Maryland - Art

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

New Dawn 24.0 x 36.0 x 1.5, 3.5 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstract expressionist textured painting with pink and purple tones." About the Artist: V...

Skyline 10.0 x 10.0 x 1.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "This painting with purple, blue and lavender hues depicts a cityscape painting of New York ...

Maite Delteil 1933 Nude Woman, 2005 Oil on canvas 40.6 x 30.5 cm 16 x 12 in

Stanley Sporny (American 1946 - 2008) A view into a stream with overhanging branches reflected in the water. A beautiful oil painting that explores the stream bottom as well as the ...

Chrysler Mountainesque 10.0 x 10.0 x 1.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstracted cityscape with purple, lavender and blue hues depicting a NYC sky...

Kingsley Obasi 1983 - Current Understanding, 2020 Acrylic on canvas 152.4 x 165.1 cm 60 x 65 in

Cascading Blossoms 36.0 x 36.0 x 1.5, 3.5 lbs Arcylic Hand signed by artist Artist's Commentary: "'Into the Sky' is a large square painting executed in a painterly abstract and m...

“Despair Grasping for air, Tugging at heart strings. Playing like a piano, Pulls until it gets what it wants.â€

ink, acrylic, flashe on paper

Brown Blue 24.0 x 36.0 x 1.5, 3.5 lbs Acrylic Hand signed by artist Artist's Commentary: "Cherry Blossoms theme abstracted painting and landscape depicting blossoms and branches ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Soft (dry) pastel on prepared panel. Landscape of hilly fields and fences looking out to the vista beyond. :: Painting :: Impressionist :: This piece comes with an official certific...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York Abstract Expressionism, Wong wields various free and fluent but forceful strokes and creative washing on canvas atop the heritage of her personal Zen calligraphy; in some cases, Cymn has collaged with traditional Chinese papier-mâché. Through the layering of multiple marks, colors and textures, or being used by perspective, she is able to balance her own spontaneity and control to accomplish the desired effect. When Wong applies to blend her canvas with splash-ink, free dyeing and deliberate sealing, her aim is to create a vivid and immersive sense of expanded spectrum that integrates the outsider viewers with the painting landscape. These stylistic elements combine to create an organic entity that is dynamic, engaging, and deeply contemplative. In exploring the blending entity of art and poetry as extrinsic “landscape” and intrinsic “soundscape”, the brushstrokes are hereby given fresh impetus by a single-unity involvement. Every brushstroke reflects an outer and inner state of creativity. Meanwhile, this embodied experience opens up a transformation and imagination of mindset. Wong declares, “By embracing plainness, simplicity and intimacy, my art emerges an insight for cultivating a cross-boundary ecological ethos. In most recent development of my paintings, I have been focusing on several key areas that are driving for a creative exploration. Firstly, I am placing a greater focus on the bean sprout as a central element of her work. The bean sprout is a crystalized symbol. Its unique shape evokes the numbers "0" and "1". The "0" of the bean sprout represents nothingness or emptiness, a void spectrum that is co-birthed with “1”. The "1", on the other hand, represents possibilities and growth. By incorporating the shape of the bean sprout into visual language, I link the binary concepts of "0" and "1" to convey a sense of stillness, calm, and openness in the other area of "0". Meanwhile a motion, another state of change comes birth in the open area of "1", building in a dynamic interplay between these two facets for growth and inherent continuously in every subsequent moment. Secondly, I attempt to create an alternative way of revealing the insightful wisdom of Zen philosophy, in a fusion of fluidity and freedom of abstract expressionism, siding along with the contemplative practice of Zen calligraphy. This integration of meditative peace and passionate energy presents a fresh landscape that is holistically dynamic and contemplative, evocative and reflective. The Zen strokes that feature prominently refer to the hope of splashing an endless creativity at any stage of life. Thirdly, in organizing a larger-scale of art forms, I gradually move to create a sense of unity and wholeness that highlights a stimulating dimension of cultural diversity in my painting canvas. Moreover, I strive to develop a stronger sense of spatiality by leaving white space blank within the compositions, which provides a stimulated sense of circulation and contingency, for an experimental interaction of fulfilling the gaps of different 3-D dimensions in life. Last but not the least I embrace my intuition of self-awareness under my personal practice of integrating multiple refreshing technical elements, that always plunging into the fundamental questions of man’s existence and the nature of living being. I appeal to the worldly communities for a spirit of connection and resonance that may well go beyond the surface of my painting art.” From 2022 to 2023, Cymn has extended a soul karma in her Washington saloon that spearheads to create a masterfully-suited-style of global ethos. The ethos showcases her accomplished selfhood of aesthetic views blending with both Eastern and Western cultures and languages. Wong attempts to vitalize the diversity of built-in imageries and present the visual art communities via a dynamic interaction of natural human passion with the uncontrollable social environment and the universe. In fact, Cynm’s lifelong commitments to bilingual poetry and expanded visual art have been widely applauded in multiple international platforms whereas her English...

