Missouri - Art

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

In the style of Barry McGee Lithograph Edition: 4/6 Signed, numbered, dated and inscribed by the artist Size: 15 x 22 inches Barry McGee was born in 1966 in San Francisco, Californi...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Daniel Brennan Girl with Scarf Oil on Canvas Year: 1960s Size unframed: 42 x 32 inches (106.68 x 81.28 cm) Size framed: 43.5 x 33.5 x 1.5 inches (110.49 x 85.09 x 3.81 cm) Signed alo...

Stephan Küthe Untitled V Giclée on Hahnemühle Velvet Year: 2021 Signed, numbered and dated by hand Edition: 15 Size: 13.0 × 19.5 on 18.3 × 23.8 inches COA provided (gallery issued) ...

Peter Max "Zero Horizontal" (Zero I) 1973 Color Lithograph Ed. 194/300 Signed and Numbered Framed Size: approx. 32 x 25 inches Print Size: approx 20 x 26 inches Peter Max is a multi-dimensional artist focused on contemporary events. When he left art school in the 1960s he began producing, "cosmic imagery . . . that caught on right away, and before you knew it, I got an eight-page cover story in Life magazine." He explores all media, including mass media as a "canvas" for his creative expression. His decorative designs are on a Boeing 777 Continental, Dale Earnhardt's #3 Millennium race car, U.S. postage stamps and 235 U.S. border murals. He created two 155-foot murals for the U.S. Pavilion at the Seville World's Fair in Spain, 12 postage stamps for the Earth Summit in Rio de Janeiro, Brazil, and a 600-foot stage mural for Woodstock 2. He has also painted for five U.S. presidents, as well as the Beatles, Aerosmith and the Rolling Stones. After September 11th, 2001 Peter Max began a project by finishing 356 portraits of the firefighters that were lost in the attack. His portraits were then given to the victims' families. In addition, from a special request from President George W. Bush, he recently created another 356 portraits for a firefighters' memorial. Peter Max has worked with oils, acrylics, water colors, finger paints, dyes, pastels, charcoal, pen, multi-colored pencils, etchings, engravings, animation cells...

Contemporary Cast Glass, Optical Effect, Design, Blue, "Cuttyaugh Rocks Boat" Steven Weinberg's "Cuttyaugh Rocks Boat" is a remarkable contemporary glass sculpture, expertly crafted...

Heather Hollis The Gods Have Awakened Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 12 x 8 inches (30.48 x 20.32 cm) Edition: 15 Signed on label (to be attache...

Glover did not begin her career as an artist. After receiving an MBA from Harvard Business School, she served as an international consultant in strategy, industry best practices, and...

Artist : Kory Twaddle Title : Doorway Materials : Acrylic and sand medium on photographic advertisement board (cardboard) Date : 2018 Dimensions : 8 x 10 x...

Allyson George Not the Priceless Historical Ceramic Jar! (Funny, Witty, Installation) Porcelain, glaze, stoneware, enamel spray paint, epoxy Year: 2025 Size Large Sitting Cup: 20 x 1...

Bai Ming, is a famous contemporary ceramic artist and painter born in September 1965 in Yugan, Jiangxi Province of China. •Director of the Department of Ceramic Art in the Academy of Arts & Design of Tsinghua University. •Executive Vice Director of the Art Museum in the Academy of Arts & Design, Tsinghua University •Member of the International Academy of Ceramics (IAC) of UNESCO. •Secretary-General of the Ceramic Art Council of China Artists Association (CAA). •Deputy Director of Ceramic Art Institute，China National Academy of Painting. •Member of China Oil Painting Society (COPS). •Art Director of China Ceramic Art Net •Executive Editor of Chinese Ceramist magazine. •Director of “Shangyu Celadon” Contemporary International Ceramic Art Center. In 1998, the organizers of the Taipei International Art Fair held the joint exhibition of Bai Ming’s and Picasso’s ceramic works named “Vallauris in France & Jingdezhen in China”. •In 2000, he was honored with the gold prize of The Invitational Exhibition of China Young Ceramic Artists. •In 2004, he was awarded for Contribution to Promotion of the Contemporary Ceramic Art of China in the Great Hall of the People. •Also in 2004, the book Jingdezhen Traditional Ceramic-Making Techniques which written by Bai Ming received the National Book Award. In 2010, at the invitation of IAC, Chinese Cultural Center in Paris and Confucius Institute of Poitiers University, he held the “Oriental Ceramic Story—Bai Ming Ceramic...

