Hudson - Art

One of a group of over 100 works personally selected by the artist and gifted to a close personal friend in 1969, this work was never matted, framed, glued, taped or exposed to light...

Abstract landscape painting. Fame included.

"New Growth" by Hudson Valley artist, Peter Hoffman, made in 2020 74 x 9 x 9 inches A Vertical Wooden sculpture created with multiple sections of painted wood segments, cut at angl...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Really well done collage in black and white with a few subtle touches of deep red. Collage is done on a box board and ready to hang.

Collaged monotype still-life silhouette of a cat. David Konigsberg Black Cat, 2023 15" x 18.5" monotype, collage and oil on panel This contemporary still-li...

Signed and dated "Vytlacil 38" lower left, and signed and dated verso. Provenance: Estate of the artist #1602; Martin Diamond Fine Art About this artist: Born in 1892 to Czechoslov...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

The Lonely Road (1940) Tempera on panel 12" x 16" 19 1/2" x 23 1/2" x 1 1/2" framed Hand-signed "Palmer '40" lower center. Provenance: Midtown Galleries, New York, NY (labels verso...

Gorgeous example of Walter Darby Bannard's use of acrylic mediums which came out in the 1970s. It is richly colored example of his work from that period. An American abstract painter...

The coastal landscapes of Maine have been the main source of inspiration for Rachel Burgess for many years. Burgess’s ongoing fascination with how land meets water— along rivers, lak...

Signed verso with estate stamp "Estate of Elaine Wesley/1923-2007" Canvas measures 30 ¾" x 24" and framed measures 31 ¾" x 25"

This abstract artwork is one of a group of over 100 pieces personally selected by the artist, and gifted to a close personal friend in 1969. Please note that this painting was never ...

Pink Pleasure (Textile Inspired Abstract Wood Wall Sculpture in Pink and Yellow), made by Susan Stover in 2024 wood, oil paint, varnish, waxed linen thread 54 x 72 inches Lightweight...

Lakeview (Expansive Blue + Green Landscape Reminiscent of Color Field Painting) by Tracy Helgeson 2024 oil on panel 36 x 48 inches unframed The disparate traditions of American folk...

This contemporary ceramic wall sculpture is composed of a figure surrounded by turtles and a wolf with fire, and blue droplets woven into a geometric web, similar to a modern-day dre...

Red's Moving OIl on canvas, 24" x 32" 25.75" x 34" x 1.75" framed Signed "V. Wicht" lower right. Inscribed and titled verso "John Von Wicht / Red's Moving / 24 x 32 / 1962". About t...

Byron Browne On the Beach (1959) Oil on canvas, 20" x 26" 26" x 32" x 1" frame size - likely original Inscribed verso "On the Beach / 1959 / Byron Browne" Provenance: Private collection, Berkley, California About this artist: Through an oeuvre displaying the re-envisioning of figural subjects and the formation of an abstract expressionist style, Byron Browne stands out among the American abstractionists of his generation. Born in Yonkers, New York, in 1907, the artist was a bright talent at the National Academy of Design in his teens. From 1924 to 1928 Browne studied at the Academy under notable artists Robert Aitkin, Charles Courtney Curran, Charles Hawthorne, Alice Murphy...

Meander (Female Figure in Quilted Dress with Collage Lake Landscape) by Olan Quattro 2025, gouache, paper, and acrylic on wood panel, 24 x 18 inches Olan Quattro's subtle and sophis...

Untitled Abstraction Oil on panel 18 ½" x 13" 22" x 16 ½"x 1 ½" framed Signed "Serisawa" lower right

Lisa Pressman earned her BA in Art from Douglas College, Rutgers University and an MFA from Bard College. Her work has been exhibited extensively throughout the U.S. and abroad, incl...

This abstract painting by Genichiro Inokuma measures 18" x 24" and framed 22 ⅝" x 28 ¾" x 1 ¾". Frame is original and all original labels are intact....

Modernist painting by Vaclav Vytlacil of "City Scene with Faces". Signed and dated "Vytlacil 32" lower right. Provenance: Estate of the artist #1584; Martin Diamond Fine Art Exhibi...

