Missouri - Art

Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research into the chemistry of kiln firing. He includes materials such as glass, metals,...

Kerry Smith Led Zeppelin - Houses Of The Holy Mixed Media on Crescent board Year: 2018 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1632 *Black frame with a mirror-...

Contemporary Figurative Acrylic Painting on Canvas, Floral Background, Realism Growing up in Cuba, I was surrounded by silence where music should have been. Western bands like The ...

3D Hand Constructed Metallic Paper Sculpture, Framed, Wall Mounted, Plexi Cover Michael Velliquette constructs stunningly intricate works made from colored paper. His choice to work...

Artist Unknown The Bob Dylan Poster 1967 Lithograph Open edition 29.25 x 19.75 inches

"On Foot, By Land", Figurative Oil Painting on Canvas, Narrative, Clouds

Ella Fort The Lonesome Road (La course seule) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches F...

Katherine Bello Title: Retracing Steps Medium: mixed media on canvas Year: 2020 Size: 36" x 24" x 1.5" Signed, dated and inscribed by hand COA provided (issued by representing gallery) Katherine Bello's aim as an artist is to capture a sense of place, a moment of time, or a feeling - to evoke a sense of wonder. Bello loves paint and paint brushes; bold, gestural mark-making and the interplay of color. She is influenced by light and landscape, poetry, history and science. Formerly educated in Chemical Engineering and Interior Design, Bello is drawn to the process of creating Something out of Nothing. Abstract, sbstract art...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Joan Miró La Mélodie Acide - 8 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Christopher Wool Assistant, from the Black Book; Black, White Series, 1989 Silkscreen 22 3/5 x 16 3/5 inches (57.4 x 42.2 cm) Edition 345/350

Paul Wunderlich From Portfolio "Twilight" with Karin Szekessy Year: 1971 Medium: Color Lithograph Edition: 125 Size: 33 x 25 in. Publisher: A.A.A., New ...

James Rizzi Sibling Connection Color lithograph Year: 2001 Titled and dated in the print Publisher: John Szoke Editions, New York Size: 3.3 × 4.6 on 6.9 × ...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Ceramic, Wall Hanging Tile, French Cleat, Stoneware, 2D Sculpture, Taming, Tarot “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our bas...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Maroon Carborundum Robe (C. 47), 1991 Published by Pace Editions, New York Jim Dine (American, b. 1935) Woodcut Print Hand Signed, Dated, and Numbered Lower Left Edition 1/12 Lower L...

Jay Patel MADHUBANI STYLE 01 (DECORATED ELEPHANTS) Acrylic on Board Year: 2022 Size: 10x12x1.5in Signed verso COA provided Ref.: 924802-1110 "Inspired by the age-old Madhubani style, these paintings celebrate the beauty within the beasts. Elephants are revered animals in the Indian sub-continent and symbolize lord “Gajendra”! To ascertain justice to the inspiration, every element in the painting is worked upon significantly- the tree denotes long life, the flowers stand for happiness, and the elephant denotes power. Embellished by detailed motifs, the composition undoubtedly spurs a moment of joy in the eyes. The captivating intricacies of the saddle cloth tied with heavy jewelry...

3D Hand Constructed Metallic Paper Sculpture, Framed, Wall Mounted Michael Velliquette constructs stunningly intricate works made from colored paper. His choice to work with an ever...

Contemporary, Oil Painting, Canvas, Figurative, Portrait, "The Arrowed Pillar" “My path through life has been adventurous, exciting, and dream-like. My experience of settling into A...

HENRI DE TOULOUSE-LAUTREC Etude de femme 1948 Lithograph on paper Ed. 166/740 20.5 x 14 inches

Joan Miró Litografia Original IV Color Lithograph Year: 1975 Size: 13.25 x 20 inches (33.65 x 50.8 cm) Catalogue Raisonné: Queneau, Miro Lithographe II, 1952-1963, p.36 Publisher: Ma...

Ted Hinrichs Discovering Red Acrylic on Canvas Year: 2025 Size: 20 x 16 x 0.75 inches (50.8 x 40.64 x 1.9 cm) Signed by hand COA provided *On Stretcher Frame (Painted Edges), ready ...

Kerry Smith R.E.M. - Murmur Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1633 *Black frame with a mirror-gloss finish avail...

Joan Miró La Mélodie Acide - 5 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Arno Waldschmidt Der erotische Waldschmidt Woodcut on handmade paper 1996 Size: 27.55 x 19.68 inches (70 x 50 cm) Edition: 25 Signed, numbered and dated in pencil COA provided *Cond...

Artist : Susan Kiefer Title : Heartland Materials : oil on canvas Date : February 2020 Dimensions : 18" x 24" x 1.5" Though born and raised in Kansas City, artist Susan Kiefer...

