Michigan - Prints and Multiples

Artist: Raya Sorkine Title: Amoureux de Venise Year: 1999 Medium: Lithograph on Arches Archival Paper 29.5'' x 24'' Edition: Signed in pencil and marked 191/299 IMAGE SIZE; 24.5"...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1956 publication Joan Miro. Published by Maeght Editeur, Paris, and printed by M...

Artist Name: Barbara Kwasniewska Title: Attente Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signed, Titled, and Numbered 69/7...

Artist: Sir Peter Thomas Blake Title: Pretty Boy Michael Angelo, Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Si...

Artist: Sir Peter Thomas Blake Title: Ebony Tarzan, Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Signed and Numb...

Howard Kanovitz American, 1929–2009 1980 The Ground Above Us Lithograph Paper Size 33 × 24 in (82.6 × 61 cm) Marked pp Printers Proof Howard Kanovitz was a pioneering painter in the...

Mario Yrisarry Stern - 1967 Print 29½" x 23½" inches Edition: signed and numbered in pencil 3/100 Biography Birth place: Manila, Philippines Addresses: NYC Profession: Painter ...

Karel Appel Tibetan Bird Animals and monsters series Print - Lithograph 22.0'' x 30'' inches Year: 1979 Edition: signed in pencil and marked 134/175 Karel Appel is one of the foundi...

Tess Jaray Mistral - 1970 Print - Silkscreen on Heavy Paper 28.75'' x 24.5'' inches Edition: Signed in pencil and marked 35/75 Unframed Tess Jaray studied...

Agustin Fernandez Midnight Blue - 1979 Print - Yarn, Lithograph on Arches archival paper Paper size 21.75'' x 29.5'' inches Edition: Signed in pencil, dated and marked 8/300 Agustín...

Artist: Fran Bull Title: Three Egrets Year: 1980 Print: Screen Print on Rives BFK White paper Size: 22'' x 30'' inches Edition: Signed in pencil and marked 230/250 Fran Bull is b...

Renoir portrait that is a quality limited edition print, unnumbered, and is plate signed. It is in good condition and nicely framed

Harvey Daniels Parrots - 1966 Print - Lithograph 24.25'' x 19.25'' in. Signed in pencil and marked 11/15 Harvey Daniels trained at Willesden School of Art and the Slade School, Lon...

GLENDA TALL (American). Poster-Art Expo New York, 1982. Plate signed. Measures 29 x 20 in. Unframed. Good Condition-minor tear in lower-left side/discoloration.

Artist Name: Jean-François Larrieu Title: Metamorphic Cityscape Year: 1998 Medium Type: Lithograph on Arches Archival Paper Size-Width Size-Height: 28.75'' x 29.5'' Signed Edition ...

Artist: Isabelle Planté Title: Le Cirque Magique - Year: 1998 Print : Lithograph on wove paper Size: 35'' x 24'' inches image size 26.5" x 21" inches Edition: Signed in pencil a...

Alexandra Nechita 2003 "Restless Paris" Print - Lithograph on Japan rice paper 27'' x 20½'' inches Edition: signed in pencil and marked 17/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...

JAMES PEALE (American, 1749-1831) Poster 22.75 x 31 in. Unframed 1956 Copyright New York Graphic Society, Ltd. Printed in Switzerland. Fair/Distressed Condition-indentation, disc...

Alistair Grant Girl III - 1968 Print - Lithograph 23½″ x 31'' inches Edition: Signed in white pencil, titled and marked Artist Proof Alistair Grant was a great and justly-rever...

"Femme de Tagmout Chantant L'Ahwas" translated to "Woman Of Tagmout (Singing the Ahwash)" is plate number 44 in Jean Besancenot's stunning portraits and depictions of the people of Morocco from his series "Costumes du Maroc" ("Costumes of Morocco). The woman depicted here is veiled and draped and in the midst of singing the "ahwash", a traditional song and dance from the regions of southern Morocco, such as Tagmout, and which has some roots in the pre-Islamic cultures of the Amazigh (also known as the Berbers) and is performed primarily by the Shilha, a sub-group of the Berbers. The ahwash is a community performance that incorporates song, dance, poetry, and frame drums...

Artist Name: Thomas (Kasper) Lenk Title: Series A B C (Pink, Yellow, Black) Year : 1971 Medium Type: Screenprint on Heavy Paper Size-Width Size-Height : 26½'' 26½'' Signed Editio...

"For Adults Only I" is an exquisite offset lithograph print with colors of an alluring corseted and stockinged nude female in a confrontational pose filling the frame inviting the vi...

