Hudson - Art

White What's Left (Contemporary Abstract Painting with Colorful Paper Collage) 20 x 20 x 2 inches encaustic, collage on wood panel Signed on rev...

Archival digital scanograph 25 x 18 inches, edition of 150 Additional sizes available This contemporary, archival digital scanograph was made by fine art photographer, Lisa Frank, i...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass Pairs well with Ref: LU2272395053 These energetic prints are digital copies of original handmade monoprints by photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with the photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine Photography...

image size: 10 x 8 inches Standing Nude Male Flexing in Socks and Shoes Smoking a Cigarette Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on...

Colorful, Maximalist style floral still life photograph of pink, green, yellow, and cream colored flowers and succulents Archival digital print, made to order 24 x 24 inches, editio...

Abstract landscape monotype of a large cumulus cloud in soft pink and periwinkle blue 12 x 12 inch image on 22 x 33 inch Rives BFK paper Rives BFK paper is made of cotton, has deckle...

Contemporary color photograph of the interior of an abandoned theater 35 x 25 inches unframed 41.5 x 31.5 inches in white wood frame with AR non-glare glass This contemporary photograph of an abandoned theater interior was captured by New York based photographer, Elliott Kaufman, in 2005. Here the artist highlights the beautiful fading facade of the once renowned Capitol Theater in New London, CT. The photograph is complimented with a custom white wood frame measuring 41.5 x 31.5 inches. There is wiring on the back for installation. About the series: Elliott Kaufman conveys the haunting magnificence of forgotten buildings in the Abandoned series. Architectural marvels once home to heartbreaking operas, spectacular gatherings, or a loving family now sit vacant and linger in fading memories of the past with each new crack of paint, crumbling brick, or falling beam. Through his lens, Kaufman captures the remnants of these majestic structures, romanticizing what once was for viewers in the present day. This series won 2nd place in the ASMP National Competition. Exhibitions: 2014 Carrie Haddad Gallery: Water Pictures : December 18th thru January 2015. 2014 International Center of Photography, Juried Group Faculty Show: Photographs in the Social Landscape 2013 Carrie Haddad Gallery, Hudson, NY. Group Show: Street Dance Series 2012 Carrie Haddad Gallery, Hudson, NY. Group Show : Time Transformations 2012 The Hudson Studio, Hudson, NY.: Solo Show : Abandoned Architecture. 2011 Garrison Art Gallery, Juried Group Show 2010 Alan Klotz Gallery, Group Show on the 400th Anniversary of the Hudson River. 2009 Through the Eyes of Others Photographs of India...

Abstracted cityscape painting on paper in blue and red oil wash of industrial beams and water towers in New York City "Untitled II," painted by Ricardo Mulero in 2018 7.5 x 5 inches, oil wash on paper 16.5 x 13.5 inches in a soft white wood frame with an 8-ply window mat and non-glare glass Excellent condition, ready to hang as is Ricardo Mulero is fascinated with capturing the brilliance of light and the contrast of natural beauty with utilitarian landscapes. Here, Mulero focuses on an abstracted New York cityscape of rooftop water towers and he fragments the industrial urban landscape to highlight bold shapes with contrasting color palettes in blue, black, and red. The piece is in excellent condition and ready to hang. About the Artist: Growing up in Puerto Rico, I observed how people and nature could co-exist in harmony. Today, that principle guides my design and artistic work. My paintings are expressions that draw upon my life experiences, traditions, and surroundings. These unique environments inspire my oil paintings: Puerto Rico, where I grew up, New York City, Fire Island Pines...

Polaroid transfer drawing of a Classical column base on Rives BFK paper by Mark Beard 7 x 9.5 inch image size 22 x 15 inch paper size Ed. 1/6, Polaroid Transfer on Rives BFK paper, u...

70 x 40 x 1.5 inches vertical, monochromatic red landscape oil painting on canvas This large vertical rusty red and orange monochromatic landscape oil painting imparts feelings of r...