Nick Vedros Dog Owner and Dog Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1980s Size: 13.2x12in Edition: 15 Signed, dated a...

Melanie Sherman Vase (Handmade, Pastel, Warm Tones, Smooth, Curvy) Porcelain, Glaze, Cone 6 Firing 2025 Size: 10.5 x 5 x 7.5 inches (26.67 x 12.07 x 19.05 cm) Signed by hand COA pro...

Hand Carved Wood, Assembled Sculpture, Landscape, Wall Hanging, Holly Lane Holly Lane is a painter, sculptor and woodworker, interrogating the relationship between a picture and its...

Jo Stealey is a full-time studio artist, Professor Emerita, former Chair of the Department of Art, and founding Director for the School of Visual Studies at the University of Missour...

Ceramic, Wall Hanging Tile, French Cleat, Stoneware, 2D Sculpture, The Hermit “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic ...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Katherine Bello Bits of Magenta II Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand...

Jack Hayhow Title: Munger Moss Motel Photographic Print on fine Paper Year: 2020 Size: 12x18 inches Description: Available in multiple sizes - please inquiry within Edition: 25 Sign...

Katherine Bello Bits of Magenta Diptych Mixed Media on Board 2025 Size: 12 x 12 inches (30.48 x 30.48cm) (each) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) (each) Signed ...

Spencer Tracy & Deborah Kerr Edward, My Son Black & White Photograph on Photographic Paper Year: 1949 Size: 6.5 x 8 inches (16.51 x 20.32 cm) Stamped verso Publisher: Metro-Goldwyn-...

Untitled (Brown and Blue Shapes) Gouache and watercolor 18.25 x 11.62 inches Framed: 32.5 x 26 inches

Anna Archinger Marwaris, The Sentinel (Equestrian Photography, Horse, Marwari, India, Rare Breed) Archival Pigment Print on Canson® Infinity Pla...

Susan Kiefer Persephone's Choice Oil on Canvas Year: 2019 Size: 40x30x1.35in Signed, dated and inscribed by hand COA provided Ref.: 924802-1659 Nude Persephone in sunglasses sitting...

Lord Fauntleroy Ahmedabad Street Market - FRAMED SET OF 6 Pigment Prints Year: 2015 Visible Size: 9.25 x 9.25 inches (each) Framed: 10.6 x 10.6 inches (each) Signed: On Label Edition...

Born in 1921, Mary Abbott was a first-wave Abstract Expressionist, producing some of the best and earliest examples of fully abstract work with a dramatic sense of movement and infus...

Katherine Bello Bits of Magenta Mixed Media on Board 20235 Size: 12 x 12 inches (30.48 x 30.48cm) Framed: 13 x 13 x 1.25 inches (33.02 x 33.02 x 3.175cm) Signed and titled by hand CO...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

Kensuke Yamada (b. 1979) was born in Kamakura, Kanagawa, Japan. He received his MFA from the University of Montana in 2009 and has a BA from The Evergreen State College, in Olympia, ...

Fritz Glarner Tondo 1964 Original Color Reproduction on Velin d'Arches after painting Size: 10x7.375in Signed in the stone Edition: 2,000 Annotated verso Publisher: Mourlot, Paris Pr...

Scott McMahon grew up in Connecticut and now resides in Columbia, Missouri where he is an Associate Professor of Art at Columbia College. He received his MFA from Massachusetts Colle...

Abstract Contemporary Ceramic Sculpture, Glazed Stoneware Vessel, Red and Blue Maxwell Mustardo is a ceramic artist whose highly textured forms are the result of meticulous research...

Anna Archinger Perfect Drawing (Equestrian Photography, Horse, Akhal Teke, Rare Breed, Black and White) Archival Pigment Print on Canson® Infini...

Maria Deely When Life gives you Lemons 2025 Original Drawing with Colored Pencils Size: 14 x 11 inches (35.56 x 27.94 cm) Signed COA provided Inspired by the serene beauty of the La...

David Morris Red Baron Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached ver...

Joan Miró La Mélodie Acide - 14 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy...

Stella Jae Flood 2023 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24.01 x 18.11 inches (61 x 46cm) Edition: 15 Signed, titled and dated on...

Leonor Fini was born in Argentina in 1907 but travelled and lived in Europe with her mother from a young age. By 1931, she was in Paris, in the full swing of the Surrealist movement....

Title : Coffee Jar Materials : Terracotta, slips, terra sigillata, glaze Date : 2017 Dimensions : 6x7.5x7.5 Description : Wheel thrown and altered, terracot...

After months of isolation during the pandemic, Craig Albright and his 11-year-old daughter started a daily tradition of an afternoon drive. When online classes came to a close each d...