Wild horses running painting with wildflowers and ranch located in Wyoming. Southwest art featuring wild horse herd in the frontier West. ::...

Melanie Sherman Bowl with Vintage Chair Earthenware, 24K German Gold Luster, Glaze, Underglaze, China Paints, Vintage Transfers, Multiple Cone 6 Firings, Hand-built 2024 Size: 1.75 ...

Joan Miró La Mélodie Acide - 1 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9 ...

Color silkscreen with enamel inks, flocking and sand on Rising 4-ply museum board

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

A Place Without Time Michael Protiva (20th/21st Century) Signed Lower Left 48 x 60 inches 49.25 x 61.25 inches with frame Michael Protiva's interest i...

Jules Moigniez "Mountain Goat" Bronze approx 11 x 9 x 4 inches Signed Jules Moigniez (1835-1894) Jules Moigniez was born in Senlis sur L'Oise, France ...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

"Growing up in the 1970’s and 80’s, Bryan Burk had a strong interest in the traditionally hand drawn comic books, animation, package and character design that was seeing it’s twiligh...

Peter Max (German, b. 1937) Liberty Head II Signed Lower Right 9.5 x 7.25 inches 23.5 x 21.5 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist ...

John Stobart "St. Louis, A View Through the Arches of the Eads Bridge" 1979 Color Lithograph 32.5 x 37.5 inches framed Signed in Pencil and Numbered 221/75...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and pai...

Running Horse William Henry Dethlef Koerner (German, American, 1878-1938) Pencil on Paper Signed Lower Right 5 x 8 inches 12 x 15 inches with frame William Henry Dethlef Koerner is ...

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Miles Bair was born in New Castle, Pennsylvania. He studied art at Edinboro University and West Virginia University, and is the director of the School of Art at Illinois Wesleyan Uni...

Nora Othic is considered one of the top regionalist painters in the Midwest. She builds on a legacy from her artistic predecessors such as Grant Wood, Thomas Hart Benton and the WPA ...

Henry Miller (American, 1891 - 1980) was an American writer and artist, celebrated for his semi-autobiographical novels and watercolors. Born in Manhattan, NY, he studied at the City...

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

Thomas Hart Benton Self Portrait 1972 Lithograph Image Size: 19.5 x 13.75 inches Matted Size: 28.5 x 22.25 inches Edition: 300 Signed by hand, lower right COA provided Ref.: Fath, 84...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...

Heather Hollis Fire In The Sky Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2021 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Marc Chagall "Le Christ a l'Horloge, Paris" (Christ in the Clock) 1957 (M. 196) Color Lithograph on Arches Wove Paper Signed in Pencil "Marc Chagall" Lower Right Initialed "H.C." (Hors Commerce) Lower Left, aside from numbered edition of 90 *Floated in Gold Frame with Linen Matting, UV Plexiglass Sheet Size: 18 3/4 x 14 3/4 inches (47.5 cm x 38 cm) Image Size: 9 3/4 x 8 1/2 inches Framed Size: 28.5 x 24.25 inches Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson...

Peter Max (German, b. 1937) Katrina Relief Signed Lower Right 24 x 18 inches 38 x 32 inches with frame Peter Max, born Peter Max Finkelstein, is a multi-dimensional artist focused ...

Paul and Linda McCartney, 1971 Henry Diltz (American, b. 1938) Photo Print Laid to Foamcore Board 17 x 11 inches (image) 20 x 16 inches (overall) Hand-signed Lower Right Titled and D...

Belle Cramer (American, 1883 - 1978) was a painter whose vivid color and expressive compositions made her a central figure in mid-20th-century St. Louis a...

Color Lithograph Pencil Signed and Numbered 48/50 Image Size: approx 22 x 29 inches Framed Size: approx 30.25 x 41 inches Antoni Tàpies was born December 13, 1923, in Barcelona and ...

Melanie Sherman Made-To-Order Tile (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) (Fully Decorated Example) Porcelain, Glaze, Chinapaints, 24k German Gold Luster, Pla...

Ella Fort Flower Field (Champ Fleuri) Color Lithograph Signed, numbered or inscribed Edition: 390 + 250 Size: 7.8 × 11.7 on 11.7 × 15.6 inches COA provided *edition number might va...