Install images by Em Joseph Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale, her pieces combine elements of oil painting, folk art and commercial illustration, exploring our attempts to impose narratives on our lives. Attracted by the accessible, democratic nature of printmaking, she works primarily in monotype, straddling the divide between popular and elite forms of storytelling. “Deli Flowers My Husband Bought Me” is based on flowers that Burgess’ husband, an NYPD detective, has brought home over the years from their local corner deli. Through iconic renderings of these simple gifts, Burgess pays tribute to the things we take for granted – to the city, to its essential workers...

Edition #8/15 This is the framed price listed. The photograph is also available unframed in the two additional editioned paper sizes listed. In her most recent collection of photo...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Figurative, still life chalk drawing of black high heels on vintage collaged music sheets. Artwork measures 29 x 33 inches 30 x 37 inches framed, deckle edge paper is floated in natural wood moulding with glass. This modern, graphic chalk drawing on collaged vintage music sheets...

34.5 X 35 Inches framed This piece is featured in A’Court’’s 2024 solo exhibition at Susan Eley Fine Art titled, “Keeping Memories”. Artist Biography: A...

The Gentleman Caller (Nick Simpson Sepia Victorian Styled Theatrical Photograph) 12 x 16 inches, 21 x 26 inches framed in unique, vintage frame, anti-reflective glass, 8 ply off-white mat board. C-type archival print, edition of 7 This antique style figurative photograph was created by London based photographer, Nick Simpson, in 2013. This scene depicts 4 characters in period dress including a blindfolded man touching a woman's leg as two others peek on. Simpson's aesthetic is enhanced by his playfulness and nostalgia for the Victorian era. Simpson includes a slight patina around the sepia toned photograph's edge to accentuate its antique inspired quality. The Duratran print is paired with a dark wood frame. About the work: London based artist, Nick Simpson, is celebrated for his fictional series entitled The Bumforth Man Collection. The series consists of archival prints inspired by a mythical story concerning a quantity of glass photographic plates discovered in an old oak chest on the Bumforth Manor estate in rural England, the family home of the Gascoigne-Simpson's for over nine generations. These plates, which had laid gathering dust for over a hundred years, were supposedly the work of Simpson’s great grandfather, Samuel Heracles Gascoigne-Simpson, a disciple of William Henry Fox Talbot, commonly considered to be the father of photography. To bring this story to life, Simpson starts by building a set, authentically styled and dressed to re-create the Victorian photographic salons of the late 1900s. This becomes the stage upon which he places his eclectic choice of models and actors, all following his original tight narrative to create a richly detailed tableau. The scene is then captured in a single sitting using an original 1867 'Petzval' lens mounted on a mahogany plate camera...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Milled wood, encaustic and acrylic. Joe Sultan started sculpting later in life after building a home in the Hudson Valley in 2012. He trained, worked as an architect and led his own...

Edition # 1/10 This is the framed price listed. The photograph is also available unframed in the two additional sizes listed. Heal disguises her contemporary characters in a fict...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Oil on canvas