Quiet country road in Delaware near the shore. :: Painting :: Realism :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: S...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Eastern Shore of Maryland field in a misty rain. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by ...

An interior with a straw doll on a high boy. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Rene Genis (French 1922-2004) Still Life. Mainly oranges and browns, fruits and flowers, against a background of browns with a pitcher central. The browns contain a subtle mixture ...

Artist: Jeanne Gentry Keck Title: Accidental Freedom IX Size: 9 x 7 Inches Medium: Mixed Media on canvas Year: 2021

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

I Hope He Knows the Way Home, Original Contemporary Narrative Wooden Sculpture 14" x 24" x 50" (HxWxD) Wood, String, Plastic, Clear Finish This wooden sculpture by artist Todd McCollister features a sleek and modern design with smooth, undulating platforms that meet at dynamic angles that complement the organic figure of the elephant that is descending the staircase. Artist Commentary: Sometimes, after very bad things, there is magic. I woke up with one surviving image from a rich and elaborate dream. A horse, saddled but riderless, badly burned, was descending stairs, almost home. Around his neck was a beautiful string of fish...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Kingsley Obasi 1983 - Current Men of Honor, 2022 Acrylic on canvas 152.4 x 165.1 cm 60 x 65 in

This painting is gouache on board by tapestry designer Dirk Holger. Born in 1939, Holger worked in Jean Lurcat’s atelier in Munich, Germany. Lurcat (1896-1966) was a famous French pa...

Albert Sheldon Pennoyer was born in Oakland, California in 1888. He was the son of a prosperous merchant who owned a store known as Taft And Pennoyer. At a young age, the family mov...

Cascading Blossoms 24.0 x 36.0 x 1.5, 3.5 lbs Arcylic Hand signed by artist Artist's Commentary: "Cherry Blossoms theme floral abstracted painting and landscape with pink and gre...

Lavender Clouds 12.0 x 12.0 x 1.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstracted skyscape depicting clouds with white and lavender, and blue tones." Abo...

CUTTING ROOM 2018 This piece touches on abstracted themes of mass hysteria, confusion, and the curation of information. Subtly conveyed through fragmented, hand painted verbiage in ...

Burgundy 16.0 x 20.0 x 1.0, 1.5 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstract expressionist painting with texture and burgundy and dark blue tones." About the...

Baltimore-born Thaddeus Haduch was mainly known as a landscape artist. He was born to Polish immigrant parents in East Baltimore in 1905. It seems that he lived his entire life in a...

Andre Cottavoz (French, 1922-2012) Untitled, Paris scene with multitude of French flags. Canvas on board, framed. Frame: 20 1/2" x 22" x 1 1/4, Board 13 3/4" x 15"

Erte (Romain de Tirtoff) Russian/French 1892-1990. "Les Rois de Legendes #24 Musicien" The Kings Of Legend #24 Musician. A beautiful, original gouache and ink piece (this is not a ...

