Italy - Ceramics

Le mani in porcellana della collezione Anatomica, creata da Vito Nesta per il suo brand Grand Tour, sono un oggetto di design intramontabile e di grande valore decorativo. La produzione di queste porcellane è affidata a Fratelli Majello che dal 1867 sono maestri delle lavorazioni di Capodimonte. Ogni mano è decorata con estro e fantasia, ben 20 decori sono infatti disponibili, avendo la possibilità di integrarsi alla perfezione in qualsiasi ambiente, che sia una camera da letto, un mobile ingresso...

This pair of majolia shelves with vase is beautiful and refined. Characterized by a rich decoration and bright colors of baroque taste typical of Sicilian production in southern Ital...

Vintage checkers game by the Italian designer Ennio Lucini for Gabbianelli in green and white ceramic. Made in Italy in the 1970s.

This pair of 1960s turquoise glazed ceramic Chinese Pho Dogs (also known as Foo Dogs or Fu Lions) are decorative guardian figures that reflect traditional Chinese symbolism and craft...

Postmodern Yellow Conic vase Italy 1980s ceramic in Memphis Milan style. 27 cm diam x 20 cm H Conditions: excellent, two barely visible small chips.

Beautiful Italian vase mid-century, modern green and brown Glazed ceramic amphora, 1960s. Ceramic amphora with handles glazed in shades of brown and light green in the central part. ...

Stunning polychrome enameled ceramic vase designed and signed on the bottom by Claudio Pulli, one of the greated Sardinian artists of the 20th century. This charming vase was realize...

Tile with a matte white background glaze with a stylized silkscreen decoration of vases and cornucopias from which water comes out, in pink and light blue colors. Drawing by Gio Pon...

Futurist ceramic lidded container, airbrushed by Angelo Simonetti for Galvani. Please watch the video and photos carefully, thank you. Weight: 0.544 Kg NOTE: We offer our customer...

Glazed ceramic Excellent condition. "Portanier" signed.

A wonderful set of hand-painted and hand-made ceramic pots from Puglia. The three have been hand-painted with deep blue leaf patterns and are utterly gorgeous. It is very rare to fin...

Bring the beauty of the garden to your home with our hand-painted radicchio-style plate in a pink hue. Perfect for tableware or as striking wall decor, this plate adds a touch of natural elegance and artistic charm to any space. Whether adorning your dining table or displayed as a decorative piece, it captures the essence of nature with timeless sophistication. 100% Ceramic Handmade and Hand-Painted in Italy...

Le mani in porcellana della collezione Anatomica, creata da Vito Nesta per il suo brand Grand Tour, sono un oggetto di design intramontabile e di grande valore decorativo. La produzione di queste porcellane è affidata a Fratelli Majello che dal 1867 sono maestri delle lavorazioni di Capodimonte. Ogni mano è decorata con estro e fantasia, ben 20 decori sono infatti disponibili, avendo la possibilità di integrarsi alla perfezione in qualsiasi ambiente, che sia una camera da letto, un mobile ingresso...

Gio Ponti Ceramic Cigarette Box for Richard Ginori Italy 1930s The box was later ( 1940s ) repainted in light green with flower blossoms.

Large ceramic wall panel Giovanni De Simone 1960 Sicilian Art Picasso Horse Rider. In his hometown he founded his own workshop "Maioliche d'Arte De Simo...

Made in Italy, 1950s. They are in in lacquered ceramic. These could be by Antonia Campi or Gio Ponti. These are vintage pieces, therefore they might show slight traces of use, but t...

China, 20th century. Yellow background porcelain with dragon decorations Height cm 55.

Orange ceramic vase by the Italian designer Enzo Bioli for IL PICCHIO. Made in Italy in the 1960s. The original signature is still visible on the bottom, as shown in the pictu...

We present this stunning, large vase, made in Italy, dating back to the early 20th century. The vase is crafted from polychrome glazed ceramic. The eye-catching decoration captures t...

Donburi L bowl Exuding a sublime and strong visual impact in its singular design handcrafted following the Japanese raku pottery technique, this oval bowl is named after the internationally renowned and appreciated Korean dish...