A modernist coastal/dock scene by Edward Christiana. This painting is hand-signed "Edward Chrstiana '52" lower right. Exhibited: 1946 Munson-Williams-Proctor Institute; 9th Annual Exhibition 2004 Jameson Gallery, Portland, Maine; Edward Christiana (1912-1992) More about this artist: Edward Christiana was born in White Plains, New York in 1912. After high school the artist enrolled at Pratt Institute in Brooklyn, New York, graduating in 1933. After returning to the Mohawk Valley and obtaining work he enrolled in the School of Related Arts and Sciences at Munson-Williams-Proctor Arts Institute. In 1940, noted WPA artist William Palmer came to MWPAI to establish the School of Art, forerunner of the current Pratt at MWPAI. Mr.Christiana became involved with the School almost immediately and studied from 1941 until 1943 under Mr. Palmer, at which point he became an instructor himself and remained in this capacity until 1982. It was apparent at a very early stage in the development of Ed Christiana as an artist that he had a tremendous facility in the difficult medium of watercolor. By 1945, he had exhibited with the American Watercolor Society and did so again in 1947, 1949, and 1950. Mr. Christiana was even awarded the coveted William Church Osborne Purchase Prize in 1949 and 1950. He had his first one-man show at the Munson-Williams-Proctor Arts Institute in 1946, and would be so honored twice more; in 1954, and culminating with a major retrospective in 1989. By 1949 he was elected to the American Watercolor Society. He was represented in a group show at the Kraushaar Galleries in New York in 1951 and in another major one-man show at the Albany Institute of History and Art in 1956 where he received a purchase prize in oil. Strangely, after all of his early success in watercolor, he abandoned the medium in the early 50's to concentrate on oil painting. For over two decades he painted primarily in oil ranging from cubist inspired studies to his Marsden Hartley-inspired paintings of Mount Katahdin in the 1970's. By the mid 70's he had returned to watercolor. He was once quoted as saying "those who are familiar with my old paintings will be aware, I am sure, that in fact, they were not so far removed from watercolor, my technique in oils deriving positively from the aqueous medium." In the 1970's his watercolor style changed from the more wet and spontaneous style of the 40's to a dryer, slightly more controlled style, where the artist would often paint on dry paper, without wetting it prior to the application of paint. In the early 80's he returned to a wetter style, even more spontaneous than his method in the 40's. This culminated in his abstract work of the late 80's inspired partly by John Marin. Also, like Marin, Christiana painted representational work alongside very abstract work during the same period. Fellow artist Easton Pribble once said of Ed Christiana "If there were to be an honorary title -Painter Laureate- of the Mohawk Valley, Edward Christiana would certainly be the prime qualifier for that distinction." Christiana is known for his landscape views of the Mohawk Valley, her wild natural beauty as well as the architectural beauty of her towns and cities. He has also painted extensively in the Adirondacks as well as New Hampshire, Vermont, and especially Maine, which can almost be considered the artist's second home. He loved to paint the pastures, valleys, rivers, and waterfalls of the area as well as children playing on the grounds of his beloved Munson-Williams-Proctor Arts Institute and the neighborhoods surrounding it in Utica, New York. Edward Christiana painted almost right until his death in 1992. He was and still is a beloved man. No one I have talked to has had an unkind word to say about Ed Christiana, either as a teacher, artist, or friend. He was a prolific artist and was known to hand paint Christmas and Birthday cards...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

oil on linen on homasote board, unframed 14.5 x 19 inches Harry Orlyk is celebrated for his ability to capture a rural country landscape with impressionistic brushstrokes and a bright color palette. Painting daily, the artist drives throughout the upstate New York, stopping to observe and paint 'en plain air' whenever and wherever a landscape strikes him. Orlyk prefers to leave his canvases unframed to reveal the exposed linen which are nailed to sturdy homasote boards for easy installation. '#5418 A Washington County Vineyard' is a perfect example of Orlyk's impressionistic aesthetic. Here, the artist captures a lush green field towards the end of summer. Orange leaves begin to appear atop green trees, creating a bright contrast with the blue mountains lining the horizon. Thick layers of paint are applied with expressive brushstrokes and culminate onto a textured surface. About the artist: Harry Orlyk was born in Troy, New York in 1947. In 1971 after graduating college, he went on to graduate school at the University of Nebraska at Lincoln . Over the next nine years, he was influenced by several Nebraskan artists. "Still-life painter Robin Smith taught me how to use paint without turpentine - to paint from the tube." He also admits the influence of photographer Lawrence McFarland who taught him what spiritual space was, and how to emphasize it. Lastly he credits well-known Lincoln painter Keith Jacobshagen...