Signed "Corbino" lower left Inscribed on frame by artist with artist's address in Rockport, MA Titled by artist on inscription verso. Provenance: Oelschlaeger Gallery, Chicago, IL. ...

Gestural abstract expressionist painting on archival paper with gold and silver metallic powders and accents of blue, burgundy, and green enamel paint "Platonic Solids...

"The Marsh at Dawn" made in 2025 by Regina Quinn encaustic on panel 9 x 9 inches Custom framed in walnut floater frame, 10.25 x 10.25 x 2.25 inches framed. " Beginning with waterco...

Julio De Diego’s Atomic Series paintings made an extraordinary statement regarding the shock and fear that accompanied the dawn of the nuclear age. In the artist’s own words, “Scientists were working secretly to develop formidable powers taken from the mysterious depths of the earth - with the power to make the earth useless! Then, the EXPLOSION! . . . we entered the Atomic Age, and from there the neo-Atomic war begins. Explosions fell everywhere and man kept on fighting, discovering he could fight without flesh.” To execute these works, De Diego developed a technique of using tempera underpainting before applying layer upon layer of pigmented oil glazes. The result is paintings with surfaces which were described as “bonelike” in quality. The forms seem to float freely, creating a three-dimensional visual effect. In the 1954 book The Modern Renaissance in American Art, author Ralph Pearson summarizes the series as “a fantastic interpretation of a weighty theme. Perhaps it is well to let fantasy and irony appear to lighten the devastating impact. By inverse action, they may in fact increase its weight.” Exhibited 1964 Marion Koogler McNay Art Institute, San Antonio, Texas This work retains its original frame which measures 54" x 42" x 2" About this artist: Julio De Diego crafted a formidable persona within the artistic developments and political struggles of his time. The artist characterized his own work as “lyrical,” explaining, “through the years, the surrealists, the social-conscious painters and the others tried to adopt me, but I went my own way, good, bad or indifferent.” [1] His independence manifested early in life when de Diego left his parent’s home in Madrid, Spain, in adolescence following his father’s attempts to curtail his artistic aspirations. At the age of fifteen he held his first exhibition, set up within a gambling casino. He managed to acquire an apprenticeship in a studio producing scenery for Madrid’s operas, but moved from behind the curtains to the stage, trying his hand at acting and performing as an extra in the Ballet Russes’ Petrouchka with Nijinsky. He spent several years in the Spanish army, including a six-month stretch in the Rif War of 1920 in Northern Africa. His artistic career pushed ahead as he set off for Paris and became familiar with modernism’s forays into abstraction, surrealism, and cubism. The artist arrived in the U.S. in 1924 and settled in Chicago two years later. He established himself with a commission for the decoration of two chapels in St. Gregory’s Church. He also worked in fashion illustration, designed magazine covers and developed a popular laundry bag for the Hotel Sherman. De Diego began exhibiting through the Art Institute of Chicago in 1929, and participated in the annual Chicago Artists Exhibitions, Annual American Exhibitions, and International Water Color Exhibitions. He held a solo exhibition at the Art Institute of Chicago in the summer of 1935. Though the artist’s career was advancing, his family life had deteriorated. In 1932 his first marriage dissolved, and the couple’s young daughter Kiriki was sent to live with friend Paul Hoffman. De Diego continued to develop his artistic vocabulary with a growing interest in Mexican art. He traveled throughout the country acquainting himself with the works of muralists such as Carlos Merida, and also began a collection of small native artifacts...

Signed and dated "© D. Christensen 1989" with an orientation arrow verso. Medium "Acrylic on Canvas", title "Java", size "22 x 20" are all inscribed verso. Dimensions of this artwo...

Signed and dated "Biederman 4-35" lower right. About this artist: Charles Joseph Biederman was a twentieth century abstract American artist best known for his constructivist, cubist...

"Sargasso" hand-carved wooden New Brutalism wall sculpture by Hudson Valley artist, Stephen Walling, made in 2013 36 x 40 x 2.5 inches Carved wood and ac...