Agustin Fernandez Construction - 1979 Print - Lithograph on Arches archival paper Paper size 21.75'' x 29.5'' inches Edition: Signed in pencil, dated and marked 1/300 Agustín Fernán...

John Baeder Berkshire Diner - 1980 Print - Serigraph on Somerset paper Paper Size - 30'' x 22'' in. Edition: Signed in pencil and marked from the edition of 250 John Baeder's calcula...

Pierre Clerk Plate IV : Blue Yellow - 1973 Print - Serigraph on Somerset paper 32'' x 36'' Edition: signed in pencil and marked 39/100 image size: 28" x 32" inches The images of Pie...

"Pile Series" was completed during the 1970s. It has a tongue-in-cheek affect as all the prints are photographs of stacks, or "piles", of industrial construction items silkscreened on cardboard giving these building materials a more aesthetic value. These silkscreens are mentioned and one is pictured in the famous, "Kick Out the Jams: Detroit Cass Corridor 1963 - 1977" iconic publication by the Detroit Institute of Arts regarding Detroit's Cass Corridor Artists. They are all signed and numbered. James Alan Crawford was born in 1944 in Hillsdale, Michigan. He studied art for two years at Michigan State University before transferring to Wayne State University and graduating there. He received his MFA in 1969 while being mentored by John Egner and Aris Koutroulis...

Alexandra Nechita Can this be real From the my journey collection - 1999 Print - Lithograph on Arches Archival Paper   35½'' x 23¾'' inches Edition: Signed in pencil, dated and marked 139/199 Embossed with Mourlot Paris Stamp "I am so blessed to have a younger brother named Maximillian. Can this be real? I feel so infinitely happy, so full of life, so complete to have Maximillian. Loving to open up a chest full of race cars and trucks or kicking a ball the way boys do, was something unknown to me.""Having my pony tail pulled so much was another surprise of having a little brother. Even wild adventures like building pyramids out of live snails was nothing compared to trying to hold our garden spiders...

Alexandra Nechita 2003 "Show me that you care " Print - Lithograph on Japan rice paper 28¼'' x 20½'' inches Edition: signed in pencil and marked 19/25 AP Alexandra Nechita began drawing at the age of two. At seven, Alexandra was painting with oils and acrylics, and her first exhibit was a one-woman (child) show held at a Los Angeles public library...

Alistair Grant Wailing Women - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and marked in pencil 36/50 image size = 8.75 x 13.5" Unframed in Excellent Con...

Artist: Peter Max Title: Rama Rama Year: 1971 Medium: Screenprint Edition: Signed in pencil and marked 72/100 Very good unframed condition. Beginning in the 1960s Peter Max has bee...

Artist: Kirk Reinert Title:Dreams of Spring Year: 1988 Medium: Limited Edition Lithograph Edition: Signed in pencil and marked 89/199 Size: Paper size 36 x 22" inches Published by El...

Limited Edition Lithograph, EA. 19 x 12.5 inches with border. Signed by Artist. Good Condition-shows signs of wear due to age and handling.

Artist Name: Peter Max House in the Clouds Year: 1971 Medium Type: Silkscreen, on Arches Paper Size-Width Size-Height: 22” x 30” Signed Edition Size: signed in pencil and numbered...

Frank Martin Two Figures, Blue - 1968 Print size - Etching on zinc 18 x 16 inches Edition: Signed in pencil, titled and marked 12/50 etching on zinc in color. Frame size 25.75 x 23...

"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner. Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955. Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York. “It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years. He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors. In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...

"American Guitar Small" Print 19 x 22 inch Edition of 400 by Steven Tyler Limited edition of 400 Plate signed by Steven Tyler Ships rolled in tube. ABOUT: As the lead singer of Ae...

John Chamberlain Flashback I - 1981 Print - Silkscreen   20" x 28¾" inches Image size 19" x 14½" inches Deluxe Edition Printed on Rives BFK Paper Edition: Signed in pencil and marked...

Warrington Colescott A Wild West: Cowboys and Indians - 1969 Print - Lithograph   23'' x 31'' Edition: signed and numbered in pencil 17/75 Unframed Warrington Wickham Colescott Jr....

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

Takesada Matsutani Propagation - 1971 Print - Silkscreen print on Somerset Paper 24'' x 19'' inches Edition: Signed in pencil, titled, dated and marked 1/75 A contemporary Japanese painter...

Limited Edition Serigraph with Gold Leafing, HC 29/50. Print measures 27.5 x 36.5 inches and is unframed. Signed by the Artist. The piece is in Good Condition-the print shows signs ...