Acrylic and Flashe on linen Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is on...

Romantic, tonalist style charcoal drawing of a tree in isolation by Sue Bryan "Arborescent", 2025 charcoal, acrylic, and pastel on paper dry mounted to canvas 30 x 22 inches 31.25 x ...

This listing is for the unframed photograph. The Robin Rice Gallery proudly announces SUMMERTIME Salon 2019, an annual photography exhibit featuring gallery artists as well as a fe...

Peter Keil's textured painting on canvas. Signed and dated 1997. This one is stunning in person. Background paint is textured on the canvas. Amazing gilt frame with a textured fabric...

Friederike Oeser, a contemporary abstract painter, lives and works in Munich, Germany. For Oeser there is no hierarchy of visual value. It all has import—whether it be a trickle of w...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Pictured is Edition #1/10 and is the framed price. This image is available also in the two other paper sizes unframed. British-born photographer Heal creates an image where her ...

A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocabulary. This practice allows her to contain the...

Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current exhibition of the photograph. The Robin Rice Gallery is ple...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in var...

Figurative abstract cubist style drawing in a painted antique wood frame, inspired by artwork by Graham Sutherland “Winged Figure III” by Hudson Valley artist, David Dew Bruner, mad...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

12"x9" mixed media collage: acrylic, metallic watercolor and papers, ink, collage dressmaking patterns, framed in a black shadowbox frame. Linda Ganjian's artwork captivates with it...

This work by Nell Blaine was exhibited at the Poindexter Gallery, as well as the Tibor de Nagy Gallery, both in New York City. It is signed lower left, and signed, titled, and dated ...

Subjective Farm Landscape 1940 Oil on canvas, 24" x 30" 37.5" x 31" x 2" framed - frame is original to this artwork Signed recto lower right: "rosenborg 40" & arrow box cypher. Signe...

"I work largely with the figure, concentrating on women. In awe of the strength women behold, I feel the need to express their character through my work. I can't explain how I choose...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Based in the New Haven, CT area, Barbara Marks creates sumptuous, multicolored paintings. Her canvases are small in scale, compared to the mid-century abstractionist traditions they ...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Artist Statement: Painting is a meditation and a kind of alchemy in which I concentrate and transform my feelings and memories into something material that can be experienced in various ways by others. In this recent body of work, I draw on my deep love of nature: the impressions from my new rural life Upstate and in the Berkshires...

Abstract landscape painting. Fame included.

Watercolor on paper 32 x 25 inches framed

Couple / Pair / Lovers / Love / Wedding / Romance / Flowers / Bouquet / Still life Angela A’Court’s narrative and still life drawings use a simple and direct vocabulary to show the ...

Watercolor on paper 32 x 25 inches framed

Listing is for UNFRAMED print. Inquire within for framing. Edition of 40. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that in...

"Clouds, from all sides now, 2025" Cohn delves into the enigmatic qualities of clouds—how they symbolize both the fleeting and the eternal. Cloud illusions are a sensory journey t...

This modern abstract painting by Peter Keil is on a smooth masonite board with a painted grey background, black abstract portrait with many colors. Here you certainly see the Picasso...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

acrylic on original lenticular Barbara Strasen manipulates memories by finding the malleable moments of perception. In the “S” series, a figure appears in each painting. Yet, it is ...

Hans Burkhardt The Artist's Wife (1930) Oil on canvas, 20" x 16" 24" x 20 ½" x 1 ½" framed Dated 1930 lower right recto. Annotated "To Elsa HB Louise Burkhardt 1930. HB" verso. ...

Acrylic, oil, thread, and fabric on canvas Eozen Agopian (b.1960), is an artist of Armenian descent born in Athens, Greece. She has received a Master of Fine Arts degree from Pratt...

Ted Dixon is a Black painter working primarily in abstraction. He writes: "How do we learn to see what we cannot yet see? What are the things that influence our ability to perceive? ...

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...