by Ken Matsuzaki with Original Tomobako
By Ken Matsuzaki
Located in Atlanta, GA
An impressive stoneware bottle form vase by contemporary Japanese studio potter Ken Matsuzaki (1950-) circa 2010s. The solid form takes its cue from Chinese traditional plum vase (Meiping) with raised and swelled shoulder and a small opening, yet it rises from a non-conventional pentagonal faceted base. The extraordinary surface was covered with Yohen Shino glaze in a deep iron hue. Thick white slips were applied in bold strokes to the lower portion of the vase. The abstract pattern calls to mind of the imagery of the iconic ocean waves found in traditional Japanese art. The presence of the vase is strong and none-compromising, reaching back to the past yet appearing utterly modern. It is marked by the artist underneath and comes with the original tomobako with title and author inscriptions and a wrapping cloth with the artist's seal.
"Ken Matsuzaki’s haptic ceramics bring a contemporary approach to traditional Japanese ceramicware, most notably 16th-century Oribe pottery...
Category
21st Century and Contemporary Japanese Modern Georgia - Asian Art and Furniture
Materials
Ceramic
Japanese Two-Piece Indigo Asa Kyogen Festival Costume Meiji Period
Located in Atlanta, GA
A two-piece Japanese festival costume based on Kyogen theater performance circa late 19th century (Meiji Period). The matching assemble consists of an oversize jacket (Suo) and a pai...
Category
Early 20th Century Japanese Meiji Georgia - Asian Art and Furniture
Materials
Linen
Hagi Ikebana Vase by Kyusetsu Miwa X Japanese Studio Pottery
By Kyusetsu Miwa X
Located in Atlanta, GA
A stoneware vase with white dripping glaze from Hagi by Kyusetsu Miwa X (1895-1981), Showa Period. The vase is in the shape of "Double Gourd" with a bulbous ...
Category
20th Century Japanese Japonisme Georgia - Asian Art and Furniture
Materials
Ceramic
Antique Burmese Carved Architectural Wood Pole
Located in Atlanta, GA
A striking architectural pole carved from solid teak that was used for building construction in Burma circa 19th century. Serving both structural and ornamental purposes, this types of carved poles...
Category
19th Century Burmese Folk Art Antique Georgia - Asian Art and Furniture
Materials
Wood
Modern Japanese Ceramic Shigaraki Ikebana Vase Takahashi Shunsai
Located in Atlanta, GA
A tall ceramic vase made in the tradition of Shigaraki ware by Japanese potter Takahashi Shunsai (1927-2011), the fourth heir of the famed Rakusai lineage of potters. The vase is heavily potted in the reddish sandy Shigaraki clay. It has a Classic vase form made for Ikebana display. The surface is thickly draped with natural ash glaze that deposited onto the body during the firing process in the kiln. It also features decoration of carved lines. Nuggets of feldspar were incorporated in the clay and exposed onto the surface as crystal like jewels. Substantial and archaic looking, the vase also has a strong modern appeal due to its Mingei styling. It was signed on the base with a pressed seal Shunsai as shown. The vase comes with its original wood storage box (tomobako) with bears the title and signature in Kanji and a seal. It also retains a paperwork noting the artist's biography and practice philosophy in Japanese.
Born in Shigaraki, Shunsai was the second son of renowned potter Takahashi Rakusai...
Category
1990s Japanese Modern Georgia - Asian Art and Furniture
Materials
Ceramic
Japanese Art Glass Sculptural Vessel by Kyohei Fujita
By Kyohei Fujita
Located in Atlanta, GA
A free standing glass sculpture in an open vessel form by Kyohei Fujita (1921-2004). The striking piece features an organic body with alternative strips of blue, white and transparent strips with gold sparkle inlays. The rim takes a free biomorphic form that resembles bone structure. It is etch signed underneath.
The vessel was made in the earlier period of the artist's career before he dedicated most of his work to the "magical box...
Category
Late 20th Century Japanese Mid-Century Modern Georgia - Asian Art and Furniture
Materials
Art Glass
Japanese Bamboo Basket Ikebana
Located in Atlanta, GA
A Japanese woven bamboo basket in the shape of crescent with open top and a wrapped handle circa 1920s-1940s. The basket was woven with "sooted" bamboo (susutake in Japanese). This b...
Category
Early 20th Century Japanese Japonisme Georgia - Asian Art and Furniture
Materials
Bamboo
Set of Five Yohen-Kin Shino Ceramic Plates by Suzuki Tomio
Located in Atlanta, GA
Japanese ceramic Suzuki Tomio (born in 1948) specializes in Shino ware. In 2003, he successfully developed Yohen-kin or transformed gold Shino, an opulent and golden glaze which led to a number of luster glazes in the artist’s growing body of work. Inspired by the golden tea ceremony room in Osaka Castle commissioned by Toyotomi Hideyoshi (1536-1598) where honored guests were served tea from a glittering bowl coated with pure gold, it took the artist nearly a decade of experimentation and refinement to achieve the glaze while strictly adhering to traditional shino making techniques.
This set of five Yohen-kin plates displays a lustrous transformation. Signed on the bottom of plates. With original wrap cloth and the storage tomobako box entitled and signed by the artist in Kanji, with additional red seal. The size of the box is 5-1/8 x 8-1/4 x 8-1/4 inches.