56 x 58 x 2 inches oil on canvas, white wood frame Through expressionistic gestures and a sophisticated handling of paint, David Konigsberg's works take on a life of their own, so that even inanimate objects seem filled with energy and intent. This painting captures a delightful scene of a lazy cat taking a nap in the abundant late afternoon light on a porch. David Konigsberg is a conceptual realist who works across media and painting genres to portray transitional spaces, metaphoric moments and alternative histories. A long-time member of the Gowanus and Red Hook artist communities in Brooklyn, he is now based in Hudson and employs the area's landscapes as the setting and sometimes subject of his work. The artist’s work has been exhibited throughout out the United States and has been featured in The New York Times, Chronogram and Brooklyn Journal and numerous art and culture blogs. David Konigsberg lives and works in Hudson, New York. RESUME Selected Exhibitions: · Nigh Season (2014) · Troposphere (2012) · Largo Arenula (2008) Allen Sheppard Gallery...

Kissing Priests image size: 8 x 10 inches Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corn...

The bold texture of this artwork engages the viewer. The textures Ottesen created are not as apparent until seem from close up. A subtle stunner. Framed this piece measures 29.25" ...

Modern, academic style portrait painting on canvas of a young athletic male oil on canvas, 26 x 17 inches in antique wood frame This vertical, contemporary portrait painting of sin...

Modern Luminist, Hudson River School landscape painting on canvas of a creek and river meeting around a forest bend with mountains in the distance "Where Creek Meets River" by Jane Bloodgood-Abrams, painted in 2021 Horizontal landscape painting, 36 x 48 inches unframed with white painted sides wired on reverse for easy hanging Artist's signature is located on lower left This modern Hudson...

Peodil (Pink Peony with Yellow Center and Smaller Daffodil Realist Still Life) Made in 2023, by Berkshire based artist Ann Getsinger oil on linen, 20 x 16 inches Signed, lower left ...

Modern impressionist style figurative painting of a family in a colorful park landscape “Park Spring” painted by William Clutz in 1996 60 x 50 inches in a natural wood floater frame Wire backing, signed lower right This figurative oil on canvas painting was made in 1996 by William Clutz as part of a series of works called "Crossings". These paintings were a study of NYC dwellers engaging in the simple, daily activity of crossing the street. In this piece, Clutz captures a joyful moment of a mother and father walking in a sunlit park landscape with their young child. Bright sunlight radiates through lush fall foliage and fills the scene with a soft orange light. With broad, expressionistic brushstrokes, he discovers the extraordinary in the ordinary, by emphasizing the effects of sunlight on the human form. The painting is in excellent condition and is framed in a natural wood floater frame. More about the artist: In New York in the early 50's and 60's, abstract expressionism was the orthodox approach to art at the time. However, Clutz was committed to his personal style that focused on abstracted human figures within urban tableaux. Working in a context of artists who challenged abstract expressionism's popularity in New York, Clutz established himself as a significant proponent of abstract figuration. His paintings focus on human figures within the urban environment, often exposing the transfiguration of his subjects as they travel through the complex light of city streets or summer parks, as shown in two of his early works. Clutz's interest in working from direct observation of urban life was influenced by a long-standing interest in German Expressionism, as well as artists like Henri Matisse, Arshile Gorky, and Nicholas De Stael...

The Robin Rice Gallery is pleased to present At 1000 Feet, a photographic exhibition by Dinesh Boaz. The opening reception will be held on Wednesday, November 6th from 6pm to 8pm. Th...

India Sachi is a contemporary, female painter and photographer who's mythologically inspired works explore concepts of power, vulnerability, and folklore. With work evocative of Raus...

sepia toned silver gelatin print, edition 1 of 25 10 x 15.5 inches, 22.5 x 26.5 inches framed still life photography, food still life, milk and egg still life, modern still life, sepia still life, formalism, formalist still life, modern, simple, kitchen photography...

Modern impressionist style plein air landscape painting on canvas "Field Painting, August 11, 2025" oil on canvas 12 x 12 inches Signed, verso The contemplative paintings of Thomas ...

Back in the spring of 2025, Robin Rice visited the studio of John Dolan and Michele O’Hana, and she experienced a lightbulb moment. She imagined a family collaboration. The result is...

image size: 8 x 10 inches Young Nude Man in Bed Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom left...