Pierre Fernandez Arman Year: 1978 Squeezed Blue Fiddle Medium Type: Screen print on Arches Paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 121/...

Pierre Fernandez Arman Year: 1978 Parade Medium Type: Screen print on Arches Paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 9/150 Step into ...

Michael Rothenstein RIP - 1967 Print - woodcut   25'' x 30''inches Edition: signed in pencil and marked sixteen / thirty five Michael Rothenstein (1908-1993) Painter of figurative a...

Nicholas Krushenick Over The Rainbow - 1978 Print Type:  Screen Print on Somerset paper    Size-Width Size-Height: 27.3'' x 37.5'' inches Signed Edition Size: Signed in pencil and marked 23/200 Unframed One of America’s premier Pop art...

"Holiday" is a work that displays Richard Jacobs early Balinese influence. This abstract work made with drypoint etching manifests a layer of depth and contrast that is achieved through an Indonesian technique of drawing the lines of the resist or printing it with a copper stamp that allows an artisan to selectively color the work through the soaking process. "Holiday" is exemplary of this earlier aquatint process before Jacobs would go on to apply a diversity of colors to his work. The print is 39 x 29 inches and is signed and numbered from an edition of 30 by the artist. Numbered edition may not necessarily be number 17 as there are multiple prints in the possession of Collected Detroit...

Warrington Colescott Dillinger: Attack and Defense of Little Bohemia - 1966 Print - etching, with Aquatint   35'' x 25.5'' inches Edition: signed and titled in pencil and marked 32/5...

Print Measures 18 x 24in. Good Condition. Printed in U.S.A.

Wassily Kandinsky - Improvisation 11 1910 Lithograph in colors on Arches paper, 1990 Paper size 24" x 24" inches Image size 18" x 20" inches Stamped signature Blindstamps of the Russ...

Alexandra Nechita Narcissus and Echo - 2003 Print - Lithograph 28¼'' x 20½'' inches Edition: signed in pencil and marked 18/25 AP Alexandra Nechita...

Artist: Salvador Dali (1904-1989) Title: Le Singe et le Léopard Year: 1975 Medium: Engraving with pochoir on Arches paper Edition: E.A.; 682, plus proofs Size: 30 x 22.25 inches Cond...

Sharon Sutton A Symphony for Pink Candy 1981 Print - Screen print on Somerset Paper paper size 28.5'' x 20.5'' inches Edition: Signed, titled and numbered in pencil 61/150 Sharon E...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : FORE! 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 94/300 Unframed Charles Bragg (1931 – 2017) was an American sculptor, painter, artist and author known best for his satirical artwork. Bragg has won many awards, including the Gold Medal for the National Society of Illustrators as well as the Award of Merit from the Art Directors Guild of New York. Step into the world of Charles Bragg, a master satirist whose exceptional talent shines through in his artwork. With "FORE!" a signed limited edition art...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : The Perfect Couple 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 100/300 Unframed Ch...

"Somewhere Over the Rainbow" is one of a set of four digital prints whose titles were inspired by the iconic film The Wizard of Oz starring ...

Philip Sutton Nude with Birds - 1966 Print - woodcut 27'' x 33'' Edition: signed and numbered in pencil 16/30 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton s...

Artist Name: Ian Tyson Year: 1970 Medium Type: Screen Print on Heavy Paper Size-Width Size-Height: 27'' x 40'' Signed Edition Size: signed in pencil and marked 25/75 Unframed in ...

Philip Sutton Heather - 1967 Print - Woodcut 33.5'' x 26.5'' Edition: signed and numbered in pencil 12/25 Image Size; 18"x 18" Condition Note; Handling Creases. Philip Sutton studi...

Alistair Grant Jeremiah - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and numbered in pencil 17/50 Alistair Grant was a great and justly-revered experim...

Jimmy Ernst  Plate I - 1970 Print - Screen Print on Heavy Paper 28'' x 37'' inches Edition: Signed in pencil and numbered 112/125 Jimmy Ernst’s artwork was influenced by a number of powerful talents and vital currents in the art of his time. Son of Max Ernst, Jimmy drew upon the biomorphic and surreal compositions of his father, as well as Arp, Klee, André Breton, and Lyonel Feininger. His mature oil paintings, which emerged in the 1950s and 1960s, reflect the Atomic Age aesthetic of the period. Often, they resemble crystals or webs; many look like vast labyrinths and are interpreted as symbols of the unconscious mind. Ernst was always interested in spirituality and drew inspiration from indigenous American art...