Roger Marcel Limouse, (Algerian/French 1894 - 1989) Still Life, October 1939, Oil on canvas. Signed upper right and marked Oct 39 on back. Greens, Blues, and Yellow/Browns prevail in this still life of a table with fruits, cake, and a candle. Nude is painted verso on stretched canvas under frame. Frame 24.5 x 28.875 x 1.625, Canvas 21.875 x 23.875 A student of Paul Albert Laurens (1870-1934) at the Académie Julian, his figurative work, very colorful, with powerful and stripped down forms, made him one of the last representatives of Fauvism and the eldest of the group of Painters of Poetic Reality. He belongs to the School of Paris. In 1943, Jacques de Laprade dedicated a book to Roger Limouse in the collection "The Masters of Tomorrow" directed by Francis Carco. He writes, "One of the characteristics of this personality is strength. There is nothing in Limouse that lacks relief. This small and extremely vigorous man seduces by his direct and dru language, by his deep conviction, by the picturesque of his stories, by his very life which testifies to his energy. In 1948, Roger Limouse was appointed professor at the École des Beaux-Arts in Paris (Professor at the School of Fine Arts). He held this position until 1964. In 1949, the journalist Gisèle d'Assailly (1904-1969) devoted a book "With the Painters of Poetic Reality" to eight friendly painters, supporters of a colorful and intimate figurative painting of French inspiration, Maurice Brianchon, Christian Caillard...

Immerse yourself in the ethereal beauty of Paris through the deft hand of René Genis, a luminary of 20th-century French art. This exquisite graphite drawing, “Brume au Vert-Galant, P...

Behold a mid-century marvel by André Minaux, a titan of the French School whose stylized Social Realist visions continue to captivate the art world. Painted in 1948, “Femme et Homard...

Cymn Wong’s style of mixed media paintings are developed alongside with pastel, crayon, acrylic and ink. Rooted from traditional Chinese ink-brush painting to contemporary New York ...

Gabriel Deschamps (French — 1919 - ?) "Bateaux à quai" / Boats At Berth. Oil on Canvas. Large, well framed piece in very good condition. Frame: 45 1/2” x 26 1/2” x 2 1/2”, Canvas 19 7/8” x 39 1/2”. Gabriel Deschamps was born in 1919 and studied at the École Nationale Superieure des Beaux Arts in Paris. From 1939 he was a State Art Professor and a member of the Paris Autumn Salon...

Rene Genis (French 1922-2004) “Guy au portrait de madame Descazeaux” / Guy (Bardone) in the portrait of Madame Descazeaux. Ink on paper laid down on matt board. Unsigned. Image siz...

SET US IN STONE II 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of pink, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the pink ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone I" (as pictured). Price and size are per painting. Evans Deventer...

IT COMES WHILE SLEEPING 2018 An abstract, ominous, deep red shape hangs over handwritten, disconnected verbiage, in a mix of French and English, with a series of numbers and dates. ...

Gabriel Deschamps (1919 - , France) "Port Brenton". Oil on board, framed. The frame is 21” x 24," the board is 15" high by 18" wide. This is a beautiful port scene with blues, gre...

Portrait and history painter Charles Webber was born in New York State and moved to Cincinnati in the later 19th century. There he became a leader in that city’s art circles. He is ...

Rene Genis (French 1922-2004) “Les Parcs” Arcachon Bay, France. Oil on Canvas, framed. Signed lower right, signed and titled on back. Wonderful blues, greens and browns in a shore l...

Gio Colucci (Italian 1892-1974) Untitled: Abstract Figure and Leaves. Gouache on paper laid down on matt board. Archival framing under glass. Originally from the Con-Agra Corporat...

Erte (Romain de Tirtoff) Russian/French 1892-1990. Pencil Signed lower right, numbered 176/300. A lovely woman with an impish smile and a flashing green scarf in a sideways pose. P...

graphite on mylar