Maryland - Art

Gio Colucci (Italian 1892-1974) Untitled: Abstract Figure and Leaves. Gouache on paper laid down on matt board. Archival framing under glass. Originally from the Con-Agra Corporat...

Erte (Romain de Tirtoff) Russian/French 1892-1990. Pencil Signed lower right, numbered 176/300. A lovely woman with an impish smile and a flashing green scarf in a sideways pose. P...

Marcel Mouly (French 1918 - 2008) “Jerusalem” lithograph on woven paper with deep saturated colors in excellent condition. Well framed with acr...

ink & flashe on paper

Rene Genis (French 1922-2004) Le Malade : The Sick. A sick patent in bed. Pencil on paper laid down on matt board. Signed in pencil lower right. Image size 8 1/4” x 10 1/2”, matt ...

Reza Yahyaei (born 1948, France). Three nude females crouching against bold color strokes. Matisse like simplicity of lines. A very striking piece, unframed though within a mattin...

Peter Max (German / American 1937 - Present) The Lovers. Abstract of two nude women on a bed in vibrant colors. The print is on thick woven paper and is...

Realistic artist Mitch Gibbs was raised in York, Pennsylvania. He studied art and was drawn to painting in a photo-realistic style. His art passion was coupled with his love for the...

The 2025 series was created as a result of a 2-month artist residency in Monte San Martino, Italy in the summer of 2025. Francie Hester embeds fragments, echoing mosaics, onto the s...

Engelina (Engelien) Reitsma-Valença (3 May 1889 - 11 July 1981) Amsterdam, Netherland. The portrait is of a violinist playing what appears to be an enervating piece. An engraver, st...

The "Portale" series was created as a result of a 2-month artist residency in Monte San Martino, Italy in the summer of 2025. Francie Hester embeds fragments, echoing mosaics, onto ...

Rene Genis (French 1922-2004) “Mexique, Les Paniers” : Mexico, The Baskets. Two women sit amongst a group of various sized baskets - selling? Ink on paper laid down on mat board. ...

Rene Genis (French 1922-2004) Monument Valley. 1967. Beautiful oranges, browns, greens against a turquoise blue sky. Oil on canvas, laid on mat. Si...

The "Portale" series was created as a result of a 2-month artist residency in Monte San Martino, Italy in the summer of 2025. Francie Hester embeds fragments, echoing mosaics, onto ...

The "Tempo" series was created as a result of a 2-month artist residency in Monte San Martino, Italy in the summer of 2025. Francie Hester embeds fragments, echoing mosaics, onto th...

René Genis (French 1922-2004) Untitled Still Life on thick woven paper. Signed in pencil lower right and numbered 37/80 lower left. Image size 11"x8 1/2" frame 22" x 18." Genis was...

Rene Genis (French 1922-2004) “Hong Kong” Harbor view of battle ship and fishing boat with city and mountains in the background. Greys, blues, and gr...

Romain De Tirtoff (Erté) (Russian/French 1892-1990. Pencil Signed lower right, numbered 226/300 lower left. Deckle lower edge. American Atelier, New York with raised stamps lower l...

“Trees and Fields” lithograph commissioned for the Print Club of Cleveland by Peter Takal Peter Takal’s original lithograph “Trees and Fields” is an accomplished work of art created in 1957. This lithograph bears the stamp “The Print Club of Cleveland” on verso. This impression is signed by Takal in pencil. “Trees and Fields” is a fine example of the art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...

Jaled Muyaes (Chilean/Mexican, 1921 - 2007). "Mandolin and Fruit". Pastel on paper. 1951. Signed lower right. Muyaes always signed his work "Kena," "S. Kena," "Silvestre Kena," or "S...

The Tower 9.0 x 12.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "New abstract painting by acclaimed artist, Vian Borchert, that delves into the dynamic int...

Rene Genis (French 1922-2004) "Le Gilet Bleu” The Blue Jacket. Portrait of a young man in a blue jacket/sweater with an insignia on the breast and a blue ...

Rene Genis (French 1922-2004) “Pont Levis - Chenonceau” Draw Bridge at Chenonceau: a 16th-century castle built over the river “Le Cher,” approximately 100 miles south of Paris, Franc...

Gail Taylor (20th century, American) Untitled. Wonderful golds with the warmth of reds in the copper sheet. Several leaf and fern-like structures captur...

