Hudson - Art

Edition 1 of 5 Carolyn'Monastra's series called "lovely, dark and deep,” excerpted from Robert Frost poem, explores the natural wonders of the wilderness. Dramatic and awe-inspiring...

Gouache on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places...

acrylic on panel

Milled wood, crayon and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own f...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

"Four Is More #1" Acrylic on canvas 40 x 30 x .5 inches 2023 Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

acrylic on paper

Acrylic on canvas Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ab...

Mixed media on Japanese paper Artist Biography: Angela A’Court was born in London, UK and lives and works in New York and London. She studied at the University for the Creative Arts UK (UCA),UK, Parsons School of Art and Design, New York, Goldsmiths College, London and in 2022 received a Masters from City and Guilds Art School London in Art...

Acrylic and Flashe on Yupo and canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Acrylic on canvas

Bay Light II pastel on paper 6 x 6inches 12 x 12 inches 2023

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an e...

This piece was created expressly for the purpose of being photographed for a photo series. Created of a sculpted brass metal mesh screen material mounted upon a solid wood base and c...

Milled wood, encaustic, string and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms for over 20 years starting in 1980, his focus was special needs housing and other government sponsored commissions.  A second career started in 2001 as owner and CEO of Chilewich, the design brand best known for beautiful and functional home textiles. He built their factory in Georgia where all the products are made, with machines and processes of his design. He stepped down as CEO in May of 2022. During all phases of his career Joe made art, first engraving and drawing before turning to sculpture. But it was at the Hudson Valley house that he turned exclusively to sculpture using the abundant wood of his land. He mills the wood into sticks, planks and blocks. The milling leaves ridges, valleys and cambers making every raw piece, unique. Sculptures start by putting 2 random sticks together, there’s no plan to start with, or drawings. But there’s always an idea about form, space or memory that guides them. The idea solidifies as the piece grows and eventually supersedes initial randomness. All the work contain the markings of its making.  Joe’s work was first shown at Susan Eley Fine Art...

Mixed media on paper. Framed: 18" x 15.25" My work comes from observation, memory and imagination. Collective daydreams that make another world out of this world--the experience of ...

Monotype print.

Stoneware clay, underglaze, and acrylic paint

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Milled wood, plaster, burlap and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led h...

Monotype and watercolor on paper 30 x 22 inches 33 x 26 inches Framed About the Artist: Eunju Kang was born and raised in Daegu, Korea, and moved to California as a teenager with her mom and two sisters in the 70s. Eunju was always an avid doodler, often in her textbooks, which became a helpful communication tool as she adjusted to her new life. Since the early 90s, Eunju has lived and worked in NYC, painting, printmaking, and turning her doodles into a successful business with her sisters. Eunju earned fine art degrees at UC Santa Barbara and Pasadena Art Center College of Design where she graduated with distinction. She has been awarded residencies at The Fine Arts Work Center in Provincetown (FAWC), the Virginia Center for the Creative Arts, and the Vermont Studio Center. She has taught at the L.A. County High School for the Arts, the ArtCenter College of Design, and the School of Visual Art in NYC. Her fine art is in private collections around the world, and her illustration work has been used in packaging and ad campaigns by Godiva Chocolate...

Black and White, Women, Portrait, Fashion, b&w, woman, black & white, fashion photography, photograph, high contrast, editorial, portrait, makeup, beautiful Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street. NYC" we are taken back to the darker days of soho in 1992. A woman is shot from behind, walking down the gravel filled street in a long white flowing cloak, There is a patina of glamour set in the grit of real life. This sense of asymmetry threads throughout the exhibit, Some of the prints have a purposefully grainy and soft contrast, reminiscent of a newspaper photo. Burris manipulates the film during developing to create an “un-reproduced” effect. The heavy use of toned black and white and selective focus the photographs have a distinctive grainy texture that is reminiscent of a newspaper print. After completing his degree in Photojournalism, Todd left hometown Nashville in 1985 for New York, where he assisted photographer Bill King among others for several years before heading to Milan to strike out on his own. Within months he was shooting for magazines Amica, Grazia and Cento Cosa. He stayed for three years before returning to New York. There, he picked up Glamour, Mademoiselle, YM and several commercial clients that he worked with for years before taking a hiatus in 1993 to start a fine art career; something he had wanted to do since he was a student. He went to Los Angeles, and produced a body of work that he has shown since in various group shows as well as a solo show with his gallery Robin Rice in New York. He has sold many of these images to the corporate collections of NY, China and Tokyo Polo Ralph Lauren, Bloomingdales, Macys and London’s Connaught Hotel...