Assortment of 4 dishes with braided rim Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: 14 x 10 in (35.5 x 25.5 cm); 12.2 x 8.39 in (31 x 21.3 cm); 10.4 x 9.65 in (26.5 x 24.5 cm); 10.8 x 9.61 in (27.5 x 24.4 cm). Weight: 4.4 lb (1.998 kg) State of conservation: some chips due to use on the edges and on the parts in relief. The four different dishes have a foot with a low lip from which extends a wide, flat, slanted rim resembling a basket weave. The small handles are painted green: they resemble wickerwork in the two oval dishes and take the form of a sinuous branch in the round ones. The third fire decoration is inspired by the naturalistic floral botanical patterns on the ceramics produced by the Hannong family in Strasbourg. Here the pattern is defined by the rapidity and subtlety of the brushstrokes and the result is particularly tasteful, characterized by compositional intelligence and pictorial expertise. A main corolla, either a wild or garden rose, is set slightly off center in each well. From this extends a thin stem holding a small secondary bud and there are small field florets dotting the composition to lend volume to the delicate bunch of flowers. On the brim, small polychrome flowers add color to the weave, accompanied by lanceolate leaves of a very intense green. There exist few and very rare examples for comparison with this morphology: a round plate - entirely consistent with those in question - has been dated to around 1775 (S. Levy, Maioliche settecentesche lombarde e venete, Milano 1962, tav. 200). Two other dishes with a basket rim, but with parallel striped brim decoration, were exhibited in the 1995 exhibition on Lodi ceramics; the attribution to the Lombard town near Milan is therefore almost exclusively derived from the decoration called "alla rosa contornata" or "alla vecchia Lodi" and constitutes one of the most popular decorations during the eighteenth century. (M. L. Gelmini, in Maioliche lodigiane del '700 (cat. mostra Lodi), Milano 1995, pp. 31 p. 162-163 nn. 181-182). This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their Maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the Maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

Elevate your summer gatherings with the charming Menagerie D’été Hand-Painted Ceramic Dinner Plate Set. This delightful set features four uniquely designed dinner plates, each adorne...

Donburi Bowl Distinguished by an astonishing texture highlighted with a shaded, spiderweb motif that is the singular result of the Japanese Raku firing technique, these ceramic bo...

ceramic tea table set produced by Baldelli, 1980s, consisting of teapot, milk jug, sugar container and a cup with saucer white / black dotted color...

This Ceramic Bison by Otto Keramik is a striking and unique piece of ceramic art that epitomizes the design aesthetics of the era. Created by the renowne...

Made in Italy, 1950s. This piece is made in hand-painted ceramic and is signed by Ronzani. It is a vintage piece, therefore it might show slight traces of use, but it can be consid...

Guido Cacciapuoti.

Italian Mid-Century Modern design ceramic vases or bottles set serie “Gli Etruschi” designed by Italian artist Ivo Sassi, 1950s Dimensions from left: Height 22 cm, diameter 6.5 cm H...

De Simone ceramic plate, Italy, 1970s, measure diameter 44 cm. "Catania and the Etna Volcano". The brand was born in the 1960s from the creative flair of the Palermo nobleman Giova...

Table Set Designer Angelo Mangiarotti Prod. Brambilla Italy, 1960 Ceramic mark on the bottom Perfect Condiction oil: h 20 x 6 x 6 cm salt: h 8 x 5 x 4 cm tray: h 4 x 20 x 18 cm

Imposing antique vase in Italian majolica, Mid-19th century. With very fine hand painted classic scenes and grotesque faces embossed to the sides on each handle. Similar vases are ke...

Rare pair of blue faience tiles Marine landscape painted France, 1880-1890 "E. Gallé Nancy" signed on the back Excellent condiction.

Elevate your table with The Sultan's Garden plate, a harmonious blend of artistry and elegance. The hand-painted border frames a delicate floral design, created with a hand-applied d...

Charles Lemanceau cubist elephant craquelé. Art Deco crème Craquelés glaze ceramic. Saint-Clement, France circa 1930 Bibliography: ‘Craqueles ...

Italian Mid-Century Modern design ceramic vase model “1316/2” designed by Guido Andloviz and produced by S.C.I. (Società Ceramica Italiana, Laveno) with orange semimat enamel , 1940s...

Maiolica pitcher Antonio Ferretti Manufacture Lodi, circa 1770-1780 Maiolica polychrome decorated “a piccolo fuoco” (third fire). It measures 8.66 x 8.66 x 4.33 in (22 x 22 x 11 ...

The typical Italian landscapes and views characterize this elegant dessert set of 6 pieces with fancy red and blue tones. Each dish measures 22.5 cm and is 100% made in Italy by mast...