Many of Suzuki Tomio's shino pottery...
Category
Early 2000s Japanese Organic Modern Georgia - Asian Art and Furniture
Materials
Ceramic
Porcelain Celadon Vase with Copper Glaze by Brother Thomas Bezanson
By Brother Thomas Bezanson
Located in Atlanta, GA
A spindle form porcelain vase by Brother Thomas Bezanson (1929-2007). As a modern interpretation of "Mei-Ping", a classic form of Chinese vase,...
Category
1980s American Modern Vintage Georgia - Asian Art and Furniture
Materials
Ceramic
Unusual Japanese Lacquer Inkstone Box with MOP Inlays
Located in Atlanta, GA
A Japanese black lacquer box with mother of pearl inlays circa early 20th century, end of Meiji period. It was likely to be used to store inkstone or other scholarly items. The piece displays several interesting characteristics that appear puzzling initially. First, the form is not typical Japanese, but more Chinese and Korean, with its scalloped base. Second, the decoration of MOP inlays also suggests a Korean and Chinese affiliation, especially with the linear borders and the scrolling cloud patters on the sides of the box. These two observations suggest that the box may be from Ryukyu Island instead of Japanese mainland. Third, strikingly in the center of the cover, a bold quarterly floral pattern outlined with MOP was filled with a striking mottled red lacquer using tsugaru nuri...
Category
Early 20th Century Japanese Japonisme Georgia - Asian Art and Furniture
Materials
Wood, Lacquer
Framed Japanese Ink Painting Hidaka Tetsuo
By Hidaka Tetsuo
Located in Atlanta, GA
An ink painting on the fan surface by Japanese Zen artist Hidaka Tetsuo (1791-1871), now framed in a traditional Japanese carved wood frame with silk fabric mat and decorative hangin...
Category
1850s Japanese Japonisme Antique Georgia - Asian Art and Furniture
Materials
Wood, Paper
18th Century Japanese Foliate Rimmed Bowl
Located in Atlanta, GA
18th century Japanese Kakiemon foliate rimmed bowl, Edo period (1603-1867). This charming bowl's decor shows a guardian lion ("shi shi") and a floral...
Category
18th Century Japanese Antique Georgia - Asian Art and Furniture
Materials
Porcelain
Miniature Vase from Hatcher Collection Decorated with Birds and Flowers
Located in Atlanta, GA
Miniature 17th century blue and white pear-shaped vase decorated with birds and flowers.
This miniature vase was part of a hoard recovered by Captain Michael Hatcher...
Category
17th Century Chinese Antique Georgia - Asian Art and Furniture
Materials
Porcelain
18th Century Miniature Porcelain Vase
Located in Atlanta, GA
18th Century miniature blue and white vase with celadon base and cafe au lait band, Qianlong period (1736 - 1795). Small and elegant, wit...
Category
18th Century Chinese Antique Georgia - Asian Art and Furniture
Materials
Porcelain
$465 Sale Price
40% Off
12th Century Song Jarlet with Deep Brown Glaze
Located in Atlanta, GA
Song jarlet with deep brown glaze, 12th century.
This small piece is all about purity of form, enhanced by the rich color of its glaze, which has a subtle crackle. The glaze, which covers almost the entire piece except for the very edge of its foot, looks like melted chocolate poured over...
Category
15th Century and Earlier Chinese Antique Georgia - Asian Art and Furniture
Materials
Pottery
$450 Sale Price
51% Off
Asian Rosewood Waterfall Coffee Table with Removable Tray and Pierced Sides
Located in Atlanta, GA
A vintage Asian rosewood waterfall coffee table from the mid 20th century, with removable tray and pierced sides. Created during the mi...
Category
Mid-20th Century Asian Georgia - Asian Art and Furniture
Materials
Rosewood
Pair of Small Ming Dynasty Pottery Figures
Located in Atlanta, GA
Pair of small Ming Dynasty (1364-1644) terracotta polychrome figures, in excellent condition.
Here's a cute little couple, looking very spry for their age. Both figures are wearing...
Category
16th Century Chinese Antique Georgia - Asian Art and Furniture
Materials
Pottery
$575 Sale Price / set
35% Off
16th Century Chinese Pottery Figure
Located in Atlanta, GA
Ming dynasty pottery figure of a standing woman, likely from the Suzhou region.
This is a small figure with a lot of personality, rendered in crea...
Category
16th Century Chinese Antique Georgia - Asian Art and Furniture
Materials
Ceramic
12th Century Terracotta Head of a Woman
Located in Atlanta, GA
12th century terracotta head of a woman, Song Dynasty (from 960 to 1279).
This small, delicately molded head of a woman wearing an elaborate headdress is mounted on a cube-shaped...
Category
15th Century and Earlier Chinese Antique Georgia - Asian Art and Furniture
Materials
Pottery
$725 / item
Pair of Han Dynasty Seated Figures
Located in Atlanta, GA
Pair of seated pottery figures, Han dynasty (2nd century BC to 2nd century AD). The taller of the two sits very still and upright, his hands folded into his sleeves, gazing straight ...
Category
15th Century and Earlier Chinese Antique Georgia - Asian Art and Furniture
Materials
Pottery
$1,250 / set
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