Roland Martin Abstract Geometric Composition Medium: Color Silkscreen Year: 1972 Signed, numbered and dated by hand Edition: 15 Condition: Minor Defects Size: 23.2 × 16.4 inches COA provided Roland Martin (born July 29, 1927 in Tuttlingen ) is a German sculptor . As a 16-year-old Martin was used in 1943 as a Luftwaffenhelfer, towards the end of the war he was taken prisoner. From 1946 to 1951 he studied at the Bernstein School in Glatt with Hans Ludwig Pfeiffer and Paul Kälberer In 1950 he was for a short time at the State Academy of Fine Arts Karlsruhe, Field Office Freiburg in Freiburg im Breisgau with Wilhelm Gerstel, from 1951 to 1952 he was a student of Fritz Nuss. Since 1952 Martin works as a freelance sculptor in Tuttlingen. Among his students is Jörg Bach...

Katherine Bello Title: Beach Oil, Oil stick and graphite on canvas Year: 2021 Dimensions: 28"x22"x1.5" Signed by hand Canvas on stretcher frame - ready to hang COA provided --------...

Original gouache painting by Juanita Guccione, signed lower recto. Juanita Guccione (American, 1904 - 1999) was an audacious and independent artist wh...

Alongside, 1941 Tod Lindenmuth (American, 1885-1976) Color Woodblock Print 9 x 7 inches 19.75 x 14.5 inches with frame Signed Lower Right Titled and Dated Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Heather Hollis Fjord Reflection Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2023 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached vers...

Heather Hollis Sunset Palms Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2024 Size: 8 x 12 inches (20.32 x 30.48 cm) Edition: 15 Signed on label (to be attached verso) C...

Loetz Diaspora Vase, c. 1900 Glass Stamped on bottom 6 inches tall 3 inches diameter This Loetz vase in the Papillon pattern has blue iridescent Papillon design covering the exterio...

John Stobart "The Statue of Liberty in a Panorama of New York City in 1886" Color Lithograph approx 32 x 43 inches framed Signed in Pencil and Numbered 914/950 A marine painter of ...

Heading Up Trail William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Canvas Board Signed Lower Left 26 x 30 inches 35.25 x 30.75 inches with frame William Henry Dethl...

Peter Stroud (English, 1921-2012) was an abstract Constructivist artist whose work evolved from strict Constructivism into explorations of color and form. Largely self-taught, he als...

This painting is the second in the new series called Art & Architecture. A new series in which an interaction and synergy is sought between art and architecture. This painting is a r...

(after) Diego Rivera "Chapel, Agriculture School, Chapingo" (Forces Under the Earth) 1933 from the portfolio "Frescoes of Diego Rivera" Published by the Museum of Modern Art, NY Approx. 18.5 x 13.5 with Matting Hand-Signed by the Artist Diego Rivera was born on December 13, 1886 in the mountain town of Guanajuato in Mexico. His mother was an ardent Catholic and his father was a rich and aristocratic revolutionary fighter and an atheist. Little Diego decided in favor of atheism. He swore his family had to leave Guanajuato when he was six because of his diatribes against the Church. When he was eleven he attended the San Carlos Academy of Fine Arts; his real teacher was Jose Posada...

John Levee (American, 1924 - 2017) was an American abstract expressionist who studied at the California Institute of Art alongside Mark Rothko, Clifford Still, and Richard Diebenkorn...

Heather Hollis Pink Perception (Floral, Pink, Soft, Warm, Spring, Summer) Archival Pigment Print on Hahnemuehle Rag (or equivalent) 2025 Size: 8 x 14.2 inches (20.32 x 36.06 cm) Edit...

From the estate of Jerry Opper & Ruth Friedmann Opper Yellow Cubist FIgure c. 1940-1950's Gouache 15" x 18", silver wood frame 16"x19" Unsigned This striking gouache painting featur...

LARRY KANTNER Boy with Dog 1980 Acrylic on canvas 52.5 x 40.5 inches

Joseph Orr (b. 1949, Missouri) "Banker's Dream" Acrylic on Canvas Canvas: 9 x 12 Framed Size: approx 12 x 16 Joseph Orr, from Missouri, has been painting p...

Lithograph on washi paper Exemplaire B/165