I'm interested in the physicality of the painting process, and how this physical process connects me to the messy processes of paint application and decision-making. I'm interested i...

Storm Approaching pastel on paper 6 x 6inches 12 x 12 inches matted 2023

Allison Green was born in Philadelphia and grew up in a nearby rural suburb. Throughout her childhood Green lived on the periphery of a lush forest, an experience that has greatly im...

Flowers / Bouquet / Flora 40 x 40 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her ...

mixed media on paper 13 x 9 inches unframed 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Acrylic on canvas.

Acrylic and gouache on paper 19 x 19 inches framed

Oil on cradled wood

33.5 x 25.5 inches framed Royal Flush #1 is from an edition of 20 monoprints made with master printer Marina Ancona at Ten Grand Press. The series is titled Royal Flush for Audrey F...

Milled wood and house paint. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own firms...

Oil Monotype Chine Collé on white BFK Rives Printmaking Paper Hand pulled By Artist on Etching Press 13 x 25 inches framed This piece is featured in Bruckner’s 2024 solo exhibition ...

Stainless Steel TIG Welding Rod, Aluminum, Fishing Accessories, Wire, Paint Jeremy Bullis after David L. Bullis Edition 1/5

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

30.5 x 30.5 inches framed 15" x 15" edition of 10, unframed, $1,800 30" x 30" edition of 10, unframed $3,450 Please allow at least 2 weeks for the photograph to be printed and shi...

Monotype 47 x 34 inches framed

"XMarksTheSpot" B+W Print w/Embossing pulled off 3D printed plate based on Artist Photograph Hand pulled by Artist on Etching Press On white BFK Rives Printmaking Paper Edition : Va...

Ink and Thread on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt Institute, Brookl...

Watercolor on paper 32 x 25 inches framed

Watercolor on paper

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1963) Pastel on paper 24" x 18" Hand-si...

Acrylic and collage on canvas Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

The title of Benjamin Heller’s group of sculptures, “Inner Tidal” refers to an “Intertidal Zone”, which is the edge of an ecosystem that is alternately above and below the waterline ...

mixed media on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

acrylic on paper 23.25 x 19.25 inches framed Rundorff Smith deals with central shapes that she develops by referencing urns, shrines, burial mounds and places of veneration. As a current resident of South Carolina, she associates cemeteries, particularly locations in the South, as spiritual spaces of veneration. Her paintings are reliquaries for memories. Urns are vessels to hold ashes while also acknowledging life—what we mourn and what we celebrate. In the exhibition at SEFA Hudson, Rundorff Smith presents the latest in her series entitled “Trophy.” These small scale encaustic paintings are hung in a grid that mirrors the geometric patterns within each piece. The artist works in layers by melting and combining pigmented wax to create a literal history on the materials’ surface, while simultaneously implying the personal story that each vessel is meant to hold. Rendered in colored wax from sky blue to bright pink to vibrant yellow—a rectangular pattern blankets many of the paintings. This patternation references the constructions of Rundorff Smith’s father, a builder. Thus, the “Trophy” paintings...

Acrylic on paper 21.5 x 19.75 inches framed

ink and pastel on paper

Oil on canvas.

oil on wood

Cloudburst pastel on paper 6 x 6inches 12 x 12 inches framed 2023

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that in...

Watercolor on paper BIOGRAPHY: Eunju Kang was born in 1962 and raised in Daegu, Korea. She moved to California at 14 years old with her mother and two sisters in the 1970s. Kang was always an avid doodler, often in her textbooks, which became a helpful communication tool as she adjusted to her new life. Since the early 1990s, Kang has lived and worked in NYC, painting, printmaking and turning her doodles into a successful business with her sisters. Kang earned fine art degrees at UC Santa Barbara and Pasadena Art Center College of Design where she graduated with distinction. She has been awarded residencies at The Fine Arts Work Center in Provincetown (FAWC), the Virginia Center for the Creative Arts and the Vermont Studio Center. She has taught at the L.A. County High School for the Arts, the ArtCenter College of Design and the School of Visual Art in NYC. Her fine art is in private collections around the world. Her illustration work has been used in packaging and ad campaigns by Godiva Chocolate...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...

printed fabric, thread, sequins and ink ARTIST STATEMENT: ICONS I work on an intimate scale, creating delicate, hand-stitched images of imposing, dazzling, iconic women. They are ...