Shell Bowl (Realist Still Life of Iridescent Shell Against a Stormy Landscape) Made is 2024, by Berkshire based artist Ann Getsinger oil on linen, 16 x 12 inches Signed, lower right...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor, the Devil, and even the World...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...

Price includes framing. Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a group show of gallery artists curated especially for the new gallery space, Gallery II at 82 Mason Circle at the Lofts at Beacon. The gallery at the Beacon Lofts is located on the 12-acre property of a 19th century textile mill, just along the banks of Fishkill Creek. Drawing on the industrial design of the live/work lofts themselves, the space makes use of reclaimed brick...

Archival digital print, edition of 50 34 x 29.5 inches unframed Lisa Frank’s new body of work produces complex arrangements of flowers and dark vegetation reminiscent of Baroque still lifes and tapestry. Frank stages, duplicates and then layers photographic elements to create work that keeps the viewer fixated in her realm of digitally manipulated imagination. In this piece, the artist has digitally collaged twisted vines, dried leaves, pink, yellow, and purple flowers, and turtle shells in intricate patterns to resemble a Baroque tapestry. The contemporary vertical digital print is available in additional sizes. Artist's Statement: I make large scale photographs that depict complex patterns. These patterns are composed from elements of nature and are presented in the form of traditional wallpaper...

18"x24" limited edition historic photograph, edition 1/5. This photograph depicts the inside of Riverside Hospital became an adolescent drug treatment facility from 1952 until 1964. ...

Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Ga...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. color, photography, water, beach, ocean, sea, sunset, golden, wave, surf, Hamptons, East Hampton, Georgica Beach...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

Price is for UNFRAMED item This photo depicts the memorizing quality of the oceans waves, specifically in the Hamptons. It is a part of Robin Rice Galley's 2018 Summer Salon. The ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Abstract expressionist painting in the style of Gerhard Richter in a gold and deep lapis blue palette with accents of orange, pink, and silver "Endless Clarity", made by Bruce Murphy...

22’’ x 30" mixed media collage: ink, watercolor, origami paper, gold foil, pattern-making paper on paper, framing options available. Linda Ganjian's artwork captivates with its or...

CURRENT EXHIBITION - runs through June 25th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery announces a solo photography exhibition by Pete Kelly. The opening reception will be held May 3, 2017 with the show running through June 25, 2017. Pete Kelly’s latest show admirably showcases the lush greenness, diverse landscape, and ever-fleeting light of the British terrain. We are invited to join his excursions throughout the country as he brings light to the captivating, idiosyncratic characteristics of the land. He captures the oddities of the landscape; solitary figures bathing in sunlight, silhouette of a frolicking Great Dane in the mist, and subtle remnants of a bygone era. Kelly’s incredibly unique, picturesque editing style further mythologizes his subjects, he meddles with an air of mystery that defines the viewers experience. Kelly employs a mixture of a single image with layers of photographs of textures. The feel and look of the end result pay homage to English romanticist landscape painters such as J.M.W Turner and Constable. Kelly applies varnish and then uses Photographic Encaustic wax over the print. He encases the archival pigment print in beeswax and damar resin; tree sap in its purest form. These organic components have been found to have preserving qualities by ancient Egyptians, which replace the need for glass over the photograph. The impersonality of a raw digital file is alleviated through this process and makes the image a ‘one off. Combining modern photographic and printing technology with ancient crafting techniques, Kelly 
is the originator of art that is tactile, archival and organic. In one image entitled ‘Brabyns Autumn” examines man’s contemporaneously interruptive and complimentary relationship with the surrounding land, and zeros in on a serenity only manifested when man and nature successfully coexist. Small figures, animals, and dwellings found in the landscape are essential points of interest for Kelly. Using nature as a tool for fortifying scale and perspective, Kelly magnificently reinforces the grandiose essence of nature as opposed to the insignificant disposition of man. Kelly’s tiny...

Black and White, Men, Landmark, Paris, france, vignette, high contrast, black & white, black & white, angle, landmark, photograph, photography, european, europe, man, still life, str...