Peter Takal’s original drypoint engraving “City Roofs” is an accomplished work of art created in 1956. It is printed upon fine laid paper with full deckled margins as published in the limited edition of two hundred and fifty impressions. This engraving bears an embossed stamp “The Print Club of Chicago” on verso. This impression is signed by Takal in pencil. “City Roofs” is a fine example of the engraved art created by the 20th century Romanian / German / American artist, Peter Takal. Peter Takal: Born in Romania in 1905, Peter Takal spent most of his youth in Berlin and was mainly self-taught. His first one-man exhibition took place in the Gurlitt Gallery, Berlin, in 1932. During the following seven years his art was frequently exhibited at galleries in Berlin, Munich, Paris and as well as Casablanca and Algiers. At the beginning of the Second World War (1939), Peter Takal came to the United States for an exhibition of his art at the Katherine Kuhe Gallery, Chicago. He decided to remain in the United States and became an American citizen in 1944. Living in New York, Peter Takal quickly established himself as a leading printmaker and a modern master of both lithography and drypoint engraving. One-man exhibitions of his art took place in New York City (1942), Chicago (1939 & 1941), Washington (1959) and Los Angeles (1966). International exhibitions of his art were held at the Galeria de Arte Mexicano, Mexico City (1959), the Palazzo Strozzi, Florence, Italy (1960) and at the Kestner-Museum in Germany (1962). Museums to date that include Peter Takal's original prints in their collections are, the Chicago Art Institute, the Library of Congress, Washington, the Los Angeles County Museum of Art, the United States State Department, UCLA, the Berlin National Museum and the Bibliotheque Nationale, Paris. Over the years, the Museum of Modern Art in New York and the Arkansas Arts Center have acquired a very extensive collection of Peter Takal's lithographs and drypoints. The artist died in 1995. The Print Club of Cleveland: Trees and Fields is an original lithograph commissioned by the Print Club of Cleveland in 1957 and published in a signed edition of 250 impressions. The Print Club of Cleveland is a non-profit adjunct organization and the country's first museum-affiliated print club devoted to the promotion of art and printmaking as a fine art for printmakers and collectors alike. With its creation in 1919, it has helped to support the growth of the department of prints and drawings at the Cleveland Museum of Fine Arts and has also been a source of great enrichment for collectors of fine prints. During the organizations long history, the club has annually commissioned one original etching engraving, lithograph, woodcut and or other form of original graphic art from such fine American artists as John Taylor Arms, Suzanne Anker, Luigi Lucioni, Will Barnet, Mark Tobey, Lyonel Feininger, Henry George Keller, Louis Lozowick, Karl Schrag, David Jansheski, Deborah Remington, and Peter Takal, as well as from leading international artists such as Henri Matisse, Edmund Blampied, Jean-Emile Laboureur, Salvador Dali, Michael di Cerbo, Phyliss Sloane, Paolo Boni, Juvenal Sanso...

Gail Taylor (20th century, American) “Liquid Amber. Wonderful golds with the warmth of reds and greens in the copper sheet. A single leaf captured in th...

Rene Genis (French 1922-2004) Title illegibly written. "La Bienne" "Jura" (?) - Illegible - "The Property" in "Jura" Switzerland. Rolling hills on background, trees, glade and pond(?...

Positively Electric 9.0 x 12.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "New abstract painting by acclaimed artist, Vian Borchert, that delves into the d...

Rene Genis (French 1922-2004) "Pecheur Bord De Bienne, Jura" Fishing The Edge Of The Property, Jura, Switzerland. Rolling hills on background, trees, glade and pond(?) in foreground...

ink & flashe on paper

Portal 23 #3 (2023) Acrylic, wax, and aluminum leaf on paper 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Work on paper / Texture / Silver / Blue / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

ink, flashe, acrylic, coffee, thread on paper

Yellow and Blue 24.0 x 36.0 x 1.5, 3.5 lbs Arcylic Hand signed by artist Artist's Commentary: "Abstract expressionist textured painting with yellow and blue tones." About the Ar...

ink, flashe, latex, mulberry paper on paper

ink, acrylic & flashe on paper

ink, pastel on paper

oil on canvas

Electric Wind 9.0 x 12.0 x 0.5, 1.0 lbs Arcylic Hand signed by artist Artist's Commentary: "New abstract painting by acclaimed artist, Vian Borchert, that delves into the dynamic...

ink & flashe on paper

SET US IN STONE I 2022 Paris, France Originally created as part of Nicholas' solo exhibition "This, and Thereafter (Plumes)," December 10, 2022 - January 7, 2023. The theme illustrated the enigmatic uncertainty around what might happen after life. A range of paintings were presented – vibrant and ethereal – touching on different aspects of this notion. Each painting had a different point of view, oftentimes focusing around the inevitability of what is to come, and if and how it influences the present. This particular piece centers around personal legacy, how you will be remembered, and how your life vanishes into an abstraction as time goes by. This notion is visualized with a bust set in stone. The technique Evans used was a mixing of water-based ink with a hint of blue, that he knew would react when overlaid with white acrylic, pulling out a lighter hue of the blue ink. The white silhouette of a portrait set in stone creates a ghostly continuation of the underlaid pattern. Option to create a pair alongside "Set Us In Stone II" (as pictured). Price and size are per painting. Evans Deventer...

Portal 23 #4 (2023) Acrylic, wax, and aluminum leaf on paper. 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Silver/ Texture / Work on paper / Abstract / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Abstracted garden scene. :: Painting :: Contemporary :: This piece comes with an official certificate of authenticity signed by the artist :: Ready to Hang: Yes :: Signed: Yes :: Sig...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

In the “Axis” series, recollection pivots around vivid, etched markers of moments, days, events—an axis of reference points. The work’s surfaces are integral to this exploration—the ...

gouache & graphite on mylar

gouache & graphite on mylar

Abstract painter Paul Heald was born in Michigan in 1936. He moved to the West Coast and died in Washington in 2014. His body of work focuses on line and form abstract painting, usu...

Splish Splash, Original Contemporary Colorful Blue Abstract Painting 34" x 38" x 0.75" (HxWxD) Acrylic on Canvas 36" x 40" x 2" (HxWxD) Framed An explosive and colorful work by arti...

Brown Blue 8.0 x 10.0 x 0.5, 1.0 lbs Acrylic Hand signed by artist Artist's Commentary: "Abstract painting with blue and brown tones." About the Artist: Vian Borchert is an esta...

The "Tempo" series was created as a result of a 2-month artist residency in Monte San Martino, Italy in the summer of 2025. Francie Hester embeds fragments, echoing mosaics, onto th...