Polychrome hand-decorated porcelain teapot, milk jug and sugar bowl with refined depictions of birds, flowers, and bucolic Japanese landscapes....

Feeling's for Christian Dior porcelain plate in the shape of a ginko leaf, hand made in Limoges France Original mark on the base Width: 9.5 in...

This is an antique piece produced in Tuscany at the end of the 18th Century following the Rustic style. The expression of the antique craftmenships of the Tuscany artisans is well s...

Colourful and exotic artisanal hand painted vase with lid portraiting a blue and orange parrot and vegetation on black background. This vase is entirely handpainted by the ceramists of the artisan company "Ceramiche Batignani" founded in Tuscany in 1907 by Gastone Batignani...

A decorative medium-sized round plate from the Rimini Blu collection featuring a glossy bright blue glaze. The plate is crafted with a press technique in refractory white clay and ad...

Giovanni Bertoncello's glazed ceramic jug. Founded in 1956 in Schiavon, in the province of Vicenza by the partners Lini, Marco Pizzato and Giovanni Bertoncello, with the name of "LPB...

This exquisite set of 12 dinner plates is a celebration of Paravicini's masterful craftsmanship and sophistication and the splendor of nature rendered in the magnificent colors. A precious addition to any home, each plate is crafted and painted by hand depicting a different variety of flowers. Best paired with clear glassware...

Set of 3 vintage Gucci porcelain plates in the motif of poker cards / Made in Italy Original stamp on the base Diameter: 8.5 inches, height 1 inch set of 3 available in stock in Ital...

Four hand-crafted jugs made in Germany in the Seventies by Ceramano, they are in perfect conditions and labeled and signed on the bottom.

Large Carraresi e Lucchesi, Sesto Fiorentino Italian Art Deco decorative plate, 1930s.

Description This is an amplifier compatible with all smartphones in which the speaker is positioned at the bottom, near the microphone. It will allow you to increase the volume of your smartphone by 15/20 decibels! European Design Patent filed n. 005778529 Materials Handmade in 100% Italian ceramic and non-toxic glazes, i.e. free of lead and other substances harmful to the health of workers (as required by EU regulations). Method Of Use Just insert your smartphone in the appropriate space and start your favorite music to hear it clear and loud at home, outdoors or wherever you want! It has a hole for passing the power cable. Eco-sustainable Production The production method is characterized by an ethical and eco-sustainable approach. Ceramics of controlled origin, non-toxic glazes and photovoltaic panels are used to guarantee the functioning of the electric ovens...

Fratelli Brambilla coffee set in white ceramic, Italy 1965 Impressed stamp.

Carl Hallier for Royal Copenhagen Danish mid-century vase in oxblood glaze 1940s. Please note : the "free shipping option" and/or "subsidised shipping ...

Sardinian polychrome ceramics by Claudio Pulli for Isola. CLAUDIO PULLI one of the greatest Sardinian artists, Ciotola realized for I.S.O.L.A. Isola is the most prestigious ceramice and lost wax...

This elegant centerpiece in white clay features a base in dark grey supporting a conic body made of concentric steps that are finished in red on the outside and in vivid matte green ...

Painted ceramic sculpture depicting a Dalmatian dog. England circa 1950.

Set of 5 decorative plates designed by Gio Ponti for Ceramica Franco Pozzi. Fair condition: visible signs of wear, discolorations and some chipping. A restoration is recommended. Label maker...

Andrea D'Arienzo ceramic vase, Vietri, Italy 1950s.

Bellissimo vaso in stile RAFFAELLO , raffigurante un Drago Deruta, Italy, 1960s.

Ceramics set consisting of Giovanna bottle, Arturo bowl and six glasses designed by Bertozzi & Casoni for Cooperativa Ceramica d'Imola. Size Giovanna bottle: H 42 cm x W 18 cm x D 1...

Decorative plate 1920 ICS Dolker Kowaliska design Vietri sul mare

Turkey serving platter with six plates. Production RB Blanche. Hand decorated. Good condition. Thank you

MoMA attribute the design of this fabulous stackable green ceramic Cono tableware set to Joe Colombo for the Espace Pierre Cardin store in Paris in 1970. Other sources debate this, saying that it was designed by Italian ceramicist Ambroglio Pozzi for his father's company, Ceramiche Franco Pozzi. This set comprises salt and pepper shakers, two bowls and a egg carrier...